The Weird Part 39

Mrs. Allison hurried with her pie. Twice she went to the window to glance at the sky to see if there were clouds coming up. The room seemed unexpectedly dark, and she herself felt in the state of tension that precedes a thunderstorm, but both times when she looked the sky was clear and serene, smiling indifferently down on the Allisons' summer cottage as well as on the rest of the world. When Mrs. Allison, her pie ready for the oven, went a third time to look outside, she saw her husband coming up the path; he seemed more cheerful, and when he saw her, he waved eagerly and held a letter in the air.

'From Jerry,' he called as soon as he was close enough for her to hear him, 'at last a letter!' Mrs. Allison noticed with concern that he was no longer able to get up the gentle slope of the path without breathing heavily; but then he was in the doorway, holding out the letter. 'I saved it till I got here,' he said.

Mrs. Allison looked with an eagerness that surprised her on the familiar handwriting of her son; she could not imagine why the letter excited her so, except that it was the first they had received in so long; it would be a pleasant, dutiful letter, full of the doings of Alice and the children, reporting progress with his job, commenting on the recent weather in Chicago, closing with love from all; both Mr. and Mrs. Allison could, if they wished, recite a pattern letter from either of their children.

Mrs. Allison slit the letter open with great deliberation, and then she spread it out on the kitchen table and they leaned down and read it together.

'Dear Mother and Dad,' it began, in Jerry's familiar, rather childish, handwriting, 'Am glad this goes to the lake as usual, we always thought you came back too soon and ought to stay up there as long as you could. Alice says that now that you're not as young as you used to be and have no demands on your time, fewer friends, etc., in the city, you ought to get what fun you can while you can. Since you two are both happy up there, it's a good idea for you to stay.'

Uneasily Mrs. Allison glanced sideways at her husband; he was reading intently, and she reached out and picked up the empty envelope, not knowing exactly what she wanted from it. It was addressed quite as usual, in Jerry's handwriting, and was postmarked Chicago. Of course it's postmarked Chicago, she thought quickly, why would they want to postmark it anywhere else? When she looked back down at the letter, her husband had turned the page, and she read on with him: ' and of course if they get measles, etc., now, they will be better off later. Alice is well, of course, me too. Been playing a lot of bridge lately with some people you don't know, named Carruthers. Nice young couple, about our age. Well, will close now as I guess it bores you to hear about things so far away. Tell Dad old d.i.c.kson, in our Chicago office, died. He used to ask about Dad a lot. Have a good time up at the lake, and don't bother about hurrying back. Love from all of us, Jerry.'

'Funny,' Mr. Allison commented.

'It doesn't sound like Jerry,' Mrs. Allison said in a small voice. 'He never wrote anything like...' She stopped.

'Like what?' Mr. Allison demanded. 'Never wrote anything like what?'

Mrs. Allison turned the letter over, frowning. It was impossible to find any sentence, any word, even, that did not sound like Jerry's regular letters. Perhaps it was only that the letter was so late, or the unusual number of dirty fingerprints on the envelope.

'I don't know,' she said impatiently.

'Going to try that phone call again,' Mr. Allison said.

Mrs. Allison read the letter twice more, trying to find a phrase that sounded wrong. Then Mr.

Allison came back and said, very quietly, 'Phone's dead.'

'What?' Mrs. Allison said, dropping the letter.

'Phone's dead,' Mr. Allison said.

The rest of the day went quickly; after a lunch of crackers and milk, the Allisons went to sit outside on the lawn, but their afternoon was cut short by the gradually increasing storm clouds that came up over the lake to the cottage, so that it was as dark as evening by four o'clock. The storm delayed, however, as though in loving antic.i.p.ation of the moment it would break over the summer cottage, and there was an occasional flash of lightning, but no rain. In the evening, Mr. and Mrs. Allison, sitting close together inside their cottage, turned on the battery radio they had brought with them from New York. There were no lamps lighted in the cottage, and the only light came from the lightning outside and the small square glow from the dial of the radio.

