The Whirlpool Part 34

'I _might_ have done,' Alma admitted; 'but marriage put an end to that.

You have too much sense to think I mean that I repent it.'

'I don't see why marriage should put an end to it,' urged Dora. 'I'm quite sure your husband would be very proud if you came out and had a great success.'

'But if I came out and made a fiasco?'

'You wouldn't.'

That was in the summer of 1890, when the Rolfes had been living at Pinner for eight months. The new violin (new to her, old and mellow in itself) had inspired Alma to joyous exertions. Again she took lessons from Herr Wilenski, who was sparing of compliment, but, by the mere fact of receiving her at all, showed his good opinion. And many other people encouraged her in a fine conceit of herself. Mrs. Strangeways called her 'an unrecognised genius', and worshipped at her feet. To be sure, one did not pay much attention to Mrs. Strangeways, but it is sweet to hear such phrases, and twice already, though against her better judgment, Alma had consented to play at that lady's house.

On both these occasions Cyrus Redgrave was present. Choosing his moment, he approached her, looked in her face with a certain timidity to which Alma was not insensible, and spoke as an ordinary acquaintance. There was no helping it; the man had been formally introduced, and, as he suggested, they had begun to know each other afresh. Alma liked to remember how severely she had treated him at that first encounter; perhaps that was enough for dignity. Mr. Redgrave would hardly forget himself again. For the rest, she could not pretend, within herself, to dislike him; and if he paid homage to her beauty, to her social charm, to her musical gifts (all of which things Alma recognised and tabulated), it might be only just to let him make amends for something known to both of them. The insult Alma was far from forgiving. But when she had talked twice with Redgrave distantly, as a stranger to all his affairs--it began to steal upon her mind that there would be a sweetly subtle satisfaction in allowing the man to imagine that her coldness was not quite what it seemed; that so, perchance, he might be drawn on and become enslaved. She had never been able to congratulate herself on a conquest of Cyrus Redgrave. The memory of Bregenz could still, at moments, bring the blood to her face; for it was a memory of cool, calculating outrage, not of pa.s.sion that had broken bounds. To subdue the man in good earnest would be another thing, and a peculiarly delicious morsel of revenge. Was it possible?

Not long ago she would have scoffed at the thought, deeming Redgrave incapable of love in any shape. But her mind was changing in an atmosphere of pleasure and flattery, and under the influence of talk such as she heard in this house and one or two others like it.

To her husband, she represented Mrs. Strangeways as a very pleasant woman with a pa.s.sion for all the arts; formerly wife of a painter, and now married to a wealthy man who shared her tastes. This satisfied Harvey; but Alma had not deceived herself, and could not be quite comfortable with Mrs. Strangeways. She no longer puzzled over the flow of guests to the house in Porchester Terrace, having discovered not only that most of these were people, as Sibyl said, of no account, who had few houses open to them, but that several would not be admitted to any circle of scrupulous respectability. The fact was that Mrs.

Strangeways largely entertained the _demi-monde_, to use in its true sense a term persistently misapplied. Not impossibly she thought the daughter of Bennet Frothingham might, from one point of view, be included among such persons; on the other hand, her warmth proved that she regarded Mrs. Rolfe as a social acquisition, if indeed she was not genuinely attracted to her. What circ.u.mstances had led, or forced, Mrs.

Strangeways into this peculiar position, Alma could not discover; it might be simply one result of an unfortunate marriage, for undoubtedly there was something sinister in the husband, a coa.r.s.eness varnished with sham geniality, which made Alma dislike to be near him. In the woman herself she found little that was objectionable; her foolish effusiveness, and her artificial complexion, seemed to indicate merely a weak character; at times her talk was interesting, and she knew many people of a cla.s.s superior to that represented in her drawing-room. But for the illumination she had received, Alma would have felt surprised at meeting Cyrus Redgrave in these a.s.semblies; formerly she had thought of him as belonging to a sphere somewhat above her own, a quasi-aristocratic world, in which Sibyl Carnaby, the daughter of Mrs.

