The Weird Part 7

Mr Dunning's interest in the matter was kept alive by an incident of the following afternoon. He was walking from his club to the train, and he noticed some way ahead a man with a handful of leaflets such as are distributed to pa.s.sers-by by agents of enterprising firms. This agent had not chosen a very crowded street for his operations: in fact, Mr Dunning did not see him get rid of a single leaflet before he himself reached the spot. One was thrust into his hand as he pa.s.sed: the hand that gave it touched his, and he experienced a sort of little shock as it did so. It seemed unnaturally rough and hot. He looked in pa.s.sing at the giver, but the impression he got was so unclear that, however much he tried to reckon it up subsequently, nothing would come. He was walking quickly, and as he went on glanced at the paper. It was a blue one. The name of Harrington in large capitals caught his eye. He stopped, startled, and felt for his gla.s.ses. The next instant the leaflet was twitched out of his hand by a man who hurried past, and was irrecoverably gone. He ran back a few paces, but where was the pa.s.ser-by? and where the distributor?

It was in a somewhat pensive frame of mind that Mr Dunning pa.s.sed on the following day into the Select Ma.n.u.script Room of the British Museum, and filled up tickets for Harley 3586, and some other volumes. After a few minutes they were brought to him, and he was settling the one he wanted first upon the desk, when he thought he heard his own name whispered behind him. He turned round hastily, and in doing so, brushed his little portfolio of loose papers on to the floor. He saw no one he recognized except one of the staff in charge of the room, who nodded to him, and he proceeded to pick up his papers. He thought he had them all, and was turning to begin work, when a stout gentleman at the table behind him, who was just rising to leave, and had collected his own belongings, touched him on the shoulder, saying, 'May I give you this? I think it should be yours,' and handed him a missing quire. 'It is mine, thank you,' said Mr Dunning. In another moment the man had left the room. Upon finishing his work for the afternoon, Mr Dunning had some conversation with the a.s.sistant in charge, and took occasion to ask who the stout gentleman was. 'Oh, he's a man named Karswell,' said the a.s.sistant; 'he was asking me a week ago who were the great authorities on alchemy, and of course I told him you were the only one in the country. I'll see if I can catch him: he'd like to meet you, I'm sure.'

'For heaven's sake don't dream of it!' said Mr Dunning, 'I'm particularly anxious to avoid him.'

'Oh! very well,' said the a.s.sistant, 'he doesn't come here often: I dare say you won't meet him.'

More than once on the way home that day Mr Dunning confessed to himself that he did not look forward with his usual cheerfulness to a solitary evening. It seemed to him that something ill-defined and impalpable had stepped in between him and his fellow-men had taken him in charge, as it were. He wanted to sit close up to his neighbours in the train and in the tram, but as luck would have it both train and car were markedly empty. The conductor George was thoughtful, and appeared to be absorbed in calculations as to the number of pa.s.sengers. On arriving at his house he found Dr Watson, his medical man, on his doorstep. 'I've had to upset your household arrangements, I'm sorry to say, Dunning. Both your servants hors de combat. In fact, I've had to send them to the Nursing Home.'

'Good heavens! what's the matter?'

'It's something like ptomaine poisoning, I should think: you've not suffered yourself, I can see, or you wouldn't be walking about. I think they'll pull through all right.'

'Dear, dear! Have you any idea what brought it on?' 'Well, they tell me they bought some sh.e.l.l-fish from a hawker at their dinner-time. It's odd. I've made inquiries, but I can't find that any hawker has been to other houses in the street. I couldn't send word to you; they won't be back for a bit yet. You come and dine with me tonight, anyhow, and we can make arrangements for going on. Eight o'clock. Don't be too anxious.' The solitary evening was thus obviated; at the expense of some distress and inconvenience, it is true. Mr Dunning spent the time pleasantly enough with the doctor (a rather recent settler), and returned to his lonely home at about 11.30. The night he pa.s.sed is not one on which he looks back with any satisfaction. He was in bed and the light was out. He was wondering if the charwoman would come early enough to get him hot water next morning, when he heard the unmistakable sound of his study door opening. No step followed it on the pa.s.sage floor, but the sound must mean mischief, for he knew that he had shut the door that evening after putting his papers away in his desk. It was rather shame than courage that induced him to slip out into the pa.s.sage and lean over the banister in his nightgown, listening. No light was visible; no further sound came: only a gust of warm, or even hot air played for an instant round his shins. He went back and decided to lock himself into his room. There was more unpleasantness, however. Either an economical suburban company had decided that their light would not be required in the small hours, and had stopped working, or else something was wrong with the meter; the effect was in any case that the electric light was off. The obvious course was to find a match, and also to consult his watch: he might as well know how many hours of discomfort awaited him. So he put his hand into the well-known nook under the pillow: only, it did not get so far. What he touched was, according to his account, a mouth, with teeth, and with hair about it, and, he declares, not the mouth of a human being. I do not think it is any use to guess what he said or did; but he was in a spare room with the door locked and his ear to it before he was clearly conscious again. And there he spent the rest of a most miserable night, looking every moment for some fumbling at the door: but nothing came.