The slight framework of the cottage was not strong enough to withstand the city noises, the music and the voices, from the radio, and the Allisons could hear them far off echoing across the lake, the saxophones in the New York dance band wailing over the water, the flat voice of the girl vocalist going inexorably out into the clean country air. Even the announcer, speaking glowingly of the virtues of razor blades, was no more than an inhuman voice sounding out from the Allisons' cottage and echoing back, as though the lake and the hills and the trees were returning it unwanted.

During one pause between commercials, Mrs. Allison turned and smiled weakly at her husband. 'I wonder if we're supposed to...do anything,' she said.

'No,' Mr. Allison said consideringly. 'I don't think so. Just wait.'

Mrs. Allison caught her breath quickly, and Mr. Allison said, under the trivial melody of the dance band beginning again, 'The car had been tampered with, you know. Even I could see that.'

Mrs. Allison hesitated a minute and then said very softly, 'I suppose the phone wires were cut.'

'I imagine so.'

After a while, the dance music stopped and they listened attentively to a news broadcast, the announcer's rich voice telling them breathlessly of a marriage in Hollywood, the latest baseball scores, the estimated rise in food prices during the coming week. He spoke to them, in the summer cottage, quite as though they still deserved to hear news of a world that no longer reached them except through the fallible batteries on the radio, which were already beginning to fade, almost as though they still belonged, however tenuously, to the rest of the world.

Mrs. Allison glanced out the window at the smooth surface of the lake, the black ma.s.ses of the trees, and the waiting storm, and said conversationally, 'I feel better about that letter of Jerry's.'

'I knew when I saw the light down at the Hall place last night,' Mrs. Allison said.

The wind, coming up suddenly over the lake, swept around the summer cottage and slapped hard at the windows. Mr. and Mrs. Allison involuntarily moved closer together, and with the first crash of thunder, Mr. Allison reached out and took his wife's hand. And then, while the lightning flashed outside, and the radio faded and sputtered, the two old people huddled together in their summer cottage and waited.

The Man Who Sold Rope to the Gnoles.

Margaret St. Clair.

Margaret St. Clair (19111995) was an American science fiction writer whose most creative period was during the 1950s, when she wrote such acclaimed stories as 'Brightness Falls from the Air' (1951), 'An Egg a Month from All Over' (1952), and 'Horrer Howce' (1956). In 1951 she also published the cla.s.sic 'The Man Who Sold Rope to the Gnoles'. Satirical, weird, and with a nod to the Lord Dunsany story collected earlier in this volume, 'The Man Who Sold Rope to the Gnoles' has bite...and teeth. St. Clair largely stopped writing short stories after 1960. The Best of Margaret St. Clair (1985) provides a good overview of her short fiction.

The gnoles had a bad reputation, and Mortensen was quite aware of this. But he reasoned, correctly enough, that cordage must be something for which the gnoles had a long unsatisfied want, and he saw no reason why he should not be the one to sell it to them. What a triumph such a sale would be! The district sales manager might single out Mortensen for special mention at the annual sales-force dinner. It would help his sales quota enormously. And, after all, it was none of his business what the gnoles used cordage for.

Mortensen decided to call on the gnoles on Thursday morning. On Wednesday night he went through his Manual of Modern Salesmanship, underscoring things.

'The mental states through which the mind pa.s.ses in making a purchase,' he read, 'have been catalogued as 1) arousal of interest 2) increase of knowledge 3) adjustments to needs...' There were seven mental states listed, and Mortensen underscored all of them. Then he went back and double-scored No. 1, arousal of interest, No. 4, appreciation of suitability, and No. 7, decision to purchase. He turned the page. 'Two qualities are of exceptional importance to a salesman,' he read. 'They are adaptability and knowledge of merchandise.' Mortensen underlined the qualities. 'Other highly desirable attributes are physical fitness, and high ethical standard, charm of manner, a dogged persistence, and unfailing courtesy.' Mortensen underlined these too. But he read on to the end of the paragraph without underscoring anything more, and it may be that his failure to put 'tact and keen power of observation' on a footing with the other attributes of a salesman was responsible for what happened to him.

The gnoles live on the very edge of Terra Cognita, on the far side of a wood which all authorities unite in describing as dubious. Their house is narrow and high, in architecture a blend of Victorian Gothic and Swiss chalet. Though the house needs paint, it is kept in good repair. Thither on Thursday morning, sample case in hand, Mortensen took his way.

