The Titan Part 17

"Awe, how do you do, Meezter Cowperwood," he was beginning to say, his curly head shaking in a friendly manner, "I'm soa glad to see you again" when--but who can imitate a scream of terror? We have no words, no symbols even, for those essential sounds of fright and agony. They filled the hall, the library, the reception-room, the distant kitchen even, and bas.e.m.e.nt with a kind of vibrant terror.

Cowperwood, always the man of action as opposed to nervous cogitation, braced up on the instant like taut wire. What, for heaven's sake, could that be? What a terrible cry! Sohlberg the artist, responding like a chameleon to the various emotional complexions of life, began to breathe stertorously, to blanch, to lose control of himself.

"My G.o.d!" he exclaimed, throwing up his hands, "that's Rita! She's up-stairs in your wife's room! Something must have happened. Oh--" On the instant he was quite beside himself, terrified, shaking, almost useless. Cowperwood, on the contrary, without a moment's hesitation had thrown his coat to the floor, dashed up the stairs, followed by Sohlberg. What could it be? Where was Aileen? As he bounded upward a clear sense of something untoward came over him; it was sickening, terrifying. Scream! Scream! Scream! came the sounds. "Oh, my G.o.d!

don't kill me! Help! Help!" SCREAM--this last a long, terrified, ear-piercing wail.

Sohlberg was about to drop from heart failure, he was so frightened.

His face was an ashen gray. Cowperwood seized the door-k.n.o.b vigorously and, finding the door locked, shook, rattled, and banged at it.

"Aileen!" he called, sharply. "Aileen! What's the matter in there?

Open this door, Aileen!"

"Oh, my G.o.d! Oh, help! help! Oh, mercy--o-o-o-o-oh!" It was the moaning voice of Rita.

"I'll show you, you she-devil!" he heard Aileen calling. "I'll teach you, you beast! You cat, you prost.i.tute! There! there! there!"

"Aileen!" he called, hoa.r.s.ely. "Aileen!" Then, getting no response, and the screams continuing, he turned angrily.

"Stand back!" he exclaimed to Sohlberg, who was moaning helplessly.

"Get me a chair, get me a table--anything." The butler ran to obey, but before he could return Cowperwood had found an implement. "Here!" he said, seizing a long, thin, heavily carved and heavily wrought oak chair which stood at the head of the stairs on the landing. He whirled it vigorously over his head. Smash! The sound rose louder than the screams inside.

Smash! The chair creaked and almost broke, but the door did not give.

Smash! The chair broke and the door flew open. He had knocked the lock loose and had leaped in to where Aileen, kneeling over Rita on the floor, was choking and beating her into insensibility. Like an animal he was upon her.

"Aileen," he shouted, fiercely, in a hoa.r.s.e, ugly, guttural voice, "you fool! You idiot--let go! What the devil's the matter with you? What are you trying to do? Have you lost your mind?--you crazy idiot!"

He seized her strong hands and ripped them apart. He fairly dragged her back, half twisting and half throwing her over his knee, loosing her clutching hold. She was so insanely furious that she still struggled and cried, saying: "Let me at her! Let me at her! I'll teach her! Don't you try to hold me, you dog! I'll show you, too, you brute--oh--"

"Pick up that woman," called Cowperwood, firmly, to Sohlberg and the butler, who had entered. "Get her out of here quick! My wife has gone crazy. Get her out of here, I tell you! This woman doesn't know what she's doing. Take her out and get a doctor. What sort of a h.e.l.l's melee is this, anyway?"

"Oh," moaned Rita, who was torn and fainting, almost unconscious from sheer terror.

"I'll kill her!" screamed Aileen. "I'll murder her! I'll murder you too, you dog! Oh"--she began striking at him--"I'll teach you how to run around with other women, you dog, you brute!"

Cowperwood merely gripped her hands and shook her vigorously, forcefully.

"What the devil has got into you, anyway, you fool?" he said to her, bitterly, as they carried Rita out. "What are you trying to do, anyway--murder her? Do you want the police to come in here? Stop your screaming and behave yourself, or I'll shove a handkerchief in your mouth! Stop, I tell you! Stop! Do you hear me? This is enough, you fool!" He clapped his hand over her mouth, pressing it tight and forcing her back against him. He shook her brutally, angrily. He was very strong. "Now will you stop," he insisted, "or do you want me to choke you quiet? I will, if you don't. You're out of your mind. Stop, I tell you! So this is the way you carry on when things don't go to suit you?" She was sobbing, struggling, moaning, half screaming, quite beside herself.

"Oh, you crazy fool!" he said, swinging her round, and with an effort getting out a handkerchief, which he forced over her face and in her mouth. "There," he said, relievedly, "now will you shut up?" holding her tight in an iron grip, he let her struggle and turn, quite ready to put an end to her breathing if necessary.

Now that he had conquered her, he continued to hold her tightly, stooping beside her on one knee, listening and meditating. Hers was surely a terrible pa.s.sion. From some points of view he could not blame her. Great was her provocation, great her love. He knew her disposition well enough to have antic.i.p.ated something of this sort.

Yet the wretchedness, shame, scandal of the terrible affair upset his customary equilibrium. To think any one should give way to such a storm as this! To think that Aileen should do it! To think that Rita should have been so mistreated! It was not at all unlikely that she was seriously injured, marred for life--possibly even killed. The horror of that! The ensuing storm of public rage! A trial! His whole career gone up in one terrific explosion of woe, anger, death! Great G.o.d!