The venturing back to his own room in the morning was attended with many listenings and quiverings. The door stood open, fortunately, and the blinds were up (the servants had been out of the house before the hour of drawing them down); there was, to be short, no trace of an inhabitant. The watch, too, was in its usual place; nothing was disturbed, only the wardrobe door had swung open, in accordance with its confirmed habit. A ring at the back door now announced the charwoman, who had been ordered the night before, and nerved Mr Dunning, after letting her in, to continue his search in other parts of the house. It was equally fruitless.

The day thus begun went on dismally enough. He dared not go to the Museum: in spite of what the a.s.sistant had said, Karswell might turn up there, and Dunning felt he could not cope with a probably hostile stranger. His own house was odious; he hated sponging on the doctor. He spent some little time in a call at the Nursing Home, where he was slightly cheered by a good report of his housekeeper and maid. Towards lunch-time he betook himself to his club, again experiencing a gleam of satisfaction at seeing the Secretary of the a.s.sociation. At luncheon Dunning told his friend the more material of his woes, but could not bring himself to speak of those that weighed most heavily on his spirits. 'My poor dear man,' said the Secretary, 'what an upset! Look here: we're alone at home, absolutely. You must put up with us. Yes! no excuse: send your things in this afternoon.' Dunning was unable to stand out: he was, in truth, becoming acutely anxious, as the hours went on, as to what that night might have waiting for him. He was almost happy as he hurried home to pack up.

His friends, when they had time to take stock of him, were rather shocked at his lorn appearance, and did their best to keep him up to the mark. Not altogether without success: but, when the two men were smoking alone later, Dunning became dull again. Suddenly he said, 'Gayton, I believe that alchemist man knows it was I who got his paper rejected.' Gayton whistled. 'What makes you think that?' he said. Dunning told of his conversation with the Museum a.s.sistant, and Gayton could only agree that the guess seemed likely to be correct. 'Not that I care much,' Dunning went on, 'only it might be a nuisance if we were to meet. He's a bad-tempered party, I imagine.' Conversation dropped again; Gayton became more and more strongly impressed with the desolateness that came over Dunning's face and bearing, and finally though with a considerable effort he asked him point-blank whether something serious was not bothering him. Dunning gave an exclamation of relief. 'I was perishing to get it off my mind,' he said. 'Do you know anything about a man named John Harrington?' Gayton was thoroughly startled, and at the moment could only ask why. Then the complete story of Dunning's experiences came out what had happened in the tramcar, in his own house, and in the street, the troubling of spirit that had crept over him, and still held him; and he ended with the question he had begun with. Gayton was at a loss how to answer him. To tell the story of Harrington's end would perhaps be right; only, Dunning was in a nervous state, the story was a grim one, and he could not help asking himself whether there were not a connecting link between these two cases, in the person of Karswell. It was a difficult concession for a scientific man, but it could be eased by the phrase 'hypnotic suggestion'. In the end he decided that his answer tonight should be guarded; he would talk the situation over with his wife. So he said that he had known Harrington at Cambridge, and believed he had died suddenly in 1889, adding a few details about the man and his published work. He did talk over the matter with Mrs Gayton, and, as he had antic.i.p.ated, she leapt at once to the conclusion which had been hovering before him. It was she who reminded him of the surviving brother, Henry Harrington, and she also who suggested that he might be got hold of by means of their hosts of the day before. 'He might be a hopeless crank,' objected Gayton. 'That could be ascertained from the Bennetts, who knew him,' Mrs Gayton retorted; and she undertook to see the Bennetts the very next day.

It is not necessary to tell in further detail the steps by which Henry Harrington and Dunning were brought together.

The next scene that does require to be narrated is a conversation that took place between the two. Dunning had told Harrington of the strange ways in which the dead man's name had been brought before him, and had said something, besides, of his own subsequent experiences. Then he had asked if Harrington was disposed, in return, to recall any of the circ.u.mstances connected with his brother's death. Harrington's surprise at what he heard can be imagined: but his reply was readily given.

'John,' he said, 'was in a very odd state, undeniably, from time to time, during some weeks before, though not immediately before, the catastrophe. There were several things; the princ.i.p.al notion he had was that he thought he was being followed. No doubt he was an impressionable man, but he never had had such fancies as this before. I cannot get it out of my mind that there was ill-will at work, and what you tell me about yourself reminds me very much of my brother. Can you think of any possible connecting link?'

'There is just one that has been taking shape vaguely in my mind. I've been told that your brother reviewed a book very severely not long before he died, and just lately I have happened to cross the path of the man who wrote that book in a way he would resent.'

'Don't tell me the man was called Karswell.'

'Why not? that is exactly his name.'

