The Women of the Caesars Part 5

The situation gradually became grave and dangerous. The state, governed with intelligence, but without energy, with vast contradictions and hesitations, was being strengthened along certain lines and was going to pieces along others. The power and extortions of the freedmen were breeding discontent on every hand. Both through what she really did, and what the populace said she had done, Messalina was being transformed by the people into a legendary personage whose infamous deeds aroused general indignation; but all in vain.

It now became quite evident that an empress was virtually invulnerable, and that, once enthroned upon the Palatine, there was no effective means of protesting against the various ways in which she could abuse her lofty position unless the emperor wished to interfere. In its exasperation, the public finally vented upon Claudius the anger which the violence and misconduct of Messalina had aroused. They declared that it was his weakness which was responsible for her conduct; and intrigues, deeds of violence, conspiracies, and attempts at civil war became, as Suetonius says, every-day occurrences at Rome.

A sense of insecurity and doubt was spreading throughout the state as a result of the indecision of the emperor, and all began to ask themselves how long a government could last which was at the mercy of a wanton. The violent death of Caligula, which was still fresh in the minds of the people, added to this wide-spread feeling of insecurity and alarm. As Caligula, notwithstanding the pontifical sacredness of his person, had been slain, to the apparent satisfaction of everybody, in his palace by a handful of his supposed friends and supporters, it seemed possible that the tragedy might easily be repeated in the case of Claudius. Could not the whole Claudian government be overturned,--in a single night, perhaps, as that of Caligula had been overturned? All hearts were filled with suspicion, distrust, and alarm, and many concluded that since Claudius had not succeeded in ridding the empire of Messalina it would be well to rid it of Claudius.

[Ill.u.s.tration: Messalina, third wife of Claudius.]

So for seven years Messalina remained the great weakness of a government which possessed signal merits and accomplished great things.

Of all the emperors in the family of Augustus, Claudius was certainly the one whose life was most seriously threatened, especially because of his wife. Such a situation could not endure.

It finally resolved itself into a tragic scandal, which, if we could believe Suetonius and Tacitus, would certainly have been the most monstrous extravagance to which an imagination depraved by power could have abandoned itself. According to these writers, Messalina, at a loss for some new form of dissipation, one fine day took it into her head to marry Silius, a young man with whom she was very much in love, who belonged to a distinguished family, and who was the consul-designate. According to them, for the pleasure of shocking the imperial city with the sacrilege of a bigamous union, she actually did marry him in Rome, with the most solemn religious rites, while Claudius was at Ostia! But is this credible, at least without admitting that Messalina had suddenly gone insane? To what end and for what reason would she have committed such a sacrilege, which struck at the very heart of popular sentiment? Dissolute, cruel, and avaricious Messalina certainly was, but mad she was not. And even if we are willing to admit that she had gone mad, is it conceivable that all those who would have had to lend her their services in the staging of this revolting farce had also gone mad? It is difficult to suppose that they acted through fear, for the empress had no such power in Rome that she could constrain conspicuous persons publicly to commit such sacrilege.

This episode would probably be an unfathomable enigma had not Suetonius by chance given us the key to its solution: "Nam illud omnem fidem excesserit, quod nuptiis, quas Messalina c.u.m adultero Silio fecerat, tabellas dotis et ipse consignaverit" ("For that which would pa.s.s all belief is the fact that in the marriage which Messalina contracted with the adulterer Silius, he himself [Claudius] should have signed the figures for the dowry"). If Claudius himself gave a dowry to the bride, he therefore knew that the marriage of Messalina and Silius was to take place; and it is precisely this fact which seems so incredible to Suetonius. But we know that in the Roman aristocracy a man could give away his own wife in this manner; for have we not recounted in this present history how Livia was dowered and given in marriage to Augustus by her first husband, the grandfather of Claudius? The deeding of a wife with a dowry was a part of the somewhat bizarre marriage customs of the Roman aristocracy, which gradually lost ground in the first and second century of our era in proportion as the prestige and power of that aristocracy declined, and in proportion as the middle cla.s.ses acquired influence in the state and succeeded in imposing upon it their ideas and sentiments. The pa.s.sage in Suetonius proves to us that he no longer understood this matrimonial custom, and it is doubtful whether even Tacitus thoroughly understood it. Nor is it improbable that it should have seemed strange even to many of the contemporaries of Claudius. We could therefore explain how, not really understanding what had happened, the historians of the following century should have believed that Messalina had married Silius while she was still the wife of Claudius.

