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A QUICKSILVER Ca.s.sANDRA
It was altogether queer, and Jingleberry to this day does not entirely understand it. He had examined his heart as carefully as he knew how, and had arrived at the entirely reasonable conclusion that he was in love. He had every symptom of that malady. When Miss Marian Chapman was within range of his vision there was room for no one else there. He suffered from that peculiar optical condition which enabled him to see but one thing at a time when she was present, and she was that one thing, which was probably the reason why in his mind's eye she was the only woman in the world, for Marian was ever present before Jingleberry's mental optic. He had also examined as thoroughly as he could in hypothesis the heart of this "only woman," and he had--or thought he had, which amounts to the same thing--reason to believe that she reciprocated his affection. She certainly seemed glad always when he was about; she called him by his first name, and sometimes quarrelled with him as she quarrelled with no one else, and if that wasn't a sign of love in woman, then Jingleberry had studied the s.e.x all his years--and they were thirty-two--for nothing. In short, Marian behaved so like a sister to him that Jingleberry, knowing how dreams and women go by contraries, was absolutely sure that a sister was just the reverse from that relationship which in her heart of hearts she was willing to a.s.sume towards him, and he was happy in consequence.
Believing this, it was not at all strange that he should make up his mind to propose marriage to her, though, like many other men, he was somewhat chicken-hearted in coming to the point. Four times had he called upon Marian for the sole purpose of asking her to become his wife, and four times had he led up to the point and then talked about something else. What quality it is in man that makes a coward of him in the presence of one he considers his dearest friend is not within the province of this narrative to determine, but Jingleberry had it in its most virulent form. He had often got so far along in his proposal as "Marian--er--will you--will you--," and there he had as often stopped, contenting himself with such commonplace conclusions as "go to the matinee with me to-morrow?" or "ask your father for me if he thinks the stock market is likely to strengthen soon?" and other amazing subst.i.tutes for the words he so ardently desired, yet feared, to utter.
But this afternoon--the one upon which the extraordinary events about to be narrated took place--Jingleberry had called resolved not to be balked in his determination to learn his fate. He had come to propose, and propose he would, _ruat coelum_. His confidence in a successful termination to his suit had been reinforced that very morning by the receipt of a note from Miss Chapman asking him to dine with her parents and herself that evening, and to accompany them after dinner to the opera. Surely that meant a great deal, and Jingleberry conceived that the time was ripe for a blushing "yes" to his long-deferred question.
So he was here in the Chapman parlor waiting for the young lady to come down and become the recipient of the "interesting interrogatory," as it is called in some sections of Ma.s.sachusetts.
"I'll ask her the first thing," said Jingleberry, b.u.t.toning up his Prince Albert, as though to impart a possibly needed stiffening to his backbone.
"She will say yes, and then I shall enjoy the dinner and the opera so much the more. Ahem! I wonder if I am pale--I feel sort of--um--There's a mirror. That will tell." Jingleberry walked to the mirror--an oval, gilt-framed mirror, such as was very much the vogue fifty years ago, for which reason alone, no doubt, it was now admitted to the gold-and-white parlor of the house of Chapman.
"Blessed things these mirrors," said Jingleberry, gazing at the reflection of his face. "So rea.s.suring. I'm not at all pale. Quite the contrary. I'm red as a sunset. Good omen that! The sun is setting on my bachelor days--and my scarf is crooked. Ah!"
The e.j.a.c.u.l.a.t.i.o.n was one of pleasure, for pictured in the mirror Jingleberry saw the form of Marian entering the room through the portieres.
"How do you do, Marian? been admiring myself in the gla.s.s," he said, turning to greet her. "I--er--"
Here he stopped, as well he might, for he addressed no one. Miss Chapman was nowhere to be seen.
"Dear me!" said Jingleberry, rubbing his eyes in astonishment. "How extraordinary! I surely thought I saw her--why, I did see her--that is, I saw her reflection in the gla--Ha! ha! She caught me gazing at myself there and has hidden."
He walked to the door and drew the portiere aside and looked into the hall. There was no one there. He searched every corner of the hall and of the dining-room at its end, and then returned to the parlor, but it was still empty. And then occurred the most strangely unaccountable event in his life.
