The Toys of Peace, and other papers Part 9

"In Russia," said Horace Bordenby, who was staying in the house as a Christmas guest, "I've read that the peasants believe that if you go into a cow-house or stable at midnight on Christmas Eve you will hear the animals talk. They're supposed to have the gift of speech at that one moment of the year."

"Oh, _do_ let's _all_ go down to the cow-house and listen to what they've got to say!" exclaimed Beryl, to whom anything was thrilling and amusing if you did it in a troop.

Mrs. Steffink made a laughing protest, but gave a virtual consent by saying, "We must all wrap up well, then." The idea seemed a scatterbrained one to her, and almost heathenish, but if afforded an opportunity for "throwing the young people together," and as such she welcomed it. Mr. Horace Bordenby was a young man with quite substantial prospects, and he had danced with Beryl at a local subscription ball a sufficient number of times to warrant the authorised inquiry on the part of the neighbours whether "there was anything in it." Though Mrs.

Steffink would not have put it in so many words, she shared the idea of the Russian peasantry that on this night the beast might speak.

The cow-house stood at the junction of the garden with a small paddock, an isolated survival, in a suburban neighbourhood; of what had once been a small farm. Luke Steffink was complacently proud of his cow-house and his two cows; he felt that they gave him a stamp of solidity which no number of Wyandottes or Orpingtons could impart. They even seemed to link him in a sort of inconsequent way with those patriarchs who derived importance from their floating capital of flocks and herbs, he-a.s.ses and she-a.s.ses. It had been an anxious and momentous occasion when he had had to decide definitely between "the Byre" and "the Ranch" for the naming of his villa residence. A December midnight was hardly the moment he would have chosen for showing his farm-building to visitors, but since it was a fine night, and the young people were anxious for an excuse for a mild frolic, Luke consented to chaperon the expedition. The servants had long since gone to bed, so the house was left in charge of Bertie, who scornfully declined to stir out on the pretext of listening to bovine conversation.

"We must go quietly," said Luke, as he headed the procession of giggling young folk, brought up in the rear by the shawled and hooded figure of Mrs. Steffink; "I've always laid stress on keeping this a quiet and orderly neighbourhood."

It was a few minutes to midnight when the party reached the cow-house and made its way in by the light of Luke's stable lantern. For a moment every one stood in silence, almost with a feeling of being in church.

"Daisy-the one lying down-is by a shorthorn bull out of a Guernsey cow,"

announced Luke in a hushed voice, which was in keeping with the foregoing impression.

"Is she?" said Bordenby, rather as if he had expected her to be by Rembrandt.

"Myrtle is-"

Myrtle's family history was cut short by a little scream from the women of the party.

The cow-house door had closed noiselessly behind them and the key had turned gratingly in the lock; then they heard Bertie's voice pleasantly wishing them good-night and his footsteps retreating along the garden path.

Luke Steffink strode to the window; it was a small square opening of the old-fashioned sort, with iron bars let into the stonework.

"Unlock the door this instant," he shouted, with as much air of menacing authority as a hen might a.s.sume when screaming through the bars of a coop at a marauding hawk. In reply to his summons the hall-door closed with a defiant bang.

A neighbouring clock struck the hour of midnight. If the cows had received the gift of human speech at that moment they would not have been able to make themselves heard. Seven or eight other voices were engaged in describing Bertie's present conduct and his general character at a high pressure of excitement and indignation.

In the course of half an hour or so everything that it was permissible to say about Bertie had been said some dozens of times, and other topics began to come to the front-the extreme mustiness of the cow-house, the possibility of it catching fire, and the probability of it being a Rowton House for the vagrant rats of the neighbourhood. And still no sign of deliverance came to the unwilling vigil-keepers.

Towards one o'clock the sound of rather boisterous and undisciplined carol-singing approached rapidly, and came to a sudden anchorage, apparently just outside the garden-gate. A motor-load of youthful "bloods," in a high state of conviviality, had made a temporary halt for repairs; the stoppage, however, did not extend to the vocal efforts of the party, and the watchers in the cow-shed were treated to a highly unauthorised rendering of "Good King Wenceslas," in which the adjective "good" appeared to be very carelessly applied.

The noise had the effect of bringing Bertie out into the garden, but he utterly ignored the pale, angry faces peering out at the cow-house window, and concentrated his attention on the revellers outside the gate.

"Wa.s.sail, you chaps!" he shouted.

