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"There are seven or eight very large ones up in the garret, which were kept on account of the frames," said Gilet.
"Let me see them!" cried the artist; and Max took him upstairs.
Joseph came down wildly enthusiastic. Max whispered a word to the Rabouilleuse, who took the old man into the embrasure of a window, where Joseph heard her say in a low voice, but still so that he could hear the words:--
"Your nephew is a painter; you don't care for those pictures; be kind, and give them to him."
"It seems," said Jean-Jacques, leaning on Flore's arm to reach the place were Joseph was standing in ecstasy before an Albano, "--it seems that you are a painter--"
"Only a 'rapin,'" said Joseph.
"What may that be?" asked Flore.
"A beginner," replied Joseph.
"Well," continued Jean-Jacques, "if these pictures can be of any use to you in your business, I give them to you,--but without the frames. Oh!
the frames are gilt, and besides, they are very funny; I will put--"
"Well done, uncle!" cried Joseph, enchanted; "I'll make you copies of the same dimensions, which you can put into the frames."
"But that will take your time, and you will want canvas and colors,"
said Flore. "You will have to spend money. Come, Pere Rouget, offer your nephew a hundred francs for each copy; here are twenty-seven pictures, and I think there are eleven very big ones in the garret which ought to cost double,--call the whole four thousand francs. Oh, yes," she went on, turning to Joseph, "your uncle can well afford to pay you four thousand francs for making the copies, since he keeps the frames--but bless me! you'll want frames; and they say frames cost more than pictures; there's more gold on them. Answer, monsieur," she continued, shaking the old man's arm. "Hein? it isn't dear; your nephew will take four thousand francs for new pictures in the place of the old ones.
It is," she whispered in his ear, "a very good way to give him four thousand francs; he doesn't look to me very flush--"
"Well, nephew, I will pay you four thousand francs for the copies--"
"No, no!" said the honest Joseph; "four thousand francs and the pictures, that's too much; the pictures, don't you see, are valuable--"
"Accept, simpleton!" said Flore; "he is your uncle, you know."
"Very good, I accept," said Joseph, bewildered by the luck that had befallen him; for he had recognized a Perugino.
The result was that the artist beamed with satisfaction as he went out of the house with the Rabouilleuse on his arm, all of which helped Maxence's plans immensely. Neither Flore, nor Rouget, nor Max, nor indeed any one in Issoudun knew the value of the pictures, and the crafty Max thought he had bought Flore's triumph for a song, as she paraded triumphantly before the eyes of the astonished town, leaning on the arm of her master's nephew, and evidently on the best of terms with him. People flocked to their doors to see the crab-girl's triumph over the family. This astounding event made the sensation on which Max counted; so that when they all returned at five o'clock, nothing was talked of in every household but the cordial understanding between Max and Flore and the nephew of old Rouget. The incident of the pictures and the four thousand francs circulated already. The dinner, at which Lousteau, one of the court judges, and the Mayor of Issoudun were present, was splendid. It was one of those provincial dinners lasting five hours. The most exquisite wines enlivened the conversation. By nine o'clock, at dessert, the painter, seated opposite to his uncle, and between Flore and Max, had fraternized with the soldier, and thought him the best fellow on earth. Joseph returned home at eleven o'clock somewhat tipsy. As to old Rouget, Kouski had carried him to his bed dead-drunk; he had eaten as though he were an actor from foreign parts, and had soaked up the wine like the sands of the desert.
"Well," said Max when he was alone with Flore, "isn't this better than making faces at them? The Bridaus are well received, they get small presents, and are smothered with attentions, and the end of it is they will sing our praises; they will go away satisfied and leave us in peace. To-morrow morning you and I and Kouski will take down all those pictures and send them over to the painter, so that he shall see them when he wakes up. We will put the frames in the garret, and cover the walls with one of those varnished papers which represent scenes from Telemachus, such as I have seen at Monsieur Mouilleron's."
"Oh, that will be much prettier!" said Flore.
On the morrow, Joseph did not wake up till midday. From his bed he saw the pictures, which had been brought in while he was asleep, leaning one against another on the opposite wall. While he examined them anew, recognizing each masterpiece, studying the manner of each painter, and searching for the signature, his mother had gone to see and thank her brother, urged thereto by old Hochon, who, having heard of the follies the painter had committed the night before, almost despaired of the Bridau cause.
"Your adversaries have the cunning of foxes," he said to Agathe. "In all my days I never saw a man carry things with such a high hand as that soldier; they say war educates young men! Joseph has let himself be fooled. They have shut his mouth with wine, and those miserable pictures, and four thousand francs! Your artist hasn't cost Maxence much!"
The long-headed old man instructed Madame Bridau carefully as to the line of conduct she ought to pursue,--advising her to enter into Maxence's ideas and cajole Flore, so as to set up a sort of intimacy with her, and thus obtain a few moments' interview with Jean-Jacques alone. Madame Bridau was very warmly received by her brother, to whom Flore had taught his lesson. The old man was in bed, quite ill from the excesses of the night before. As Agathe, under the circ.u.mstances, could scarcely begin at once to speak of family matters, Max thought it proper and magnanimous to leave the brother and sister alone together. The calculation was a good one. Poor Agathe found her brother so ill that she would not deprive him of Madame Brazier's care.