Henry Harrington leant back. 'That is final to my mind. Now I must explain further. From something he said, I feel sure that my brother John was beginning to believe very much against his will that Karswell was at the bottom of his trouble. I want to tell you what seems to me to have a bearing on the situation. My brother was a great musician, and used to run up to concerts in town. He came back, three months before he died, from one of these, and gave me his programme to look at an a.n.a.lytical programme: he always kept them. "I nearly missed this one," he said. "I suppose I must have dropped it: anyhow, I was looking for it under my seat and in my pockets and so on, and my neighbour offered me his, said 'might he give it me, he had no further use for it,' and he went away just afterwards. I don't know who he was a stout, clean-shaven man. I should have been sorry to miss it; of course I could have bought another, but this cost me nothing." At another time he told me that he had been very uncomfortable both on the way to his hotel and during the night. I piece things together now in thinking it over. Then, not very long after, he was going over these programmes, putting them in order to have them bound up, and in this particular one (which by the way I had hardly glanced at), he found quite near the beginning a strip of paper with some very odd writing on it in red and black most carefully done it looked to me more like Runic letters than anything else. "Why," he said, "this must belong to my fat neighbour. It looks as if it might be worth returning to him; it may be a copy of something; evidently someone has taken trouble over it. How can I find his address?" We talked it over for a little and agreed that it wasn't worth advertising about, and that my brother had better look out for the man at the next concert, to which he was going very soon. The paper was lying on the book and we were both by the fire; it was a cold, windy summer evening. I suppose the door blew open, though I didn't notice it: at any rate a gust a warm gust it was came quite suddenly between us, took the paper and blew it straight into the fire: it was light, thin paper, and flared and went up the chimney in a single ash. "Well," I said, "you can't give it back now." He said nothing for a minute: then rather crossly, "No, I can't; but why you should keep on saying so I don't know." I remarked that I didn't say it more than once. "Not more than four times, you mean," was all he said. I remember all that very clearly, without any good reason; and now to come to the point. I don't know if you looked at that book of Karswell's which my unfortunate brother reviewed. It's not likely that you should: but I did, both before his death and after it. The first time we made game of it together. It was written in no style at all split infinitives, and every sort of thing that makes an Oxford gorge rise. Then there was nothing that the man didn't swallow: mixing up cla.s.sical myths, and stories out of the Golden Legend with reports of savage customs of today all very proper, no doubt, if you know how to use them, but he didn't: he seemed to put the Golden Legend and the Golden Bough exactly on a par, and to believe both: a pitiable exhibition, in short. Well, after the misfortune, I looked over the book again. It was no better than before, but the impression which it left this time on my mind was different. I suspected as I told you that Karswell had borne ill-will to my brother, even that he was in some way responsible for what had happened; and now his book seemed to me to be a very sinister performance indeed. One chapter in particular struck me, in which he spoke of "casting the Runes" on people, either for the purpose of gaining their affection or of getting them out of the way perhaps more especially the latter: he spoke of all this in a way that really seemed to me to imply actual knowledge. I've not time to go into details, but the upshot is that I am pretty sure from information received that the civil man at the concert was Karswell: I suspect I more than suspect that the paper was of importance: and I do believe that if my brother had been able to give it back, he might have been alive now. Therefore, it occurs to me to ask you whether you have anything to put beside what I have told you.'

By way of answer, Dunning had the episode in the Ma.n.u.script Room at the British Museum to relate.

'Then he did actually hand you some papers; have you examined them? No? because we must, if you'll allow it, look at them at once, and very carefully.'

They went to the still empty house empty, for the two servants were not yet able to return to work. Dunning's portfolio of papers was gathering dust on the writing-table. In it were the quires of small-sized scribbling paper which he used for his transcripts: and from one of these, as he took it up, there slipped and fluttered out into the room with uncanny quickness, a strip of thin light paper. The window was open, but Harrington slammed it to, just in time to intercept the paper, which he caught. 'I thought so,' he said; 'it might be the identical thing that was given to my brother. You'll have to look out, Dunning; this may mean something quite serious for you.'

A long consultation took place. The paper was narrowly examined. As Harrington had said, the characters on it were more like Runes than anything else, but not decipherable by either man, and both hesitated to copy them, for fear, as they confessed, of perpetuating whatever evil purpose they might conceal. So it has remained impossible (if I may antic.i.p.ate a little) to ascertain what was conveyed in this curious message or commission. Both Dunning and Harrington are firmly convinced that it had the effect of bringing its possessors into very undesirable company. That it must be returned to the source whence it came they were agreed, and further, that the only safe and certain way was that of personal service; and here contrivance would be necessary, for Dunning was known by sight to Karswell. He must, for one thing, alter his appearance by shaving his beard. But then might not the blow fall first? Harrington thought they could time it. He knew the date of the concert at which the 'black spot' had been put on his brother: it was June 18th. The death had followed on Sept. 18th. Dunning reminded him that three months had been mentioned on the inscription on the car-window. 'Perhaps,' he added, with a cheerless laugh, 'mine may be a bill at three months too. I believe I can fix it by my diary. Yes, April 23rd was the day at the Museum; that brings us to July 23rd. Now, you know, it becomes extremely important to me to know anything you will tell me about the progress of your brother's trouble, if it is possible for you to speak of it.' 'Of course. Well, the sense of being watched whenever he was alone was the most distressing thing to him. After a time I took to sleeping in his room, and he was the better for that: still, he talked a great deal in his sleep. What about? Is it wise to dwell on that, at least before things are straightened out? I think not, but I can tell you this: two things came for him by post during those weeks, both with a London postmark, and addressed in a commercial hand. One was a woodcut of Bewick's, roughly torn out of the page: one which shows a moonlit road and a man walking along it, followed by an awful demon creature. Under it were written the lines out of the "Ancient Mariner" (which I suppose the cut ill.u.s.trates) about one who, having once looked round Walks on, And turns no more his head, Because he knows a frightful fiend Doth close behind him tread.