He called the butler to him by a nod of his head, when the latter, who had gone out with Rita, hurried back.

"How is she?" he asked, desperately. "Seriously hurt?"

"No, sir; I think not. I believe she's just fainted. She'll be all right in a little while, sir. Can I be of any service, sir?"

Ordinarily Cowperwood would have smiled at such a scene. Now he was cold, sober.

"Not now," he replied, with a sigh of relief, still holding Aileen firmly. "Go out and close the door. Call a doctor. Wait in the hall.

When he comes, call me."

Aileen, conscious of things being done for Rita, of sympathy being extended to her, tried to get up, to scream again; but she couldn't; her lord and master held her in an ugly hold. When the door was closed he said again: "Now, Aileen, will you hush? Will you let me get up and talk to you, or must we stay here all night? Do you want me to drop you forever after to-night? I understand all about this, but I am in control now, and I am going to stay so. You will come to your senses and be reasonable, or I will leave you to-morrow as sure as I am here."

His voice rang convincingly. "Now, shall we talk sensibly, or will you go on making a fool of yourself--disgracing me, disgracing the house, making yourself and myself the laughing-stock of the servants, the neighborhood, the city? This is a fine showing you've made to-day.

Good G.o.d! A fine showing, indeed! A brawl in this house, a fight! I thought you had better sense--more self-respect--really I did. You have seriously jeopardized my chances here in Chicago. You have seriously injured and possibly killed a woman. You could even be hanged for that. Do you hear me?"

"Oh, let them hang me," groaned Aileen. "I want to die."

He took away his hand from her mouth, loosened his grip upon her arms, and let her get to her feet. She was still torrential, impetuous, ready to upbraid him, but once standing she was confronted by him, cold, commanding, fixing her with a fishy eye. He wore a look now she had never seen on his face before--a hard, wintry, dynamic flare, which no one but his commercial enemies, and only those occasionally, had seen.

"Now stop!" he exclaimed. "Not one more word! Not one! Do you hear me?"

She wavered, quailed, gave way. All the fury of her tempestuous soul fell, as the sea falls under a lapse of wind. She had had it in heart, on her lips, to cry again, "You dog! you brute!" and a hundred other terrible, useless things, but somehow, under the pressure of his gaze, the hardness of his heart, the words on her lips died away. She looked at him uncertainly for a moment, then, turning, she threw herself on the bed near by, clutched her cheeks and mouth and eyes, and, rocking back and forth in an agony of woe, she began to sob:

"Oh, my G.o.d! my G.o.d! My heart! My life! I want to die! I want to die!"

Standing there watching her, there suddenly came to Cowperwood a keen sense of her soul hurt, her heart hurt, and he was moved.

"Aileen," he said, after a moment or two, coming over and touching her quite gently, "Aileen! Don't cry so. I haven't left you yet. Your life isn't utterly ruined. Don't cry. This is bad business, but perhaps it is not without remedy. Come now, pull yourself together, Aileen!"

For answer she merely rocked and moaned, uncontrolled and uncontrollable.

Being anxious about conditions elsewhere, he turned and stepped out into the hall. He must make some show for the benefit of the doctor and the servants; he must look after Rita, and offer some sort of pa.s.sing explanation to Sohlherg.

"Here," he called to a pa.s.sing servant, "shut that door and watch it.

If Mrs. Cowperwood comes out call me instantly."

Chapter XIX

"h.e.l.l Hath No Fury--"

Rita was not dead by any means--only seriously bruised, scratched, and choked. Her scalp was cut in one place. Aileen had repeatedly beaten her head on the floor, and this might have resulted seriously if Cowperwood had not entered as quickly as he had. Sohlberg for the moment--for some little time, in fact--was under the impression that Aileen had truly lost her mind, had suddenly gone crazy, and that those shameless charges he had heard her making were the emanations of a disordered brain. Nevertheless the things she had said haunted him.

He was in a bad state himself--almost a subject for the doctor. His lips were bluish, his cheeks blanched. Rita had been carried into an adjoining bedroom and laid upon a bed; cold water, ointments, a bottle of arnica had been procured; and when Cowperwood appeared she was conscious and somewhat better. But she was still very weak and smarting from her wounds, both mental and physical. When the doctor arrived he had been told that a lady, a guest, had fallen down-stairs; when Cowperwood came in the physician was dressing her wounds.

As soon as he had gone Cowperwood said to the maid in attendance, "Go get me some hot water." As the latter disappeared he bent over and kissed Rita's bruised lips, putting his finger to his own in warning sign.

"Rita," he asked, softly, "are you fully conscious?"

She nodded weakly.

"Listen, then," he said, bending over and speaking slowly. "Listen carefully. Pay strict attention to what I'm saying. You must understand every word, and do as I tell you. You are not seriously injured. You will be all right. This will blow over. I have sent for another doctor to call on you at your studio. Your husband has gone for some fresh clothes. He will come back in a little while. My carriage will take you home when you are a little stronger. You mustn't worry. Everything will be all right, but you must deny everything, do you hear? Everything! In so far as you know, Mrs.

Cowperwood is insane. I will talk to your husband to-morrow. I will send you a trained nurse. Meantime you must be careful of what you say and how you say it. Be perfectly calm. Don't worry. You are perfectly safe here, and you will be there. Mrs. Cowperwood will not trouble you any more. I will see to that. I am so sorry; but I love you. I am near you all the while. You must not let this make any difference.