"Besides," she said to the old bachelor, "I wish to know a person to whom I am grateful for the happiness of my brother."
These words gave evident pleasure to the old man, who rang for Madame Flore. Flore, as we may well believe, was not far off. The female antagonists bowed to each other. The Rabouilleuse showed the most servile attentions and the utmost tenderness to her master; fancied his head was too low, beat up the pillows, and took care of him like a bride of yesterday. The poor creature received it with a rush of feeling.
"We owe you much grat.i.tude, mademoiselle," said Agathe, "for the proofs of attachment you have so long given to my brother, and for the way in which you watch over his happiness."
"That is true, my dear Agathe," said the old man; "she has taught me what happiness is; she is a woman of excellent qualities."
"And therefore, my dear brother, you ought to have recompensed Mademoiselle by making her your wife. Yes! I am too sincere in my religion not to wish to see you obey the precepts of the church. You would each be more tranquil in mind if you were not at variance with morality and the laws. I have come here, dear brother, to ask for help in my affliction; but do not suppose that we wish to make any remonstrance as to the manner in which you may dispose of your property--"
"Madame," said Flore, "we know how unjust your father was to you.
Monsieur, here, can tell you," she went on, looking fixedly at her victim, "that the only quarrels we have ever had were about you. I have always told him that he owes you part of the fortune he received from his father, and your father, my benefactor,--for he was my benefactor,"
she added in a tearful voice; "I shall ever remember him! But your brother, madame, has listened to reason--"
"Yes," said the old man, "when I make my will you shall not be forgotten."
"Don't talk of these things, my dear brother; you do not yet know my nature."
After such a beginning, it is easy to imagine how the visit went on.
Rouget invited his sister to dinner on the next day but one.
We may here mention that during these three days the Knights of Idleness captured an immense quant.i.ty of rats and mice, which were kept half-famished until they were let loose in the grain one fine night, to the number of four hundred and thirty-six, of which some were breeding mothers. Not content with providing Fario's store-house with these boarders, the Knights made holes in the roof of the old church and put in a dozen pigeons, taken from as many different farms. These four-footed and feathered creatures held high revels,--all the more securely because the watchman was enticed away by a fellow who kept him drunk from morning till night, so that he took no care of his master's property.
Madame Bridau believed, contrary to the opinion of old Hochon, that her brother has as yet made no will; she intended asking him what were his intentions respecting Mademoiselle Brazier, as soon as she could take a walk with him alone,--a hope which Flore and Maxence were always holding out to her, and, of course, always disappointing.
Meantime the Knights were searching for a way to put the Parisians to flight, and finding none that were not impracticable follies.
At the end of a week--half the time the Parisians were to stay in Issoudun--the Bridaus were no farther advanced in their object than when they came.
"Your lawyer does not understand the provinces," said old Hochon to Madame Bridau. "What you have come to do can't be done in two weeks, nor in two years; you ought never to leave your brother, but live here and try to give him some ideas of religion. You cannot countermine the fortifications of Flore and Maxence without getting a priest to sap them. That is my advice, and it is high time to set about it."
"You certainly have very singular ideas about the clergy," said Madame Hochon to her husband.
"Bah!" exclaimed the old man, "that's just like you pious women."
"G.o.d would never bless an enterprise undertaken in a sacrilegious spirit," said Madame Bridau. "Use religion for such a purpose! Why, we should be more criminal than Flore."
This conversation took place at breakfast,--Francois and Baruch listening with all their ears.
"Sacrilege!" exclaimed old Hochon. "If some good abbe, keen as I have known many of them to be, knew what a dilemma you are in, he would not think it sacrilege to bring your brother's lost soul back to G.o.d, and call him to repentance for his sins, by forcing him to send away the woman who causes the scandal (with a proper provision, of course), and showing him how to set his conscience at rest by giving a few thousand francs a year to the seminary of the archbishop and leaving his property to the rightful heirs."
The pa.s.sive obedience which the old miser had always exacted from his children, and now from his grandchildren (who were under his guardianship and for whom he was ama.s.sing a small fortune, doing for them, he said, just as he would for himself), prevented Baruch and Francois from showing signs of surprise or disapproval; but they exchanged significant glances expressing how dangerous and fatal such a scheme would be to Max's interest.
"The fact is, madame," said Baruch, "that if you want to secure your brother's property, the only sure and true way will be to stay in Issoudun for the necessary length of time--"
"Mother," said Joseph hastily, "you had better write to Desroches about all this. As for me, I ask nothing more than what my uncle has already given me."
After fully recognizing the great value of his thirty-nine pictures, Joseph had carefully unnailed the canvases and fastened paper over them, gumming it at the edges with ordinary glue; he then laid them one above another in an enormous wooden box, which he sent to Desroches by the carrier's waggon, proposing to write him a letter about it by post. The precious freight had been sent off the night before.
"You are satisfied with a pretty poor bargain," said Monsieur Hochon.
"I can easily get a hundred and fifty thousand francs for those pictures," replied Joseph.
"Painter's nonsense!" exclaimed old Hochon, giving Joseph a peculiar look.