The Wit and Humor of America Volume II Part 16

"Who says there will not?"

I said, in slightly firmer tones, as I realized that the moment had come for dragging the rest of the rebels into court:

"All of us boys!"

But Mr. Hinman smiled, and said quietly that he guessed there would be "a little more speaking before the close of the session." Then laying his hand on my shoulder, with most punctilious but chilling courtesy, he invited me to the rostrum. The "rostrum" was twenty-five feet distant, but I arrived there on schedule time and only touched my feet to the floor twice on my way.

And then and there, under Mr. Hinman's judicious coaching, before the a.s.sembled school, with feelings, nay, emotions which I now shudder to recall, I did my first "song and dance." Many times before had I stepped off a solo-cachuca to the staccato pleasing of a fragment of slate frame, upon which my tutor was a gifted performer, but never until that day did I accompany myself with words. Boy like, I had chosen for my "piece" a poem sweetly expressive of those peaceful virtues which I most heartily despised. So that my performance, at the inauguration of the strike, as Mr. Hinman conducted the overture, ran something like this--

"Oh, not for me (whack) is the rolling (whack) drum, Or the (whack, whack) trumpet's wild (whack) appeal! (Boo-hoo!) Or the cry (swish--whack) of (boo-hoo-hoo!) war when the (whack) foe is come (ouch!) Or the (ow--wow!) brightly (whack) flashing (whack-whack) steel!

(wah-hoo, wah-hoo!)"

Words and symbols can not convey to the most gifted imagination the gestures with which I ill.u.s.trated the seven stanzas of this beautiful poem. I had really selected it to please my mother, whom I had invited to be present, when I supposed I would deliver it. But the fact that she attended a missionary meeting in the Baptist church that afternoon made me a friend of missions forever. Suffice it to say, then, that my pantomime kept pace and time with Mr. Hinman's system of punctuation until the last line was sobbed and whacked out. I groped my bewildered way to my seat through a mist of tears and sat down gingerly and sideways, inly wondering why an inscrutable providence had given to the rugged rhinoceros the hide which the eternal fitness of things had plainly prepared for the school-boy.

But I quickly forgot my own sorrow and dried my tears with laughter in the enjoyment of the subsequent acts of the opera, as the chorus developed the plot and action. Mr. Hinman, who had been somewhat gentle with me, dealt firmly with the larger boy who followed, and there was a scene of revelry for the next twenty minutes. The old man shook Bill Morrison until his teeth rattled so you couldn't hear him cry. He hit Mickey McCann, the tough boy from, the Lower Prairie, and Mickey ran out and lay down in the snow to cool off. He hit Jake Bailey across the legs with a slate frame, and it hurt so that Jake couldn't howl--he just opened his mouth wide, held up his hands, gasped, and forgot his own name. He pushed Bill Haskell into a seat and the bench broke.

He ran across the room and reached out for Lem Harkins, and Lem had a fit before the old man touched him. He shook Dan Stevenson for two minutes, and when he let him go, Dan walked around his own desk five times before he could find it, and then he couldn't sit down without holding on. He whipped the two Knowltons with a skate-strap in each hand at the same time; the Greenwood family, five boys and a big girl, he whipped all at once with a girl's skipping rope, and they raised such a united wail that the clock stopped.

He took a twist in Bill Rodecker's front hair, and Bill slept with his eyes open for a week. He kept the atmosphere of that school-room full of dust, and splinters, and lint, weeping, wailing and gnashing of teeth, until he reached the end of the alphabet and all hearts ached and wearied of the inhuman strife and wicked contention. Then he stood up before us, a sickening tangle of slate frame, strap, ebony ferule and skipping rope, a smile on his kind old face, and asked, in clear, triumphant tones:

"WHO says there isn't going to be any more speaking pieces?"

And every last boy in that school sprang to his feet; standing there as one human being with one great mouth, we shrieked in concerted anguish:

"n.o.bODY DON'T!"

And your Pa, my son, who led that strike, has been "speakin' pieces"

ever since.

A NAUTICAL BALLAD

BY CHARLES E. CARRYL

A capital ship for an ocean trip Was the "Walloping Window-blind"; No gale that blew dismayed her crew Or troubled the captain's mind.

The man at the wheel was taught to feel Contempt for the wildest blow, And it often appeared, when the weather had cleared, That he'd been in his bunk below.