As he looked about the parlor, he for the second time found himself before the mirror, but the reflection therein, though it was of himself, was of himself with his back turned to his real self, as he stood gazing amazedly into the gla.s.s; and besides this, although Jingleberry was alone in the real parlor, the reflection of the dainty room showed that there he was not so, for seated in her accustomed graceful att.i.tude in the reflected arm-chair was nothing less than the counterfeit presentment of Marian Chapman herself.
It was a wonder Jingleberry's eyes did not fall out of his head, he stared so. What a situation it was, to be sure, to stand there and see in the gla.s.s a scene which, as far as he could observe, had no basis in reality; and how interesting it was for Jingleberry to watch himself going through the form of chatting pleasantly there in the mirror's depths with the woman he loved! It almost made him jealous, though, the reflected Jingleberry was so entirely independent of the real Jingleberry. The jealousy soon gave way to consternation, for, to the wondering suitor, the independent reflection was beginning to do that for which he himself had come. In other words, there was a proposal going on there in the gla.s.s, and Jingleberry enjoyed the novel sensation of seeing how he himself would look when pa.s.sing through a similar ordeal. Altogether, however, it was not as pleasing as most novelties are, for there were distinct signs in the face of the mirrored Marian that the mirrored Jingleberry's words were distasteful to her, and that the proposition he was making was not one she could entertain under any circ.u.mstances. She kept shaking her head, and the more she shook it, the more the glazed Jingleberry seemed to implore her to be his. Finally, Jingleberry saw his quicksilver counterpart fall upon his knees before Marian of the gla.s.s, and hold out his arms and hands towards her in an att.i.tude of prayerful despair, whereupon the girl sprang to her feet, stamped her left foot furiously upon the floor, and pointed the unwelcome lover to the door.
Jingleberry was fairly staggered. What could be the meaning of so extraordinary a freak of nature? Surely it must be prophetic. Fate was kind enough to warn him in advance, no doubt; otherwise it was a trick.
And why should she stoop to play so paltry a trick as that upon him?
Surely fate would not be so petty. No. It was a warning. The mirror had been so affected by some supernatural agency that it divined and reflected that which was to be instead of confining itself to what Jingleberry called "simultaneity." It led instead of following or acting coincidently with the reality, and it was the part of wisdom, he thought, for him to yield to its suggestion and retreat; and as he thought this, he heard a soft sweet voice behind him.
"I hope you haven't got tired of waiting, Tom," it said; and, turning, Jingleberry saw the unquestionably real Marian standing in the doorway.
"No," he answered, shortly. "I--I have had a pleasant--very entertaining ten minutes; but I--I must hurry along, Marian," he added. "I only came to tell you that I have a frightful headache, and--er--I can't very well manage to come to dinner or go to the opera with you to-night."
"Why, Tom," pouted Marian, "I am awfully disappointed! I had counted on you, and now my whole evening will be spoiled. Don't you think you can rest a little while, and then come?"
"Well, I--I want to, Marian," said Jingleberry; "but, to tell the truth, I--I really am afraid I am going to be ill; I've had such a strange experience this afternoon. I--"
"Tell me what it was," suggested Marian, sympathetically; and Jingleberry did tell her what it was. He told her the whole story from beginning to end--what he had come for, how he had happened to look in the mirror, and what he saw there; and Marian listened attentively to every word he said.
She laughed once or twice, and when he had done she reminded him that mirrors have a habit of reversing everything; and somehow or other Jingleberry's headache went, and--and--well, everything went!
THE GHOST CLUB
AN UNFORTUNATE EPISODE IN THE LIFE OF NO. 5010
Number 5010 was at the time when I received the details of this story from his lips a stalwart man of thirty-eight, swart of hue, of pleasing address, and altogether the last person one would take for a convict serving a term for sneak-thieving. The only outer symptoms of his actual condition were the striped suit he wore, the style and cut of which are still in vogue at Sing Sing prison, and the closely cropped hair, which showed off the distinctly intellectual lines of his head to great advantage. He was engaged in making shoes when I first saw him, and so impressed was I with the contrast between his really refined features and grace of manner and those of his brutish-looking companions, that I asked my guide who he was, and what were the circ.u.mstances which had brought him to Sing Sing.
