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"SAFE."
"But WHERE?"
"Chichester Harbour." He waved his arm seaward as though it was a goal.
"Do you think they will follow us?"
"We have turned and turned again."
It seemed to Hoopdriver that he heard her sob. She stood dimly there, holding her machine, and he, holding his, could go no nearer to her to see if she sobbed for weeping or for want of breath. "What are we to do now?" her voice asked.
"Are you tired?" he asked.
"I will do what has to be done."
The two black figures in the broken light were silent for a s.p.a.ce. "Do you know," she said, "I am not afraid of you. I am sure you are honest to me. And I do not even know your name!"
He was taken with a sudden shame of his homely patronymic. "It's an ugly name," he said. "But you are right in trusting me. I would--I would do anything for you.... This is nothing."
She caught at her breath. She did not care to ask why. But compared with Bechamel!--"We take each other on trust," she said. "Do you want to know--how things are with me?"
"That man," she went on, after the a.s.sent of his listening silence, "promised to help and protect me. I was unhappy at home--never mind why. A stepmother--Idle, unoccupied, hindered, cramped, that is enough, perhaps. Then he came into my life, and talked to me of art and literature, and set my brain on fire. I wanted to come out into the world, to be a human being--not a thing in a hutch. And he--"
"I know," said Hoopdriver.
"And now here I am--"
"I will do anything," said Hoopdriver.
She thought. "You cannot imagine my stepmother. No! I could not describe her--"
"I am entirely at your service. I will help you with all my power."
"I have lost an Illusion and found a Knight-errant." She spoke of Bechamel as the Illusion.
Mr. Hoopdriver felt flattered. But he had no adequate answer.
"I'm thinking," he said, full of a rapture of protective responsibility, "what we had best be doing. You are tired, you know. And we can't wander all night--after the day we've had."
"That was Chichester we were near?" she asked.
"If," he meditated, with a tremble in his voice, "you would make ME your brother, MISS BEAUMONT."
"Yes?"
"We could stop there together--"
She took a minute to answer. "I am going to light these lamps," said Hoopdriver. He bent down to his own, and struck a match on his shoe. She looked at his face in its light, grave and intent. How could she ever have thought him common or absurd?
"But you must tell me your name--brother," she said,
"Er--Carrington," said Mr. Hoopdriver, after a momentary pause. Who would be Hoopdriver on a night like this?
"But the Christian name?"
"Christian name? MY Christian name. Well--Chris." He snapped his lamp and stood up. "If you will hold my machine, I will light yours," he said.
She came round obediently and took his machine, and for a moment they stood face to face. "My name, brother Chris," she said, "is Jessie."
He looked into her eyes, and his excitement seemed arrested. "JESSIE,"
he repeated slowly. The mute emotion of his face affected her strangely.
She had to speak. "It's not such a very wonderful name, is it?" she said, with a laugh to break the intensity.
He opened his mouth and shut it again, and, with a sudden wincing of his features, abruptly turned and bent down to open the lantern in front of her machine. She looked down at him, almost kneeling in front of her, with an unreasonable approbation in her eyes. It was, as I have indicated, the hour and season of the full moon.
XXV.
Mr. Hoopdriver conducted the rest of that night's journey with the same confident dignity as before, and it was chiefly by good luck and the fact that most roads about a town converge thereupon, that Chichester was at last attained. It seemed at first as though everyone had gone to bed, but the Red Hotel still glowed yellow and warm. It was the first time Hoopdriver bad dared the mysteries of a 'first-cla.s.s' hotel.' But that night he was in the mood to dare anything.
"So you found your Young Lady at last," said the ostler of the Red Hotel; for it chanced he was one of those of whom Hoopdriver had made inquiries in the afternoon.
"Quite a misunderstanding," said Hoopdriver, with splendid readiness.
"My sister had gone to Bognor But I brought her back here. I've took a fancy to this place. And the moonlight's simply dee-vine."
"We've had supper, thenks, and we're tired," said Mr. Hoopdriver. "I suppose you won't take anything,--Jessie?"
The glory of having her, even as a sister! and to call her Jessie like that! But he carried it off splendidly, as he felt himself bound to admit. "Good-night, Sis," he said, "and pleasant dreams. I'll just 'ave a look at this paper before I turn in." But this was living indeed! he told himself.