The other was a calendar, such as tradesmen often send. My brother paid no attention to this, but I looked at it after his death, and found that everything after Sept. 18 had been torn out. You may be surprised at his having gone out alone the evening he was killed, but the fact is that during the last ten days or so of his life he had been quite free from the sense of being followed or watched.'

The end of the consultation was this. Harrington, who knew a neighbour of Karswell's, thought he saw a way of keeping a watch on his movements. It would be Dunning's part to be in readiness to try to cross Karswell's path at any moment, to keep the paper safe and in a place of ready access.

They parted. The next weeks were no doubt a severe strain upon Dunning's nerves: the intangible barrier which had seemed to rise about him on the day when he received the paper, gradually developed into a brooding blackness that cut him off from the means of escape to which one might have thought he might resort. No one was at hand who was likely to suggest them to him, and he seemed robbed of all initiative. He waited with inexpressible anxiety as May, June, and early July pa.s.sed on, for a mandate from Harrington. But all this time Karswell remained immovable at Lufford.

At last, in less than a week before the date he had come to look upon as the end of his earthly activities, came a telegram: 'Leaves Victoria by boat train Thursday night. Do not miss. I come to you to-night. Harrington.'

He arrived accordingly, and they concocted plans. The train left Victoria at nine and its last stop before Dover was Croydon West. Harrington would mark down Karswell at Victoria, and look out for Dunning at Croydon, calling to him if need were by a name agreed upon. Dunning, disguised as far as might be, was to have no label or initials on any hand luggage, and must at all costs have the paper with him.

Dunning's suspense as he waited on the Croydon platform I need not attempt to describe. His sense of danger during the last days had only been sharpened by the fact that the cloud about him had perceptibly been lighter; but relief was an ominous symptom, and, if Karswell eluded him now, hope was gone: and there were so many chances of that. The rumour of the journey might be itself a device. The twenty minutes in which he paced the platform and persecuted every porter with inquiries as to the boat train were as bitter as any he had spent. Still, the train came, and Harrington was at the window. It was important, of course, that there should be no recognition: so Dunning got in at the farther end of the corridor carriage, and only gradually made his way to the compartment where Harrington and Karswell were. He was pleased, on the whole, to see that the train was far from full.

Karswell was on the alert, but gave no sign of recognition. Dunning took the seat not immediately facing him, and attempted, vainly at first, then with increasing command of his faculties, to reckon the possibilities of making the desired transfer. Opposite to Karswell, and next to Dunning, was a heap of Karswell's coats on the seat. It would be of no use to slip the paper into these he would not be safe, or would not feel so, unless in some way it could be proffered by him and accepted by the other. There was a handbag, open, and with papers in it. Could he manage to conceal this (so that perhaps Karswell might leave the carriage without it), and then find and give it to him? This was the plan that suggested itself. If he could only have counselled with Harrington! but that could not be. The minutes went on. More than once Karswell rose and went out into the corridor. The second time Dunning was on the point of attempting to make the bag fall off the seat, but he caught Harrington's eye, and read in it a warning.

Karswell, from the corridor, was watching: probably to see if the two men recognized each other. He returned, but was evidently restless: and, when he rose the third time, hope dawned, for something did slip off his seat and fall with hardly a sound to the floor. Karswell went out once more, and pa.s.sed out of range of the corridor window. Dunning picked up what had fallen, and saw that the key was in his hands in the form of one of Cook's ticket-cases, with tickets in it. These cases have a pocket in the cover, and within very few seconds the paper of which we have heard was in the pocket of this one. To make the operation more secure, Harrington stood in the doorway of the compartment and fiddled with the blind. It was done, and done at the right time, for the train was now slowing down towards Dover.

In a moment more Karswell re-entered the compartment. As he did so, Dunning, managing, he knew not how, to suppress the tremble in his voice, handed him the ticket-case, saying, 'May I give you this, sir? I believe it is yours.' After a brief glance at the ticket inside, Karswell uttered the hoped-for response, 'Yes, it is; much obliged to you, sir,' and he placed it in his breast pocket.

