The Works of Lord Byron Volume II Part 83

Stanza lvii. lines 2, 3, and 4.

The elder Scipio Africa.n.u.s had a tomb if he was not buried at Liternum, whither he had retired to voluntary banishment. This tomb was near the sea-sh.o.r.e, and the story of an inscription upon it, _Ingrata Patria_, having given a name to a modern tower, is, if not true, an agreeable fiction. If he was not buried, he certainly lived there.[606]

"In cos angusta & solitaria uilla Era grand' huom che d' Aphrica s' appella, Perche prima col ferro al uiuo aprilla."[607]

Ingrat.i.tude is generally supposed the vice peculiar to republics; and it seems to be forgotten that for one instance of popular inconstancy, we have a hundred examples of the fall of courtly favourites. Besides, a people have often repented--a monarch seldom or never. Leaving apart many familiar proofs of this fact, a short story may show the difference between even an aristocracy and the mult.i.tude.

Vettor Pisani, having been defeated in 1354 at Portolongo, and many years afterwards in the more decisive action of Pola, by the Genoese, was recalled by the Venetian government, and thrown into chains. The Avvogadori proposed to behead him, but the supreme tribunal was content with the sentence of imprisonment. Whilst Pisani was suffering this unmerited disgrace, Chioza, in the vicinity of the capital,[608] was, by the a.s.sistance of the _Signor of Padua_, delivered into the hands of Pietro Doria. At the intelligence of that disaster, the great bell of St. Mark's tower tolled to arms, and the people and the soldiery of the galleys were summoned to the repulse of the approaching enemy; but they protested they would not move a step, unless Pisani were liberated and placed at their head. The great council was instantly a.s.sembled: the prisoner was called before them, and the Doge, Andrea Contarini, informed him of the demands of the people, and the necessities of the state, whose only hope of safety was reposed in his efforts, and who implored him to forget the indignities he had endured in her service. "I have submitted," replied the magnanimous republican, "I have submitted to your deliberations without complaint; I have supported patiently the pains of imprisonment, for they were inflicted at your command: this is no time to inquire whether I deserved them--the good of the republic may have seemed to require it, and that which the republic resolves is always resolved wisely. Behold me ready to lay down my life for the preservation of my country." Pisani was appointed generalissimo, and, by his exertions, in conjunction with those of Carlo Zeno, the Venetians soon recovered the ascendancy over their maritime rivals.

The Italian communities were no less unjust to their citizens than the Greek republics. Liberty, both with the one and the other, seems to have been a national, not an individual object: and, notwithstanding the boasted _equality before the laws_, which an ancient Greek writer[609]

considered the great distinctive mark between his countrymen and the barbarians, the mutual rights of fellow citizens seem never to have been the princ.i.p.al scope of the old democracies. The world may have not yet seen an essay by the author of _The Italian Republics_, in which the distinction between the liberty of former states, and the signification attached to that word by the happier const.i.tution of England, is ingeniously developed. The Italians, however, when they had ceased to be free, still looked back with a sigh upon those times of turbulence, when every citizen might rise to a share of sovereign power, and have never been taught fully to appreciate the repose of a monarchy. Sperone Speroni, when Francis Maria II. Duke of Rovere proposed the question, "which was preferable, the republic or the princ.i.p.ality--the perfect and not durable, or the less perfect and not so liable to change," replied, "that our happiness is to be measured by its quality, not by its duration; and that he preferred to live for one day like a man, than for a hundred years like a brute, a stock, or a stone." This was thought, and called a _magnificent_ answer down to the last days of Italian servitude.[610]

20.

And the crown Which Petrarch's laureate brow supremely wore, Upon a far and foreign soil had grown.

Stanza lvii. lines 6, 7, and 8.