In short, Claudius had been persuaded to divorce Messalina and to marry her to Silius. The pa.s.sage from Suetonius, if carefully interpreted, clearly tells us this. What means were employed to persuade Claudius to consent to this new marriage we do not know. Suetonius refers to this, but he is not clear. In any case, this point is less important than that other question: Why was Messalina, after seven years of empire, willing to divorce Claudius and marry Silius? The problem is not an easy one, but after long examination I have decided to accept with slight modification the explanation given by Umberto Silvagni in his beautiful work, "The Empire and the Women of the Caesars," a book which contains many original ideas and much acute observation.

[Ill.u.s.tration: The philosopher Seneca.]

Silvagni, who is an excellent student of Roman history, has well brought out how Silius belonged to a family of the aristocracy famous for its devotion to the party of Germanicus and Agrippina. His father, who had been a great friend of Germanicus, had been one of the victims of Seja.n.u.s, and accused in the time of Tiberius under the law of high treason, he had committed suicide. His mother, Sosia Galla, had been condemned to exile on account of her devotion to Agrippina. Starting out with these considerations, and examining acutely the accounts of all the ancient historians, Silvagni concluded that behind this marriage there lay a conspiracy to ruin Claudius and to put Caius Silius in his place. Messalina must sooner or later have felt that the situation was an impossible one, that Claudius was not a sufficiently strong or energetic emperor to be able to impose the disorganized government of himself and his freedmen upon the empire, and that any day he might fall a prey to a plot or an a.s.sa.s.sination. What would happen, she must have asked herself, if Claudius, like Caligula, should some day be despatched by a conspiracy? The same fate would doubtless be waiting for her, for, having killed him, the conspirators would certainly murder her also. Consequently she entertained the idea of ruining the emperor herself in order to contribute to the elevation of his successor, and thus to preserve at his side the position which she had occupied in the court of Claudius. But once Claudius had been slain, there would be no other member of the family of Augustus old enough to govern. She therefore decided to choose him in a family famous for its devotion to Germanicus and the more popular branch of the house, thus hoping the more easily to win over the legions and the pretorians to the cause of the new emperor, Since the descendants of Drusus were dead, what other option remained to her than to choose a successor in the families of the aristocracy who had shown for them the greatest devotion and love?

Thus, for the first time, a woman was placed at the head of a really vast political conspiracy destined to wrest the supreme power from the family of Augustus; and this woman proved her sagacity by knowing how to organize this great plot so well and so opportunely that the most intelligent and influential among the freedmen of Claudius debated for a long time whether they would join her or throw in their lot with the emperor. So doubtful seemed the issue of this struggle between the weak husband and the energetic, audacious, and unscrupulous wife! They allowed Messalina and Silius to enlist friends and partisans in every part of Roman society, to come to an understanding with the prefect of the guards, to obtain the divorce from Claudius, even to celebrate their marriage, without opening the eyes of the emperor. Claudius would probably have been destroyed if at the last moment Narcissus had not decided to rush to the emperor, who was at Ostia, and, by terrifying him in some unspeakable way, had not induced him to stamp out the conspiracy with a bold and unexpected stroke. There followed one of those periods of judicial murder which for more than thirty years had been costing much Roman blood, and in this slaughter Messalina, too, was overthrown.

After the discovery of the conspiracy, Claudius made a harangue to the soldiers, in which he told them that as he had not been very successful in his marriages he did not intend to take another wife. The proposal was wise, but difficult of execution, for there were many reasons why the emperor needed to have a woman at his side. We very soon find Claudius consulting his freedmen on the choice of a new wife. There was much discussion and uncertainty, but the choice finally fell upon Agrippina. That choice was significant. Agrippina was the niece of Claudius, and marriages between uncle and niece, if not exactly prohibited, were looked upon by the Romans with a profound revulsion of feeling. Claudius and his freedmen could not have decided to face this repugnance except for serious and important reasons. Among these the most serious was probably that after the experience with Messalina, it seemed best not to go outside the family. An empress belonging to the family would not be so likely to plot against the descendants of Augustus as had been this strange woman, who belonged to one of those aristocratic families who deeply hated the imperial house. Agrippina, furthermore, was the daughter of Germanicus. This was a powerful recommendation with the people, the pretorian cohorts, and the legions.

