The Valley of the Moon Part 6

Vainly Mary clung to his arm, shaking him back and forth and remonstrating.

"Can't you be sensible?" she cried. "It's awful! I tell you it's awful!"

But Bert was irrepressible.

"Go it, old girl!" he encouraged. "You win! Me for you every time! Now's your chance! Swat! Oh! My! A peach! A peach!"

"It's the biggest rough-house I ever saw," Billy confided to Saxon. "It sure takes the Micks to mix it. But what did that dude wanta do it for?

That's what gets me. He wasn't a bricklayer--not even a workingman--just a regular sissy dude that didn't know a livin' soul in the grounds. But if he wanted to raise a rough-house he certainly done it. Look at 'em.

They're fightin' everywhere."

He broke into sudden laughter, so hearty that the tears came into his eyes.

"What is it?" Saxon asked, anxious not to miss anything.

"It's that dude," Billy explained between gusts. "What did he wanta do it for? That's what gets my goat. What'd he wanta do it for?"

There was more crashing in the brush, and two women erupted upon the scene, one in flight, the other pursuing. Almost ere they could realize it, the little group found itself merged in the astounding conflict that covered, if not the face of creation, at least all the visible landscape of Weasel Park.

The fleeing woman stumbled in rounding the end of a picnic bench, and would have been caught had she not seized Mary's arm to recover balance, and then flung Mary full into the arms of the woman who pursued. This woman, largely built, middle-aged, and too irate to comprehend, clutched Mary's hair by one hand and lifted the other to smack her. Before the blow could fall, Billy had seized both the woman's wrists.

"Come on, old girl, cut it out," he said appeasingly. "You're in wrong.

She ain't done nothin'."

Then the woman did a strange thing. Making no resistance, but maintaining her hold on the girl's hair, she stood still and calmly began to scream. The scream was hideously compounded of fright and fear.

Yet in her face was neither fright nor fear. She regarded Billy coolly and appraisingly, as if to see how he took it--her scream merely the cry to the clan for help.

"Aw, shut up, you battleax!" Bert vociferated, trying to drag her off by the shoulders.

The result was that the four rocked back and forth, while the woman calmly went on screaming. The scream became touched with triumph as more crashing was heard in the brush.

Saxon saw Billy's slow eyes glint suddenly to the hardness of steel, and at the same time she saw him put pressure on his wrist-holds. The woman released her grip on Mary and was shoved back and free. Then the first man of the rescue was upon them. He did not pause to inquire into the merits of the affair. It was sufficient that he saw the woman reeling away from Billy and screaming with pain that was largely feigned.

"It's all a mistake," Billy cried hurriedly. "We apologize, sport--"

The Irishman swung ponderously. Billy ducked, cutting his apology short, and as the sledge-like fist pa.s.sed over his head, he drove his left to the other's jaw. The big Irishman toppled over sidewise and sprawled on the edge of the slope. Half-scrambled back to his feet and out of balance, he was caught by Bert's fist, and this time went clawing down the slope that was slippery with short, dry gra.s.s. Bert was redoubtable.

"That for you, old girl--my compliments," was his cry, as he shoved the woman over the edge on to the treacherous slope. Three more men were emerging from the brush.

In the meantime, Billy had put Saxon in behind the protection of the picnic table. Mary, who was hysterical, had evinced a desire to cling to him, and he had sent her sliding across the top of the table to Saxon.

"Come on, you flannel-mouths!" Bert yelled at the newcomers, himself swept away by pa.s.sion, his black eyes flashing wildly, his dark face inflamed by the too-ready blood. "Come on, you cheap skates! Talk about Gettysburg. We'll show you all the Americans ain't dead yet!"

"Shut your trap--we don't want a sc.r.a.p with the girls here," Billy growled harshly, holding his position in front of the table. He turned to the three rescuers, who were bewildered by the lack of anything visible to rescue. "Go on, sports. We don't want a row. You're in wrong.

They ain't nothin' doin' in the fight line. We don't wanta fight--d'ye get me?"

They still hesitated, and Billy might have succeeded in avoiding trouble had not the man who had gone down the bank chosen that unfortunate moment to reappear, crawling groggily on hands and knees and showing a bleeding face. Again Bert reached him and sent him downslope, and the other three, with wild yells, sprang in on Billy, who punched, shifted position, ducked and punched, and shifted again ere he struck the third time. His blows were clean and hard, scientifically delivered, with the weight of his body behind.