The Florentines did not take the opportunity of Petrarch's short visit to their city in 1350 to revoke the decree which confiscated the property of his father, who had been banished shortly after the exile of Dante. His crown did not dazzle them; but when in the next year they were in want of his a.s.sistance in the formation of their university, they repented of their injustice, and Boccaccio was sent to Padua to entreat the laureate to conclude his wanderings in the bosom of his native country, where he might finish his _immortal Africa_, and enjoy, with his recovered possessions, the esteem of all cla.s.ses of his fellow citizens. They gave him the option of the book and the science he might condescend to expound: they called him the glory of his country, who was dear, and who would be dearer to them; and they added, that if there was anything unpleasing in their letter, he ought to return amongst them, were it only to correct their style.[611] Petrarch seemed at first to listen to the flattery and to the entreaties of his friend, but he did not return to Florence, and preferred a pilgrimage to the tomb of Laura and the shades of Vaucluse.

21.

Boccaccio to his parent earth bequeathed His dust.

Stanza lviii. lines 1 and 2.

Boccaccio was buried in the church of St. Michael and St. James, at Certaldo, a small town in the Valdelsa, which was by some supposed the place of his birth. There he pa.s.sed the latter part of his life in a course of laborious study, which shortened his existence; and there might his ashes have been secure, if not of honour, at least of repose.

But the "hyena bigots" of Certaldo tore up the tombstone of Boccaccio and ejected it from the holy precincts of St. Michael and St. James. The occasion, and, it may be hoped, the excuse, of this ejectment was the making of a new floor for the church; but the fact is, that the tombstone was taken up and thrown aside at the bottom of the building.

Ignorance may share the sin with bigotry. It would be painful to relate such an exception to the devotion of the Italians for their great names, could it not be accompanied by a trait more honourably conformable to the general character of the nation. The princ.i.p.al person of the district, the last branch of the house of Medicis, afforded that protection to the memory of the insulted dead which her best ancestors had dispensed upon all contemporary merit. The Marchioness Lenzoni rescued the tombstone of Boccaccio from the neglect in which it had some time lain, and found for it an honourable elevation in her own mansion.

She has done more: the house in which the poet lived has been as little respected as his tomb, and is falling to ruin over the head of one indifferent to the name of its former tenant. It consists of two or three little chambers, and a low tower, on which Cosmo II. affixed an inscription. This house she has taken measures to purchase, and proposes to devote to it that care and consideration which are attached to the cradle and to the roof of genius.

This is not the place to undertake the defence of Boccaccio; but the man who exhausted his little patrimony in the acquirement of learning, who was amongst the first, if not the first, to allure the science and the poetry of Greece to the bosom of Italy;--who not only invented a new style, but founded, or certainly fixed, a new language; who, besides the esteem of every polite court of Europe, was thought worthy of employment by the predominant republic of his own country, and, what is more, of the friendship of Petrarch, who lived the life of a philosopher and a freeman, and who died in the pursuit of knowledge,--such a man might have found more consideration than he has met with from the priest of Certaldo, and from a late English traveller, who strikes off his portrait as an odious, contemptible, licentious writer, whose impure remains should be suffered to rot without a record.[612] That English traveller, unfortunately for those who have to deplore the loss of a very amiable person, is beyond all criticism; but the mortality which did not protect Boccaccio from Mr. Eustace, must not defend Mr. Eustace from the impartial judgment of his successors. Death may canonise his virtues, not his errors; and it may be modestly p.r.o.nounced that he transgressed, not only as an author, but as a man, when he evoked the shade of Boccaccio in company with that of Aretine, amidst the sepulchres of Santa Croce, merely to dismiss it with indignity. As far as respects