In addition, she was intelligent, cultured, simple, and economical; she had grown up in the midst of political affairs, she knew how the empire was governed, and up to this point she had lived a life above reproach.

She seemed to be the woman above all others destined to make the people forget Messalina and to reestablish among the ma.s.ses respect for the family of Augustus, now seriously compromised by many scandals and dissensions. Furthermore, she did not seem to suffer too much by comparison with Livia.

Claudius asked the senate to authorize marriages between uncles and nieces, as he did not dare to a.s.sume the responsibility of going counter to public sentiment. And thus the daughter of Germanicus and the sister of Caligula became an empress.

VI

AGRIPPINA, THE MOTHER OF NERO

It is possible, as Tacitus says, that marriage with Claudius was the height of Agrippina's ambition, but it is also possible that it was an act of supreme self-sacrifice on the part of a woman who had been educated in the traditions of the Roman aristocracy, and who therefore considered herself merely a means to the political advancement of her relatives and her children.

I am rather inclined to accept this second explanation. When she married Claudius, Agrippina not only married an uncle who was much older than herself, and who must necessarily prove a rather difficult and disagreeable husband, but she bound up her fate with that of a weak emperor whose life was continually threatened by plots and revolts, and whose hesitations and terrors plainly portended that he would one day end by precipitating the imperial authority and government into some bizarre and terrible catastrophe. For Agrippina it meant that she was blindly staking her life and her honor, and that she would lose them both should she fail to compensate for the innumerable deficiencies of her strange husband through her own intelligence and strength of will.

Every one will recognize how difficult was the task which she had undertaken.

But at the beginning fortune favored Agrippina as she boldly took up the work that lay before her. The wild pranks of Caligula and the scandals of Messalina had aroused an immeasurable disgust in Rome and Italy. Every one was out of patience. The senate as well as the people were demanding a stronger, more coherent, and respectable government, which would end the scandals, suits, and atrocious personal and family quarrels which were dividing Rome. Agrippina was the daughter of Germanicus, the granddaughter of Drusus, and she had in her veins the blood of the Claudii, with all their pride, their energy, their puritanical, conservative, and aristocratic spirit, and the moment she appeared, all hopes were centered in her. Although she was a sort of feminine Tiberius, and in the purity of her life resembled her mother and her great-grandmother Livia, Tacitus nevertheless maligns her for her relationships with Pallas and Seneca. The fact that Messalina, even with her implacable hatred, failed to bring about her downfall under the _Lex de adulteriis_, proves the unreliability of these statements, and Tacitus proves it himself when he says that she suffered no departure from chast.i.ty unless it helped her power (_Nihil domi impudic.u.m nisi dominationi expediret_). This means that Agrippina was a lady of irreproachable life; for if there is one thing which stands out clearly in the history of this remarkable woman, it is that both her rise and her fall depended upon causes of such a nature that not even her womanly charms could have increased her power or r.e.t.a.r.ded her ruin. All hearts were therefore filled with hope when they saw this respectable, active, and energetic woman take her place at the side of Claudius the weakling, for she brought back the memory of the most venerated personages of the family of Augustus.

[Ill.u.s.tration: The Emperor Nero.]

