The Wolves of God, and Other Fey Stories Part 17

I feel utterly lost without her. Her memory to me is everything." He looked deep into his pal's eyes. "I'm married to that," he added very firmly.

They pulled their cigarettes a moment in silence. They belonged to the male type that conceals emotion behind schoolboy language.

"It's hard luck," said Headley gently, "rotten luck, old man, I understand." Arthur's head nodded several times in succession as he smoked. He made no remark for some minutes. Then presently he said, as though it had no particular importance--for thus old friends show frankness to each other--"Besides, anyhow, it's you the girl's dying for, not me. She's blind as a bat, old Blondin. Even when I'm with her--thrust with her by that old matchmaker for my sins--it's you she talks about. All the talk leads up to you and yours. She's devilish fond of you." He paused a moment and looked searchingly into his friend's face. "I say, old man--are you--I mean, do you mean business there?

Because--excuse me interfering--but you'd better be careful. She's a good sort, you know, after all."

"Yes, Arthur, I do like her a bit," d.i.c.k told him frankly. "But I can't make up my mind quite. You see, it's like this----"

And they talked the matter over as old friends will, until finally Arthur chucked his cigarette into the grate and got up to go. "Dead to the world," he said, with a yawn. "I'm off to bed. Give you a chance, too," he added with a laugh. It was after midnight.

The other turned, as though something had suddenly occurred to him.

"By the bye, Arthur," he said abruptly, "what bird makes this sound? I heard it the other morning. Most extraordinary cry. You know everything that flies. What is it?" And, to the best of his ability, he imitated the strange three-note cry he had heard in the dawn two mornings before.

To his amazement and keen distress, his friend, with a sound like a stifled groan, sat down upon the bed without a word. He seemed startled.

His face was white. He stared. He pa.s.sed a hand, as in pain, across his forehead.

"Do it again," he whispered, in a hushed, nervous voice. "Once again--for me."

And Headley, looking at him, repeated the queer notes, a sudden revulsion of feeling rising through him. "He's fooling me after all,"

ran in his heart, "my old, old pal----"

There was silence for a full minute. Then Arthur, stammering a bit, said lamely, a certain hush in his voice still: "Where in the world did you hear that--and _when_?"

d.i.c.k Headley sat up in bed. He was not going to lose this friendship, which, to him, was more than the love of woman. He must help. His pal was in distress and difficulty. There were circ.u.mstances, he realized, that might be too strong for the best man in the world--sometimes. No, by G.o.d, he would play the game and help him out!

"Arthur, old chap," he said affectionately, almost tenderly. "I heard it two mornings ago--on the lawn below my window here. It woke me up. I--I went to look. Three in the morning, about."

Arthur amazed him then. He first took another cigarette and lit it steadily. He looked round the room vaguely, avoiding, it seemed, the other's eyes. Then he turned, pain in his face, and gazed straight at him.

"You saw--nothing?" he asked in a louder voice, but a voice that had something very real and true in it. It reminded Headley of the voice he heard when he was fainting from exhaustion, and Arthur had said, "Take it, I tell you. I'm all right," and had pa.s.sed over the flask, though his own throat and sight and heart were black with thirst. It was a voice that had command in it, a voice that did not lie because it could not--yet did lie and could lie--when occasion warranted.

Headley knew a second's awful struggle.

"Nothing," he answered quietly, after his little pause. "Why?"

For perhaps two minutes his friend hid his face. Then he looked up.

"Only," he whispered, "because that was our secret lover's cry. It seems so strange you heard it and not I. I've felt her so close of late--Mary!"

The white face held very steady, the firm lips did not tremble, but it was evident that the heart knew anguish that was deep and poignant. "We used it to call each other--in the old days. It was our private call. No one else in the world knew it but Mary and myself."

d.i.c.k Headley was flabbergasted. He had no time to think, however.

