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"You don't act as if you cared whether I went or not."
"I care, of course. But don't expect me to cry. I am not the crying kind." The little room was full of sunlight. She was very pink and white and self-possessed. She smiled straight up into his face. "What good would it do me to cry?"
After she had left him he was restless. She had been for so long a part of his life, a very necessary and pleasant part of it. She never touched his depths or rose to his heights. She seemed to beckon, yet not to care when he came.
He spoke of her that night to Emily. "Hilda was here to-day and she reminded me that people might think that my daughter is marrying Derry Drake for his money."
"She would look at it like that."
"When Hilda talks to me"--he was rumpling his hair--"I have a feeling that all the people in the world are unlovely--"
"There are plenty of unlovely people," said Emily, "but why should we worry with what they think?"
She was knitting, and he found himself watching her hands. "You have pretty hands," he told her, unexpectedly.
She held them out in front of her. "When I was a little girl my mother told me that I had three points of beauty--my hands, my feet, and the family nose," she smiled whimsically, "and she a.s.sured me that I would therefore never be common-place. 'Any woman may be beautiful,' was her theory, 'but only a woman with good blood in her veins can have hands and feet and a nose like yours--.' I was dreadfully handicapped in the beginning of my life by my mother's point of view. I am afraid that even now if the dear lady looks down from Heaven and sees me working in my Toy Shop she will feel the family disgraced by this one member who is in trade. It was only in the later years that I found myself, that I realized how I might reach out towards things which were broader and bigger than the old ideals of aristocratic birth and inherited possessions."
He thought of Hilda. "Yet it gave you something, Emily," he said, slowly, "that not every woman has: good-breeding, and the ability to look above the sordid. You are like Jean--all your world is rose-colored."
She was thoughtful. "Not quite like Jean. I heard a dear old bishop ask the other day why we should see only the ash cans and garbage cans in our back yards when there was blue sky above? I know there are ash cans and garbage cans, but I make myself look at the sky. Jean doesn't know that the cans are there."
"The realists will tell you that you should keep your eyes on the cans."
"I don't believe it," said Miss Emily, stoutly; "more people are made good by the contemplation of the fine and beautiful than by the knowledge of evil. Eve knew that punishment would follow the eating of the apple. But she ate it. If I had a son I should tell him of the strength of men, not of their weaknesses."
He nodded. "I see. And yet there is this about Hilda. She does not deceive herself;--perhaps you do--and Jean."
"Perhaps it is Hilda who is deceived. All the people in the world are not unlovely--all of them are not mercenary and deceitful and selfish."
Her cheeks were flushed.
"n.o.body knows that better than a doctor, Emily. I am conscious that Hilda draws out the worst in me--yet there is something about her that makes me want to find things out, to explore life with her--"
He was smiling into the fire. Miss Emily girded herself and gave him a shock. "The trouble with you is that you want the admiration of every woman who comes your way. Most of your patients worship you--Jean puts you on a pedestal--even I tell you that you have a soul. But Hilda withholds the admiration you demand, and you want to conquer her--to see her succ.u.mb with the rest of us."
"The rest of you! Emily, you have never succ.u.mbed."
"Oh, yes, I have. I seem to be saying, 'He may have a few weaknesses, but back of it all he is big and fine.' But Hilda's att.i.tude indicates, 'He is not fine at all.' And you hate that and want to show her."
He chuckled. "By Jove, I do, Emily. Perhaps it is just as well that I am getting away from her."
"I wouldn't admit it if I were you. I'd rather see you face a thing than run away."
"If Eve had run away from the snake in the apple tree, she would not have lost her Eden--poor Eve."
"Poor Adam--to follow her lead. He should have said, 'No, my dear, apples are not permitted by the Food Administrator; we must practice self-denial.'"
"I think I'd rather have him sinning than such a prig."
"It depends on the point of view."
He enjoyed immensely crossing swords with Emily. There was never any aftermath of unpleasantness. She soothed him even while she criticised.
They spoke presently of Jean and Derry.
"They want to get married."
"Well, why not?"
"She's too young, Emily. Too ignorant of what life means--and he may go to France any day. He is getting restless--and he may see things differently--that his duty to his country transcends any personal claim--and then what of Jean?--a little wife--alone."
"She could stay with me."
"But marriage, _marriage_, Emily--why in Heaven's name should they be in such a hurry?"
"Why should they wait, and miss the wonder of it all, as I have missed it--all the color and glow, the wine of life? Even if he should go to France, and die, she will bear his beloved name--she will have the right to weep."
He had never seen her like this--the red was deep in her cheeks, her voice was shaken, her bosom rose and fell with her agitation.
"Emily, my dear girl--"
"Let them marry, Bruce, can't you see? Can't you see. It is their day--there may be no tomorrow."
"But there are practical things, Emily. If she should have a child?"
"Why not? It will be his--to love. Only a woman with empty arms knows what that means, Bruce."
And this was Emily, this rose-red, wet-eyed creature was Emily, whom he had deemed unemotional, cold, self-contained!
"Men forget, Bruce. You wouldn't listen to reason when you wooed Jean's mother. You were a demanding, imperative lover--you wanted your own way, and you had it."
"But I had known Jean's mother all my life."
"Time has nothing to do with it."
"My dear girl--"
"It hasn't."
She was illogical, and he liked it. "If I let them marry, what then?"
"They will love you for it."
"They ought to love you instead."
"I shall be out of it. They will be married, and you will be in France, and I shall sell--toys--"
She tried to laugh, but it was a poor excuse. He glanced at her quickly. "Shall you miss me, Emily?"
Her hands went out in a little gesture of despair. "There you go, taking my tears to yourself."