Even in the few moments that remained moments of tense anxiety, for they knew not to what a premature finding of the paper might lead both men noticed that the carriage seemed to darken about them and to grow warmer; that Karswell was fidgety and oppressed; that he drew the heap of loose coats near to him and cast it back as if it repelled him; and that he then sat upright and glanced anxiously at both. They, with sickening anxiety, busied themselves in collecting their belongings; but they both thought that Karswell was on the point of speaking when the train stopped at Dover Town. It was natural that in the short s.p.a.ce between town and pier they should both go into the corridor.

At the pier they got out, but so empty was the train that they were forced to linger on the platform until Karswell should have pa.s.sed ahead of them with his porter on the way to the boat, and only then was it safe for them to exchange a pressure of the hand and a word of concentrated congratulation. The effect upon Dunning was to make him almost faint. Harrington made him lean up against the wall, while he himself went forward a few yards within sight of the gangway to the boat, at which Karswell had now arrived. The man at the head of it examined his ticket, and, laden with coats, he pa.s.sed down into the boat. Suddenly the official called after him, 'You, sir, beg pardon, did the other gentleman show his ticket?' 'What the devil do you mean by the other gentleman?' Karswell's snarling voice called back from the deck. The man bent over and looked at him. 'The devil? Well, I don't know, I'm sure,' Harrington heard him say to himself, and then aloud, 'My mistake, sir; must have been your rugs! ask your pardon.' And then, to a subordinate near him, ''Ad he got a dog with him, or what? Funny thing: I could 'a' swore 'e wasn't alone. Well, whatever it was, they'll 'ave to see to it aboard. She's off now. Another week and we shall be gettin' the 'oliday customers.' In five minutes more there was nothing but the lessening lights of the boat, the long line of the Dover lamps, the night breeze, and the moon.

Long and long the two sat in their room at the 'Lord Warden'. In spite of the removal of their greatest anxiety, they were oppressed with a doubt, not of the lightest. Had they been justified in sending a man to his death, as they believed they had? Ought they not to warn him, at least? 'No,' said Harrington; 'if he is the murderer I think him, we have done no more than is just. Still, if you think it better but how and where can you warn him?' 'He was booked to Abbeville only,' said Dunning. 'I saw that. If I wired to the hotels there in Joanne's Guide, "Examine your ticket-case, Dunning," I should feel happier. This is the 21st: he will have a day. But I am afraid he has gone into the dark.' So telegrams were left at the hotel office.

It is not clear whether these reached their destination, or whether, if they did, they were understood. All that is known is that, on the afternoon of the 23rd, an English traveller, examining the front of St Wulfram's Church at Abbeville, then under extensive repair, was struck on the head and instantly killed by a stone falling from the scaffold erected round the north-western tower, there being, as was clearly proved, no workman on the scaffold at that moment: and the traveller's papers identified him as Mr Karswell.

Only one detail shall be added. At Karswell's sale a set of Bewick, sold with all faults, was acquired by Harrington. The page with the woodcut of the traveller and the demon was, as he had expected, mutilated. Also, after a judicious interval, Harrington repeated to Dunning something of what he had heard his brother say in his sleep: but it was not long before Dunning stopped him.

How Nuth Would Have Practised His Art Upon the Gnoles.

Lord Dunsany.

Lord Dunsany (18781957) was a prolific Anglo-Irish writer and dramatist, known for fantastical fiction, some of it dark. His real name was Edward John Moreton Drax Plunkett, 18th Baron of Dunsany. Born to one of the oldest t.i.tles in the Irish peerage, Dunsany lived much of his life at perhaps Ireland's longest-inhabited home, Dunsany Castle (near Tara), worked with WB Yeats and was chess and pistol-shooting champion of Ireland. 'How Nuth Would Have Practised His Art Upon the Gnoles' (1912) is a compressed marvel of weird storytelling. Many decades later the writer Margaret St. Clair would use Dunsany's tale as inspiration for her own, equally original, 'The Man Who Sold Rope to the Gnoles', also included in these pages.

Despite the advertis.e.m.e.nts of rival firms, it is probable that every tradesman knows that n.o.body in business at the present time has a position equal to that of Mr. Nuth. To those outside the magic circle of business, his name is scarcely known; he does not need to advertise, he is consummate. He is superior even to modern compet.i.tion, and, whatever claims they boast, his rivals know it. His terms are moderate, so much cash down when the goods are delivered, so much in blackmail afterwards. He consults your convenience. His skill may be counted upon; I have seen a shadow on a windy night move more noisily than Nuth, for Nuth is a burglar by trade. Men have been known to stay in country houses and to send a dealer afterwards to bargain for a piece of tapestry that they saw there some article of furniture, some picture. This is bad taste: but those whose culture is more elegant invariably send Nuth a night or two after their visit. He has a way with tapestry; you would scarcely notice that the edges had been cut. And often when I see some huge, new house full of old furniture and portraits from other ages, I say to myself, 'These mouldering chairs, these full-length ancestors and carved mahogany are the produce of the incomparable Nuth.'

