The Wolf's Hour Part 9

"Adam's still working?" Michael asked. "Even though the Gestapo knows he's a spy?"

"Right. I doubt they're givin' him anythin' but busy work to do, though. Look here." McCarren picked up a folder lying beside the map and flipped it open. Inside were grainy, blown-up black-and-white photographs, which he handed to Michael. They were pictures of two men, one wearing a suit and tie, the other in a light jacket and beret. "These Gestapo men follow Adam everywhere. If not those in particular, then others. They've got an apartment in the buildin' across from his, and they watch his place all the time. We've also got to a.s.sume they have the phone lines fixed so they can listen in on his calls." McCarren's gaze met Michael's. "They're waitin', ya see."

Michael nodded. "Waiting to take two birds with one stone."

"Right. And maybe from those two birds they hope to find the whole nest, which would put us out of business at a crucial time. Anyway, they got wind Adam knows somethin', and they sure don't want that information gettin' out."

"Do you know anything about what it might be?"

"No. And neither does anybody in the underground. As soon as the Gestapo found out he knew whatever it is, they started ridin' him like ticks on a terrier."

The gray-bearded Frenchman McCarren had called Andre brought a dusty bottle of Burgundy and three gla.s.ses. He set them on the table next to the map of Paris, and then left them while McCarren poured a gla.s.s of wine for Michael, Gaby, and then himself. "To killing n.a.z.is," McCarren said, lifting his gla.s.s. "And to the memory of Henri Gervaise." Michael and Gaby joined him in the toast. McCarren swallowed the wine quickly. "So you see your problem, man?" McCarren inquired. "The Gestapo's got Adam in an invisible cage."

Michael sipped the harsh, strong wine and studied the map. "Adam goes to work and comes back along this same route every day?" he asked.

"Yes. I can give you a timetable if you need it."

"I will." Michael's gaze followed the path of intersecting streets. "We must reach Adam while he's walking either to work or to his apartment," he decided.

"Forget it." McCarren sloshed a little more wine into his gla.s.s. "We've thought of that already. We were plannin' on pullin' up in a car, shootin' the Gestapo b.a.s.t.a.r.ds down, and gettin' him the h.e.l.l out of there, but-"

"But," Michael interrupted, "you realized Adam would be shot first if any other Gestapo men besides these two were trailing him, and you'd never get him out of Paris alive even if he did survive the pickup. In addition, whoever was in that car would most likely be riddled with bullets or captured by the Gestapo, which would not be very good for the underground. Correct?"

"More or less," McCarren said, with a shrug of his ma.s.sive shoulders.

"So how can Adam be contacted on the street?" Gaby asked. "Anyone who even stops him for a few seconds would be picked up immediately."

"I don't know," Michael admitted. "But it seems to me we've got to do this in two steps. First we must alert Adam that someone's come to help him. The second step is getting him out, which may be..." he grunted softly. "Tricky."

"Right-o," McCarren said. He had dismissed his gla.s.s and was swigging the Burgundy from the bottle. "That's what me and me mates in the Black Watch regiment said at Dunkirk four years ago, when the n.a.z.is backed us up against the coast. We said it'd be a trick to get out, but we were gonna do it, by G.o.d." He smiled bitterly. "Well, most of 'em are lyin' six feet under, and I'm still in France." He swigged again, then thunked the bottle back down on the table. "We've pondered this thing over a lot of different ways, my friend. Anybody who goes after Adam is gonna get nabbed by the Gestapo. Period."

"You have a picture of him, of course," Michael said. Gaby opened another file folder and presented him with black-and-white photographs-front face and profile shots, the kind of pictures on ident.i.ty cards-of an unsmiling, slender blond man in his mid-forties, with a wan, washed-out appearance and round wire-framed spectacles. Adam was the type of man who blended into white wallpaper, no distinguishing marks, no personality in his expression, nothing but a face you would usually forget after seeing it. An accountant, Michael thought. Or a bank teller. Michael scanned the typed dossier, written in French, of the agent code-named Adam. Five feet ten inches tall. A hundred and thirty-six pounds. Ambidextrous. Interests include collecting stamps, gardening, and opera. Relatives in Berlin. One sister in...

Michael glanced back at one word: opera. "Adam attends the Paris opera?" he asked.

"All the time," McCarren answered. "He doesn't have a lot of money, but he spends most of it on that caterwaulin' nonsense."

"He shares a box at the opera house with two other men," Gaby said, beginning to see what Michael was driving toward. "We can find the exact box, if you like."

"Could we get a message to either of Adam's friends?"