The new empress, encouraged by this show of favor, applied herself with all the strength of her impa.s.sioned nature to the task of again making operative in the state those traditional ideas of the n.o.bility in which Livia had educated first Tiberius and Drusus, then Germanicus, and then Agrippina herself. In this descendant of hers the spirit of the great-grandmother finally reappeared, for it had been eclipsed by the fatal and terrible struggle between Tiberius and Agrippina, by the madness of Caligula, and the comic scandals of the first part of the reign of Claudius. All this served to bring back into the state a little of that authoritative vigor which the n.o.bility in the time of its splendor had considered the highest ideal of government. Tacitus says of her rule that it was as rigid as if a man's (_adductum et quasi virile_). This signifies that under the influence of Agrippina the laxity and disorder of the first years of Claudius's reign gave place to a certain order and discipline. Severity there was, and more often haughtiness (_palam severitas ac saepius superbia_). The freedmen who had formerly been so powerful and aggressive, now stepped aside, which is an evident sign that their petulance had now found a check in the energy of Agrippina. The state finances and the fortune of the imperial house were reorganized, for Agrippina, like Livia and like all the ladies of the great Roman n.o.bility, was an excellent administrator, frugal, and ever watchful of her slaves and freedmen, and careful of all items of income and expense. The Roman aristocracy, like all other aristocracies, hated the parvenus, the men of sudden riches, traffickers who had too quickly become wealthy, and all persons whose only aim was to ama.s.s money. We know that Agrippina sought to prevent as far as possible the malversations of public funds by which the powerful freedmen of Claudius had been enriching themselves. After she became empress we hear accounts of numerous suits inst.i.tuted against personages who had been guilty of wasting public treasure, while under Messalina no such cases were brought forward. We know, furthermore, that she reestablished the fortune of the imperial family, which in all probability had been seriously compromised by the reckless expenditures of Messalina. This is what Tacitus refers to in one of his sentences, which, as usual, is colored by his malignity: _Cupido auri immensa obtentum habebat quasi subsidium regno pararetur_ (She sought to enrich the family under the pretext of providing for the needs of the empire).

What Tacitus calls a "pretext" was, on the contrary, the ancient aristocratic conception of wealth, which in the eyes of the great families was destined to be a means of government and an instrument of power: the family possessed it in order to use it for the benefit of the state.

In short, Agrippina attempted to revive the aristocratic traditions of government which had inspired the policies of Augustus and Tiberius.

Not only did she attempt to do this, but, strange as it may seem, she succeeded almost without a struggle. The government of Agrippina was from the first a great success. From the moment when she became empress there is discernible in the entire administration a greater firmness and consistency of policy. Claudius no longer seems, as formerly, to be at the mercy of his freedmen and the fleeting impulses of the moment, and even the dark shadows of the time are lighted up for some years. A certain concord and tranquillity returned to the imperial house, to the aristocracy, to the senate, and to the state.

Although Tacitus accuses Agrippina of having made Claudius commit all sorts of cruelties, it is certain that trials, scandals, and suicide became much less frequent under her rule. During the six years that Claudius lived after his marriage with Agrippina, scandalous tragedies became so rare that Tacitus, being deprived of his favorite materials, set down the story of these six years in a single book. In other words, Agrippina encountered virtually no opposition, while Tiberius and even Augustus, when they wished to govern according to the traditions of the ancient n.o.bility, had to combat the party of the new aristocracy, with its modern and oriental tendencies. This party no longer seemed to exist when Agrippina urged Claudius to continue resolutely in the policy of his ancestors, for one party only, that of the old n.o.bility, seemed with Agrippina to control the state. This must have been the result partly of the disgust for the scandals of the previous decade, which had made every one realize the need of restoring more serious discipline in the government, and partly of the exhaustion which had come upon both parties as the result of so many struggles, reprisals, suits, and scandals. The force of the opposition in the two factions gradually diminished. A greater gentleness induced all to accept the direction of the government without resistance, and the authority of the emperor and his counselors acquired greater importance in proportion as the strength of the opposition in the aristocracy and the senate became gradually weaker.

[Ill.u.s.tration: Agrippina the Younger, sister of Caligula and mother of Nero.]

In any case, the empire was no longer to have forced upon it the ridiculous and scandalous spectacle of such weaknesses and incongruities as had seriously compromised the prestige of the highest authority in the first period of the reign of Claudius. But Agrippina was not content with merely making provision as best she could for the present; she also looked forward to the future. She had had a son by her first husband, and at the time of her marriage with Claudius this youth was about eleven years old. It is in connection with her plans for this son that Tacitus brings his most serious charges against Agrippina. According to his story, from the first day of her marriage Agrippina attempted to make of her son, the future Emperor Nero, the successor of Claudius, thereby excluding Britannicus, the son of Messalina, from the throne.