"Wa.s.sail, old sport!" they shouted back; "we'd jolly well drink y'r health, only we've nothing to drink it in."

"Come and wa.s.sail inside," said Bertie hospitably; "I'm all alone, and there's heap's of 'wet'."

They were total strangers, but his touch of kindness made them instantly his kin. In another moment the unauthorised version of King Wenceslas, which, like many other scandals, grew worse on repet.i.tion, went echoing up the garden path; two of the revellers gave an impromptu performance on the way by executing the staircase waltz up the terraces of what Luke Steffink, hitherto with some justification, called his rock-garden. The rock part of it was still there when the waltz had been accorded its third encore. Luke, more than ever like a cooped hen behind the cow-house bars, was in a position to realise the feelings of concert-goers unable to countermand the call for an encore which they neither desire or deserve.

The hall door closed with a bang on Bertie's guests, and the sounds of merriment became faint and m.u.f.fled to the weary watchers at the other end of the garden. Presently two ominous pops, in quick succession, made themselves distinctly heard.

"They've got at the champagne!" exclaimed Mrs. Steffink.

"Perhaps it's the sparkling Moselle," said Luke hopefully.

Three or four more pops were heard.

"The champagne _and_ the sparkling Moselle," said Mrs. Steffink.

Luke uncorked an expletive which, like brandy in a temperance household, was only used on rare emergencies. Mr. Horace Bordenby had been making use of similar expressions under his breath for a considerable time past.

The experiment of "throwing the young people together" had been prolonged beyond a point when it was likely to produce any romantic result.

Some forty minutes later the hall door opened and disgorged a crowd that had thrown off any restraint of shyness that might have influenced its earlier actions. Its vocal efforts in the direction of carol singing were now supplemented by instrumental music; a Christmas-tree that had been prepared for the children of the gardener and other household retainers had yielded a rich spoil of tin trumpets, rattles, and drums.

The life-story of King Wenceslas had been dropped, Luke was thankful to notice, but it was intensely irritating for the chilled prisoners in the cow-house to be told that it was a hot time in the old town to-night, together with some accurate but entirely superfluous information as to the imminence of Christmas morning. Judging by the protests which began to be shouted from the upper windows of neighbouring houses the sentiments prevailing in the cow-house were heartily echoed in other quarters.

The revellers found their car, and, what was more remarkable, managed to drive off in it, with a parting fanfare of tin trumpets. The lively beat of a drum disclosed the fact that the master of the revels remained on the scene.

"Bertie!" came in an angry, imploring chorus of shouts and screams from the cow-house window.

"Hullo," cried the owner of the name, turning his rather errant steps in the direction of the summons; "are you people still there? Must have heard everything cows got to say by this time. If you haven't, no use waiting. After all, it's a Russian legend, and Russian Chrismush Eve not due for 'nother fortnight. Better come out."

After one or two ineffectual attempts he managed to pitch the key of the cow-house door in through the window. Then, lifting his voice in the strains of "I'm afraid to go home in the dark," with a l.u.s.ty drum accompaniment, he led the way back to the house. The hurried procession of the released that followed in his steps came in for a good deal of the adverse comment that his exuberant display had evoked.

It was the happiest Christmas Eve he had ever spent. To quote his own words, he had a rotten Christmas.

FOREWARNED

Alethia Debchance sat in a corner of an otherwise empty railway carriage, more or less at ease as regarded body, but in some trepidation as to mind. She had embarked on a social adventure of no little magnitude as compared with the accustomed seclusion and stagnation of her past life.

At the age of twenty-eight she could look back on nothing more eventful than the daily round of her existence in her aunt's house at Webblehinton, a hamlet four and a half miles distant from a country town and about a quarter of a century removed from modern times. Their neighbours had been elderly and few, not much given to social intercourse, but helpful or politely sympathetic in times of illness.

Newspapers of the ordinary kind were a rarity; those that Alethia saw regularly were devoted exclusively either to religion or to poultry, and the world of politics was to her an unheeded unexplored region. Her ideas on life in general had been acquired through the medium of popular respectable novel-writers, and modified or emphasised by such knowledge as her aunt, the vicar, and her aunt's housekeeper had put at her disposal. And now, in her twenty-ninth year, her aunt's death had left her, well provided for as regards income, but somewhat isolated in the matter of kith and kin and human companionship. She had some cousins who were on terms of friendly, though infrequent, correspondence with her, but as they lived permanently in Ceylon, a locality about which she knew little, beyond the a.s.surance contained in the missionary hymn that the human element there was vile, they were not of much immediate use to her.