It may be urged against my use of the word incomparable that in the burglary business the name of Slith stands paramount and alone; and of this I am not ignorant; but Slith is a cla.s.sic, and lived long ago, and knew nothing at all of modern compet.i.tion; besides which the surprising nature of his doom has possibly cast a glamour upon Slith that exaggerates in our eyes his undoubted merits.

It must not be thought that I am a friend of Nuth's; on the contrary such politics as I have are on the side of Property; and he needs no words from me, for his position is almost unique in trade, being among the very few that do not need to advertise.

At the time that my story begins Nuth lived in a roomy house in Belgrave Square: in his inimitable way he had made friends with the caretaker. The place suited Nuth, and, whenever anyone came to inspect it before purchase, the caretaker used to praise the house in the words that Nuth had suggested. 'If it wasn't for the drains,' she would say, 'it's the finest house in London,' and when they pounced on this remark and asked questions about the drains, she would answer them that the drains also were good, but not so good as the house. They did not see Nuth when they went over the rooms, but Nuth was there.

Here in a neat black dress on one spring morning came an old woman whose bonnet was lined with red, asking for Mr. Nuth; and with her came her large and awkward son. Mrs. Eggins, the caretaker, glanced up the street, and then she let them in, and left them to wait in the drawing-room amongst furniture all mysterious with sheets. For a long while they waited, and then there was a smell of pipe-tobacco, and there was Nuth standing quite close to them.

'Lord,' said the old woman whose bonnet was lined with red, 'you did make me start.' And then she saw by his eyes that that was not the way to speak to Mr. Nuth.

And at last Nuth spoke, and very nervously the old woman explained that her son was a likely lad, and had been in business already but wanted to better himself, and she wanted Mr. Nuth to teach him a livelihood.

First of all Nuth wanted to see a business reference, and when he was shown one from a jeweller with whom he happened to be hand-in-glove the upshot of it was that he agreed to take young Tonker (for this was the surname of the likely lad) and to make him his apprentice. And the old woman whose bonnet was lined with red went back to her little cottage in the country, and every evening said to her old man, 'Tonker, we must fasten the shutters of a night-time, for Tommy's a burglar now.'

The details of the likely lad's apprenticeship I do not propose to give; for those that are in the business know those details already, and those that are in other businesses care only for their own, while men of leisure who have no trade at all would fail to appreciate the gradual degrees by which Tommy Tonker came first to cross bare boards, covered with little obstacles in the dark, without making any sound, and then to go silently up creaky stairs, and then to open doors, and lastly to climb.

Let it suffice that the business prospered greatly, while glowing reports of Tommy Tonker's progress were sent from time to time to the old woman whose bonnet was lined with red in the laborious handwriting of Nuth. Nuth had given up lessons in writing very early, for he seemed to have some prejudice against forgery, and therefore considered writing a waste of time. And then there came the transaction with Lord Castlenorman at his Surrey residence. Nuth selected a Sat.u.r.day night, for it chanced that Sat.u.r.day was observed as Sabbath in the family of Lord Castlenorman, and by eleven o'clock the whole house was quiet. Five minutes before midnight Tommy Tonker, instructed by Mr. Nuth, who waited outside, came away with one pocketful of rings and shirt-studs. It was quite a light pocketful, but the jewellers in Paris could not match it without sending specially to Africa, so that Lord Castlenorman had to borrow bone shirt-studs.

Not even rumour whispered the name of Nuth. Were I to say that this turned his head, there are those to whom the a.s.sertion would give pain, for his a.s.sociates hold that his astute judgment was unaffected by circ.u.mstance. I will say, therefore, that it spurred his genius to plan what no burglar had ever planned before. It was nothing less than to burgle the house of the gnoles. And this that abstemious man unfolded to Tonker over a cup of tea. Had Tonker not been nearly insane with pride over their recent transaction, and had he not been blinded by a veneration for Nuth, he would have but I cry over spilt milk. He expostulated respectfully: he said he would rather not go; he said it was not fair, he allowed himself to argue; and in the end, one windy October morning with a menace in the air found him and Nuth drawing near to the dreadful wood.

Nuth, by weighing little emeralds against pieces of common rock, had ascertained the probable weight of those house-ornaments that the gnoles are believed to possess in the narrow, lofty house wherein they have dwelt from of old. They decided to steal two emeralds and to carry them between them on a cloak; but if they should be too heavy one must be dropped at once. Nuth warned young Tonker against greed, and explained that the emeralds were worth less than cheese until they were safe away from the dreadful wood.

Everything had been planned, and they walked now in silence.

No track led up to the sinister gloom of the trees, either of men or cattle; not even a poacher had been there snaring elves for over a hundred years. You did not trespa.s.s twice in the dells of the gnoles. And, apart from the things that were done there, the trees themselves were a warning, and did not wear the wholesome look of those that we plant ourselves.

The nearest village was some miles away with the backs of all its houses turned to the wood, and without one window at all facing in that direction. They did not speak of it there, and elsewhere it is unheard of.