"Il flagello de' Principi, Il divin Pietro Aretino,"

it is of little import what censure is pa.s.sed upon a c.o.xcomb who owes his present existence to the above burlesque character given to him by the poet, whose amber has preserved many other grubs and worms: but to cla.s.sify Boccaccio with such a person, and to excommunicate his very ashes, must of itself make us doubt of the qualification of the cla.s.sical tourist for writing upon Italian, or, indeed, upon any other literature; for ignorance on one point may incapacitate an author merely for that particular topic, but subjection to a professional prejudice must render him an unsafe director on all occasions. Any perversion and injustice may be made what is vulgarly called a "case of conscience,"

and this poor excuse is all that can be offered for the priest of Certaldo, or the author of the _Cla.s.sical Tour_. It would have answered the purpose to confine the censure to the novels of Boccaccio; and grat.i.tude to that source which supplied the muse of Dryden with her last and most harmonious numbers might, perhaps, have restricted that censure to the objectionable qualities of the hundred tales. At any rate the repentance of Boccaccio might have arrested his exhumation, and it should have been recollected and told, that in his old age he wrote a letter entreating his friend to discourage the reading of the _Decameron_, for the sake of modesty, and for the sake of the author, who would not have an apologist always at hand to state in his excuse that he wrote it when young, and at the command of his superiors.[613]

It is neither the licentiousness of the writer, nor the evil propensities of the reader, which have given to the _Decameron_ alone, of all the works of Boccaccio, a perpetual popularity. The establishment of a new and delightful dialect conferred an immortality on the works in which it was first fixed. The sonnets of Petrarch were, for the same reason, fated to survive his self-admired _Africa_, "the favourite of kings." The invariable traits of nature and feeling with which the novels, as well as the verses, abound, have doubtless been the chief source of the foreign celebrity of both authors; but Boccaccio, as a man, is no more to be estimated by that work, than Petrarch is to be regarded in no other light than as the lover of Laura. Even, however, had the father of the Tuscan prose been known only as the author of the _Decameron_, a considerate writer would have been cautious to p.r.o.nounce a sentence irreconcilable with the unerring voice of many ages and nations. An irrevocable value has never been stamped upon any work solely recommended by impurity.

The true source of the outcry against Boccaccio, which began at a very early period, was the choice of his scandalous personages in the cloisters as well as the courts; but the princes only laughed at the gallant adventures so unjustly charged upon queen Theodelinda, whilst the priesthood cried shame upon the debauches drawn from the convent and the hermitage; and most probably for the opposite reason, namely, that the picture was faithful to the life. Two of the novels are allowed to be facts usefully turned into tales to deride the canonisation of rogues and laymen. Ser Ciappelletto and Marcellinus are cited with applause even by the decent Muratori.[614] The great Arnaud, as he is quoted in Bayle, states, that a new edition of the novels was proposed, of which the expurgation consisted in omitting the words "monk" and "nun," and tacking the immoralities to other names. The literary history of Italy particularises no such edition; but it was not long before the whole of Europe had but one opinion of the _Decameron_; and the absolution of the author seems to have been a point settled at least a hundred years ago: "On se feroit siffler si l' on pretendoit convaincre Boccace de n'avoir pas ete honnete homme, puis qu'il a fait le Decameron." So said one of the best men, and perhaps the best critic that ever lived--the very martyr to impartiality.[615] But as this information, that in the beginning of the last century one would have been hooted at for pretending that Boccaccio was not a good man, may seem to come from one of those enemies who are to be suspected, even when they make us a present of truth, a more acceptable contrast with the proscription of the body, soul, and muse of Boccaccio may be found in a few words from the virtuous, the patriotic contemporary, who thought one of the tales of this impure writer worthy a Latin version from his own pen. "I have remarked elsewhere," says Petrarch, writing to Boccaccio, "that the book itself has been worried by certain dogs, but stoutly defended by your staff and voice. Nor was I astonished, for I have had proof of the vigour of your mind, and I know you have fallen on that unaccommodating incapable race of mortals, who, whatever they either like not, or know not, or cannot do, are sure to reprehend in others; and on those occasions only put on a show of learning and eloquence, but otherwise are entirely dumb."[616]

It is satisfactory to find that all the priesthood do not resemble those of Certaldo, and that one of them who did not possess the bones of Boccaccio would not lose the opportunity of raising a cenotaph to his memory. Bevius, canon of Padua, at the beginning of the sixteenth century, erected at Arqua, opposite to the tomb of the Laureate, a tablet, in which he a.s.sociated Boccaccio to the equal honours of Dante and of Petrarch.