So gallantly did Mr. Hoopdriver comport himself up to the very edge of the Most Wonderful Day of all. It had begun early, you will remember, with a vigil in a little sweetstuff shop next door to the Angel at Midhurst. But to think of all the things that had happened since then!
He caught himself in the middle of a yawn, pulled out his watch, saw the time was halfpast eleven, and marched off, with a fine sense of heroism, bedward.
XXVI. THE SURBITON INTERLUDE
And here, thanks to the glorious inst.i.tution of sleep, comes a break in the narrative again. These absurd young people are safely tucked away now, their heads full of glowing nonsense, indeed, but the course of events at any rate is safe from any fresh developments through their activities for the next eight hours or more. They are both sleeping healthily you will perhaps be astonished to hear. Here is the girl--what girls are coming to nowadays only Mrs. Lynn Linton can tell!--in company with an absolute stranger, of low extraction and uncertain accent, unchaperoned and unabashed; indeed, now she fancies she is safe, she is, if anything, a little proud of her own share in these transactions. Then this Mr. Hoopdriver of yours, roseate idiot that he is! is in illegal possession of a stolen bicycle, a stolen young lady, and two stolen names, established with them in an hotel that is quite beyond his means, and immensely proud of himself in a somnolent way for these incomparable follies. There are occasions when a moralising novelist can merely wring his hands and leave matters to take their course. For all Hoopdriver knows or cares he may be locked up the very first thing to-morrow morning for the rape of the cycle. Then in Bognor, let alone that melancholy vestige, Bechamel (with whom our dealings are, thank Goodness! over), there is a Coffee Tavern with a steak Mr. Hoopdriver ordered, done to a cinder long ago, his American-cloth parcel in a bedroom, and his own proper bicycle, by way of guarantee, carefully locked up in the hayloft. To-morrow he will be a Mystery, and they will be looking for his body along the sea front. And so far we have never given a glance at the desolate home in Surbiton, familiar to you no doubt through the medium of ill.u.s.trated interviews, where the unhappy stepmother--
That stepmother, it must be explained, is quite well known to you.
That is a little surprise I have prepared for you. She is 'Thomas Plantagenet,' the gifted auth.o.r.ess of that witty and daring book, "A Soul Untrammelled," and quite an excellent woman in her way,--only it is such a crooked way. Her real name is Milton. She is a widow and a charming one, only ten years older than Jessie, and she is always careful to dedicate her more daring works to the 'sacred memory of my husband' to show that there's nothing personal, you know, in the matter.
Considering her literary reputation (she was always speaking of herself as one I martyred for truth,' because the critics advertised her written indecorums in column long 'slates'),--considering her literary reputation, I say, she was one of the most respectable women it is possible to imagine. She furnished correctly, dressed correctly, had severe notions of whom she might meet, went to church, and even at times took the sacrament in some esoteric spirit. And Jessie she brought up so carefully that she never even let her read "A Soul Untrammelled." Which, therefore, naturally enough, Jessie did, and went on from that to a feast of advanced literature. Mrs. Milton not only brought up Jessie carefully, but very slowly, so that at seventeen she was still a clever schoolgirl (as you have seen her) and quite in the background of the little literary circle of unimportant celebrities which 'Thomas Plantagenet' adorned. Mrs. Milton knew Bechamel's reputation of being a dangerous man; but then bad men are not bad women, and she let him come to her house to show she was not afraid--she took no account of Jessie.
When the elopement came, therefore, it was a double disappointment to her, for she perceived his hand by a kind of instinct. She did the correct thing. The correct thing, as you know, is to take hansom cabs, regardless of expense, and weep and say you do not know WHAT to do, round the circle of your confidential friends. She could not have ridden nor wept more had Jessie been her own daughter--she showed the properest spirit. And she not only showed it, but felt it.
Mrs. Milton, as a successful little auth.o.r.ess and still more successful widow of thirty-two,--"Thomas Plantagenet is a charming woman,"
her reviewers used to write invariably, even if they spoke ill of her,--found the steady growth of Jessie into womanhood an unmitigated nuisance and had been willing enough to keep her in the background.