Other cousins she also possessed, more distant as regards relationship, but not quite so geographically remote, seeing that they lived somewhere in the Midlands. She could hardly remember ever having met them, but once or twice in the course of the last three or four years they had expressed a polite wish that she should pay them a visit; they had probably not been unduly depressed by the fact that her aunt's failing health had prevented her from accepting their invitation. The note of condolence that had arrived on the occasion of her aunt's death had included a vague hope that Alethia would find time in the near future to spend a few days with her cousins, and after much deliberation and many hesitations she had written to propose herself as a guest for a definite date some weeks ahead. The family, she reflected with relief, was not a large one; the two daughters were married and away, there was only old Mrs. Bludward and her son Robert at home. Mrs. Bludward was something of an invalid, and Robert was a young man who had been at Oxford and was going into Parliament. Further than that Alethia's information did not go; her imagination, founded on her extensive knowledge of the people one met in novels, had to supply the gaps. The mother was not difficult to place; she would either be an ultra-amiable old lady, bearing her feeble health with uncomplaining fort.i.tude, and having a kind word for the gardener's boy and a sunny smile for the chance visitor, or else she would be cold and peevish, with eyes that pierced you like a gimlet, and an unreasoning idolatry of her son. Alethia's imagination rather inclined her to the latter view. Robert was more of a problem. There were three dominant types of manhood to be taken into consideration in working out his cla.s.sification; there was Hugo, who was strong, good, and beautiful, a rare type and not very often met with; there was Sir Jasper, who was utterly vile and absolutely unscrupulous, and there was Nevil, who was not really bad at heart, but had a weak mouth and usually required the life-work of two good women to keep him from ultimate disaster. It was probable, Alethia considered, that Robert came into the last category, in which case she was certain to enjoy the companionship of one or two excellent women, and might possibly catch glimpses of undesirable adventuresses or come face to face with reckless admiration-seeking married women. It was altogether an exciting prospect, this sudden venture into an unexplored world of unknown human beings, and Alethia rather wished that she could have taken the vicar with her; she was not, however, rich or important enough to travel with a chaplain, as the Marquis of Moystoncleugh always did in the novel she had just been reading, so she recognised that such a proceeding was out of the question.

The train which carried Alethia towards her destination was a local one, with the wayside station habit strongly developed. At most of the stations no one seemed to want to get into the train or to leave it, but at one there were several market folk on the platform, and two men, of the farmer or small cattle-dealer cla.s.s, entered Alethia's carriage.

Apparently they had just foregathered, after a day's business, and their conversation consisted of a rapid exchange of short friendly inquiries as to health, family, stock, and so forth, and some grumbling remarks on the weather. Suddenly, however, their talk took a dramatically interesting turn, and Alethia listened with wide-eyed attention.

"What do you think of Mister Robert Bludward, eh?"

There was a certain scornful ring in his question.

"Robert Bludward? An out-an'-out rotter, that's what he is. Ought to be ashamed to look any decent man in the face. Send him to Parliament to represent us-not much! He'd rob a poor man of his last shilling, he would."

"Ah, that he would. Tells a pack of lies to get our votes, that's all that he's after, d.a.m.n him. Did you see the way the _Argus_ showed him up this week? Properly exposed him, hip and thigh, I tell you."

And so on they ran, in their withering indictment. There could be no doubt that it was Alethia's cousin and prospective host to whom they were referring; the allusion to a Parliamentary candidature settled that.

What could Robert Bludward have done, what manner of man could he be, that people should speak of him with such obvious reprobation?

"He was hissed down at Shoalford yesterday," said one of the speakers.

Hissed! Had it come to that? There was something dramatically biblical in the idea of Robert Bludward's neighbours and acquaintances hissing him for very scorn. Lord Hereward Stranglath had been hissed, now Alethia came to think of it, in the eighth chapter of _Matterby Towers_, while in the act of opening a Wesleyan bazaar, because he was suspected (unjustly as it turned out afterwards) of having beaten the German governess to death. And in _Tainted Guineas_ Roper Squenderby had been deservedly hissed, on the steps of the Jockey Club, for having handed a rival owner a forged telegram, containing false news of his mother's death, just before the start for an important race, thereby ensuring the withdrawal of his rival's horse. In placid Saxon-blooded England people did not demonstrate their feelings lightly and without some strong compelling cause. What manner of evildoer was Robert Bludward?