Ascott Larkfield, also moved by right of birth and breeding. Sibyl, however, was not above accepting Mrs. Strangeways' invitations, though she continued to speak of her slightingly; and Redgrave had known the lady for a long time--even, it appeared, before her first marriage.

In a year's time Alma had made and renewed a large number of acquaintances. She spoke of herself as living 'in the country', and still professed a dislike of mere gaiety, a resolve to maintain her simple, serious mode of existence. At half-an-hour's journey from town, she was protected against the time-wasting intrusion of five-o'clock babblers; a luncheon or two in the season, and a modest dinner at long intervals, would discharge her social liabilities; and she had the precious advantage of being able to use London for all legitimate purposes, without danger of being drawn into the vortex of its idle temptations. Once more she was working earnestly at her music--much, it seemed, to Harvey's satisfaction. He wanted her to go on also with water-colours, but she pointed out to him that one art was all she had time for.

'It's all very well for mere amateurs to take up half-a-dozen things. I aim at more than that. You would like me, wouldn't you, to become really _something_ as a violinist?'

Harvey a.s.sented.

'And you understand,' she pursued, regarding him with her bright smile, 'that the life of an artist can't be quite like that of other women?'

'Of course, I understand it. You know I don't wish to put the least restraint upon you.'

'My one fear was, that you might think I went about rather too much--didn't pay enough attention to home----'

'We manage pretty well, I think. You needn't have any such fear.'

'Of course, when Hughie gets older--when I can really begin to teach him----'

The child was now approaching the close of his third year, and, in Harvey's opinion, needed more than the attention of an ordinary nursemaid. They had recently engaged a nursery-governess, her name Pauline Smith; a girl of fair education and gentle breeding, who lived as a member of the family. It appeared to Rolfe that Hughie was quite old enough to benefit by his mother's guidance and companionship; but he had left himself no ground for objection to Alma's ordering of her life. The Welsh servant, Ruth, still remained with them, acting to a great extent as housekeeper, and having under her a maid and a boy.

Ruth, a trustworthy woman, was so well paid that they had not to fear her desertion. Regularity and comfort prevailed to a much greater extent than might have been looked for under the circ.u.mstances.

Expenditure had of course greatly increased, and now touched the limit of Harvey's ordinary income; but this was a matter which did not immediately concern Mrs. Rolfe. For domestic and private purposes she had a bank-account of her own; an arrangement made on their removal to Pinner, when Harvey one morning handed her a pa.s.s-book and a cheque-book, remarking that she would find to her credit a couple of hundred pounds. Alma pretended to think this unnecessary, but her countenance betrayed pleasure. When he thought the fund must be nearly exhausted, he made a new payment to the account, without saying anything; and Alma preserved an equally discreet silence.

One of her new acquaintances was Mrs. Rayner Mann, a lady who desired to be known as the patroness of young people aiming at success on the stage or as musicians. Many stories were told of Mrs. Mann's generosity to struggling artists, and her house at Putney swarmed with the strangest mingling of people, some undoubtedly in society others no less decidedly out of it. Here Alma encountered Felix Dymes, whose reputation and prosperity had much advanced since their meeting at Munich. The comic opera of which he then spoke had been brought out at a provincial theatre with considerable success, and was shortly to be produced in London; his latest songs, 'The Light of Home', and 'Where the Willow Dips', had caught the ear of the mult.i.tude. Alma ridiculed these compositions, mocking at the sentimentalism of the words, and declaring that the airs were mere popular tinkle; but people not inferior to her in judgment liked the music, which certainly had a sweetness and pathos not easy to resist. The wonder was how such a man as Felix Dymes could give birth to such tender melody. The vivacity of his greeting when of a sudden he recognised Alma, contrasted markedly with Cyrus Redgrave's ill-concealed embarra.s.sment in the like situation. Dymes had an easy conscience, and in the chat that followed he went so far as to joke about his ill-luck some four years ago.

'You didn't think much of me. But I'm going ahead, you know. You have to admit I'm going ahead.'

Prosperity was manifest in his look and voice. He had made no advance in refinement, and evidently thought himself above the necessity of affecting suave manners; his features seemed to grow even coa.r.s.er; his self-a.s.sertion was persistent to the point of grotesque conceit.