22.

What is her Pyramid of precious stones?

Stanza lx. line 1.

Our veneration for the Medici begins with Cosmo and expires with his grandson; that stream is pure only at the source; and it is in search of some memorial of the virtuous republicans of the family that we visit the church of St. Lorenzo at Florence. The tawdry, glaring, unfinished chapel in that church, designed for the mausoleum of the Dukes of Tuscany, set round with crowns and coffins, gives birth to no emotions but those of contempt for the lavish vanity of a race of despots, whilst the pavement slab, simply inscribed to the Father of his Country, reconciles us to the name of Medici.[617] It was very natural for Corinna[618] to suppose that the statue raised to the Duke of Urbino in the _capella de' depositi_, was intended for his great namesake; but the magnificent Lorenzo is only the sharer of a coffin half hidden in a niche of the sacristy. The decay of Tuscany dates from the sovereignty of the Medici. Of the sepulchral peace which succeeded to the establishment of the reigning families in Italy, our own Sidney has given us a glowing, but a faithful picture. "Notwithstanding all the seditions of Florence, and other cities of Tuscany, the horrid factions of Guelphs and Ghibelins, Neri and Bianchi, n.o.bles and commons, they continued populous, strong, and exceeding rich; but in the s.p.a.ce of less than a hundred and fifty years, the peaceable reign of the Medices is thought to have destroyed nine parts in ten of the people of that province. Amongst other things it is remarkable, that when Philip II. of Spain gave Sienna to the Duke of Florence, his amba.s.sador then at Rome sent him word, that he had given away more than 650,000 subjects; and it is not believed there are now 20,000 souls inhabiting that city and territory. Pisa, Pistoia, Arezzo, Cortona, and other towns, that were then good and populous, are in the like proportion diminished, and Florence more than any. When that city had been long troubled with seditions, tumults, and wars, for the most part unprosperous, they still retained such strength, that when Charles VIII. of France, being admitted as a friend with his whole army, which soon after conquered the kingdom of Naples, thought to master them, the people, taking arms, struck such a terror into him, that he was glad to depart upon such conditions as they thought fit to impose. Machiavel reports, that in that time Florence alone, with the Val d'Arno, a small territory belonging to that city, could, in a few hours, by the sound of a bell, bring together 135,000 well-armed men; whereas now that city, with all the others in that province, are brought to such despicable weakness, emptiness, poverty, and baseness, that they can neither resist the oppressions of their own prince, nor defend him or themselves if they were a.s.saulted by a foreign enemy. The people are dispersed or destroyed, and the best families sent to seek habitations in Venice, Genoa, Rome, Naples, and Lucca. This is not the effect of war or pestilence; they enjoy a perfect peace, and suffer no other plague than the government they are under."[619] From the usurper Cosmo down to the imbecile Gaston, we look in vain for any of those unmixed qualities which should raise a patriot to the command of his fellow-citizens. The Grand Dukes, and particularly the third Cosmo, had operated so entire a change in the Tuscan character, that the candid Florentines, in excuse for some imperfections in the philanthropic system of Leopold, are obliged to confess that the sovereign was the only liberal man in his dominions. Yet that excellent prince himself had no other notion of a national a.s.sembly, than of a body to represent the wants and wishes, not the will of the people.

23.

An Earthquake reeled unheededly away!

Stanza lxiii. line 5.

"And such was their mutual animosity, so intent were they upon the battle, that the earthquake, which overthrew in great part many of the cities of Italy, which turned the course of rapid streams, poured back the sea upon the rivers, and tore down the very mountains, was not felt by one of the combatants."[620] Such is the description of Livy. It may be doubted whether modern tactics would admit of such an abstraction.

The site of the battle of Thrasimene is not to be mistaken. The traveller from the village under Cortona to Casa di Piano, the next stage on the way to Rome, has for the first two or three miles, around him, but more particularly to the right, that flat land which Hannibal laid waste in order to induce the Consul Flaminius to move from Arezzo.