"It's odd you should hear it and not I," his friend repeated. He looked hurt, bewildered, wounded. Then suddenly his face brightened. "I know,"

he cried suddenly. "You and I are pretty good pals. There's a tie between us and all that. Why, it's tel--telepathy, or whatever they call it. That's what it is."

He got up abruptly. d.i.c.k could think of nothing to say but to repeat the other's words. "Of course, of course. That's it," he said, "telepathy." He stared--anywhere but at his pal.

"Night, night!" he heard from the door, and before he could do more than reply in similar vein Arthur was gone.

He lay for a long time, thinking, thinking. He found it all very strange. Arthur in this emotional state was new to him. He turned it over and over. Well, he had known good men behave queerly when wrought up. That recognition of the bird's cry was strange, of course, but--he knew the cry of a bird when he heard it, though he might not know the actual bird. That was no human whistle. Arthur was--inventing. No, that was not possible. He was worked up, then, over something, a bit hysterical perhaps. It had happened before, though in a milder way, when his heart attacks came on. They affected his nerves and head a little, it seemed. He was a deep sort, d.i.c.k remembered. Thought turned and twisted in him, offering various solutions, some absurd, some likely. He was a nervous, high-strung fellow underneath, Arthur was. He remembered that. Also he remembered, anxiously again, that his heart was not quite sound, though what that had to do with the present tangle he did not see.

Yet it was hardly likely that he would bring in Mary as an invention, an excuse--Mary, the most sacred memory in his life, the deepest, truest, best. He had sworn, anyhow, that Iris Manning meant nothing to him.

Through all his speculations, behind every thought, ran this horrid working jealousy. It poisoned him. It twisted truth. It moved like a wicked snake through mind and heart. Arthur, gripped by his new, absorbing love for Iris Manning, lied. He couldn't believe it, he didn't believe it, he wouldn't believe it--yet jealousy persisted in keeping the idea alive in him. It was a dreadful thought. He fell asleep on it.

But his sleep was uneasy with feverish, unpleasant dreams that rambled on in fragments without coming to conclusion. Then, suddenly, the cry of the strange bird came into his dream. He started, turned over, woke up.

The cry still continued. It was not a dream. He jumped out of bed.

The room was grey with early morning, the air fresh and a little chill.

The cry came floating over the lawn as before. He looked out, pain clutching at his heart. Two figures stood below, a man and a girl, and the man was Arthur Deane. Yet the light was so dim, the morning being overcast, that had he not expected to see his friend, he would scarcely have recognized the familiar form in that shadowy outline that stood close beside the girl. Nor could he, perhaps, have recognized Iris Manning. Their backs were to him. They moved away, disappearing again into the little summer-house, and this time--he saw it beyond question--the two were hand in hand. Vague and uncertain as the figures were in the early twilight, he was sure of that.

The first disagreeable sensation of surprise, disgust, anger that sickened him turned quickly, however, into one of another kind altogether. A curious feeling of superst.i.tious dread crept over him, and a shiver ran again along his nerves.

"Hallo, Arthur!" he called from the window. There was no answer. His voice was certainly audible in the summer-house. But no one came. He repeated the call a little louder, waited in vain for thirty seconds, then came, the same moment, to a decision that even surprised himself, for the truth we he could no longer bear the suspense of waiting. He must see his friend at once and have it out with him. He turned and went deliberately down the corridor to Deane's bedroom. He would wait there for his return and know the truth from his own lips. But also another thought had come--the gun. He had quite forgotten it--the safety-catch was out of order. He had not warned him.

He found the door closed but not locked; opening it cautiously, he went in.

But the unexpectedness of what he saw gave him a genuine shock. He could hardly suppress a cry. Everything in the room was neat and orderly, no sign of disturbance anywhere, and it was not empty. There, in bed, before his very eyes, was Arthur. The clothes were turned back a little; he saw the pyjamas open at the throat; he lay sound asleep, deeply, peacefully asleep.

