The Trees of Pride Part 6

For I do still believe in such things, or rather I believe in them more and more; I feel certain my poor father drove on the rocks by disbelieving, and you are all racing to ruin after him. That is why I do honestly want the estate, and that is why I am not ashamed of wanting it. I am perfectly certain, Mr. Paynter, that n.o.body can save this perishing land and this perishing people but those who understand. I mean who understand a thousand little signs and guides in the very soil and lie of the land, and traces that are almost trampled out. My husband understands, and I have begun to understand; my father would never have understood. There are powers, there is the spirit of a place, there are presences that are not to be put by. Oh, don't fancy I am sentimental and hanker after the good old days. The old days were not all good; that is just the point, and we must understand enough to know the good from the evil. We must understand enough to save the traces of a saint or a sacred tradition, or, where a wicked G.o.d has been worshiped, to destroy his altar and to cut down his grove."

"His grove," said Paynter automatically, and looked toward the little wood, where the sunbright birds were flying.

"Mrs. Treherne," said Ashe, with a formidable quietness, "I am not so unsympathetic with all this as you may perhaps suppose. I will not even say it is all moonshine, for it is something better. It is, if I may say so, honeymoonshine. I will never deny the saying that it makes the world go round, if it makes people's heads go round too. But there are other sentiments, madam, and other duties. I need not tell you your father was a good man, and that what has befallen him would be pitiable, even as the fate of the wicked. This is a horrible thing, and it is chiefly among horrors that we must keep our common sense. There are reasons for everything, and when my old friend lies butchered do not come to me with even the most beautiful fairy tales about a saint and his enchanted grove."

"Well, and you!" she cried, and rose radiantly and swiftly. "With what kind of fairy tales do you come to me? In what enchanted groves are YOU walking? You come and tell me that Mr. Paynter found a well where the water danced and then disappeared; but of course miracles are all moonshine! You tell me you yourself fished bones from under the same water, and every bone was as dry as a biscuit; but for Heaven's sake let us say nothing that makes anybody's head go round! Really, Mr. Ashe, you must try to preserve your common sense!"

She was smiling, but with blazing eyes; and Ashe got to his feet with an involuntary laugh of surrender.

"Well, we must be going," he said. "May I say that a tribute is really due to your new transcendental training? If I may say so, I always knew you had brains; and you've been learning to use them."

The two amateur detectives went back to the wood for the moment, that Ashe might consider the removal of the unhappy Squire's remains. As he pointed out, it was now legally possible to have an inquest, and, even at that early stage of investigations, he was in favor of having it at once.

"I shall be the coroner," he said, "and I think it will be a case of 'some person or persons unknown.' Don't be surprised; it is often done to give the guilty a false security. This is not the first time the police have found it convenient to have the inquest first and the inquiry afterward."

But Paynter had paid little attention to the point; for his great gift of enthusiasm, long wasted on arts and affectations, was lifted to inspiration by the romance of real life into which he had just walked.

He was really a great critic; he had a genius for admiration, and his admiration varied fittingly with everything he admired.

"A splendid girl and a splendid story," he cried. "I feel as if I were in love again myself, not so much with her as with Eve or Helen of Troy, or some such tower of beauty in the morning of the world. Don't you love all heroic things, that gravity and great candor, and the way she took one step from a sort of throne to stand in a wilderness with a vagabond?

Oh, believe me, it is she who is the poet; she has the higher reason, and honor and valor are at rest in her soul."

"In short, she is uncommonly pretty," replied Ashe, with some cynicism.

"I knew a murderess rather well who was very much like her, and had just that colored hair."

"You talk as if a murderer could be caught red-haired instead of red-handed," retorted Paynter. "Why, at this very minute, you could be caught red-haired yourself. Are you a murderer, by any chance?"

Ashe looked up quickly, and then smiled.

"I'm afraid I'm a connoisseur in murderers, as you are in poets," he answered, "and I a.s.sure you they are of all colors in hair as well as temperament. I suppose it's inhumane, but mine is a monstrously interesting trade, even in a little place like this. As for that girl, of course I've known her all her life, and--but--but that is just the question. Have I known her all her life? Have I known her at all? Was she even there to be known? You admire her for telling the truth; and so she did, by G.o.d, when she said that some people wake up late, who have never lived before. Do we know what they might do--we, who have only seen them asleep?"

"Great heavens!" cried Paynter. "You don't dare suggest that she--"

"No, I don't," said the lawyer, with composure, "but there are other reasons.... I don't suggest anything fully, till we've had our interview with this poet of yours. I think I know where to find him."

They found him, in fact, before they expected him, sitting on the bench outside the Vane Arms, drinking a mug of cider and waiting for the return of his American friend; so it was not difficult to open conversation with him. Nor did he in any way avoid the subject of the tragedy; and the lawyer, seating himself also on the long bench that fronted the little market place, was soon putting the last developments as lucidly as he had put them to Barbara.