On his left, and in front of him, is a ridge of hills bending down towards the lake of Thrasimene, called by Livy "montes Cortonenses," and now named the Gualandra. These hills he approaches at Ossaja, a village which the itineraries pretend to have been so denominated from the bones found there: but there have been no bones found there, and the battle was fought on the other side of the hill. From Ossaja the road begins to rise a little, but does not pa.s.s into the roots of the mountains until the sixty-seventh milestone from Florence. The ascent thence is not steep but perpetual, and continues for twenty minutes. The lake is soon seen below on the right, with Borghetto, a round tower, close upon the water; and the undulating hills partially covered with wood, amongst which the road winds, sink by degrees into the marshes near to this tower. Lower than the road, down to the right amidst these woody hillocks, Hannibal placed his horse,[621] in the jaws of, or rather above the pa.s.s, which was between the lake and the present road, and most probably close to Borghetto, just under the lowest of the "tumuli."[622] On a summit to the left, above the road, is an old circular ruin, which the peasants call "the tower of Hannibal the Carthaginian." Arrived at the highest point of the road, the traveller has a partial view of the fatal plain, which opens fully upon him as he descends the Gualandra. He soon finds himself in a vale enclosed to the left, and in front and behind him by the Gualandra hills, bending round in a segment larger than a semicircle, and running down at each end to the lake, which obliques to the right and forms the chord of this mountain arc. The position cannot be guessed at from the plains of Cortona, nor appears to be so completely enclosed unless to one who is fairly within the hills. It then, indeed, appears "a place made as it were on purpose for a snare," _locus insidiis natus_. "Borghetto is then found to stand in a narrow marshy pa.s.s close to the hill, and to the lake, whilst there is no other outlet at the opposite turn of the mountains than through the little town of Pa.s.signano, which is pushed into the water by the foot of a high rocky acclivity." There is a woody eminence branching down from the mountains into the upper end of the plain nearer to the side of Pa.s.signano, and on this stands a white village called Torre. Polybius seems to allude to this eminence as the one on which Hannibal encamped, and drew out his heavy-armed Africans and Spaniards in a conspicuous position.[623] From this spot he despatched his Balearic and light-armed troops round through the Gualandra heights to the right, so as to arrive unseen and form an ambush amongst the broken acclivities which the road now pa.s.ses, and to be ready to act upon the left flank and above the enemy, whilst the horse shut up the pa.s.s behind. Flaminius came to the lake near Borghetto at sunset; and, without sending any spies before him, marched through the pa.s.s the next morning before the day had quite broken, so that he perceived nothing of the horse and light troops above and about him, and saw only the heavy-armed Carthaginians in front on the hill of Torre.

The consul began to draw out his army in the flat, and in the mean time the horse in ambush occupied the pa.s.s behind him at Borghetto. Thus the Romans were completely enclosed, having the lake on the right, the main army on the hill of Torre in front, the Gualandra hills filled with the light-armed on their left flank, and being prevented from receding by the cavalry, who, the further they advanced, stopped up all the outlets in the rear. A fog rising from the lake now spread itself over the army of the consul, but the high lands were in the sunshine, and all the different corps in ambush looked towards the hill of Torre for the order of attack. Hannibal gave the signal, and moved down from his post on the height. At the same moment all his troops on the eminences behind and in the flank of Flaminius rushed forwards as it were with one accord into the plain. The Romans, who were forming their array in the mist, suddenly heard the shouts of the enemy amongst them on every side, and before they could fall into their ranks, or draw their swords, or see by whom they were attacked, felt at once that they were surrounded and lost. There are two little rivulets which run from the Gualandra into the lake. The traveller crosses the first of these at about a mile after he comes into the plain, and this divides the Tuscan from the Papal territories. The second, about a quarter of a mile further on, is called "the b.l.o.o.d.y rivulet;" and the peasants point out an open spot to the left between the "Sanguinetto" and the hills, which, they say, was the princ.i.p.al scene of slaughter. The other part of the plain is covered with thick-set olive-trees in corn grounds, and is nowhere quite level, except near the edge of the lake. It is, indeed, most probable that the battle was fought near this end of the valley, for the six thousand Romans, who, at the beginning of the action, broke through the enemy, escaped to the summit of an eminence which must have been in this quarter, otherwise they would have had to traverse the whole plain, and to pierce through the main army of Hannibal.

