The Three Devils: Luther's, Milton's, and Goethe's Part 7

"I am as free as Nature first made man, Ere the base laws of servitude began, When wild in woods the n.o.ble savage ran."

Dryden's natural powers, as all his critics have remarked, lay not so much in the imaginative as in the didactic, the declamatory, and the ratiocinative. What Johnson claims for him, and what seems to have been claimed for him in his own lifetime, was the credit of being one of the best reasoners in verse that ever wrote. Lord Macaulay means very much the same thing when he calls Dryden a great "critical poet," and the founder of the "critical school of English poetry." Probably Milton meant something of the kind when he said that Dryden was a rhymer, but no poet.

It was in declamatory and didactic rhyme, with all that could consist with it, that Dryden excelled. It was in the metrical utterance of weighty sentences, in the metrical conduct of an argument, in vehement satirical invective, and in such pa.s.sages of lyric pa.s.sion as depended for their effect on rolling grandeur of sound, that he was pre-eminently great. Even his imagination worked more powerfully, and his perceptions of physical circ.u.mstance became keener and truer, under the influence of polemical rage, the pursuit of terse maxim, or the pa.s.sion for sonorous declamation.

Thus--

"And every shekel which he can receive Shall cost a limb of his prerogative."

Or, in his character of Shaftesbury,--

"Of these the false Achitophel was first: A name to all succeeding ages curst; For close designs and crooked counsels fit; Sagacious, bold, and turbulent of wit; Restless, unfixed in principles and place; In power unpleased, impatient of disgrace; A fiery soul, which, working out its way, Fretted the pigmy body to decay, And o'er-informed the tenement of clay.

A daring pilot in extremity, Pleased with the danger when the waves went high, He sought the storms; but, for a calm unfit, Would steer too nigh the sands, to boast his wit.

Great wits are sure to madness near allied, And thin part.i.tions do their bounds divide."

Or, in the lines which he sent to Tonson the publisher as a specimen of what he could do in the way of portrait-painting if Tonson did not send him supplies--

"With leering looks, bull-faced, and freckled fair, With two left legs, and Judas-coloured hair, And frowzy pores that taint the ambient air."

And, again, in almost every pa.s.sage in the n.o.ble ode on Alexander's Feast, _e.g._--

"With ravished ears The monarch hears; a.s.sumes the G.o.d, Affects to nod, And seems to shake the spheres."

In satire, in critical disquisition, in aphoristic verse, or in lyrical grandiloquence, Dryden was in his natural element; and one reason why, of all the matter of his voluminous works, so small a portion is of permanent literary value, is that, in his attempts after literary variety, he could not or would not restrict himself within these proper limits of his genius.

But, besides this, Dryden was a slovenly worker within his own field. Even of what he could do best he did little continuously in a thoroughly careful manner. In his best poem there are not twenty consecutive lines without some logical incoherence, some confusion of metaphor, some inaccuracy of language, or some evident strain of the meaning for the sake of the metre. His strength lies in pa.s.sages and weighty interspersed lines, not in whole poems. Even in Dryden's lifetime this complaint was made. It was hinted at in _The Rehearsal_; Rochester speaks of Dryden's "slattern muse;" and Blackmore, who criticised Dryden in his old age, expresses the common opinion distinctly and deliberately--

"Into the melting-pot when Dryden comes, What horrid stench will rise, what noisome fumes!

How will he shrink, when all his lewd allay And wicked mixture shall be purged away!

When once his boasted heaps are melted down, A chest-full scarce will yield one sterling crown; But what remains will be so pure, 'twill bear The examination of the moot severe."

This is true, though it was Blackmore who said it. Dryden's slovenliness, however, consisted not so much in a disposition to spare pains as in a const.i.tutional robustness which rendered artistic perfection all but impossible to him even when he laboured hardest to attain it. One's notion of Dryden is that he was originally a _robust_ man, who, when he first engaged in poetry, could produce nothing better than strong stanzas of rather wooden sound and mechanism, but who, by perseverance and continual work, drilled his genius into higher susceptibility and a conscious apt.i.tude and mastery in certain directions, so that, the older he grew, he became mellower, more musical, and more imaginative, what had been robustness at first having by long practice been subdued into flexibility and nerve. It is stated of Dryden that, in his earlier life at least, he used, as a preparation for writing, to induce on himself an artificial state of languor by taking medicine or letting blood. The trait is characteristic. Dryden's whole literary career was a metaphor of it. Had he died before 1670, or even before 1681, when his _Annus Mirabilis_ was still his most ambitious production, he would have been remembered as little more than a robust versifier; but, living as he did till 1701, he performed work which has ent.i.tled him to rank among English poets. As a contributor to the actual body of our literature, and as a man who produced by his influence a lasting effect on its literary methods, Dryden's place is certainly high.

