The Trust_ A Secret Society Novel Part 19

Phoebe was grateful when it was finally time to leave Eaton House and return to Nick's parents' house in Southampton. The two properties were so different in style; while Eaton House was cold and foreboding, the Bell compound was as warm as a house on twelve acres could get. It was a cla.s.sic shingle-style house, and unlike Eaton House, which was anonymous in its furnishings, it actually seemed like a family lived there.

Genie sat in the front seat, once again bundled up in a dozen layers, while Nick drove. His old Jeep ground its wheels onto the gravel driveway.

The four of them got out, and Nick pulled out his monogrammed key ring, picking one and using it on the front door.

A persistent beeping started from somewhere in the house.

"What is that?" Phoebe asked. After everything they had been through, she didn't feel like she could take any more surprises.

"I don't know," Nick said. "Is it an alarm system? We never had one before."

Genie observed the situation with curiosity, and Phoebe gave her an awkward smile. After all these months of avoiding the truth, it was a relief finally to hear Genie be honest with them.

"Patch, is there something you can do?" Phoebe asked.

"Alarms aren't really my thing," Patch said. "Thad taught me the basics, but I don't really know enough-"

At that moment, a loud shrieking began, a whooping alert that resonated over the potato and cornfields and seemed to shake the walls of the house.

Nick was blushing furiously as he tried to figure out what was going on; he had located a panel in a coat closet to the right of the front door. "I can't believe they wouldn't mention this to me," he said. "I don't even know how to work one of these things!"

Within five minutes there was a patrol car parked in their driveway. Nick and Phoebe stood dumbly near the front door, while Patch sat nearby on an iron bench with his grandmother. Nick had his ID in hand, and he handed it to the officer who approached them.

"This is my parents' house," he said nervously. "We were just coming here for the weekend. I didn't know they had installed an alarm system."

"Don't worry about it, kid, we're not going to shoot you. Let me just turn this thing off." The two cops laughed as the officer went to a control panel in the foyer and punched in a few numbers. Phoebe imagined that Southampton in the winter was probably pretty slow when it came to crime.

The cop looked at Nick's ID. "He's on the list of approved residents. You're fine, kid. Just get the code from your parents so it doesn't happen again."

"Thanks. Sorry for the trouble."

"Don't worry about it. We'll send your parents the bill!" The officer laughed again, and the patrol car pulled away.

"Let's go inside," Nick said. "I'm freezing here."

Everyone scrambled inside, and Nick went to turn up the thermostat. The four of them sat down in the kitchen, which, being central to the house, heated up more quickly than the rest of the first floor.

"Nick, why do you think they put in an alarm system?" Phoebe asked as she threw her coat over one of the chairs in the kitchen. "Because the Pollock was stolen? Why wouldn't they have told you?" It didn't make any sense.

"I don't know," Nick said. "Maybe they were trying to catch us off guard or something. Maybe they think we we stole it." stole it."

"Okay, and another thing: why the Pollock?" Phoebe asked. "Why would your grandfather steal it from his own son?"

"He always hated it," Nick said.

"I don't think that's the reason," Patch said.

"I have an idea," Phoebe said. "Remember, the Pollock was our starting point. Or at least, it was our first real clue. He could have just left a note on the mantel for us saying 'Go to Eaton House, you'll find some stolen art there.' But instead he sent us all the way down to Florida to find a key, then we had to try that key on each property, then you got the clue at the Dendur Ball, which sent you back to Southampton...."

"What's your point?" Nick asked impatiently as Phoebe flushed. Why was Nick being such an a.s.s about this? Had all the pressure finally gotten to him?

He leaned forward to touch her arm. "I'm sorry," he said.

Phoebe nodded in resignation, but she was still annoyed. Just because it was Nick's family they were talking about didn't mean he was the only one who had a stake in the matter.

Genie interrupted. "What she's trying to say, Nick, is that Palmer was giving you a roundabout tour of your heritage. Boys, where did you find the key?"

"In his study in Palm Beach," Nick said. "Which was filled with memorabilia from his life. There were also the family photos on the mantelpiece. And all the history that was part of the Dendur Ball. The photograph of your mother, Patch. The picture of my parents."