The Romans fought desperately for three hours; but the death of Flaminius was the signal for a general dispersion. The Carthaginian horse then burst in upon the fugitives, and the lake, the marsh about Borghetto, but chiefly the plain of the Sanguinetto and the pa.s.ses of the Gualandra, were strewed with dead. Near some old walls on a bleak ridge to the left above the rivulet, many human bones have been repeatedly found, and this has confirmed the pretensions and the name of the "stream of blood."

Every district of Italy has its hero. In the north some painter is the usual genius of the place, and the foreign Julio Romano more than divides Mantua with her native Virgil.[624] To the south we hear of Roman names. Near Thrasimene tradition is still faithful to the fame of an enemy, and Hannibal the Carthaginian is the only ancient name remembered on the banks of the Perugian lake. Flaminius is unknown; but the postilions on that road have been taught to show the very spot where _Il Console Romano_ was slain. Of all who fought and fell in the battle of Thrasimene, the historian himself has, besides the generals and Maharbal, preserved indeed only a single name. You overtake the Carthaginian again on the same road to Rome. The antiquary, that is, the hostler of the posthouse at Spoleto, tells you that his town repulsed the victorious enemy, and shows you the gate still called _Porta di Annibale_. It is hardly worth while to remark that a French travel writer, well known by the name of the President Dupaty, saw Thrasimene in the lake of Bolsena, which lay conveniently on his way from Sienna to Rome.

24.

And thou, dread Statue! still existent in The austerest form of naked majesty.

Stanza lx.x.xvii. lines 1 and 2.

The projected division of the Spada Pompey has already been recorded by the historian of the _Decline and Fall of the Roman Empire_. Mr. Gibbon found it in the memorials of Flaminius Vacca; and it may be added to his mention of it, that Pope Julius III. gave the contending owners five hundred crowns for the statue, and presented it to Cardinal Capo di Ferro, who had prevented the judgment of Solomon from being executed upon the image. In a more civilised age this statue was exposed to an actual operation: for the French, who acted the Brutus of Voltaire in the Coliseum, resolved that their Caesar should fall at the base of that Pompey, which was supposed to have been sprinkled with the blood of the original dictator. The nine-foot hero was therefore removed to the arena of the amphitheatre, and, to facilitate its transport, suffered the temporary amputation of its right arm. The republican tragedians had to plead that the arm was a restoration: but their accusers do not believe that the integrity of the statue would have protected it. The love of finding every coincidence, has discovered the true Caesarian ichor in a stain near the right knee; but colder criticism has rejected not only the blood, but the portrait, and a.s.signed the globe of power rather to the first of the emperors than to the last of the republican masters of Rome. Winckelmann[625] is loth to allow an heroic statue of a Roman citizen, but the Grimani Agrippa, a contemporary almost, is heroic; and naked Roman figures were only very rare, not absolutely forbidden. The face accords much better with the "hominem integrum et castum et gravem,"[626] than with any of the busts of Augustus, and is too stern for him who was beautiful, says Suetonius, at all periods of his life.