DEAN SWIFT.

DEAN SWIFT.[7]

In dividing the history of English literature into periods it is customary to take the interval between the year 1688 and the year 1727 as const.i.tuting one of those periods. This interval includes the reigns of William III., Anne, and George I. If we do not bind ourselves too precisely to the year 1727 as closing the period, the division is proper enough. There _are_ characteristics about the time thus marked out which distinguish it from previous and from subsequent portions of our literary history. Dryden, Locke, and some other notabilities of the Restoration, lived into this period, and may be regarded as partly belonging to it; but the names more peculiarly representing it are those of Swift, Burnet, Addison, Steele, Pope, Shaftesbury, Gay, Arbuthnot, Atterbury, Prior, Parnell, Bolingbroke, Congreve, Vanbrugh, Farquhar, Rowe, Defoe, and Cibber. The names in this cl.u.s.ter disperse themselves over the three reigns which the period includes, some of them having already been known as early as the accession of William, while others survived the first George and continued to add to their celebrity during the reign of his successor; but the most brilliant portion of the period was from 1702 to 1714, when Queen Anne was on the throne. Hence the name of "Wits of Queen Anne's reign," commonly applied to the writers of the whole period.

A while ago this used to be spoken of as the Golden or Augustan age of English literature. We do not talk in that manner now. We feel that when we get among the authors of the times of Queen Anne and the first George we are among very pleasant and very clever men, but by no means among giants. In coming down to this period from those going before it, we have an immediate sensation of having left the region of "greatness" behind us.

We still find plenty of good writing, characterized by certain qualities of trimness, artificial grace, and the like, to a degree not before attained; here and there also, we discern something like real power and strength, breaking through the prevailing element; but, on the whole, there is an absence of what, except by a compromise of language, could be called "great." It is the same whether we regard largeness of imaginative faculty, loftiness of moral spirit, or vigour of speculative capacity, as princ.i.p.ally concerned in imparting the character of "greatness" to literature. What of genius in the ideal survived the seventeenth century in England contented itself with nice little imaginations of scenes and circ.u.mstances connected with the artificial life of the time; the moral quality most in repute was kindliness or courtesy; and speculation did not go beyond that point where thought retains the form either of ordinary good sense, or of keen momentary wit. No sooner, in fact, do we pa.s.s the time of Milton than we feel that we have done with the sublimities. A kind of lumbering largeness does remain in the intellectual gait of Dryden and his contemporaries, as if the age still wore the armour of the old literary forms, though not at home in it; but in Pope's days even the affectation of the "great" had ceased. Not slowly to build up a grand poem of continuous ideal action, not quietly and at leisure to weave forth tissues of fantastic imagery, not perseveringly and laboriously to prosecute one track of speculation and bring it to a close, not earnestly and courageously to throw one's whole soul into a work of moral agitation and reform, was now what was regarded as natural in literature. On the contrary, he was a wit, or a literary man, who, living in the midst of the social bustle, or on the skirts of it, could throw forth in the easiest manner little essays, squibs, and _jeux d'esprit_, pertinent to the rapid occasions of the hour, and never tasking the mind too long or too much.

This was the time when that great distinction between Whiggism and Toryism which for a century-and-a-half has existed in Great Britain as a kind of permanent social condition, affecting the intellectual activity of all natives from the moment of their birth, first began to be practically operative. It has, on the whole, been a wretched thing for the mind of England to have had this necessity of being either a Whig or a Tory put so prominently before it. Perhaps, in all times, some similar necessity of taking one side or the other in some current form of controversy has afflicted the leading minds, and tormented the more genial among them; but we question if ever in this country in previous times there was a form of controversy, so little to be identified, in real reason, with the one only true controversy between good and evil, and so capable, therefore, of breeding confusion and mischief, when so identified in practice, as this poor controversy of Whig and Tory which came in with the Revolution. To be called upon to be either a Puritan or a Cavalier--there was some possibility of complying with _that_ call and still leading a tolerably free and large intellectual life; though possibly it was one, cause of the rich mental development of the Elizabethan era that the men of that time were exempt from any personal obligation of attending even to this distinction. But to be called upon to be either a Whig or a Tory--why, how on earth can one retain any of the larger humanities about him if society is to hold him by the neck between two chairs such as these, pointing alternately to the one and to the other, and incessantly asking him on which of the two he means to sit? Into a mind trained to regard adhesiveness to one or other of these chairs as the first rule of duty or of prudence what thoughts of any high interest can find their way? Or, if any such do find their way, how are they to be adjusted to so mean a rule?