"So what does it all mean?" Patch asked.

"I think it's like Horatio said. He wants us to do what we think is right," Nick said.

"He sent you to a series of important places in your family's history," Phoebe said. "The question is whether he's saying you should do what's right for your family, or what's right for all of us." She thought of the memorial marker, the one Patch didn't even know about. It was another example of something the Bells had covered up, another thing that wasn't talked about.

Nick frowned. "We need to do what's right for us. It's just that-well, we can't just let everyone know about the art-can we?"

"Perhaps he wants you to weigh out all the options," Genie said. "Considering that you are both technically members of the Bell family."

"Nick, I think you need to call your father," Phoebe said. "I hate to admit it, but he's the only person who can help us. Why don't you leverage your knowledge of the stolen art and try to get us out of the Society? Isn't that what Palmer wanted us to do?"

Nick nodded slowly. "I can make the call in the library. Patch, I think you should listen in."

Phoebe bit her lip as Nick and Patch left the kitchen. Would Nick be able to stand up to his father?

It scared her that she didn't know.

Chapter Fifty.

In the library Nick called his father on every one of his numbers and finally was able to reach him on his private number that only rang in his study. He explained to his dad what they had found, about the trove of art in the bas.e.m.e.nt of Eaton House. Patch listened in on an extension at the other side of the room.

"Well, you've done it," Parker said. "Your grandfather's been trying to reveal this to your brothers for the past year, and neither of them have picked up on his clues. I guess he finally had to be more blunt about it."

"I wouldn't exactly call sending us down to Florida, and then three times to Southampton blunt blunt," Nick said.

"I suppose not."

"We've made a decision," Nick said. "We want the art returned. I don't care how you do it, but we want it returned. I'm sure, for one thing, that you'd like your Pollock back."

"Don't you worry about that-we've made back more than its value in insurance. As for the rest of the pieces, Nicholas, I don't think that's a good idea. Those cases have all been abandoned long ago. No one is interested anymore. It's best just to let it go."

"Dad, we were led to it because he wanted us to find out. Palmer wanted us to return the art."

Nick's father sighed. "I would prefer that weren't the case."

"And I want it to happen publicly. People need to know what happened. So that it can't happen again. So the people he worked with will think twice the next time they get an offer to do something like this."

Nick looked at Patch, who was sitting on an ottoman, his brows furrowed in concentration. Nick couldn't blame Patch for wishing they didn't have the same father.

"I will facilitate the return of the art," Parker said firmly. "But it will happen anonymously."

Nick steeled himself. "Dad, I want it to be known what happened. I know you think it's embarra.s.sing, but I'm tired of living under the weight of so many secrets."

"Do you have any idea of the sort of publicity this would create? Our lives would never be the same."

"Maybe that's a good thing."

"Nicholas, I will release the art, but I won't do it publicly. The world doesn't need to know about your grandfather's little hobby. It's a private family matter. You need to trust me on this."

"What about what Palmer promised us?" Nick asked. "That we would all be released from the Society?"

Parker laughed. "You really thought it would be that easy?"

Across the room, Patch winced.

"Easy?" Nick asked. "It wasn't easy easy."

"Nick, you don't even know what difficult is. When you're older, you'll understand the concept of difficult. Going to war is difficult. Starting a business is difficult. Your life isn't anything close to difficult."

Nick wasn't really sure what to say to this. "Dad, I-"

Across the room, Patch held up a hand, signaling Nick to stop speaking. Nick desperately hoped Patch had a better idea for how they were going to get out. Had he just ruined their chances by giving up the one piece of information that they had against the group?

"I think we're done here," Parker said. "Don't you worry. I'll take care of everything."

Chapter Fifty-One.

You're joking," Phoebe said after Nick had filled her in on the conversation. "All this art is going to be returned, and your grandfather is going to go down in New York history as this wonderful, philanthropically minded man who never did anything wrong?"

Phoebe, Nick, and Patch were standing in the kitchen. Genie had gone out to the enclosed sunporch to rest.

"Look, I don't agree with it," Nick said. "But we don't have a choice. He said-"

Phoebe interrupted him. "You keep saying that we don't have a choice. But maybe it's up to us. Maybe we're the ones who have to break free. As long as you keep believing your father, then you're right, you don't have a choice." She was angry, but she needed Nick to know how she felt.