To obtain this end, she spared, he says, neither intrigues, fraud, nor deceit; she had Seneca recalled from exile and appointed tutor of her child. She removed from office the two commanders of the pretorian guard, who were creatures of Messalina, and in their stead she had elected one of her own, a certain Afranius Burrhus. She laid pitfalls for Britannicus and surrounded him with spies, and in the year 50, by dint of much intrigue and many caresses, she finally succeeded in having Claudius adopt her son. But this whole story is merely a complicated and fantastic romance, embroidered about a truth which in itself is comparatively simple. Tacitus himself tells us that Agrippina was a most exacting mother; that is, a mother of the older Roman type--in his own words, _trux et minax_. She did not follow the gentle methods of the newer education, which were gradually being introduced into the great families, and she had brought up her son in the ancient manner with the greatest simplicity. It is well to keep in mind, furthermore, that neither Britannicus nor Nero had any right to the throne of Claudius. The hereditary principle did not yet exist in the imperial government: the senate was free to choose whomsoever it wished. To be sure, up to that time the choice had always fallen upon a member of the Augustan family; but it had only been because it was easier to find there persons who were known and respected, who commanded the admiration of the soldiers in distant regions, and who had received a certain preparation for the diverse and often difficult duties of their office. And it was precisely for this reason that Augustus and Tiberius had always sought to prepare more than one youth for the highest office, both in order that the senate might have a certain freedom of choice, and also that there might be some one in reserve, in case one of these young men should disappoint the hopes of the empire or should die prematurely, as so many others had died. That she should have persuaded Claudius to adopt her son does not mean, therefore, that she wished to set Britannicus aside and give the advantage to Nero. It merely proves that she did not wish the family of Augustus to lose the supreme power, and for this reason she intended to prepare not only one successor, but two possible successors, to Claudius, just as Augustus had for a long time trained both Drusus and Tiberius.

[Ill.u.s.tration: Britannicus.]

In order to understand how wise and reasonable the conduct of Agrippina really was, we must also remember that Nero was four years older than Britannicus, and that, therefore, in the year 50, when Nero was adopted, Britannicus was a mere lad of nine. As Claudius was already sixty, it would have been most imprudent to designate a nine-year-old lad as his only possible successor, when Nero, who was four years his senior, would have been better prepared than Britannicus to take up the reign. There is a further proof that Agrippina had no thought of destroying the race of Claudius and Messalina, for before his adoption she had married Nero to Octavia, the daughter of the imperial pair.

Octavia was a woman possessed of all the virtues which the ancient Roman n.o.bility had cherished. She was chaste, modest, patient, gentle, and unselfish, and she would be able to a.s.sist in strengthening the power of her house. Agrippina had therefore, in the ancient manner, affianced the young pair at an early age, and hoped that she might make a couple which would serve as an example to the families of the aristocracy.

In short, Agrippina, far from seeking to weaken the imperial house by destroying the descendants of Messalina, was attempting to bring her son into the family precisely for the purpose of giving it strength.

And, sensible woman that she was, she could hardly have acted otherwise. She had seen the family of Augustus, once so prosperous, reduced to a state of exhaustion and virtually destroyed by the fatal discord between her mother and Tiberius and the quarrels between her brothers. The state had suffered greatly through the madness of Caligula and the reckless hatred of the first Agrippina, and the present empress, her daughter, who was not merely fond of her son, but endowed in addition with the gift of reflection, sought as far as possible to make amends for the evils which had unconsciously been wrought. The hopes of the future were henceforth to abide in Britannicus and in Nero. In Agrippina there reappeared the wisdom of her greatest predecessors, and the people were so well satisfied that they conferred upon her the very highest honor, such as in her time even Livia herself had not received. She was given the t.i.tle Augusta; she was allowed to ride into the precincts of the Capitol in a gilded coach (carpentum), though this was an honor which in old time had been conceded only to priests and to the images of the G.o.ds. This last descendant of Livia and Drusus, in whom the virtues of a venerated past seemed to reappear, was surrounded by a semi-religious adoration. This is an evidence of sincere and profound respect, for though the Romans often showered marks of human adulation upon their potentates, it was not often that they bestowed honors of so sacred a character.