Into this wood stepped Nuth and Tommy Tonker. They had no firearms. Tonker had asked for a pistol, but Nuth replied that the sound of a shot 'would bring everything down on us,' and no more was said about it.

Into the wood they went all day, deeper and deeper. They saw the skeleton of some early Georgian poacher nailed to a door in an oak tree; sometimes they saw a fairy scuttle away from them; once Tonker stepped heavily on a hard, dry stick, after which they both lay still for twenty minutes. And the sunset flared full of omens through the tree trunks, and night fell, and they came by fitful starlight, as Nuth had foreseen, to that lean, high house where the gnoles so secretly dwelt.

All was so silent by that unvalued house that the faded courage of Tonker flickered up, but to Nuth's experienced sense it seemed too silent; and all the while there was that look in the sky that was worse than a spoken doom, so that Nuth, as is often the case when men are in doubt, had leisure to fear the worst. Nevertheless he did not abandon the business, but sent the likely lad with the instruments of his trade by means of the ladder to the old green cas.e.m.e.nt. And the moment that Tonker touched the withered boards, the silence that, though ominous, was earthly, became unearthly like the touch of a ghoul. And Tonker heard his breath offending against that silence, and his heart was like mad drums in a night attack, and a string of one of his sandals went tap on a rung of a ladder, and the leaves of the forest were mute, and the breeze of the night was still; and Tonker prayed that a mouse or a mole might make any noise at all, but not a creature stirred, even Nuth was still. And then and there, while yet he was undiscovered, the likely lad made up his mind, as he should have done long before, to leave those colossal emeralds where they were and have nothing further to do with the lean, high house of the gnoles, but to quit this sinister wood in the nick of time and retire from business at once and buy a place in the country. Then he descended softly and beckoned to Nuth. But the gnoles had watched him through knavish holes that they bore in trunks of the trees, and the unearthly silence gave way, as it were with a grace, to the rapid screams of Tonker as they picked him up from behind screams that came faster and faster until they were incoherent.

And where they took him it is not good to ask, and what they did with him I shall not say.

Nuth looked on for a while from the corner of the house with a mild surprise on his face as he rubbed his chin, for the trick of the holes in the trees was new to him; then he stole nimbly away through the dreadful wood.

'And did they catch Nuth?' you ask me, gentle reader.

'Oh, no, my child' (for such a question is childish). 'n.o.body ever catches Nuth.'

The Man in the Bottle.

Gustav Meyrink.

Gustav Meyrink (18681932) was an Austrian writer who moved to Prague as a teenager and lived there for twenty years. Early works included grotesque satires after which he largely graduated to weird pseudo-science and contes cruel. He is most famous for his novel The Golem (1914). Other books by Meyrink include Walpurgis Night (1917) and The Angel of the Western Window (1927). Meyrink considered himself an amateur expert on theosophy, Kabbalah, Christian Sophiology, and Eastern mysticism. He once translated fifteen volumes of Charles d.i.c.kens because he needed the money. 'The Man in the Bottle' is typical of Meyrink's weird stories: grotesque, brief, and flecked with the decadent.

Melanchthon was dancing with the Bat, whose costume represented her in an inverted position. The wings were folded close to the body, and in the claws she held a large gold hoop upright, which gave the impression that she was hanging, suspended from some imaginary point. The effect was grotesque, and it amused Melanchthon very much, for he had to peep through this gold hoop, which was exactly on a level with his face, while dancing with the Bat.

She was one of the most original masks and at the same time one of the most repelling ones at the fete of the Persian prince. She had even impressed his highness, Mohammed Darasche-Koh, the host.

'I know you, pretty one,' he had nodded to her, much to the amus.e.m.e.nt of the bystanders.

'It is certainly the little marquise, the intimate friend of the princess,' declared a Dutch councilor in a Rembrandt costume.

He surmised this because she knew every turn and corner of the palace, to judge by her conversation. And but a few moments ago, when some cavalier had ordered felt boots and torches so that they might go down into the courtyard and indulge in s...o...b..lling, the Bat joined them and partic.i.p.ated wildly in the game. It was then and the Dutchman was quite ready to back it with a wager that he had seen a well-known bracelet on her wrist.

'Oh, how interesting,' exclaimed a Blue b.u.t.terfly. 'Couldn't Melanchthon discover whether or not Count Faast is a slave of the princess?'

'Don't speak so loud,' interrupted the Dutch councilor. 'It is a mighty good thing that the orchestra played the close of that waltz fortissimo, for the prince was standing here only a moment since.'

'Better not speak of such things,' whispered an Egyptian, 'for the jealousy of this Asiatic prince knows no bounds, and there are probably more explosives in the palace than we dream. Count de Faast has been playing with fire too long, and if Darasche-Koh suspects'

A rough figure representing a huge knot dashed by them in wild flight to escape a h.e.l.lenic warrior in shimmering armor.