She thought about that for a moment, then shook her head. "No. Too risky. As far as we know, they're not his friends, just civil service employees who rent the box with him. Either one of them might be working for the Gestapo."

Michael returned his attention to the photographs of Adam and made sure he knew every inch of that bland, expressionless face. Behind it, he thought, something very important was locked away. He could smell that now, as surely as he could smell the Burgundy on Pearly McCarren's breath and the musky scent of gunsmoke on Gaby's skin. "I'll find a way to get to him," Michael said.

"In broad daylight?" McCarren lifted his s.h.a.ggy, flame-colored eyebrows. "With the n.a.z.is watchin'?"

"Yes," Michael answered, with authority. He held McCarren's gaze for a few seconds, and the Scotsman grunted and looked away. How he was going to fulfill his mission, Michael didn't know yet, but there had to be a way. He hadn't jumped out of a d.a.m.ned airplane, he reasoned, to call it quits just because the situation appeared impossible. "I'll need an ident.i.ty card and the proper road pa.s.ses," he said. "I don't want to be picked up before I get to Paris."

"Follow me." McCarren motioned him through a corridor into another room, where a camera was set up on a tripod and a couple of men were working at a table, carefully inking in the last touches on forged n.a.z.i pa.s.ses and ID cards. "You'll get your picture taken and we'll make your cards look well used," McCarren explained. "The boys here are old hands at this. Come on, through here." He went on into the next chamber, where Michael saw racks of various n.a.z.i uniforms, bolts of field-gray and green cloth, caps and helmets and boots. Three women were busy at sewing machines, st.i.tching on b.u.t.tons and insignias. "You'll be a communications officer, in charge of keepin' the phone lines workin'. By the time you leave here, you'll know everythin' about the Germans' wire systems, and you'll be able to recite your units and their locations in your sleep. That'll be two days of intensive study. Also time for the Jerries to settle down upstairs. You'll go to Paris with a driver. One of my Andres. We've got a nice shiny staff car hidden not too far from here. The big chief says you know your German, so startin' at oh-eight-hundred hours that's all you'll be speakin'." He dug out a pocket watch and flipped it open. "Which gives you about four hours to wash up and get some sleep. I expect you'll need it."

Michael nodded. Four hours was more than enough sleep for him, and he wanted to get the war paint and dust off his face. "You've got a shower down here?"

"Not quite." McCarren smiled faintly and glanced at Gaby, who had followed them in. "This place was built by the Romans, back when Caesar was a big chief. They liked their baths. Gaby, will you take charge of our friend?"

"This way," Gaby said, and started out of the chamber with Michael a few paces behind.

"Gaby?" McCarren waited until she'd stopped and looked at him. "You did a d.a.m.ned fine job out there."

"Merci," she answered, with no hint of pleasure at being praised. Her sapphire-blue eyes, stunning in her dusty, chiseled face, focused on Michael Gallatin. They regarded him with nothing but cool, professional respect. One killer to another, Michael thought. He was glad they were both fighting on the same side. "Follow me," she told him, and he did, through the chilly underground corridors.

3.

"There's your tub," Gaby told him, and Michael stood looking at a stone vat about fifteen feet across and four feet deep, full of water in which a few dead leaves and gra.s.s floated. "Here's your soap," she said, and tossed him a hard white brick from a wooden rack on which were also several ratty-looking but clean towels. "We just put the water in a couple of days ago." She motioned toward a large stone spout that emerged from the wall over the vat. "I hope you don't mind bathing in water that's already been used."

He put on the best smile he could manage. "As long as that's all it's been used for."

"No, we've got somewhere else for that."

"The comforts of home," Michael said, and suddenly Gaby pulled off her dusty sweater and began to unb.u.t.ton her blouse. He watched her undress, not knowing how to respond, and she looked at him as she took her blouse off and her bra was exposed. "I hope you don't mind," she said, without pausing as she reached back and unhooked her bra. "I've got to wash, too." The bra fell away, and her b.r.e.a.s.t.s were in full view.

"Oh no," Michael said. "I don't mind at all."

"I'm glad. Even if you did, it wouldn't matter. Some men are... you know... shy about bathing with women." She took off her boots and socks, and began to unzip her slacks.

"I can't imagine," Michael answered, more to himself than her. He took off his cap and unb.u.t.toned his jumpsuit. Without hesitating, Gaby removed the last of her underwear and, totally naked, walked to a set of stone steps leading down into the water. She descended them, and Michael heard her catch her breath as the water crept up her thighs and reached her stomach. Spring water, he thought. Drawn through an ancient Roman system of pipes into what served as a communal bath, possibly in a temple of some kind. Gaby took the last step, the water just over her b.r.e.a.s.t.s, and finally released the air she'd been h.o.a.rding. It was chilly enough down here without wet skin, but he didn't care to go to Paris without bathing for the next two days. He stepped out of his underwear and walked down the steps. The cold water shocked first his ankles, then his knees, then... well, it was an experience he was not likely to forget.