The unforeseen death of Claudius suddenly cut short the work which Agrippina had well under way. Claudius was sixty-four years old, and one night in the month of October of the year 54 he succ.u.mbed to some mysterious malady after a supper of which, as usual, he had partaken inordinately. Tacitus pretends to know that Agrippina had secretly administered poison to Claudius in a plate of mushrooms. During the night, however, fearing lest Claudius would survive, she had called Claudius's physician, Xenophon, who was a friend of hers. The latter, while pretending to induce vomiting, had painted his throat with a feather dipped in a deadly poison, and had killed him. This version is so strange and improbable that Tacitus himself does not dare affirm it, but says that "many believe" that it was in this manner that Claudius met his death. But if there are still people credulous enough to believe that the head of a great state can be poisoned in the twinkling of an eye by a doctor who brushes his throat with a feather, it is more difficult to understand what grounds Agrippina could have had for poisoning her husband. According to Tacitus, it was because she was disturbed by the fact that Claudius had for some time shown that he preferred Britannicus to Nero; but even if the fact were true, as a motive it would be ridiculous. Augustus was much fonder of Germanicus than he was of Tiberius; and yet at his death the senate chose Tiberius, and not Germanicus, because at that moment the situation clearly called for the former as head of the empire. When Claudius died, Britannicus was thirteen and Nero seventeen years old. They were both, therefore, mere lads, and it was most probable that if the imperial seat fell vacant, the senate would choose neither, since they were both too young and inexperienced. This is so true that other historians have supposed, on the contrary, that Agrippina had fallen out with some one of the more powerful freedmen of Claudius, and seeing Claudius waver, had despatched him in order that she herself should not end like Messalina. But this hypothesis also is absurd. An empress was virtually invulnerable. Messalina had proved this, for she had committed every excess and abuse with impunity. Agrippina, protected as she was by the respect of all, invested with honors that gave her person a virtually sacred character, had nothing to fear either from the weak Claudius or from his powerful freedmen.

This accusation of poisoning, therefore, seems to be of precisely the same sort as, and not a whit more serious than, all those other similar accusations which were brought against the members of the Augustan family. Claudius, who was already sixty-four, in all probability died a sudden but natural death, and from the point of view of the interests of the house of Augustus, which Agrippina had strongly at heart, he died much too soon. It was a dangerous and difficult matter to ask the Roman senate to appoint one of these striplings commander of the armies and emperor, even though they were the only survivors of the race of Augustus. So true is this that Tacitus tells us that Agrippina kept the death of Claudius secret for many hours and pretended that the physicians were still struggling to save him, when in reality he was already dead, _dum res firmando Neronis imperio componuntur_ (while matters were being arranged to a.s.sure the empire to Nero).

Consequently, if everything had to be hurried through in confusion at the last moment, it is plain that Agrippina herself must have been taken by surprise by the illness and death of Claudius. She therefore cannot be held responsible for having caused it.

It is not, however, difficult to reconstruct the course of events. On the nights of the twelfth and thirteenth of October, soon after Claudius had been suddenly stricken down by his violent malady, the doctors announced to Agrippina that the emperor was lost. Agrippina immediately understood that since the family of Augustus could at that moment present no full-grown man as candidate for the imperial office, there was grave danger that the senate might refuse to confer the supreme power either upon Nero or Britannicus. The only means of avoiding this danger was to bring pressure to bear upon the senate through the pretorian cohorts, which were as friendly to the family of Augustus as the senate was hostile. She must present one of the two youths to the guards and have him acclaimed not head of the empire, but head of the armies. The senate would thereby be constrained to proclaim him head of the empire, as they had done in the case of Claudius.

But which one of the two youths was it best to choose, Claudius's son by blood or his son by adoption? Nero was chosen as the result of the unrighteous ambition of Agrippina, so Tacitus says. It is very probable that Agrippina was more eager to see her own son at the head of the empire than to see Britannicus there; but this does not seem to have been the real reason of her choice, for it could not have been otherwise, even if Agrippina had detested Nero and had cherished Britannicus with a maternal affection. Nero was four years older than Britannicus, and therefore he had to be given the preference over the latter. It was a very bold move to propose that the senate make a youth of seventeen emperor; it would have been nothing less than folly to ask that they accept a thirteen-year-old lad as commander-in-chief of the imperial armies of Rome.