Saxon, looking on, saw his eyes and learned more about him. She was frightened, but clear-seeing, and she was startled by the disappearance of all depth of light and shadow in his eyes. They showed surface only--a hard, bright surface, almost glazed, devoid of all expression save deadly seriousness. Bert's eyes showed madness. The eyes of the Irishmen were angry and serious, and yet not all serious. There was a wayward gleam in them, as if they enjoyed the fracas. But in Billy's eyes was no enjoyment. It was as if he had certain work to do and had doggedly settled down to do it.

Scarcely more expression did she note in the face, though there was nothing in common between it and the one she had seen all day. The boyishness had vanished. This face was mature in a terrifying, ageless way. There was no anger in it, nor was it even pitiless. It seemed to have glazed as hard and pa.s.sionlessly as his eyes. Something came to her of her wonderful mother's tales of the ancient Saxons, and he seemed to her one of those Saxons, and she caught a glimpse, on the well of her consciousness, of a long, dark boat, with a prow like the beak of a bird of prey, and of huge, half-naked men, wing-helmeted, and one of their faces, it seemed to her, was his face. She did not reason this. She felt it, and visioned it as by an unthinkable clairvoyance, and gasped, for the flurry of war was over. It had lasted only seconds, Bert was dancing on the edge of the slippery slope and mocking the vanquished who had slid impotently to the bottom. But Billy took charge.

"Come on, you girls," he commanded. "Get onto yourself, Bert. We got to get outa this. We can't fight an army."

He led the retreat, holding Saxon's arm, and Bert, giggling and jubilant, brought up the rear with an indignant Mary who protested vainly in his unheeding ears.

For a hundred yards they ran and twisted through the trees, and then, no signs of pursuit appearing, they slowed down to a dignified saunter.

Bert, the trouble-seeker, p.r.i.c.ked his ears to the m.u.f.fled sound of blows and sobs, and stepped aside to investigate.

"Oh! look what I've found!" he called.

They joined him on the edge of a dry ditch and looked down. In the bottom were two men, strays from the fight, grappled together and still fighting. They were weeping out of sheer fatigue and helplessness, and the blows they only occasionally struck were open-handed and ineffectual.

"Hey, you, sport--throw sand in his eyes," Bert counseled. "That's it, blind him an' he's your'n."

"Stop that!" Billy shouted at the man, who was following instructions, "Or I'll come down there an' beat you up myself. It's all over--d'ye get me? It's all over an' everybody's friends. Shake an' make up. The drinks are on both of you. That's right--here, gimme your hand an' I'll pull you out."

They left them shaking hands and brushing each other's clothes.

"It soon will be over," Billy grinned to Saxon. "I know 'em. Fight's fun with them. An' this big sc.r.a.p's made the day a howlin' success. What did I tell you!--look over at that table there."

A group of disheveled men and women, still breathing heavily, were shaking hands all around.

"Come on, let's dance," Mary pleaded, urging them in the direction of the pavilion.

All over the park the warring bricklayers were shaking hands and making up, while the open-air bars were crowded with the drinkers.

Saxon walked very close to Billy. She was proud of him. He could fight, and he could avoid trouble. In all that had occurred he had striven to avoid trouble. And, also, consideration for her and Mary had been uppermost in his mind.

"You are brave," she said to him.

"It's like takin' candy from a baby," he disclaimed. "They only rough-house. They don't know boxin'. They're wide open, an' all you gotta do is. .h.i.t 'em. It ain't real fightin', you know." With a troubled, boyish look in his eyes, he stared at his bruised knuckles. "An' I'll have to drive team to-morrow with 'em," he lamented. "Which ain't fun, I'm tellin' you, when they stiffen up."

CHAPTER V

At eight o'clock the Al Vista band played "Home, Sweet Home," and, following the hurried rush through the twilight to the picnic train, the four managed to get double seats facing each other. When the aisles and platforms were packed by the hilarious crowd, the train pulled out for the short run from the suburbs into Oakland. All the car was singing a score of songs at once, and Bert, his head pillowed on Mary's breast with her arms around him, started "On the Banks of the Wabash." And he sang the song through, undeterred by the bedlam of two general fights, one on the adjacent platform, the other at the opposite end of the car, both of which were finally subdued by special policemen to the screams of women and the crash of gla.s.s.

Billy sang a lugubrious song of many stanzas about a cowboy, the refrain of which was, "Bury me out on the lone pr-rairie."

"That's one you never heard before; my father used to sing it," he told Saxon, who was glad that it was ended.

She had discovered the first flaw in him. He was tonedeaf. Not once had he been on the key.

"I don't sing often," he added.

"You bet your sweet life he don't," Bert exclaimed. "His friends'd kill him if he did."

"They all make fun of my singin'," he complained to Saxon. "Honest, now, do you find it as rotten as all that?"