The Works of Guy de Maupassant Volume IV Part 21

"At last it was time to go to bed, and while I was clearing the table, which had been laid in front of the fire, she undressed herself quickly, and got in. My neighbors were making a terrible din, singing and laughing like lunatics, and so I said to myself:

"'I was quite right to go out and bring in this girl; I should never have been able to do any work.'

"At that moment, however, a deep groan made me look round, and I said:

"'What is the matter with you, my dear?'

"She did not reply, but continued to utter painful sighs, as if she were suffering horribly, and I continued:

"'Do you feel ill?' And suddenly she uttered a cry, a heartrending cry, and I rushed up to the bed, with a candle in my hand.

"Her face was distorted with pain, and she was wringing her hands, panting and uttering long, deep groans, which sounded like a rattle in the throat, and which are so painful to hear, and I asked her in consternation:

"'What is the matter with you? Do tell me what is the matter.'

"'Oh! my stomach! my stomach!' she said. I pulled up the bed-clothes, and I saw ... My friends, she was in labor.

"Then I lost my head, and I ran and knocked at the wall with my fists, shouting: 'Help! help!'

"My door was opened almost immediately, and a crowd of people came in, men in evening dress, women in low necks, harlequins, Turks, Musketeers, and this inroad startled me so, that I could not explain myself, and they, who had thought that some accident had happened, or that a crime had been committed, could not understand what was the matter. At last, however, I managed to say:

"'This ... this ... woman ... is being confined.'

"Then they looked at her, and gave their opinion, and a Friar, especially, declared that he knew all about it, and wished to a.s.sist nature, but as they were all as drunk as pigs, I was afraid that they would kill her, and I rushed downstairs without my hat, to fetch an old doctor, who lived in the next street. When I came back with him, the whole house was up; the gas on the stairs had been relighted, the lodgers from every floor were in my room, while four boatmen were finishing my champagne and lobsters.

"As soon as they saw me they raised a loud shout, and a milkmaid presented me with a horrible little wrinkled specimen of humanity, that was mewing like a cat, and said to me:

"'It is a girl.'

"The doctor examined the woman, declared that she was in a dangerous state, as the event had occurred immediately after supper, and he took his leave, saying he would immediately send a sick nurse and a wet nurse, and an hour later, the two women came, bringing all that was requisite with them.

"I spent the night in my armchair, too distracted to be able to think of the consequences, and almost as soon as it was light, the doctor came again, who found his patient very ill, and said to me:

"'Your wife, Monsieur....'

"'She is not my wife,' I interrupted him.

"'Very well then, your mistress; it does not matter to me.'

"He told me what must be done for her, what her diet must be, and then wrote a prescription.

"What was I to do? Could I send the poor creature to the hospital? I should have been looked upon as a brute in the house and in all the neighborhood, and so I kept her in my rooms, and she had my bed for six weeks.

"I sent the child to some peasants at Poissy to be taken care of, and she still costs me fifty francs[9] a month, for as I had paid at first, I shall be obliged to go on paying as long as I live, and later on, she will believe that I am her father. But to crown my misfortunes, when the girl had recovered ... I found that she was in love with me, madly in love with me, the baggage!"

[Footnote 9: 2]

"Well?"

"Well, she had grown as thin as a homeless cat, and I turned the skeleton out of doors, but she watches for me in the streets, hides herself, so that she may see me pa.s.s, stops me in the evening when I go out, in order to kiss my hand, and, in fact, worries me enough to drive me mad; and that is why I never keep Christmas eve now."

WORDS OF LOVE

Sunday.--

You do not write to me, I never see you, you never come, so I must suppose that you have ceased to love me. But why? What have I done? Pray tell me, my own dear love. I love you so much, so dearly! I should like always to have you near me, to kiss you all day while I called you every tender name that I could think of. I adore you, I adore you, I adore you, my beautiful c.o.c.k.--Your affectionate hen,

SOPHIE.

Monday.--

My dear friend,

You will absolutely understand nothing of what I am going to say to you, but that does not matter, and if my letter happens to be read by another woman, it may be profitable to her.

Had you been deaf and dumb, I should no doubt have loved you for a very long time, and the cause of what has happened is, that you can talk; that is all.

In love, you see, dreams are always made to sing, but in order that they might do so, they must not be interrupted, and when one talks between two kisses, one always interrupts that frenzied dream which our souls indulge in, unless they utter sublime words; and sublime words do not come out of the little mouths of pretty girls.

You do not understand me at all, do you? So much the better, and I will go on. You are certainly one of the most charming and adorable women whom I have ever seen.

Are there any eyes on earth that contain more dreams than yours, more unknown promises, greater depths of love? I do not think so. And when that mouth of yours, with its two round lips, smiles, and shows the glistening white teeth, one is tempted to say that there issues from this ravishing mouth ineffable music, something inexpressibly delicate, a sweetness which extorts sighs.

It is then that you quietly call out to me, my great and renowned "lady-killer," and it then seems to me as though I had suddenly found an entrance into your thoughts, which I can see is ministering to your soul--that little soul of a pretty, little creature, yes, pretty, but--and that is what troubles me, don't you see, troubles me more than tongue can tell. I would much prefer never to see you at all.

You go on pretending not to understand anything, do you not? I calculate on that.

Do you remember the first time you came to see me at my residence?

How gaily you stepped inside, an odor of violets, which clung to your skirts, heralding your entrance; how we regarded each other, for ever so long, without uttering a word, after which we embraced like two fools.... Then ... then from that time to this, we have never exchanged a word.

But when we separated, did not our trembling hands and our eyes say many things, things ... which cannot be expressed in any language. At least, I thought so; and when you went away, you murmured:

"We shall meet again soon!"

That was all you said, and you will never guess what delightful dreams you left me, all that I, as it were, caught a glimpse of, all that I fancied I could guess in your thoughts.

You see, my poor child, for men who are not stupid, who are rather refined and somewhat superior, love is such a complicated instrument, that the merest trifle puts it out of order. You women never perceive the ridiculous side of certain things when you love, and you fail to see the grotesqueness of some expressions.

Why does a word which sounds quite right in the mouth of a small, dark woman, seem quite wrong and funny in the mouth of a fat, light-haired woman? Why are the wheedling ways of the one, altogether out of place in the other?

Why is it that certain caresses which are delightful from the one, should be wearisome from the other? Why? Because in everything, and especially in love, perfect harmony, absolute agreement in motion, voice, words, and in demonstrations of tenderness, are necessary, with the person who moves, speaks and manifests affection; it is necessary in age, in height, in the color of the hair, and in the style of beauty.