"Bracing," Michael said, with gritted teeth.

"I'm impressed. You must be used to cold baths, yes?" Before he could answer, she walked to the center of the pool and ducked her head under. She came up quickly, and pushed her thick black hair back from her face. "The soap, please?" She caught it when he tossed it to her, and began to lather her hair. The soap smelled of tallow and oatmeal, definitely not a brand bought in a Parisian boutique. "You thought fast back at Bazancourt," she told him.

"Not particularly. I just took advantage of an opportunity." He ducked down to his neck in the water, trying to get accustomed to the chill.

"Do you do that often?" she asked, her hair dripping suds. "Take advantage of opportunities?"

"It's the only way I know." The wolf's way, he thought. One took what was offered.

Gaby soaped her arms, shoulders, and b.r.e.a.s.t.s, her movements fast and efficient instead of slowly seductive. Nothing was being offered here, Michael thought. Gaby was simply getting a job done. She seemed to be totally unconcerned about the fact that her tight, supple body was less than seven feet away from him, and that lack of concern-her confidence that she could deal with whatever problem that arose-intrigued him. But the chill water permitted only twitches, no arousal. Michael watched as she soaped as much of her back as she could reach; she didn't ask him to do the rest. Then she lathered her face, ducked underwater again, and came up rosy-cheeked. She tossed him the soap. "Your turn."

Michael scrubbed the camouflage paint off his face. The harsh soap stung his skin. "The lights," he said, and nodded toward the two bulbs that hung on wires at the wall. "How do you get electricity down here?"

"We've spliced into the lines that feed a chateau about two miles away," Gaby said. She smiled faintly, suds still in her hair. "The n.a.z.is are using it as a command post." She rinsed her hair once more, getting the rest of the soap out; the suds floated around her like garlands of lace. "We don't use the electricity except between midnight and five A.M., and we don't drain enough for them to notice."

"Too bad you don't have a water heater." Michael doused his head under and wet his hair, then soaped it and washed the grit out of it. He scrubbed his chest, arms, and face again, rinsed himself off, and caught Gaby staring at his uncamouflaged features.

"You're not an Englishman," she decided, after a few seconds of studying him without war paint.

"I'm a British citizen..."

"Perhaps you are... but you're not English." She stepped closer to him. He smelled the natural fragrance of her clean flesh, and he thought of an apple orchard blooming white under a springtime sun. "I saw a lot of Englishmen, caught by the Germans in 1940. You don't look like they did."

"And how was that?"

She shrugged. Came a foot or two nearer. His green eyes could mesmerize her if she let them, so she stared at his mouth. "I don't know. Maybe... as if they were children playing a game. They didn't realize what they were up against when they tried to fight the n.a.z.is. You look..." She paused, the cold water on her b.r.e.a.s.t.s. She tried to articulate what it was she was thinking. "You look as if you've been fighting for a very long time."

"I was in North Africa," he said.

"No. That's not what I mean. You look... as if your war is here." Gaby pressed her fingers over her heart. "Your battle is inside, yes?"

Now it was his turn to look away from her, because she saw too deeply. "Isn't everyone's?" he asked, and began walking through the water toward the steps. It was time to dry off and direct his mind to his mission.

The light bulbs flickered. Once, then again. They dimmed to brown and went out, and Michael stood in darkness with the chill water lapping at his waist. "Air raid," Gaby said; he heard a tremor in her voice, and he realized she didn't like the dark. "The Germans have shut the power down."

There was a distant, m.u.f.fled noise like a hammer whacking a pillow. Either a bomb exploding or a large-caliber cannon going off, Michael thought. It was followed by other blasts, more felt than heard, and the stones shivered beneath Michael's feet. "This may be a bad one," Gaby said, and this time she couldn't hide the fear in her voice. "Hang on, everybody!" someone shouted in French from another chamber. There was a boom and shudder and Michael heard the roof crack like a pistol shot. Bits of stone splashed into the water. Either bombs were falling close overhead or a battery of anti-aircraft cannons was filling the sky with explosions. Roman dust wafted into Michael's nostrils, and the next blast felt as if it landed within fifty yards of his skull.

A warm, shivering body pressed against him. Gaby clung to his shoulders, and Michael put his arms around her.

