The Vertical City Part 22

"Getaway, why did you turn down this street so all of a sudden? This isn't my way home."

"It's only a block out of the way. Come on! Don't stand ga.s.sing."

"You-thought-that-fellow-on-the-corner-of-Dock-Street-might-be-a-plain -clothes-man!"

"What if I did? Want me to go up and kiss him?"

"Why-should-you-care, Getaway?"

"Don't."

"But--"

"Don't believe in hugging the law, though. It's enough when it hugs you."

"I want to go home, Getaway."

"Come on. I'll buy some supper. Steak and French frieds and some French pastry with a cherry on top for your little sweet tooth. That's the kind of a regular guy I am."

"No. I want to go home."

"All right, all right! I'm taking you there, ain't I?"

"Straight."

"Oh, you'll go straight, if you can't go that way anywhere but home."

They trotted the little detour in silence, the corners of her mouth wilting, he would have declared, had he the words, like a field flower in the hands of a picnicker. Marylin could droop that way, so suddenly and so whitely that almost a second could blight her.

"Now you're mad, ain't you?" he said, ashamed to be so quickly conciliatory and trying to make his voice grate.

"No, Getaway--not mad--only I guess--sad."

She stopped before her rooming house. It was as long and as lean and as brown as a witch, and, to the more fanciful, something even of the riding of a broom in the straddle of the doorway, with an empty flagpole jutting from it. And then there was the cat, too--not a black one with gold eyes, just one of the city's myriad of mackerel ones, with chewed ear and a skillful crouch for the leap from ash to garbage can.

"I'm going in now, Getaway."

"Gowann! Get into your blue dress and I'll blow you to supper."

"Not to-night."

"Mad?"

"No. I said only--"

"Sad?"

"No--tired--I guess."

"Please, Marylin."

"No. Some other time."

"When? To-morrow? It's Sat.u.r.day! Coney?"

"Oh!"

He thought he detected the flash of a dimple. He did. Remember, she was very young and, being fanciful enough to find the witch in the face of her rooming house, the waves at Coney Island, peanut cluttered as they were apt to be, told her things. Silly, unrepeatable things. Nonsense things. Little secret goosefleshing things. Prettinesses. And then the shoot the chutes! That ecstatic leap of heart to lips and the feeling of folly down at the very pit of her. Marylin did like the shoot the chutes!

"All right, Getaway--to-morrow--Coney!"

He did not conceal his surge of pleasure, grasping her small hand in both his. "Good girlie!"

"Good night, Getaway," she said, but with the inflection of something left unsaid.

He felt the unfinished intonation, like a rocket that had never dropped its stick, and started up the steps after her.

"What is it, Marylin?"

"Nothing," she said and ran in.

The window in her little rear room with the zigzag of fire escape across it was already full of dusk. She took off her hat, a black straw with a little pink-cotton rose on it, and, rubbing her brow where it had left a red rut, sat down beside the window. There were smells there from a city bouquet of frying foods; from a pool of old water near a drain pipe; from the rear of a butcher shop. Slops. Noises, too. Babies, traffic, whistles, oaths, barterings, women, strife, life. On her very own ceiling the whisper of footsteps--of restless comings and goings--stealthy comings and goings--and then after an hour, suddenly and ever so softly, the ball-of-a-foot--squeak!

The-ball-of-a-foot--squeak!

Marylin knew that step.

And yet she sat, quiet. A star had come out. Looking up at the napkin of sky let in through the walls of the vertical city, Marylin had learned to greet it almost every clear evening. It did something for her. It was a little voice. A little kiss. A little upside down pool of light without a spill. A little of herself up there in that beyond--that little napkin of beyond that her eyes had the lift to see.

Who are you, whose neck has never ached from nine hours a day, six days a week, of bending over the blue-denim pleat that goes down the front of men's shirts, to quiver a supersensitive, supercilious, and superior nose over what, I grant you, may appear on the surface to be the omelet of vulgarities fried up for you on the gladdest, maddest strip of carnival in the world?

But it is simpler to take on the cold glaze of sophistication than to remain simple. When the eyelids become weary, it is as if little red dancing shoes were being wrapped away forever, or a very tight heartstring had suddenly sagged, and when plucked at could no longer plong.

To Marylin, whose neck very often ached clear down into her shoulder blade and up into a bandeau around her brow, and to whom city walls were sometimes like slaps confronting her whichever way she turned, her enjoyment of Coney Island was as uncomplex as A B C. Untortured by any awarenesses of relative values, too simple to strive to keep simple, unself-conscious, and with a hungry heart, she was not a spectator, half ashamed of being amused. She _was_ Coney Island! Her heart a shoot the chutes for sheer swoops of joy, her eyes full of confetti points, the surf creaming no higher than her vitality.

And it was so the evening following, as she came dancing down the kicked-up sand of the beach, in a little bright-blue frock, mercerized silk, if you please, with very brief sleeves that ended right up in the jolliest part of her arm, with a half moon of vaccination winking out roguishly beneath a finish of ribbon bow, and a white-canvas sport hat with a jockey rosette to cap the little climax of her, and by no means least, a metal coin purse, with springy insides designed to hold exactly fifty cents in nickels.

Once on the sand, which ran away, tickling each step she took, her spirits, it must be admitted, went just a little crazily off. The window, you see, where Marylin sewed her b.u.t.tonholes six days the week, faced a brick wall that peeled with an old scrofula of white paint.

Coney Island faced a world of sky. So that when she pinched Getaway's nose in between the lips of her coin purse and he, turning a double somersault right in his checked suit, landed seated in a sprawl of mock daze, off she went into peals of laughter only too ready to be released.

He bought her a wooden whirring machine, an instrument of noise that, because it was not utilitarian, became a toy of delicious sound.

They rode imitation ocean waves at five cents a voyage, their only _mal de mer_, regret when it was over. He bought her salt-water taffy, and when the little red cave of her mouth became too ludicrously full of the pully stuff he tried to kiss its state of candy paralysis, and instantly she became sober and would have no more of his nonsense.

"Getaway," she cried, snapping fingers of inspiration, "let's go in bathing!"

"I'll say we will!"