No path leads to the house of the gnoles, and it is always dark in that dubious wood. But Mortensen, remembering what he had learned at his mother's knee concerning the odor of gnoles, found the house quite easily. For a moment he stood hesitating before it. His lips moved as he repeated, 'Good morning, I have come to supply your cordage requirements,' to himself. The words were the beginning of his sales talk. Then he went up and rapped on the door.

The gnoles were watching him through holes they had bored in the trunks of trees; it is an artful custom of theirs to which the prime authority on gnoles attests. Mortensen's knock almost threw them into confusion, it was so long since anyone had knocked on their door. Then the senior gnole, the one who never leaves the house, went flitting up from the cellars and opened it.

The senior gnole is a little like a Jerusalem artichoke made of India rubber, and he has small red eyes which are faceted in the same way that gemstones are. Mortensen had been expecting something unusual, and when the gnole opened the door he bowed politely, took off his hat, and smiled. He had got past the sentence about cordage requirements and into an enumeration of the different types of cordage his firm manufactured when the gnole, by turning his head to the side, showed him that he had no ears. Nor was there anything on his head which could take their place in the conduction of sound. Then the gnole opened his little fanged mouth and let Mortensen look at his narrow ribbony tongue. As a tongue it was no more fit for human speech than was a serpent's. Judging from his appearance, the gnole could not safely be a.s.signed to any of the four physio-characterological types mentioned in the Manual; and for the first time Mortensen felt a definite qualm.

Nonetheless, he followed the gnole unhesitatingly when the creature motioned him within. Adaptability, he told himself, adaptability must be his watchword. Enough adaptability, and his knees might even lose their tendency to shakiness.

It was the parlor the gnole led him to. Mortensen's eyes widened as he looked around it. There were whatnots in the corners, and cabinets of curiosities, and on the fretwork table an alb.u.m with gilded hasps; who knows whose pictures were in it? All around the walls in brackets, where in lesser houses the people display ornamental plates, were emeralds as big as your head. The gnoles set great store by their emeralds. All the light in the dim room came from them.

Mortensen went through the phrases of his sales talk mentally. It distressed him that that was the only way he could go through them. Still, adaptability! The gnole's interest was already aroused, or he would never have asked Mortensen into the parlor; and as soon as the gnole saw the various cordages the sample case contained he would no doubt proceed of his own accord through 'appreciation of suitability' to 'desire to possess.'

Mortensen sat down in the chair the gnole indicated and opened his sample case. He got out henequen cable-laid rope, an a.s.sortment of ply and yarn goods, and some superlative slender abaca fiber rope. He even showed the gnole a few soft yarns and twines made of cotton and jute.

On the back of an envelope he wrote prices for hanks and cheeses of the twines, and for fifty- and hundred-foot lengths of the ropes. Laboriously he added details about the strength, durability, and resistance to climatic conditions of each sort of cord. The senior gnole watched him intently, putting his little feet on the top run of his chair and poking at the facets of his left eye now and then with a tentacle. In the cellars from time to time someone would scream.

Mortensen began to demonstrate his wares. He showed the gnole the slip and resilience of one rope, the tenacity and stubborn strength of another. He cut a tarred hemp rope in two and laid a five-foot piece on the parlor floor to show the gnole how absolutely 'neutral' it was, with no tendency to untwist of its own accord. He even showed the gnole how nicely some of the cotton twines made up a square knotwork.

They settled at last on two ropes of abaca fiber, 3/16 and 5/8 inch in diameter. The gnole wanted an enormous quant.i.ty. Mortensen's comment on those ropes, 'unlimited strength and durability,' seemed to have attracted him.

Soberly, Mortensen wrote the particulars down in his order book, but ambition was setting his brain on fire. The gnoles, it seemed, would be regular customers; and after the gnoles, why should he not try the gibbelins? They too must have a need for rope.

Mortensen closed his order book. On the back of the same envelope he wrote, for the gnole to see, that delivery would be made within ten days. Terms were 30 percent with order, balance upon receipt of goods.

The senior gnole hesitated. Shyly, he looked at Mortensen with his little red eyes. Then he got down the smallest of the emeralds from the wall and handed it to him.