Fragments of stone were splashing on either side of them. Six or seven pebble-sized pieces fell onto Michael's back. Another explosion made Gaby press closer into him, her fingers gripping at his flesh, and in a lull of silence between blasts he heard her gasp and moan in expectation of the next bomb fall. He stood, his muscles tensed, and stroked Gaby's wet hair as the bombs fell to earth and the anti-aircraft guns thundered.

Then, a minute later, there was nothing but the sound of their breathing. Their hearts were slamming, and Michael felt Gaby's body quake with the violence of her pulse. Someone was coughing in another chamber, and a voice-McCarren's-shouted, "Anyone hurt?" Other voices answered, saying that there were no injuries. "Gaby?" McCarren called. "You and the Brit all right?"

She tried to answer, but she had dust in her nostrils and throat and she felt as if she might pa.s.s out. She hated the dark, the sense of confinement, and the hammering blasts that brought back a terrifying moment four years ago when she'd hidden in a bas.e.m.e.nt with her family while Luftwaffe airplanes bombed her village to rubble.

"Gaby?" McCarren shouted, sounding a little frantic.

"We're all right," Michael told him calmly. "Just shaken up a bit."

The Scotsman whuffed a sigh of relief and went on to check another area.

Gaby couldn't stop shaking. It was the cold water and her own chilled blood. She had her head against the man's shoulder, and it suddenly occurred to her that she didn't know-and shouldn't know-his real name. That was one of the rules of the game. But she smelled his flesh through the musty aroma of wafting dust, and she thought for an instant-but no, of course that couldn't be-that his skin had the faintest wild scent about it, like an animal's odor. It was not unpleasant, just... different, in a way she couldn't pinpoint.

The light bulbs flickered again. Off and on, off and on as someone-a German hand-threw the switches that regulated the power flow. And then they came on and stayed on, though muted to a dim brownish cast. "All clear," Michael said, and Gaby looked up into his face. His eyes seemed to be slightly luminous, as if they were absorbing all the available light, and the sight frightened her, though she wasn't exactly sure why. This man was different; something about him, something indefinable. She met his stare, as time was measured in heartbeats, and she thought she saw a glimpse of something-a leaping, elemental thing-behind those green eyes like flames behind icy gla.s.s. She was aware of the heat of his body, steam beginning to drift from his pores, and she started to speak-to say what, she didn't know, but she did know that when her voice came out it would tremble.

Michael spoke first, with his body. He turned away from her, walked up the steps to the towel rack, took one for himself and one for her. "You'll catch your death," he told Gaby, offering her the towel as an inducement to leave the chilly water. She came out, and Michael felt his body respond as the water crept down from her b.r.e.a.s.t.s, down her flat stomach and her glistening thighs. And then she was standing in front of him, dripping, her black hair wet and sleek, and Michael gently folded the towel around her. His throat was tight, but he got the words out anyway. "I'd better get some rest," he said, staring into her eyes. "I've had an exciting night."

"Yes," Gaby agreed. "Me, too." She clutched the towel around her and left wet footprints on the stones as she went to her clothes and gathered them up. "Your room is down that corridor." She motioned toward it. "It's through the second archway on the right. I hope you don't mind a cot, but the blanket's good and thick."

"It sounds fine." He could sleep in the mud when he was tired, and he knew he'd be asleep within two minutes of hitting that cot.

"I'll come for you when it's time to get up," she told him.

"I hope so," he answered as he dried his hair. He heard her footsteps as she left the chamber, and when he lowered the towel, Gaby was gone. Then he dried his body off, picked up his clothes, and went along the corridor she'd indicated. There was a candle in a bra.s.s holder and a box of matches on the floor outside the second archway, and Michael paused to light the wick. He followed the flame into his room, which was a musty, damp-walled chamber that held a narrow, decidedly uncomfortable-looking cot and a metal rod on the wall with a few clothes hangers dangling from it. Michael hung his clothes up; they smelled of sweat, dust, and German-tank engine exhaust, with a hint of scorched flesh. Michael thought that after the war was over he might go into the business of renting his sense of smell, maybe to a maker of perfumes. Once, on a street in London, he'd found a woman's white glove, and in that glove he'd smelled the scents of bra.s.s keys, tea and lemons, Chanel perfume, the sweet earthy fragrance of an expensive white wine, the odors of more than one man's perspiration, a distant hint of an ancient rose, and of course the rubber smell of the Dunlop tire that had run across it as it lay on the street. He had learned over the years and by virtue of practice, that scents were almost as powerful to him as vision. His ability was stronger when he was under the change, of course, but much of it had seeped into his life as a human.

