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"Some pretty patent leather shoes with rhinestone buckles----"
"Yes----"
"And a black velvet hat and nice _lingerie_----" (Beth p.r.o.nounced it lingery).
"Of course. And the piano----"
"Oh, yes. A piano and books--lots of books."
"And a red automobile?"
"Oh, I wouldn't dare wish for that."
"Why not? It's just as easy to wish for an automobile as a piano."
"Yes, I suppose so." She became immediately grave again. "But I can't seem to believe it all. I'm afraid."
"Of what?"
"Of Hawk Kennedy. I feel that he's going to make trouble for us all, Mr.
Nichols. I'm afraid. I always seem to feel things before they happen.
Any man who could do what he did--murder!"
"There will be some way to get around him."
"But it's dangerous. I don't feel I've got the right to let you do this for me."
"Oh, yes, you have. I'd do it anyhow. It's only justice."
"But suppose he--suppose----"
"What----?"
"He might kill you, too."
Peter laughed. "Not a chance. You see, I wasn't born to die a violent death. If I had been, I'd have been dead months ago."
"Oh--the war, you mean?" she asked soberly.
"Yes--the war. Everything is tame after that. I'm not afraid of Hawk Kennedy."
"But there's danger just the same."
"I hope not. I won't cross that bridge until I come to it."
Beth was silent for a long moment and then with a glance at the clock on the mantel slowly gathered her music, aware of his voice close at her ear.
"And if I do this, Beth,--if I get what belongs to you, will you believe that I have no motive but friendship for you, that I care for you enough to want you to forgive me for what has happened?"
He had caught her fingers in his own but she did not try to release them.
"Oh, don't speak of that--_please_! I want to forget you--that day."
"Can't you forget it more easily by remembering me as I am now, Beth?
See. I want you as much now as I did then--just as much, but I cannot have you until you give yourself to me."
What did he mean? She wasn't sure of him. If marriage was what he meant, why didn't he say so? Marriage. It was such an easy word to say. Her fingers struggled in his.
"Please, Mr. Nichols," she gasped.
"You mean that you won't--that you don't care enough----?"
"I--I'm not sure of you----"
"I love you, Beth----"
"You _say_ so----"
"I do--better than anything in the world."
"Enough to--enough to...?"
She was weakening fast. She felt her danger in the trembling of her fingers in his. Why didn't he finish her question for her? Marriage. It was such a little word. And yet he evaded it and she saw that he meant to evade it.
"Enough to have you almost in my arms and yet hardly to touch you--enough to have your lips within reach of mine and yet not to take them. Isn't that what you wanted, Beth? Gentleness, tenderness----"
She flung away from him desperately.
"No--no. I want nothing--nothing. Please! You don't want to understand."
And then with an effort she found her poise. "Things must be as they are. Nothing else. It's getting late, I must go."
"Beth--Not yet. Just a minute----"
"No."
But she did not go and only stood still, trembling with irresolution. He knew what she wanted him to say. There could be no middle ground for Beth. She must be all to him or nothing. Marriage. It was the Grand Duke Peter Nicholaevitch who had evaded this very moment while Peter Nichols had urged him to it. And it was Peter Nichols who knew that any words spoken of marriage to Beth Cameron would be irrevocable, the Grand Duke Peter (an opportunist) who urged him to utter them, careless of consequences. And there stood Beth adorable in her perplexity, conjuring both of him to speak.
It was Peter Nichols who met the challenge, oblivious of all counsels of pride, culture, vainglory and hypocrisy. This was his mate, a sweeter lady than any he had ever known.
"Beth," he whispered. "I love you. Nothing in the world makes any difference to me but your happiness."
He came to her and caught her in his arms, while she still struggled away from him. "I want you. It doesn't matter who I am or who you are. I want you to----"
Beth suddenly sprung away from him, staring at a figure which stood in the doorway as a strident, highly pitched voice cut in sharply on Peter's confession.
"Oh, excuse _me_! I didn't mean to intrude."
It was Miss Peggy McGuire in her _cerise_ veil and her sport suit, with hard eyes somewhat scandalized by what she had seen, for Peter was standing awkwardly, his arms empty of their prize, who had started back in dismay and now stood with difficulty recovering her self-possession.
As neither of them spoke Miss McGuire went on cuttingly, as she glanced curiously around the Cabin.