The sales representative stood weighing it in his hands. It was the smallest of the gnoles' emeralds, but it was as clear as water, as green as gra.s.s. In the outside world it would have ransomed a Rockefeller or a whole family of Guggenheims; a legitimate profit from a transaction was one thing, but this was another; 'a high ethical standard' any kind of ethical standard would forbid Mortensen to keep it. He weighed it a moment longer. Then with a deep, deep sigh he gave the emerald back.

He cast a glance around the room to see if he could find something which would be more negotiable. And in an evil moment he fixed on the senior gnole's auxiliary eyes.

The senior gnole keeps his extra pair of optics on the third shelf of the curiosity cabinet with the gla.s.s doors. They look like fine dark emeralds about the size of the end of your thumb. And if the gnoles in general set store by their gems, it is nothing at all compared to the senior gnole's emotions about his extra eyes. The concern good Christian folk should feel for their soul's welfare is a shadow, a figment, a nothing, compared to what the thoroughly heathen gnole feels for those eyes. He would rather, I think, choose to be a mere miserable human being than that some vandal should lay hands upon them.

If Mortensen had not been elated by his success to the point of anaesthesia, he would have seen the gnole stiffen, he would have heard him hiss, when he went over to the cabinet. All innocent, Mortensen opened the gla.s.s door, took the twin eyes out, and juggled them sacrilegiously in his hand; the gnole could hear them clink. Smiling to evince the charm of manner advised in the Manual, and raising his brows as one who says, 'Thank you, these will do nicely,' Mortensen dropped the eyes into his pocket.

The gnole growled.

The growl awoke Mortensen from his trance of euphoria. It was a growl whose meaning no one could mistake. This was clearly no time to be doggedly persistent. Mortensen made a break for the door.

The senior gnole was there before him, his network of tentacles outstretched. He caught Mortensen in them easily and wound them, flat as bandages, around his ankles and his hands. The best abaca fiber is no stronger than those tentacles; though the gnoles would find rope a convenience, they get along very well without it. Would you, dear reader, go naked if zippers should cease to be made? Growling indignantly, the gnole fished his ravished eyes from Mortensen's pockets, and then carried him down to the cellar to the fattening pens.

But great are the virtues of legitimate commerce. Though they fattened Mortensen sedulously, and, later, roasted and sauced him and ate him with real appet.i.te, the gnoles slaughtered him in quite a humane manner and never once thought of torturing him. That is unusual, for gnoles. And they ornamented the plank on which they served him with a beautiful border of fancy knotwork made of cotton cord from his own sample case.

The Hungry House.

Robert Bloch.

Robert Bloch (19171994) was an iconic American writer, primarily of crime, horror, and science fiction. Bloch wrote hundreds of short stories and over twenty novels. As one of the youngest members of the so-called Lovecraft Circle, Bloch found a needed mentor in Lovecraft, among the first to encourage his talent. Early on, Bloch contributed to pulp magazines such as Weird Tales, and later won the Hugo Award, the Bram Stoker Award, and the World Fantasy Award. The pop culture popularity of his novel Psycho (1959), which became the model for mindless slasher films, tended to obscure Bloch's more subtle talents. 'The Hungry House' (1951) represents Bloch at his most complex and devastating.

At first there were just the two of them he and she, together. That's the way it was when they bought the house.

Then it came. Perhaps it was there all the time; waiting for them in the house. At any rate, it was there now. And there was nothing they could do.

Moving was out of the question. They'd taken a five-year lease, secretly congratulating themselves on the low rental. It would be absurd to complain to the agent about it, and impossible to explain to their friends. For that matter, they had nowhere else to go; they had searched for months to find a home.

Besides, at first neither he nor she cared to admit that they were aware of its presence. But both of them knew it was there.

She felt it the very first evening, in the bedroom. She was sitting in front of the high, oldfashioned boudoir mirror, combing her hair. They hadn't settled all their things yet, and she didn't trouble to dust the place very thoroughly. In consequence the mirror was cloudy. And the light above it flickered.

So at first she thought it was just a trick of shadows. Some flaw in the gla.s.s perhaps. The wavering outline behind her seemed to blur the reflection oddly, and she frowned in distaste. Then she began to experience what she often called her 'married feeling' the peculiar awareness which usually denoted her husband's entrance to a room she occupied.