"Well," said Treherne at last, leaning back and frowning at the signboard, with the colored birds and dolphins, just about his head; "suppose somebody did kill the Squire. He'd killed a good many people with his hygiene and his enlightened landlordism."

Paynter was considerably uneasy at this alarming opening; but the poet went on quite coolly, with his hands in his pockets and his feet thrust out into the street.

"When a man has the power of a Sultan in Turkey, and uses it with the ideas of a spinster in Tooting, I often wonder that n.o.body puts a knife in him. I wish there were more sympathy for murderers, somehow. I'm very sorry the poor old fellow's gone myself; but you gentlemen always seem to forget there are any other people in the world. He's all right; he was a good fellow, and his soul, I fancy, has gone to the happiest paradise of all."

The anxious American could read nothing of the effect of this in the dark Napoleonic face of the lawyer, who merely said: "What do you mean?"

"The fool's paradise," said Treherne, and drained his pot of cider.

The lawyer rose. He did not look at Treherne, or speak to him; but looked and spoke straight across him to the American, who found the utterance not a little unexpected.

"Mr. Paynter," said Ashe, "you thought it rather morbid of me to collect murderers; but it's fortunate for your own view of the case that I do. It may surprise you to know that Mr. Treherne has now, in my eyes, entirely cleared himself of suspicion. I have been intimate with several a.s.sa.s.sins, as I remarked; but there's one thing none of them ever did. I never knew a murderer to talk about the murder, and then at once deny it and defend it. No, if a man is concealing his crime, why should he go out of his way to apologize for it?"

"Well," said Paynter, with his ready appreciation, "I always said you were a remarkable man; and that's certainly a remarkable idea."

"Do I understand," asked the poet, kicking his heels on the cobbles, "that both you gentlemen have been kindly directing me toward the gallows?"

"No," said Paynter thoughtfully. "I never thought you guilty; and even supposing I had, if you understand me, I should never have thought it quite so guilty to be guilty. It would not have been for money or any mean thing, but for something a little wilder and worthier of a man of genius. After all, I suppose, the poet has pa.s.sions like great unearthly appet.i.tes; and the world has always judged more gently of his sins.

But now that Mr. Ashe admits your innocence, I can honestly say I have always affirmed it."

The poet rose also. "Well, I am innocent, oddly enough," he said. "I think I can make a guess about your vanishing well, but of the death and dry bones I know no more than the dead; if so much. And, by the way, my dear Paynter"--and he turned two bright eyes on the art critic--"I will excuse you from excusing me for all the things I haven't done; and you, I hope, will excuse me if I differ from you altogether about the morality of poets. As you suggest, it is a fashionable view, but I think it is a fallacy. No man has less right to be lawless than a man of imagination. For he has spiritual adventures, and can take his holidays when he likes. I could picture the poor Squire carried off to elfland whenever I wanted him carried off, and that wood needed no crime to make it wicked for me. That red sunset the other night was all that a murder would have been to many men. No, Mr. Ashe; show, when next you sit in judgment, a little mercy to some wretched man who drinks and robs because he must drink beer to taste it, and take it to drink it. Have compa.s.sion on the next batch of poor thieves, who have to hold things in order to have them. But if ever you find ME stealing one small farthing, when I can shut my eyes and see the city of El Dorado, then"--and he lifted his head like a falcon--"show me no mercy, for I shall deserve none."

"Well," remarked Ashe, after a pause, "I must go and fix things up for the inquest. Mr. Treherne, your att.i.tude is singularly interesting; I really almost wish I could add you to my collection of murderers. They are a varied and extraordinary set."

"Has it ever occurred to you," asked Paynter, "that perhaps the men who have never committed murder are a varied and very extraordinary set?

Perhaps every plain man's life holds the real mystery, the secret of sins avoided."

"Possibly," replied Ashe. "It would be a long business to stop the next man in the street and ask him what crimes he never committed and why not. And I happen to be busy, so you'll excuse me."

"What," asked the American, when he and the poet were alone, "is this guess of yours about the vanishing water?"