Through the help of Seneca and Burrhus, the plan developed by Agrippina was carried out with rapidity and success. On the thirteenth of October, after matters had been arranged with the troops, the doors of the imperial palace were thrown open at noon; Nero, accompanied by Burrhus, advanced to the cohort which was on guard. He was received with joyous welcome, placed in a litter, borne to the quarters of the pretorians, and acclaimed head of the army. The senate grudgingly confirmed his election. There resulted in Rome a most extraordinary situation: a youth of seventeen, educated in the antique manner, and, though already married, still entirely under the tutelage of a strict mother, had been elevated to the highest position in the immense empire. He was ignorant of the luxury, pleasure, and elegance which were becoming general in the great families; outside of a lively disposition and docility toward his mother, he had up to this point shown no special quality, and no particular vice. Only one peculiarity had been noticed in him: he had studied with great zest music, painting, sculpture, and poetry, and had made himself proficient in these arts, which were considered frivolous and useless for a Roman n.o.ble. On the contrary, he had neglected oratory, which was held a necessary art by an aristocracy like the Roman, whose duty it was to use speech at councils, in the tribunals, and in the senate, just as it used the sword on the fields of battle. But the majority believed that this was merely a pa.s.sing caprice of youth.

[Ill.u.s.tration: Statue of Agrippina the Younger, in the Capitoline Museum, Rome.]

Agrippina, then, with the a.s.sistance of Seneca and Burrhus, had kept the highest office in the state in the family of Augustus, and she had done so by a bold move which had not been without its dangers. She was too intelligent not to foresee that a seventeen-year-old emperor could have no authority, and that his position would expose him to all sorts of envy and intrigue, and to open as well as secret opposition. She succeeded in mitigating this evil and in parrying this danger by another very happy suggestion--the virtually complete restoration of the old republican const.i.tution. After the funeral of Claudius, Nero introduced himself to the senate, and in a polished and modest discourse, seemingly intended to excuse his youth, he declared that of all the powers exercised by his predecessors he wished to keep only the command of the armies. All other civil, judicial, and administrative functions he turned over to the senate, as in the times of the republic.

This "restoration of the republic" was Agrippina's masterpiece, and marks the zenith of her power. It followed, as a result of her decision, that Nero, who was to go down to posterity as the most terrible of tyrants, was that one of all the Roman emperors who had the most limited power; and furthermore it was likewise the result of her activity that the const.i.tution of the empire had never been so close to that of the ancient republic as under the government of Nero. Most historians, hallucinated by Tacitus, have not noticed this, and they have consequently not recognized that in carrying out this plan Agrippina is neither more nor less than the last continuator of the great political tradition founded by Augustus. In the minds of both Augustus and Tiberius the empire was to be governed by the aristocracy.

The emperor was merely the depositary of certain powers of the n.o.bility conceded to him for reasons of state. If these reasons of state should disappear, the powers would naturally revert to the n.o.bles. It was therefore expedient at this time to make the senate forget, in the presence of a seventeen-year-old emperor, the pressure which had been brought to bear upon it by the cohorts, and to wipe out the rancor against the imperial power which was still dormant in the aristocracy.

This restoration was not, therefore, a sheer renunciation of privileges and powers inherent in the sovereign authority, but an act of political sagacity planned by a woman whose knowledge of the art of government had been received in the school of Augustus.

[Ill.u.s.tration: Agrippina the Younger.]

The move was entirely successful. The illusion that the imperial authority was only a transitory expedient made necessary by the civil wars, and that it might one day be entirely abolished, was still deeply grounded in the Roman aristocracy. Every relaxation of authority was specially pleasing to the senatorial circles. The government of Nero therefore began under the most favorable auspices, with joyous hope in the general promise of concord. The disaffection which had been felt in the last six years of Claudius's government was changed into a general and confident optimism, which the first acts of the new government and the signs of the future seemed to justify. Agrippina continued to keep Nero subject to her authority, as she had done before the election: together with his two masters, Seneca and Burrhus, she suggested to him every word and deed. The senate resumed its ancient functions; and governed by Seneca, Burrhus, and Agrippina in conjunction with the senate, the empire seemed to be progressing wonderfully, and in the eyes of the senators the entire government was in a better way than it ever yet had been.

But the situation soon changed. Agrippina, to be sure, had given her son a strictly Roman education, and had brought him up with a simplicity and rigor long since out of fashion; and though she had early given him a wife, she continued to keep him subject to maternal authority. But, with all this, it is doubtful if there ever was a temperament which rebelled against this species of education as strongly as did Nero's. His taste for the arts of drawing and singing, the indifference which he had shown for the study of oratory from his childhood, these were the seeds from which as time went on his raging exoticism was to be developed through the use and abuse of power. His was one of those rioting, contrary, and undisciplined temperaments which feel that they must do precisely the opposite of what tradition, education, and the general opinion of the society in which they live have prescribed as necessary and recognized as lawful. In the case of Nero the defects and the dangers in the ancient Roman education were to become apparent.