He must be standing behind her now. He must have come in quietly, without saying anything. Perhaps he was going to put his arms around her, surprise her, startle her. Hence the shadow on the mirror.

She turned, ready to greet him.

The room was empty. And still the odd reflection persisted, together with the sensation of a presence at her back.

She shrugged, moved her head, and made a little face at herself, in the mirror. As a smile it was a failure, because the warped gla.s.s and the poor light seemed to distort her grin into something alien into a smile that was not altogether a composition of her own face and features.

Well, it had been a fatiguing ordeal, this moving business. She flicked a brush through her hair and tried to dismiss the problem.

Nevertheless she felt a surge of relief when he suddenly entered the bedroom. For a moment she thought of telling him, then decided not to worry him over her 'nerves.'

He was more outspoken. It was the following morning that the incident occurred. He came rushing out of the bathroom, his face bleeding from a razor-cut on the left cheek.

'Is that your idea of being funny?' he demanded, in the petulant, little-boy fashion she found so engaging. 'Sneaking in behind me and making faces in the mirror? Gave me an awful start look at this nick I sliced on myself.'

She sat up in bed.

'But darling, I haven't been making faces at you. I didn't stir from this bed since you got up.'

'Oh.' He shook his head, his frown fading into a second set of wrinkles expressing bewilderment. 'Oh, I see.'

'What is it?' She suddenly threw off the covers and sat on the edge of the bed, wriggling her toes and peering at him earnestly.

'Nothing,' he murmured. 'Nothing at all. Just thought I saw you, or somebody, looking over my shoulder in the mirror. All of a sudden, you know. It must be those d.a.m.ned lights. Got to get some bulbs in town today.'

He patted his cheek with a towel and turned away. She took a deep breath.

'I had the same feeling last night,' she confessed, then bit her lip.

'You did?'

'It's probably just the lights, as you said, darling.'

'Uh huh.' He was suddenly preoccupied. 'That must be it. I'll make sure and bring those new bulbs.'

'You'd better. Don't forget, the gang is coming down for the house-warming on Sat.u.r.day.'

Sat.u.r.day proved to be a long time in coming. In the interim both of them had several experiences which served to upset their minds much more than they cared to admit.

The second morning, after he had left for work, she went out in back and looked at the garden. The place was a mess half an acre of land, all those trees, the weeds everywhere, and the dead leaves of autumn dancing slowly around the old house. She stood off on a little knoll and contemplated the grave gray gables of another century. Suddenly she felt lonely here. It wasn't only the isolation, the feeling of being half a mile from the nearest neighbor, down a deserted dirt road. It was more as though she were an intruder here an intruder upon the past. The cold breeze, the dying trees, the sullen sky were welcome; they belonged to the house. She was the outsider, because she was young, because she was alive.

She felt it all, but did not think it. To acknowledge her sensations would be to acknowledge fear. Fear of being alone. Or, worse still, fear of not being alone.

Because, as she stood there, the back door closed.

Oh, it was the autumn wind, all right. Even though the door didn't bang, or slam shut. It merely closed. But that was the wind's work, it had to be. There was n.o.body in the house, n.o.body to close the door.

She felt in her housedress pocket for the door key, then shrugged as she remembered leaving it on the kitchen sink. Well, she hadn't planned to go inside yet anyway. She wanted to look over the yard, look over the spot where the garden had been and where she fully intended a garden to bloom next spring. She had measurements to make, and estimates to take, and a hundred things to do here outside.

And yet, when the door closed, she knew she had to go in. Something was trying to shut her out, shut her out of her own house, and that would never do. Something was fighting against her, fighting against all idea of change. She had to fight back.

So she marched up to the door, rattled the k.n.o.b, found herself locked out as she expected. The first round was lost. But there was always the window.

The kitchen window was eye-level in height, and a small crate served to bring it within easy reach. The window was open a good four inches and she had no trouble inserting her hands to raise it further.

She tugged.

Nothing happened. The window must be stuck. But it wasn't stuck; she'd just opened it before going outside and it opened quite easily; besides, they'd tried all the windows and found them in good operating condition.