'Is your husband musical?' he asked.

'Not particularly.'

'Well, there's something to be said for that. One doesn't always want to be talking shop.--I can't help looking at you; you've altered in a queer sort of way. You were awfully fetching, you know, in those days.'

'You were awfully impertinent,' replied Alma, with a laugh. 'And I don't see that you've altered at all in that respect.'

'Do you play still?'

'A good deal better than I used to.'

'Really? If it's true, why don't you come out? I always believed in you--I did really. There's no better proof of it than what I said at Munich; you were the only girl that could have brought me to that, you know; it was quite against my principles. Have you heard of Ada Wellington?--a girl I'm going to bring out next spring--a pianist; and she'll make a hit. I should like you to know her.'

'How do you mean you are going to bring her out?'

'Do all the business for her, you know; run the show. Not as a speculation; I don't want to make anything out of it, more than expenses. I know her 'people; they're very badly off, and I shall be glad if I can do them a good turn. There's nothing between us; just friends, that's all. If ever you come out, put the business into my hands, will you?'

'I won't promise,' replied Alma, 'until I see how you succeed with Miss Wellington.'

'Shall it be an understanding? If I float Ada, you'll let me have a try with you?'

'We'll talk of it, Mr. Dymes, when you have learnt the elements of good manners.'

She nodded in a friendly way, and left him.

Their next meeting was at a music-shop, where Dymes came in whilst Alma was making purchases. The composer, clad in a heavy fur overcoat, entered humming a tune loudly, by way of self-advertis.e.m.e.nt; he was at home here, for the proprietors of the business published his songs. On perceiving Alma, he dropped his bl.u.s.tering air, bowed with exaggerated politeness, and professed himself overjoyed.

'I looked in just to try over a thing I've got in my head. Do come and listen to it--will you? It would be so kind of you to give me your opinion.'

He pointed to a room at the back, visible between plush curtains. Alma, wishing to refuse, murmured that she had very little time; but Dymes prevailed, and she followed him. They pa.s.sed into the pleasant warmth of a blazing fire. The musician flung off his coat, and at once sat down at the grand piano, open for the convenience of such favoured persons as himself; whilst Alma seated herself in an easy-chair, which she had pushed forward so as to allow of her being seen from the shop.

After some preliminary jingling, Dymes played an air which the listener could not but like; a dainty, tripping melody, fit for a fairy song, with strange little echoes as of laughter, and a half-feigned sadness in the close. With hands suspended, Dymes turned to see the effect he had produced.

'Is that your own?' Alma asked.

'I'm under that impression. Rather good, I think--don't you?'

'Very pretty.'

She hardly believed his a.s.surance, so strong was the contrast between that lightsome lyric and the coa.r.s.e vanity of the man himself. He played it again, and she liked it still better, uttering a more decided word of praise.

'd.i.c.ky must write me patter for that!' Dymes exclaimed, when he saw that she smiled with pleasure. 'You don't know d.i.c.ky Wellington? A cousin of Ada's. By-the-bye, her concert will be at the end of May--Prince's Hall, most likely. You shall have a ticket.'

'Very kind of you.'

'You know that Mrs. Rayner Mann is giving a charity concert next week?'

'I have been asked to take part in it,' said Alma quietly.

'I'm awfully glad of that!' shouted Dymes. 'So I shall hear you again.

The fact is, you know, I don't think of you as an amateur. I can't stand amateurs, except one or two. I've got it into my head that you've been one of us, and retired. Queer thing, isn't it?'

Alma enjoyed the flattery. Comfortable in her chair, she showed no disposition to move. Dymes asked her what she thought of playing, and she told him, Hauser's 'Rhapsodie Hongroise'.

'I'm always being bored by amateurs,' he resumed. 'A silly woman who belongs to a Symphony Society asked me yesterday to go and hear her play in the C minor! I begged to be told what harm I had ever done her, and she said I was very rude. But I always am to people of that sort; I can't help it. Another of them asked me to tell her of a _nice_ piece for the piano--a really nice piece. At once I suggested Chopin's A flat major Polonaise. Do you know it?'