The Trimmed Lamp, and other Stories of the Four Million Part 11

"Oh, well, I'm not a wall flower," she answered with modest complacency.

"Where do you see these--these men? At your home?"

"Of course not. I meet them just as I did you. Sometimes on the boat, sometimes in the park, sometimes on the street. I'm a pretty good judge of a man. I can tell in a minute if a fellow is one who is likely to get fresh."

"What do you mean by 'fresh?'"

"Why, try to kiss you--me, I mean."

"Do any of them try that?" asked Blinker, clenching his teeth.

"Sure. All men do. You know that."

"Do you allow them?"

"Some. Not many. They won't take you out anywhere unless you do."

She turned her head and looked searchingly at Blinker. Her eyes were as innocent as a child's. There was a puzzled look in them, as though she did not understand him.

"What's wrong about my meeting fellows?" she asked, wonderingly.

"Everything," he answered, almost savagely. "Why don't you entertain your company in the house where you live? Is it necessary to pick up Tom, d.i.c.k and Harry on the streets?"

She kept her absolutely ingenuous eyes upon his. "If you could see the place where I live you wouldn't ask that. I live in Brickdust Row. They call it that because there's red dust from the bricks crumbling over everything. I've lived there for more than four years. There's no place to receive company. You can't have anybody come to your room. What else is there to do? A girl has got to meet the men, hasn't she?"

"Yes," he said, hoa.r.s.ely. "A girl has got to meet a--has got to meet the men."

"The first time one spoke to me on the street," she continued, "I ran home and cried all night. But you get used to it. I meet a good many nice fellows at church. I go on rainy days and stand in the vestibule until one comes up with an umbrella. I wish there was a parlor, so I could ask you to call, Mr. Blinker--are you really sure it isn't 'Smith,' now?"

The boat landed safely. Blinker had a confused impression of walking with the girl through quiet crosstown streets until she stopped at a corner and held out her hand.

"I live just one more block over," she said. "Thank you for a very pleasant afternoon."

Blinker muttered something and plunged northward till he found a cab. A big, gray church loomed slowly at his right. Blinker shook his fist at it through the window.

"I gave you a thousand dollars last, week," he cried under his breath, "and she meets them in your very doors. There is something wrong; there is something wrong."

At eleven the next day Blinker signed his name thirty times with a new pen provided by Lawyer Oldport.

"Now let me go to the woods," he said surlily.

"You are not looking well," said Lawyer Oldport. "The trip will do you good. But listen, if you will, to that little matter of business of which I spoke to you yesterday, and also five years ago. There are some buildings, fifteen in number, of which there are new five-year leases to be signed. Your father contemplated a change in the lease provisions, but never made it. He intended that the parlors of these houses should not be sub-let, but that the tenants should be allowed to use them for reception rooms. These houses are in the shopping district, and are mainly tenanted by young working girls.

As it is they are forced to seek companionship outside. This row of red brick--"

Blinker interrupted him with a loud, discordant laugh.

"Brickdust Row for an even hundred," he cried. "And I own it. Have I guessed right?"

"The tenants have some such name for it," said Lawyer Oldport.

Blinker arose and jammed his hat down to his eyes.

"Do what you please with it," he said harshly. "Remodel it, burn it, raze it to the ground. But, man, it's too late I tell you. It's too late. It's too late. It's too late."

THE MAKING OF A NEW YORKER

Besides many other things, Raggles was a poet. He was called a tramp; but that was only an elliptical way of saying that he was a philosopher, an artist, a traveller, a naturalist and a discoverer.

But most of all he was a poet. In all his life he never wrote a line of verse; he lived his poetry. His Odyssey would have been a Limerick, had it been written. But, to linger with the primary proposition, Raggles was a poet.

Raggles's specialty, had he been driven to ink and paper, would have been sonnets to the cities. He studied cities as women study their reflections in mirrors; as children study the glue and sawdust of a dislocated doll; as the men who write about wild animals study the cages in the zoo. A city to Raggles was not merely a pile of bricks and mortar, peopled by a certain number of inhabitants; it was a thing with a soul characteristic and distinct; an individual conglomeration of life, with its own peculiar essence, flavor and feeling. Two thousand miles to the north and south, east and west, Raggles wandered in poetic fervor, taking the cities to his breast.

He footed it on dusty roads, or sped magnificently in freight cars, counting time as of no account. And when he had found the heart of a city and listened to its secret confession, he strayed on, restless, to another. Fickle Raggles!--but perhaps he had not met the civic corporation that could engage and hold his critical fancy.

Through the ancient poets we have learned that the cities are feminine. So they were to poet Raggles; and his mind carried a concrete and clear conception of the figure that symbolized and typified each one that he had wooed.

Chicago seemed to swoop down upon him with a breezy suggestion of Mrs. Partington, plumes and patchouli, and to disturb his rest with a soaring and beautiful song of future promise. But Raggles would awake to a sense of shivering cold and a haunting impression of ideals lost in a depressing aura of potato salad and fish.

Thus Chicago affected him. Perhaps there is a vagueness and inaccuracy in the description; but that is Raggles's fault. He should have recorded his sensations in magazine poems.

