The Vertical City Part 3

A white flash of something that was almost fear seemed to strike Mrs.

Samstag into a rigid pallor.

"No! No! I'm not like most mothers, Louis, for marrying their daughters off. I want her with me. If marrying her off is your idea, it's best you know it now in the beginning. I want my little girl with me--I have to have my little girl with me!"

He was so deeply moved that his eyes were embarra.s.singly moist.

"Why, Carrie, every time you open your mouth you only prove to me further what a grand little woman you are!"

"You'll like Alma, when you get to know her, Louis."

"Why, I do now! Always have said she's a sweet little thing."

"She is quiet and hard to get acquainted with at first, but that is reserve. She's not forward like most young girls nowadays. She's the kind of a child that would rather go upstairs evenings with a book or her sewing than sit down here in the lobby. That's where she is now."

"Give me that kind every time in preference to all these gay young chickens that know more they oughtn't to know about life before they start than my little mother did when she finished."

"But do you think that girl will go to bed before I come up? Not a bit of it. She's been my comforter and my salvation in my troubles. More like the mother, I sometimes tell her, and me the child. If you want me, Louis, it's got to be with her, too. I couldn't give up my baby--not my baby."

"Why, Carrie, have your baby to your heart's content! She's got to be a fine girl to have you for a mother, and now it will be my duty to please her as a father. Carrie, will you have me?"

"Oh, Louis--Loo!"

"Carrie, my dear!"

And so it was that Carrie Samstag and Louis Latz came into their betrothal.

None the less, it was with some misgivings and red lights burning high on her cheek bones that Mrs. Samstag at just after ten that evening turned the k.n.o.b of the door that entered into her little sitting room.

The usual horrific hotel room of tight green-plush upholstery, ornamental portieres on bra.s.s rings that grated, and the equidistant French engravings of lavish scrollwork and scroll frames.

But in this case a room redeemed by an upright piano with a green-silk-and-gold-lace-shaded floor lamp glowing by. Two gilt-framed photographs and a cl.u.s.ter of ivory knickknacks on the white mantel.

A heap of handmade cushions. Art editions of the gift poets and some circulating-library novels. A fireside chair, privately owned and drawn up, ironically enough, beside the gilded radiator, its headrest worn from kindly service to Mrs. Samstag's neuralgic brow.

From the nest of cushions in the circle of lamp glow Alma sprang up at her mother's entrance. Sure enough, she had been reading, and her cheek was a little flushed and crumpled from where it had been resting in the palm of her hand.

"Mamma," she said, coming out of the circle of light and switching on the ceiling bulbs, "you stayed down so late."

There was a slow prettiness to Alma. It came upon you like a little dawn, palely at first and then pinkening to a pleasant consciousness that her small face was heart-shaped and clear as an almond, that the pupils of her gray eyes were deep and dark, like cisterns, and to young Leo Friedlander (rather apt the comparison, too) her mouth was exactly the shape of a small bow that had shot its quiverful of arrows into his heart.

And instead of her eighteen she looked sixteen, there was that kind of timid adolescence about her, and yet when she said, "Mamma, you stayed down so late," the bang of a little pistol shot was back somewhere in her voice.

"Why--Mr. Latz--and--I--sat and talked."

An almost imperceptible nerve was dancing against Mrs. Samstag's right temple. Alma could sense, rather than see, the ridge of pain.

"You're all right, mamma?"

"Yes," said Mrs. Samstag, and sat down on a divan, its naked greenness relieved by a thrown scarf of black velvet stenciled in gold.

"You shouldn't have remained down so long if your head is hurting," said her daughter, and quite casually took up her mother's beaded hand bag where it had fallen in her lap, but her fingers feeling lightly and furtively as if for the shape of its contents.

"Stop that," said Mrs. Samstag, jerking it back, a dull anger in her voice.

"Come to bed, mamma. If you're in for neuralgia, I'll fix the electric pad."

Suddenly Mrs. Samstag shot out her arm, rather slim-looking in the invariable long sleeve she affected, drawing Alma back toward her by the ribbon sash of her pretty chiffon frock.

"Alma, be good to mamma to-night! Sweetheart--be good to her."

The quick suspecting fear that had motivated Miss Samstag's groping along the beaded hand bag shot out again in her manner.

"Mamma--you haven't--?"

"No, no! Don't nag me. It's something else, Alma. Something mamma is very happy about."

"Mamma, you've broken your promise again."

"No! No! No! Alma, I've been a good mother to you, haven't I?"

"Yes, mamma, yes, but what--"

"Whatever else I've been hasn't been my fault--you've always blamed Heyman."

"Mamma, I don't understand."

"I've caused you worry, Alma--terrible worry. I know that. But everything is changed now. Mamma's going to turn over such a new leaf that everything is going to be happiness in this family."

"Dearest, if you knew how happy it makes me to hear you say that."

"Alma, look at me."

"Mamma, you--you frighten me."

"You like Louis Latz, don't you, Alma?"

"Why, yes, mamma. Very much."

"We can't all be young and handsome like Leo, can we?"

"You mean--?"

"I mean that finer and better men than Louis Latz aren't lying around loose. A man who treated his mother like a queen and who worked himself up from selling newspapers on the street to a millionaire."

"Mamma?"

"Yes, baby. He asked me to-night. Come to me, Alma; stay with me close.