[Ill.u.s.tration]
"He pegs shoes like a gentleman," I said.
"Yes," returned the keeper. "He's werry troublesome that way. He thinks he's too good for his position. We can't never do nothing with the boots he makes."
"Why do you keep him at work in the shoe department?" I queried.
"We haven't got no work to be done in his special line, so we have to put him at whatever we can. He pegs shoes less badly than he does anything else."
"What was his special line?"
"He was a gentleman of leisure travellin' for his health afore he got into the toils o' the law. His real name is Marmaduke Fitztappington De Wolfe, of Pelhamhurst-by-the-Sea, Warwickshire. He landed in this country of a Tuesday, took to collectin' souvenir spoons of a Friday, was jugged the same day, tried, convicted, and there he sets. In for two years more."
"How interesting!" I said. "Was the evidence against him conclusive?"
"Extremely. A half-dozen spoons was found on his person."
"He pleaded guilty, I suppose?"
"Not him. He claimed to be as innocent as a new-born babe. Told a c.o.c.k-and-bull story about havin' been deluded by spirits, but the judge and jury wasn't to be fooled. They gave him every chance, too. He even cabled himself, the judge did, to Pelhamhurst-by-the-Sea, Warwickshire, at his own expense, to see if the man was an impostor, but he never got no reply. There was them as said there wasn't no such place as Pelhamhurst-by-the-Sea in Warwickshire, but they never proved it."
"I should like very much to interview him," said I.
"It can't be done, sir," said my guide. "The rules is very strict."
"You couldn't--er--arrange an interview for me," I asked, jingling a bunch of keys in my pocket.
He must have recognized the sound, for he colored and gruffly replied, "I has me orders, and I obeys 'em."
"Just--er--add this to the pension fund," I put in, handing him a five-dollar bill. "An interview is impossible, eh?"
[Ill.u.s.tration]
"I didn't say impossible," he answered, with a grateful smile. "I said against the rules, but we has been known to make exceptions. I think I can fix you up."
Suffice it to say that he did "fix me up," and that two hours later 5010 and I sat down together in the cell of the former, a not too commodious stall, and had a pleasant chat, in the course of which he told me the story of his life, which, as I had surmised, was to me, at least, exceedingly interesting, and easily worth twice the amount of my contribution to the pension fund under the management of my guide of the morning.
"My real name," said the unfortunate convict, "as you may already have guessed, is not 5010. That is an alias forced upon me by the State authorities. My name is really Austin Merton Surrennes."
"Ahem!" I said. "Then my guide erred this morning when he told me that in reality you were Marmaduke Fitztappington De Wolfe, of Pelhamhurst-by-the-Sea, Warwickshire?"
Number 5010 laughed long and loud. "Of course he erred. You don't suppose that I would give the authorities my real name, do you? Why, man, I am a nephew! I have an aged uncle--a rich millionaire uncle--whose heart and will it would break were he to hear of my present plight. Both the heart and will are in my favor, hence my tender solicitude for him. I am innocent, of course--convicts always are, you know--but that wouldn't make any difference. He'd die of mortification just the same. It's one of our family traits, that. So I gave a false name to the authorities, and secretly informed my uncle that I was about to set out for a walking trip across the great American desert, requesting him not to worry if he did not hear from me for a number of years, America being in a state of semi-civilization, to which mails outside of certain districts are entirely unknown. My uncle being an Englishman and a conservative gentleman, addicted more to reading than to travel, accepts the information as veracious and suspects nothing, and when I am liberated I shall return to him, and at his death shall become a conservative man of wealth myself. See?"
"But if you are innocent and he rich and influential, why did you not appeal to him to save you?" I asked.
"Because I was afraid that he, like the rest of the world, would decline to believe my defence," sighed 5010. "It was a good defence, if the judge had only known it, and I'm proud of it."
"But ineffectual," I put in. "And so, not good."