So surprised, indeed, was Headley that, after staring a moment, almost unable to believe his sight, he then put out a hand and touched him gently, cautiously on the forehead. But Arthur did not stir or wake; his breathing remained deep and regular. He lay sleeping like a baby.

Headley glanced round the room, noticed the gun in the corner where he himself had put it the day before, and then went out, closing the door behind him softly.

Arthur Deane, however, did not leave for London as he had intended, because he felt unwell and kept to his room upstairs. It was only a slight attack, apparently, but he must lie quiet. There was no need to send for a doctor; he knew just what to do; these pa.s.sing attacks were common enough. He would be up and about again very shortly. Headley kept him company, saying no single word of what had happened. He read aloud to him, chatted and cheered him up. He had no other visitors. Within twenty-four hours he was himself once more. He and his friend had planned to leave the following day.

But Headley, that last night in the house, felt an odd uneasiness and could not sleep. All night long he sat up reading, looking out of the window, smoking in a chair where he could see the stars and hear the wind and watch the huge shadow of the downs. The house lay very still as the hours pa.s.sed. He dozed once or twice. Why did he sit up in this unnecessary way? Why did he leave his door ajar so that the slightest sound of another door opening, or of steps pa.s.sing along the corridor, must reach him? Was he anxious for his friend? Was he suspicious? What was his motive, what his secret purpose?

Headley did not know, and could not even explain it to himself. He felt uneasy, that was all he knew. Not for worlds would he have let himself go to sleep or lose full consciousness that night. It was very odd; he could not understand himself. He merely obeyed a strange, deep instinct that bade him wait and watch. His nerves were jumpy; in his heart lay some unexplicable anxiety that was pain.

The dawn came slowly; the stars faded one by one; the line of the downs showed their grand bare curves against the sky; cool and cloudless the September morning broke above the little Suss.e.x pleasure house. He sat and watched the east grow bright. The early wind brought a scent of marshes and the sea into his room. Then suddenly it brought a sound as well--the haunting cry of the bird with its three following notes. And this time there came an answer.

Headley knew then why he had sat up. A wave of emotion swept him as he heard--an emotion he could not attempt to explain. Dread, wonder, longing seized him. For some seconds he could not leave his chair because he did not dare to. The low-pitched cries of call and answer rang in his ears like some unearthly music. With an effort he started up, went to the window and looked out.

This time the light was sharp and clear. No mist hung in the air. He saw the crimsoning sky reflected like a band of shining metal in the reach of river beyond the lawn. He saw dew on the gra.s.s, a sheet of pallid silver. He saw the summer-house, empty of any pa.s.sing figures. For this time the two figures stood plainly in view before his eyes upon the lawn. They stood there, hand in hand, sharply defined, unmistakable in form and outline, their faces, moreover, turned upwards to the window where he stood, staring down in pain and amazement at them--at Arthur Deane and _Mary_.

They looked into his eyes. He tried to call, but no sound left his throat. They began to move across the dew-soaked lawn. They went, he saw, with a floating, undulating motion towards the river shining in the dawn. Their feet left no marks upon the gra.s.s. They reached the bank, but did not pause in their going. They rose a little, floating like silent birds across the river. Turning in mid-stream, they smiled towards him, waved their hands with a gesture of farewell, then, rising still higher into the opal dawn, their figures pa.s.sed into the distance slowly, melting away against the sunlit marshes and the shadowing downs beyond. They disappeared.

Headley never quite remembers actually leaving the window, crossing the room, or going down the pa.s.sage. Perhaps he went at once, perhaps he stood gazing into the air above the downs for a considerable time, unable to tear himself away. He was in some marvellous dream, it seemed.

The next thing he remembers, at any rate, was that he was standing beside his friend's bed, trying, in his distraught anguish of heart, to call him from that sleep which, on earth, knows no awakening.

VIII

EGYPTIAN SORCERY