'If you were the Gordian knot, Mynherr, and were pursued by Alexander the Great, wouldn't you be frightened?' teased the inverted Bat, tapping the Dutchman coquettishly on the end of the nose with her fan.

'The sharp wit of the pretty Marquise Bat betrays her,' smiled a lanky Satan with tail and cloven foot. 'What a pity that only as a Bat are you to be seen with your feet in the air.'

The dull sound of a gong filled the room as an executioner appeared, draped in a crimson robe. He tapped a bronze gong, and then, resting his weight on his glittering cudgel, posed himself in the center of the big hall.

Out of every niche and lobby the maskers streamed toward him harlequins, cannibals, an ibis, and some Chinese, Don Quixotes, Columbines, bayaderes and dominoes of all colors.

The crimson executioner distributed tablets of ivory inscribed with gold letters.

'Oh, programmes for the entertainment!' chorused the crowd.

THE MAN IN THE BOTTLE.

Marionette Comedy in the Spirit of Aubrey Beardsley BY PRINCE MOHAMMED DARASCHE-KOH.

Characters: THE MAN IN THE BOTTLE............................. MIGUEL, COUNT DE FAAST THE MAN ON THE BOTTLE.........PRINCE MOHAMMED DARASCHE-KOH THE LADY IN THE SEDAN CHAIR.

VAMPIRES, MARIONETTES, HUNCHBACKS, APES, MUSICIANS.

Scene of Action: A TIGER'S MAW 'What! The prince is the author of this marionette play?' 'Probably a scene out of the "Thousand and One Nights."' 'But who will play the part of the Lady in the Sedan Chair?'

'Oh, there is a great surprise in store for us,' twittered a seductive Incroyable, leaning on the arm of an Abbe. 'Do you know, the Pierrot with whom I danced the tarantelle was the Count de Faast, who is going to play The Man in the Bottle; and he confided a lot of things to me: the marionettes will be very gruesome that is, for those who appreciate the spirit of the thing and the prince had an elephant sent down from Hamburg but you are not listening to me at all!' And the little one dropped the arm of her escort and bolted into the swirling crowd.

New groups of masks constantly poured out of the adjoining rooms through the wide doorways into the big hall, making a kaleidoscopic play of colors, while files of costumed guests stood admiring the wonderful mural frescoes that rose to the blue, star-dotted ceiling. Attendants served refreshments, sorbets and wines in the window niches.

With a rolling sound the walls of the narrow end of the hall separated and a stage was pushed slowly into view. Its setting, in red brown and a flaming yellow proscenium, was a yawning tiger's maw, the white teeth glittering above and below.

In the middle of the scene stood a huge gla.s.s bottle in the form of a globe, with walls at least a foot thick. It was about twice the height of an average man and very roomy. The back of the scene was draped with pink silk hangings.

Then the colossal ebony doors of the hall opened and admitted a richly caparisoned elephant, which advanced with majestic tread. On its head sat the crimson executioner guiding the beast with the b.u.t.t of his cudgel. Chains of amethysts dangled from the elephant's tusks, and plumes of peac.o.c.k feathers nodded from its head. Heavily embroidered gold cloths streamed down from the back of the beast, skirting the floor; across its enormous forehead there was a network of sparkling jewels.

The maskers flocked around the advancing beast, shouting greetings to the gay group of actors seated in the palanquin; Prince Darasche-Koh with turban and aigrette, Count de Faast as Pierrot, marionettes and musicians, stiff as wooden puppets. The elephant reached the stage, and with its trunk lifted one man after another from its back. There was much applause and a yell of delight as the beast seized the Pierrot and, sliding him into the neck of the bottle, closed the metal top. Then the Persian prince was placed on top of the bottle.

The musicians seated themselves in a semicircle, drawing forth strange, slender instruments. The elephant gazed at them a moment, then turned about and strode toward the door. Like a lot of happy children the maskers clung to its trunk, ears, and tusks and tried to hold it back; but the animal seemed not to feel their weight at all.

The performance began, and somewhere, as if out of the ground, there arose weird music. The puppet orchestra of marionettes remained lifeless and waxen; the flute player stared with gla.s.sy, idiotic eyes at the ceiling; the features of the rococo conductor in peruke and plumed hat, holding the baton aloft and pressing a pointed finger mysteriously to his lips, were distorted by a shrewd, uncanny smile.

In the foreground posed the marionettes. Here were grouped a humpbacked dwarf with chalky face, a gray, grinning devil, and a sallow, rouged actress with carmine lips. The three seemed possessed of some satanic secret that had paralyzed their movements. The semblance of death brooded over the entire motionless group.

The Pierrot in the bottle now began to move restlessly. He doffed his white felt hat, bowed and occasionally greeted the Persian prince, who with crossed legs sat on the cap of the bottle. His antics amused the audience. The thick walls of gla.s.s distorted his appearance curiously; sometimes his eyes seemed to pop out of his head; then again they disappeared, and one saw only forehead and chin; sometimes he was fat and bloated, then again slender, with long legs like a spider's.