"The boatswain's mate was very sedate, Yet fond of amus.e.m.e.nt, too; And he played hop-scotch with the starboard watch, While the captain tickled the crew.

And the gunner we had was apparently mad, For he sat on the after rail, And fired salutes with the captain's boots, In the teeth of the booming gale.

"The captain sat in a commodore's hat And dined in a royal way On toasted pigs and pickles and figs And gummery bread each day.

But the cook was Dutch and behaved as such; For the diet he gave the crew Was a number of tons of hot-cross buns Prepared with sugar and glue.

"All nautical pride we laid aside, And we cast the vessel ash.o.r.e On the Gulliby Isles, where the Poohpooh smiles, And the Rumbletumbunders roar.

And we sat on the edge of a sandy ledge And shot at the whistling bee; And the cinnamon-bats wore water-proof hats As they danced in the sounding sea.

"On rubgub bark, from dawn to dark, We fed, till we all had grown Uncommonly shrunk,--when a Chinese junk Came by from the torriby zone.

She was stubby and square, but we didn't much care, And we cheerily put to sea; And we left the crew of the junk to chew The bark of the rubgub tree."

NATURAL PERVERSITIES

BY JAMES WHITCOMB RILEY

I am not p.r.o.ne to moralize In scientific doubt On certain facts that Nature tries To puzzle us about,-- For I am no philosopher Of wise elucidation, But speak of things as they occur, From simple observation.

I notice _little_ things--to wit:-- I never missed a train Because I didn't _run_ for it; I never knew it rain That my umbrella wasn't lent,-- Or, when in my possession, The sun but wore, to all intent, A jocular expression.

I never knew a creditor To dun me for a debt But I was "cramped" or "busted"; or I never knew one yet, When I had plenty in my purse, To make the least invasion,-- As I, accordingly perverse, Have courted no occasion.

Nor do I claim to comprehend What Nature has in view In giving us the very friend To trust we oughtn't to.-- But so it is: The trusty gun Disastrously exploded Is always sure to be the one We didn't think was loaded.

Our moaning is another's mirth,-- And what is worse by half, We say the funniest thing on earth And never raise a laugh: Mid friends that love us overwell, And sparkling jests and liquor, Our hearts somehow are liable To melt in tears the quicker.

We reach the wrong when most we seek The right; in like effect, We stay the strong and not the weak-- Do most when we neglect.-- Neglected genius--truth be said-- As wild and quick as tinder, The more you seek to help ahead The more you seem to hinder.

I've known the least the greatest, too-- And, on the selfsame plan, The biggest fool I ever knew Was quite a little man: We find we ought, and then we won't-- We prove a thing, then doubt it,-- Know _everything_ but when we don't Know _anything_ about it.

BUDD WILKINS AT THE SHOW

BY S.E. KISER

Since I've got used to city ways and don't scare at the cars, It makes me smile to set and think of years ago.--My stars!

How green I was, and how green all them country people be-- Sometimes it seems almost as if this hardly could be me.

Well, I was goin' to tell you 'bout Budd Wilkins: I declare He was the durndest, greenest chap that ever breathed the air-- The biggest town on earth, he thought, was our old county seat, With its one two-story brick hotel and dusty bizness street.

We'd fairs in fall and now and then a dance or huskin' bee, Which was the most excitin' things Budd Wilkins ever see, Until, one winter, Skigginsville was all turned upside down By a troupe of real play actors a-comin' into town.

The court-house it was turned into a theater, that night, And I don't s'pose I'll live to see another sich a sight: I guess that every person who was able fer to go Jest natch.e.l.ly cut loose fer oncet, and went to see the show.

Me and Budd we stood around there all day in the snow, But gosh! it paid us, fer we got seats right in the second row!

Well, the bra.s.s band played a tune or two, and then the play begun, And 'twa'n't long 'fore the villain had the hero on the run.

Say, talk about your purty girls with sweet, confidin' ways-- I never see the equal yit, in all o' my born days.

Of that there brave young heroine, so clingin' and so mild, And jest as innocent as if she'd been a little child.

I most forgot to say that Budd stood six feet in his socks, As brave as any lion, too, and stronger than an ox!

But there never was a man, I'll bet, that had a softer heart, And he was always sure to take the weaker person's part.