Michael pulled the cot's blanket back and got into bed. The springs stabbed his back, but he'd been stabbed by sharper blades. He got himself situated under the blanket, and then he blew out the candle, put the candle holder on the stones beside the cot, and lay his head back on a pillow stuffed with goose down. His body was tired, but his mind wanted to roam, like a beast pacing behind bars. He stared into the darkness, and he listened to the sound of water dripping slowly down a wall.

Your battle is inside, Gaby had said. Yes?

Yes, Michael thought. And it came to him, something he pondered every day and every night since he was a child in the Russian forest: I'm not human. I'm not an animal. What am I?

Lycanthrope. A word coined by a psychiatrist, a man who studied jibbering patients in mental wards, their eyes gla.s.sy in the glare of the full moon. The peasants of Russia, Romania, Germany, Austria, Hungary, Yugoslavia, Spain, and Greece all had different words for it, but those words converged on the same meaning: werewolf.

Not human. Not an animal, Michael thought. What am I, in the eye of G.o.d?

Ah, but there was another bend in the thicket of thought. Often Michael imagined G.o.d as a huge white wolf, striding across a snowfield under a sky ablaze with stars, and G.o.d's eyes were golden and very clear, and G.o.d's white fangs were very, very sharp. G.o.d could smell lies and treachery across the firmament, and he tore the hearts out of the disloyal and ate them bleeding. There was no escape from the cold judgment of G.o.d, the King of Wolves.

But how, then, did men's G.o.d view the lycanthrope? As a pestilence or a miracle? Michael, of course, could only speculate, but he knew one thing for certain: there were very few times when he didn't wish he might be a beast for all of his life, and run free and wild in the green halls of G.o.d. Two legs fettered him; four legs let him fly.

It was time to sleep now, to gather his strength for the morning and the job ahead. Much to learn, much to beware of. Paris was a beautiful trap with jagged jaws, and it could break a man's or wolf's neck with equal ease. Michael closed his eyes, trading outer darkness for the darkness within. He listened to the water drip... drip... drip. He drew a long lungful of breath, let it go in a whisper, and he left this world.

FOUR The Change

1.

He sat up, and heard water dripping down a wall of ancient stones. His vision was fogged by sleep and brain fever, but a small fire of pine branches smoldered in the center of the chamber and by its ruddy glow Mikhail could see the figure of a man standing over him. He said the first thing that came to him: "Father?"

"I'm not your father, boy." It was the voice of Wiktor, speaking with a hint of rough agitation. "You'll not call me that again."

"My... father." Mikhail blinked, trying to focus. Wiktor towered over him, clad in his deerskin robe with its snow-hare collar, his gray beard trailing down his chest. "Where's... my mother?"

"Dead. All of them are dead. You already know that; why do you persist in calling to ghosts?"

The little boy pressed his hand against his face. He was sweating, but his insides felt cold, as if he were July on the skin and January in the blood. His bones were throbbing, like a dull axblade chopping an ironwood tree. Where was he? he wondered. His father, mother, and sister... where were they? It began to come back to him, through the murk of memory: the picnic, the shootings in the meadow, the bodies lying on scarlet-spattered gra.s.s. And the men after him, the crash of horse hooves through the underbrush. The wolves. The wolves. Here his mind sheared away, and the memories fled like children past a graveyard. But deep down he knew where he was-the depths of the white palace-and he knew the man standing before him like a barbarian king was both more and less than human.

"You've been with us for six days," Wiktor said. "You're not eating anything, not even the berries. Do you want to die?"

"I want to go home," Mikhail answered, his voice weak. "I want to be with my mother and father."

"You are home," Wiktor said. Someone coughed violently, and Wiktor glanced over with his keen amber eyes to where the shape of Andrei lay under a cover of cloaks. The coughing turned into a choking noise, and Andrei's body lurched. When the sound of mortal illness faded away, Wiktor returned his attention to the little boy. "Listen to me," he commanded, and squatted down on his haunches before Mikhail. "You're going to be sick soon. Very soon. You'll need your strength, if you're going to live through it."

Mikhail held his stomach, which felt hot and swollen. "I'm sick now."

"Not nearly like you're going to be." Wiktor's eyes shone like copper coins in the low red light. "You're a thin whelp," he decided. "Didn't your parents feed you any meat?" He didn't wait for an answer, but grasped Mikhail's chin with his gnarled fingers and lifted the boy's face so it caught most of the fire's glow. "Pale as milk pudding," Wiktor said. "You won't be able to stand it. I can tell."

"Stand what, sir?"