The pretended likeness to Alexander the Great cannot be discerned, but the traits resemble the medal of Pompey.[627] The objectionable globe may not have been an ill-applied flattery to him who found Asia Minor the boundary, and left it the centre of the Roman empire. It seems that Winckelmann has made a mistake in thinking that no proof of the ident.i.ty of this statue with that which received the b.l.o.o.d.y sacrifice can be derived from the spot where it was discovered.[628] Flaminius Vacca says _sotto una cantina_, and this cantina is known to have been in the Vicolo de' Leutari, near the Cancellaria; a position corresponding exactly to that of the Ja.n.u.s before the basilica of Pompey's theatre, to which Augustus transferred the statue after the _curia_ was either burnt or taken down.[629] Part of the "Pompeian shade,"[630] the portico, existed in the beginning of the XVth century, and the _atrium_ was still called _Satrum_. So says Blondus.[631] At all events, so imposing is the stern majesty of the statue, and so memorable is the story, that the play of the imagination leaves no room for the exercise of the judgment, and the fiction, if a fiction it is, operates on the spectator with an effect not less powerful than truth.

25.

And thou, the thunder-stricken nurse of Rome!

Stanza lx.x.xviii. line 1.

Ancient Rome, like modern Sienna, abounded most probably with images of the foster-mother of her founder; but there were two she-wolves of whom history makes particular mention. One of these, _of bra.s.s in ancient work_, was seen by Dionysius[632] at the temple of Romulus, under the Palatine, and is universally believed to be that mentioned by the Latin historian, as having been made from the money collected by a fine on usurers, and as standing under the Ruminal fig-tree.[633] The other was that which Cicero[634] has celebrated both in prose and verse, and which the historian Dion also records as having suffered the same accident as is alluded to by the orator.[635] The question agitated by the antiquaries is, whether the wolf now in the Conservator's Palace is that of Livy and Dionysius, or that of Cicero, or whether it is neither one nor the other. The earlier writers differ as much as the moderns: Lucius Faunus[636] says, that it is the one alluded to by both, which is impossible, and also by Virgil, which may be. Fulvius Ursinus[637] calls it the wolf of Dionysius, and Marlia.n.u.s[638] talks of it as the one mentioned by Cicero. To him Rycquius _tremblingly_ a.s.sents.[639]

Nardini is inclined to suppose it may be one of the many wolves preserved in ancient Rome; but of the two rather bends to the Ciceronian statue.[640] Montfaucon[641] mentions it as a point without doubt. Of the latter writers the decisive Winckelmann[642] proclaims it as having been found at the church of Saint Theodore, where, or near where, was the temple of Romulus, and consequently makes it the wolf of Dionysius.

His authority is Lucius Faunus, who, however, only says that it _was placed_, not _found_, at the Ficus Ruminalis, by the Comitium, by which he does not seem to allude to the church of Saint Theodore. Rycquius was the first to make the mistake, and Winckelmann followed Rycquius.

Flaminius Vacca tells quite a different story, and says he had heard the wolf with the twins was found[643] near the arch of Septimius Severus.

The commentator on Winckelmann is of the same opinion with that learned person, and is incensed at Nardini for not having remarked that Cicero, in speaking of the wolf struck with lightning in the Capitol, makes use of the past tense. But, with the Abate's leave, Nardini does not positively a.s.sert the statue to be that mentioned by Cicero, and if he had, the a.s.sumption would not perhaps have been so exceedingly indiscreet. The Abate himself is obliged to own that there are marks very like the scathing of lightning in the hinder legs of the present wolf; and, to get rid of this, adds, that the wolf seen by Dionysius might have been also struck by lightning, or otherwise injured.