"Phoebe, he's threatened us in the past. The Society has done things, appalling things. I just don't know if we can-"

"Face it, Nick, you don't want anyone knowing about your grandfather. It's embarra.s.sing. It would be in the papers for months. You and your family would face so much public scrutiny. And you can't handle that." She took a breath and looked at Patch. "What do you think?"

"Leave me out of it," Patch said. "I don't-I don't really know."

"You've got to have an opinion," Phoebe said. "It's your family, too."

Patch gave her an angry look. "I don't have to have an opinion," he snapped. "I didn't choose this. I'll be on the sunporch with my grandmother. The one who raised me."

Phoebe sighed as Patch left the room.

"Great," Nick said. "Now you've gone and made him feel bad. As if he's not feeling strange enough already, with everything that's happened."

Phoebe decided to ignore this. But she couldn't deny how frustrated she was. "Nick, I'm so sick of all this. And let me guess: this gets us no closer to being free of the Society than we were in the beginning of January."

"I'm not sure," Nick said. "I think it may have been..."

His voice trailed off.

"A setup? Admit it, Nick, we've played their little game once again. We're too trusting, that's our problem. We can't believe them, any of them. I'm so tired of this!" She was getting hysterical, and she felt badly about yelling at Nick.

"Phoebe, calm down," Nick said.

"You know something else?" she said. "We've never considered this, but I don't think there really is a Society."

"What?" Nick said. "What do you mean?" He gave her a sideways look, as if she were insane.

"What I mean is, sure, there's a group of people, and they've gotten together and they've done some good things and many bad things. But in terms of its meaning, remember how the scroll we got was written and adapted by each cla.s.s? That's exactly how they've constructed it-none of it has meaning in and of itself. We We are the ones who have given it meaning. It's all created to keep us in line, to keep us trapped. Initiation rituals, bonfires, Egyptian mythology, swimming parties, French philosophy, stories about drowning, people dying-" are the ones who have given it meaning. It's all created to keep us in line, to keep us trapped. Initiation rituals, bonfires, Egyptian mythology, swimming parties, French philosophy, stories about drowning, people dying-"

"You're saying that people dying wasn't real?"

"No, it was real, but we were the ones who gave it meaning. We were the ones who decided that we couldn't go to the police. No one told us we couldn't. We came up with that idea, remember? We were the ones who decided to be so afraid all the time."

"But they threatened us-when we didn't attend meetings-" Nick sputtered.

"Right, but we decided we couldn't handle it. I didn't tell my mom about the rats because I was scared. Thad couldn't tell the truth about who planted the gin bottle because he was embarra.s.sed about his mother's past. Lauren couldn't say who she thought put the earrings in her bag, because they would have said she was nuts."

Nick shook his head. "I get what you're saying, but Phoebe, this is still as real as anything I've ever seen. There is stolen art in that bas.e.m.e.nt, and my grandfather is responsible for it. No one can deny that. Do you really want the world to find out about that?"

"There you go again-you've put so much value in your family's privacy, you're ignoring what's better for the rest of us."

"Phoebe, you wouldn't understand," Nick said. He tapped the kitchen floor in frustration with his right foot. "And I think-I think you're being crazy. All this stuff does have meaning. You know that. You can't pretend it doesn't."

Phoebe regarded Nick. She had never been more upset with him. It was a horrible, empty feeling, as if a cavern had opened in her heart. She considered the idea that he wasn't the person she was meant to be with.

She grabbed Nick's shoulder and held it tightly. "Don't ever ever call me crazy." call me crazy."

"I'm sorry," he said. "That was stupid." He put his head on the table, cradling it in his arms. When he lifted up his head a moment later, his eyes were red. "I'm so sorry. Phoebe, I love you. I really do."

As if her body had taken over from her mind, she found herself shaking her head. "I don't know if you do," she said quietly. "I feel like you love your life in New York more. Your family. Everything it affords you. And maybe you even love this. All the drama. All the mystery. I mean, really, would our lives be as interesting without all this? Would we even be together? If we could break free, where would that really leave us?"