"Well, I'm not sure I'll tell you yet," answered Treherne, something of the old mischief coming back into his dark eyes. "But I'll tell you something else, which may be connected with it; something I couldn't tell until my wife had told you about our meeting in the wood." His face had grown grave again, and he resumed after a pause:

"When my wife started to follow her father I advised her to go back first to the house, to leave it by another door and to meet me in the wood in half an hour. We often made these a.s.signations, of course, and generally thought them great fun, but this time the question was serious, and I didn't want the wrong thing done in a hurry. It was a question whether anything could be done to undo an experiment we both vaguely felt to be dangerous, and she especially thought, after reflection, that interference would make things worse. She thought the old sportsman, having been dared to do something, would certainly not be dissuaded by the very man who had dared him or by a woman whom he regarded as a child. She left me at last in a sort of despair, but I lingered with a last hope of doing something, and drew doubtfully near to the heart of the wood; and there, instead of the silence I expected, I heard a voice. It seemed as if the Squire must be talking to himself, and I had the unpleasant fancy that he had already lost his reason in that wood of witchcraft. But I soon found that if he was talking he was talking with two voices. Other fancies attacked me, as that the other was the voice of the tree or the voices of the three trees talking together, and with no man near. But it was not the voice of the tree.

The next moment I knew the voice, for I had heard it twenty times across the table. It was the voice of that doctor of yours; I heard it as certainly as you hear my voice now."

After a moment's silence, he resumed: "I left the wood, I hardly knew why, and with wild and bewildered feelings; and as I came out into the faint moonshine I saw that old lawyer standing quietly, but staring at me like an owl. At least, the light touched his red hair with fire, but his square old face was in shadow. But I knew, if I could have read it, that it was the face of a hanging judge."

He threw himself on the bench again, smiled a little, and added: "Only, like a good many hanging judges, I fancy, he was waiting patiently to hang the wrong man."

"And the right man--" said Paynter mechanically. Treherne shrugged his shoulders, sprawling on the ale bench, and played with his empty pot.

IV. THE CHASE AFTER THE TRUTH

Some time after the inquest, which had ended in the inconclusive verdict which Mr. Andrew Ashe had himself predicted and achieved, Paynter was again sitting on the bench outside the village inn, having on the little table in front of it a tall gla.s.s of light ale, which he enjoyed much more as local color than as liquor. He had but one companion on the bench, and that a new one, for the little market place was empty at that hour, and he had lately, for the rest, been much alone. He was not unhappy, for he resembled his great countryman, Walt Whitman, in carrying a kind of universe with him like an open umbrella; but he was not only alone, but lonely. For Ashe had gone abruptly up to London, and since his return had been occupied obscurely with legal matters, doubtless bearing on the murder. And Treherne had long since taken up his position openly, at the great house, as the husband of the great lady, and he and she were occupied with sweeping reforms on the estate.

The lady especially, being of the sort whose very dreams "drive at practice," was landscape gardening as with the gestures of a giantess.

It was natural, therefore, that so sociable a spirit as Paynter should fall into speech with the one other stranger who happened to be staying at the inn, evidently a bird of pa.s.sage like himself. This man, who was smoking a pipe on the bench beside him, with his knapsack before him on the table, was an artist come to sketch on that romantic coast; a tall man in a velvet jacket, with a shock of tow-colored hair, a long fair beard, but eyes of dark brown, the effect of which contrast reminded Paynter vaguely, he hardly knew why, of a Russian. The stranger carried his knapsack into many picturesque corners; he obtained permission to set up his easel in that high garden where the late Squire had held his al fres...o...b..nquets. But Paynter had never had an opportunity of judging of the artist's work, nor did he find it easy to get the artist even to talk of his art. Cyprian himself was always ready to talk of any art, and he talked of it excellently, but with little response. He gave his own reasons for preferring the Cubists to the cult of Pica.s.so, but his new friend seemed to have but a faint interest in either. He insinuated that perhaps the Neo-Primitives were after all only thinning their line, while the true Primitives were rather tightening it; but the stranger seemed to receive the insinuation without any marked reaction of feeling. When Paynter had even gone back as far into the past as the Post-Impressionists to find a common ground, and not found it, other memories began to creep back into his mind. He was just reflecting, rather darkly, that after all the tale of the peac.o.c.k trees needed a mysterious stranger to round it off, and this man had much the air of being one, when the mysterious stranger himself said suddenly:

"Well, I think I'd better show you the work I'm doing down here."

He had his knapsack before him on the table, and he smiled rather grimly as he began to unstrap it. Paynter looked on with polite expressions of interest, but was considerably surprised when the artist unpacked and placed on the table, not any recognizable works of art, even of the most Cubist description, but (first) a quire of foolscap closely written with notes in black and red ink, and (second), to the American's extreme amazement, the old woodman's ax with the linen wrapper, which he had himself found in the well long ago.

"Sorry to give you a start, sir," said the Russian artist, with a marked London accent. "But I'd better explain straight off that I'm a policeman."

"You don't look it," said Paynter.

"I'm not supposed to," replied the other. "Mr. Ashe brought me down here from the Yard to investigate; but he told me to report to you when I'd got anything to go on. Would you like to go into the matter now?

"When I took this matter up," explained the detective, "I did it at Mr.