The first of these dangers declared itself when Nero entered upon one of those early marriages of which we have spoken in the first of these studies. Agrippina had early arranged an alliance with a young lady who, because of her virtues, n.o.bility of ancestry, and Roman education, might have become his worthy companion; but a year after his elevation to the imperial dignity, the eighteen-year-old youth made the acquaintance of a woman whose beauty inflamed his senses and imagination to the point of making him entirely forget Octavia, whom he had married from a sense of duty and not for love. This person was Acte, a beautiful Asiatic freedwoman, and the inexperienced, ardent youth, already given up to exotic fancies, became so enamoured that he one day proposed to repudiate Octavia and to marry Acte. But a marriage between Nero and Acte was not possible. The _Lex de maritandis ordinibus_ prohibited marriages between senators and freedwomen. It was therefore natural that Agrippina should have opposed it with all her strength. She, the great-granddaughter of Livia, the granddaughter of Drusus, the daughter of Germanicus, educated in the strictest ideas of the old Roman aristocracy, could not permit her son to compromise the prestige of the entire n.o.bility in the eyes of the lower orders by so scandalous a _mesalliance_. But on this occasion the youth, carried away by his pa.s.sion, resisted. If he did not actually repudiate Octavia, he disregarded her, and began to live with Acte as if she were his wife. Agrippina insisted that he give up this scandalous relationship; but in vain. The mother and son disagreed, and very shortly after having resisted his mother in the case of Acte, Nero began to resist her on other occasions. With increasing energy he shook off maternal authority, which up to that time he had accepted with docility.

This, however, was a crisis which was sooner or later inevitable.

Agrippina had certainly made the mistake of attempting to treat Nero the emperor too much as she had treated Nero the child; but that the crisis should have been reached in this manner as the result of a love-affair, and that it should have provoked a misunderstanding between the mother and son that was soon to degenerate into hatred, was most unfortunate. Agrippina, though she enjoyed great prestige, had also many hidden enemies. Everybody knew that she represented in the government the old aristocratic, conservative, and economical tendency of the Claudii,--of Tiberius and of Drusus,--that she looked askance upon the development of luxurious habits, the relaxation of morals, and the increase of public and private expenditures. They understood that she exerted all her influence to prevent wastefulness, the malversation of public moneys, and in general all outlays for pleasures either in the state or the imperial family. Her virtues and her stand against Messalina had given her a great prestige, and the reverence which the emperor had shown for her had for a long time obliged her enemies to keep themselves hidden and to hold their peace. But this ceased to be the case after the incipient discord between her and Nero had allowed many to foresee the possibility of using Nero against her. In proportion as Nero became attached to Acte he drew away from his mother, and in proportion as he withdrew from his mother his capricious, fantastic, and rebellious temper was encouraged to show itself in its true light. The party of the new n.o.bility, with its modern and oriental tendencies, had for ten years been held in check by the preponderating influence of Agrippina. But gradually, as the exotic and anti-Roman inclinations of the emperor declared themselves, this party again became bolder. The memories of the scandals of Caligula and Messalina were becoming effaced by time, the rather severe and economical government of Agrippina was showing signs of weakening, and all minds were beginning to entertain a vague desire for something new.

[Ill.u.s.tration: The Emperor Nero.]

The two parties which in the times of Augustus had rent Rome asunder were now being realined in the imperial house and in the senate--the party of the old n.o.bility, which had Agrippina at its head, and the party of the modernizing n.o.bility, which was gathering about the emperor and trying to claim him as its own. Tacitus clearly tells us that the older and more respectable families of the Roman n.o.bility were with Agrippina; and even if he had neglected to tell us so, we might easily have guessed it. For a moment the old, old struggle which had been the cause of so many tragedies in the upper cla.s.ses of Rome seemed once more ready to break forth. But even though Agrippina was the soul of the party of the old n.o.bility, the party needed a man whom it could oppose to Nero as a possible and better candidate for the imperial dignity.