The Voice in the Fog Part 1

The Voice in the Fog.

by Harold MacGrath.

CHAPTER I

Fog.

A London fog, solid, substantial, yellow as an old dog's tooth or a jaundiced eye. You could not look through it, nor yet gaze up and down it, nor over it; and you only thought you saw it. The eye became impotent, untrustworthy; all senses lay fallow except that of touch; the skin alone conveyed to you with promptness and no incert.i.tude that this thing had substance. You could feel it; you could open and shut your hands and sense it on your palms, and it penetrated your clothes and beaded your spectacles and rings and bracelets and shoe-buckles.

It was nightmare, bereft of its pillows, grown somnambulistic; and London became the antechamber to Hades, lackeyed by idle dreams and peopled by mistakes.

There is something about this species of fog unlike any other in the world. It sticks. You will find certain English cousins of yours, as far away from London as Hong-Kong, who are still wrapt up snugly in it.

Happy he afflicted with strabismus, for only he can see his nose before his face. In the daytime you become a fish, to wriggle over the ocean's floor amid strange flora and fauna, such as ash-cans and lamp-posts and venders' carts and cab-horses and sandwich-men. But at night you are neither fish, bird nor beast.

The night was May thirteenth; never mind the year; the date should suffice: and a Walpurgis night, if you please, without any Mendelssohn to interpret it.

That happy line of Milton's--"Pandemonium, the high capital of Satan and his peers"--fell upon London like Elijah's mantle. Confusion and his cohort of synonyms (why not?) raged up and down thoroughfare and side-street and alley, east and west, danced before palace and tenement alike: all to the vast amus.e.m.e.nt of the G.o.ds, to the mild annoyance of the half-G.o.ds (in Mayfair), and to the complete rout of all mortals a-foot or a-cab. Imagine: militant suffragettes trying to set fire to the prime minister's mansion, _Siegfried_ being sung at the opera, and a yellow London fog!

The press about Covent Garden was a mathematical problem over which Euclid would have shed bitter tears and hastily retired to his arbors and citron tables. Thirty years previous (to the thirteenth of May, not Euclid) some benighted beggar invented the Chinese puzzle; and tonight, many a frantic policeman would have preferred it, sitting with the scullery maid and the pantry near by. Simple matter to shift about little blocks of wood with the tip of one's finger; but cabs and carriages and automobiles, each driver anxious to get out ahead of his neighbor!--not to mention the shouting and the din and discord of horns and whistles and sirens and rumbling engines!

"It's hard luck," said Crawford, sympathetically. "It will be half an hour before they get this tangle straightened out."

"I shouldn't mind, Jim, if it weren't for Kitty," replied his wife. "I am worried about her."

"Well, I simply could not drag her into this coupe and get into hers myself. She's a heady little lady, if you want to know. As it is, she'll get back to the hotel quicker than we shall. Her cab is five up. If you wish, I'll take a look in and see if she's all right."

"Please do;" and she smiled at him, lovely, enchanting.

"You're the most beautiful woman in all this world!"

"Am I?"

Click! The light went out. There was a smothered laugh; and when the light flared up again, the aigrette in her copper-beech hair was all askew.

"If anybody saw us!"--secretly pleased and delighted, as any woman would have been who possessed a husband who was her lover all his waking hours.

"What! in this fog? And a lot I'd care if they did. Now, don't stir till I come back; and above all, keep the light on."

"And hurry right back; I'm getting lonesome already."

He stepped out of the coupe. Harlequin, and Colombine, and Humpty-Dumpty; shapes which came out of nowhere and instantly vanished into nothing, for all the world like the absurd pantomimes of his boyhood days. He kept close to the curb, scrutinizing the numbers as he went along. Never had he seen such a fog. Two paces away from the curb a headlight became an effulgence. Indeed, there were a thousand lights jammed in the street, and the fog above absorbed the radiance, giving the scene a touch of Brocken. All that was needed was a witch on a broomstick. He counted five vehicles, and stopped. The door-window was down.

"Miss Killigrew?" he said.

"Yes. Is anything wrong?"

"No. Just wanted to see if you were all right. Better let me take your place and you ride with Mrs. Crawford."

"Good of you; but you've had enough trouble. I shall stay right here."

"Where's your light?"

"The globe is broken. I'd rather be in the dark. Its fun to look about. I never saw anything to equal it."

"Not very cheerful. We'll be held up at least half an hour. You are not afraid?"

"What, I?" She laughed. "Why should I be afraid? The wait will not matter. But the truth is, I'm worried about mother. She would go to that suffragette meeting; and I understand they have tried to burn up the prime minister's house."

"Fine chance! But don't you worry. Your mother's a sensible woman.

She'll get back to the hotel, if she isn't there already."

"I wish she had not gone. Father will be tearing his hair and twigging the whole Savoy force by the ears."

Crawford smiled. Readily enough he could conjure up the picture of Mr.

Killigrew, short, thick-set, energetic, raging back and forth in the lobby, offering to buy taxicabs outright, the hotel, and finally the city of London itself; typically money-mad American that he was.

Crawford wanted to laugh, but he compromised by saying: "He must be very careful of that hair of his; he hasn't much left."

"And he pulls out a good deal of it on my account. Poor dad! Why in the world should I marry a t.i.tle?"

"Why, indeed!"

"Mrs. Crawford was beautiful tonight. There wasn't a beauty at the opera to compare with her. Royalties are frumps, aren't they? And that ruby! I don't see how she dares wear it!"

"I am not particularly fond of it; but it's a fad of hers. She likes to wear it on state occasions. I have often wondered if it is really the Nana Sahib's ruby, as her uncle claimed. Driver, the Savoy, and remember it carefully; the Savoy."

"Yes, sir; I understand, sir. But we'll all be some time, sir.

Collision forward is what holds us, sir."

Alone again, Kitty Killigrew leaned back, thinking of the man who had just left her and of his beautiful wife. If only she might some day have a romance like theirs! Presently she peered out of the off-window. A brood of _Siegfried_-dragons prowled about, now going forward a little, now swerving, now pausing; lurid eyes and threatening growls.

Once upon a time, in her pigtail days, when her father was going to be rich and was only half-way between the beginning and the end of his ambition, Kitty had gone to a tent-circus. Among other things she had looked wonderingly into the dim, blurry gla.s.s-tank of the "human fish,"

who was at that moment busy selling photographs of himself. To-night, in searching for comparisons, this old forgotten picture recurred to her mind; blithely memory brought it forth and threw it upon the screen. All London had become a gla.s.s-tank, filled with human pollywogs.

She did not want to marry a t.i.tle; she did not want to marry money; she did not want to marry at all. Poor kindly dad, who believed that she could be made happy only by marrying a t.i.tle. As if she was not as happy now as she was ever destined to be!

Voices. Two men were speaking near the curb-door. She turned her head involuntarily in this direction. There were no lights in the frontage before which stood her cab, which intervened between the Brocken haze in the street, throwing a square of Stygian shadow against the fog, with right and left angles of aureola. She could distinguish no shapes.

"Cheer up, old top; you're in hard luck."

"I'm a bally a.s.s."

"No, no; only a ripping good sporty game all the way through."

Oddly enough, Kitty sensed the irony. She wondered if the speaker's companion did.

"Well, a wager's a wager."

"And you're the last chap to welch a square bet. What's the odds? My word, I didn't urge you to change the stakes."