Let us examine the subject by a reference to the words of Cicero. The orator in two places seems to particularise the Romulus and the Remus, especially the first, which his audience remembered to _have been_ in the Capitol, as being struck with lightning. In his verses he records that the twins and wolf both fell, and that the latter left behind the marks of her feet. Cicero does not say that the wolf was consumed: and Dion only mentions that it fell down, without alluding, as the Abate has made him, to the force of the blow, or the firmness with which it had been fixed. The whole strength, therefore, of the Abate's argument hangs upon the past tense; which, however, may be somewhat diminished by remarking that the phrase only shows that the statue was not then standing in its former position. Winckelmann has observed that the present twins are modern; and it is equally clear that there are marks of gilding on the wolf, which might therefore be supposed to make part of the ancient group. It is known that the sacred images of the Capitol were not destroyed when injured by time or accident, but were put into certain underground depositories, called _favissae_.[644] It may be thought possible that the wolf had been so deposited, and had been replaced in some conspicuous situation when the Capitol was rebuilt by Vespasian. Rycquius, without mentioning his authority, tells that it was transferred from the Comitium to the Lateran, and thence brought to the Capitol. If it was found near the arch of Severus, it may have been one of the images which Orosius[645] says was thrown down in the Forum by lightning when Alaric took the city. That it is of very high antiquity the workmanship is a decisive proof; and that circ.u.mstance induced Winckelmann to believe it the wolf of Dionysius. The Capitoline wolf, however, may have been of the same early date as that at the temple of Romulus. Lactantius[646] a.s.serts that in his time the Romans worshipped a wolf; and it is known that the Lupercalia held out to a very late period[647] after every other observance of the ancient superst.i.tion had totally expired. This may account for the preservation of the ancient image longer than the other early symbols of Paganism.

It may be permitted, however, to remark, that the wolf was a Roman symbol, but that the worship of that symbol is an inference drawn by the zeal of Lactantius. The early Christian writers are not to be trusted in the charges which they make against the Pagans. Eusebius accused the Romans to their faces of worshipping Simon Magus, and raising a statue to him in the island of the Tyber. The Romans had probably never heard of such a person before, who came, however, to play a considerable, though scandalous part in the church history, and has left several tokens of his aerial combat with St. Peter at Rome; notwithstanding that an inscription found in this very island of the Tyber showed the Simon Magus of Eusebius to be a certain indigenal G.o.d called Semo Sangus or Fidius.[648]

Even when the worship of the founder of Rome had been abandoned it was thought expedient to humour the habits of the good matrons of the city, by sending them with their sick infants to the church of Saint Theodore, as they had before carried them to the temple of Romulus.[649] The practice is continued to this day; and the site of the above church seems to be thereby identified with that of the temple; so that if the wolf had been really found there, as Winckelmann says, there would be no doubt of the present statue being that seen by Dionysius.[650] But Faunus, in saying that it was at the Ficus Ruminalis by the Comitium, is only talking of its ancient position as recorded by Pliny; and, even if he had been remarking where it was found, would not have alluded to the church of Saint Theodore, but to a very different place, near which it was then thought the Ficus Ruminalis had been, and also the Comitium; that is, the three columns by the church of Santa Maria Liberatrice, at the corner of the Palatine looking on the Forum.

It is, in fact, a mere conjecture where the image was actually dug up; and perhaps, on the whole, the marks of the gilding, and of the lightning, are a better argument in favour of its being the Ciceronian wolf than any that can be adduced for the contrary opinion. At any rate, it is reasonably selected in the text of the poem as one of the most interesting relics of the ancient city,[651] and is certainly the figure, if not the very animal to which Virgil alludes in his beautiful verses:--

"Geminos huic ubera circ.u.m Ludere pendentes pueros, et lambere matrem Impavidos; illam, tereti cervice reflexam, Mulcere alternos, et corpora fingere lingua."[652]

26.

For the Roman's mind Was modelled in a less terrestrial mould.

Stanza xc. lines 3 and 4.

It is possible to be a very great man and to be still very inferior to Julius Caesar, the most complete character, so Lord Bacon thought, of all antiquity. Nature seems incapable of such extraordinary combinations as composed his versatile capacity, which was the wonder even of the Romans themselves. The first general--the only triumphant politician--inferior to none in eloquence--comparable to any in the attainments of wisdom, in an age made up of the greatest commanders, statesmen, orators, and philosophers that ever appeared in the world--an author who composed a perfect specimen of military annals in his travelling carriage--at one time in a controversy with Cato, at another writing a treatise on punning, and collecting a set of good sayings--fighting and making love at the same moment, and willing to abandon both his empire and his mistress for a sight of the Fountains of the Nile. Such did Julius Caesar appear to his contemporaries, and to those of the subsequent ages who were the most inclined to deplore and execrate his fatal genius.