Pittsburg impressed him as the play of "Oth.e.l.lo" performed in the Russian language in a railroad station by Dockstader's minstrels.

A royal and generous lady this Pittsburg, though--homely, hearty, with flushed face, washing the dishes in a silk dress and white kid slippers, and bidding Raggles sit before the roaring fireplace and drink champagne with his pigs' feet and fried potatoes.

New Orleans had simply gazed down upon him from a balcony. He could see her pensive, starry eyes and catch the flutter of her fan, and that was all. Only once he came face to face with her. It was at dawn, when she was flushing the red bricks of the banquette with a pail of water. She laughed and hummed a chansonette and filled Raggles's shoes with ice-cold water. Allons!

Boston construed herself to the poetic Raggles in an erratic and singular way. It seemed to him that he had drunk cold tea and that the city was a white, cold cloth that had been bound tightly around his brow to spur him to some unknown but tremendous mental effort.

And, after all, he came to shovel snow for a livelihood; and the cloth, becoming wet, tightened its knots and could not be removed.

Indefinite and unintelligible ideas, you will say; but your disapprobation should be tempered with grat.i.tude, for these are poets' fancies--and suppose you had come upon them in verse!

One day Raggles came and laid siege to the heart of the great city of Manhattan. She was the greatest of all; and he wanted to learn her note in the scale; to taste and appraise and cla.s.sify and solve and label her and arrange her with the other cities that had given him up the secret of their individuality. And here we cease to be Raggles's translator and become his chronicler.

Raggles landed from a ferry-boat one morning and walked into the core of the town with the blase air of a cosmopolite. He was dressed with care to play the role of an "unidentified man." No country, race, cla.s.s, clique, union, party clan or bowling a.s.sociation could have claimed him. His clothing, which had been donated to him piece-meal by citizens of different height, but same number of inches around the heart, was not yet as uncomfortable to his figure as those speciments of raiment, self-measured, that are railroaded to you by transcontinental tailors with a suit case, suspenders, silk handkerchief and pearl studs as a bonus. Without money--as a poet should be--but with the ardor of an astronomer discovering a new star in the chorus of the milky way, or a man who has seen ink suddenly flow from his fountain pen, Raggles wandered into the great city.

Late in the afternoon he drew out of the roar and commotion with a look of dumb terror on his countenance. He was defeated, puzzled, discomfited, frightened. Other cities had been to him as long primer to read; as country maidens quickly to fathom; as send-price-of-subscription-with-answer rebuses to solve; as oyster c.o.c.ktails to swallow; but here was one as cold, glittering, serene, impossible as a four-carat diamond in a window to a lover outside fingering damply in his pocket his ribbon-counter salary.

The greetings of the other cities he had known--their homespun kindliness, their human gamut of rough charity, friendly curses, garrulous curiosity and easily estimated credulity or indifference.

This city of Manhattan gave him no clue; it was walled against him.

Like a river of adamant it flowed past him in the streets. Never an eye was turned upon him; no voice spoke to him. His heart yearned for the clap of Pittsburg's sooty hand on his shoulder; for Chicago's menacing but social yawp in his ear; for the pale and eleemosynary stare through the Bostonian eyegla.s.s--even for the precipitate but unmalicious boot-toe of Louisville or St. Louis.

On Broadway Raggles, successful suitor of many cities, stood, bashful, like any country swain. For the first time he experienced the poignant humiliation of being ignored. And when he tried to reduce this brilliant, swiftly changing, ice-cold city to a formula he failed utterly. Poet though he was, it offered him no color similes, no points of comparison, no flaw in its polished facets, no handle by which he could hold it up and view its shape and structure, as he familiarly and often contemptuously had done with other towns. The houses were interminable ramparts loopholed for defense; the people were bright but bloodless spectres pa.s.sing in sinister and selfish array.

The thing that weighed heaviest on Raggles's soul and clogged his poet's fancy was the spirit of absolute egotism that seemed to saturate the people as toys are saturated with paint. Each one that he considered appeared a monster of abominable and insolent conceit.

Humanity was gone from them; they were toddling idols of stone and varnish, worshipping themselves and greedy for though oblivious of worship from their fellow graven images. Frozen, cruel, implacable, impervious, cut to an identical pattern, they hurried on their ways like statues brought by some miracles to motion, while soul and feeling lay unaroused in the reluctant marble.

Gradually Raggles became conscious of certain types. One was an elderly gentleman with a snow-white, short beard, pink, unwrinkled face and stony, sharp blue eyes, attired in the fashion of a gilded youth, who seemed to personify the city's wealth, ripeness and frigid unconcern. Another type was a woman, tall, beautiful, clear as a steel engraving, G.o.ddess-like, calm, clothed like the princesses of old, with eyes as coldly blue as the reflection of sunlight on a glacier. And another was a by-product of this town of marionettes--a broad, swaggering, grim, threateningly sedate fellow, with a jowl as large as a harvested wheat field, the complexion of a baptized infant and the knuckles of a prize-fighter. This type leaned against cigar signs and viewed the world with frapped contumely.