Now-a-days, our higher spirits solve the difficulty by kicking both chairs down, and plainly telling society that they will not bind themselves to sit on either, or even on both put together. Hence partly it is that, in recent times, we have had renewed specimens of the "great" or "sublime" in literature--the poetry, for example, of a Byron, a Wordsworth, or a Tennyson. But in the interval between 1688 and 1727 there was not one wit alive whom society let off from the necessity of being, and declaring himself to be, either a Whig or a Tory. Const.i.tutionally, and by circ.u.mstances, Pope was the man who could have most easily obtained the exemption; but even Pope professed himself a Tory. Addison and Steele were Whigs. In short, every literary man was bound, by the strongest of all motives, to keep in view, as a permanent fact qualifying his literary undertakings, the distinction between Whiggism and Toryism, and to give to at least a considerable part of his writings the character of pamphlets or essays in the service of his party. To minister by the pen to the occasions of Whiggism and Toryism was, therefore, the main business of the wits both in prose and verse. Out of those occasions of ministration there of course arose personal quarrels, and these furnished fresh opportunities to the men of letters. Critics of previous writings could be satirized and lampooned, and thus the circle of subjects was widened. Moreover, there was abundant matter, capable of being treated consistently with either Whiggism or Toryism, in the social foibles and peculiarities of the day, as we see in the _Tatler_ and the _Spectator_. Nor could a genial mind like that of Steele, a man of taste and fine thought like Addison, and an intellect so keen, exquisite, and sensitive as that of Pope, fail to variegate and surround all the duller and harder literature thus called into being with more lasting touches of the humorous, the fanciful, the sweet, the impa.s.sioned, the meditative, and the ideal. Thus from one was obtained the character of a _Sir Roger de Coverley_, from another a _Vision of Mirza_, and from the third a _Windsor Forest_, an _Epistle of Hlose_, and much else that delights us still. After all, however, it remains true that the period of English literature now in question, whatever admirable characteristics it may possess, exhibits a remarkable deficiency of what, with recollections of former periods to guide us in our use of epithets, we should call great or sublime.

With the single exception of Pope, and that exception made from deference to the peculiar position of Pope as the poet or metrical artist of his day, the greatest name in the history of English literature during the early part of last century is that of Swift. In certain fine and deep qualities, Addison and Steele, and perhaps Farquhar, excelled him, just as in the succeeding generation Goldsmith had a finer vein of genius than was to be found in Johnson with all his ma.s.siveness; but in natural brawn and strength, in original energy, force, and imperiousness of brain, he excelled them all. It was about the year 1702, when he was already thirty-five years of age, that this strangest specimen of an Irishman, or of an Englishman born in Ireland, first attracted attention in London literary circles. The scene of his first appearance was b.u.t.ton's coffee-house: the witnesses were Addison, Ambrose Philips, and other wits belonging to Addison's little senate, who used to a.s.semble there.

"They had for several successive days observed a strange clergyman come into the coffee-house, who seemed utterly unacquainted with any of those who frequented it, and whose custom it was to lay his hat down on a table, and walk backward and forward at a good pace for half an hour or an hour, without speaking to any mortal, or seeming in the least to attend to anything that was going forward there. He then used to take up his hat, pay his money at the bar, and walk away without opening his lips. After having observed this singular behaviour for some time, they concluded him to be out of his senses; and the name that he went by among them was that of 'the mad parson.'

This made them more than usually attentive to his motions; and one evening, as Mr. Addison and the rest were observing him, they saw him cast his eyes several times on a gentleman in boots, who seemed to be just come out of the country, and at last advance towards him as intending to address him. They were all eager to hear what this dumb mad parson had to say, and immediately quitted their seats to get near him. Swift went up to the country gentleman, and in a very abrupt manner, without any previous salute, asked him, 'Pray, sir, do you remember any good weather in the world?' The country gentleman, after staring a little at the singularity of his manner, and the oddity of the question, answered 'Yes, sir, I thank G.o.d I remember a great deal of good weather in my time.' 'That is more,' said Swift, 'than I can say; I never remember any weather that was not too hot or too cold, too wet or too dry; but, however G.o.d Almighty contrives it, at the end of the year 'tis all very well.' Upon saying this, he took up his hat, and without uttering a syllable more, or taking the least notice of anyone, walked out of the coffee-house; leaving all those who had been spectators of this odd scene staring after him, and still more confirmed in the opinion of his being mad."--_Dr.

Sheridan's Life of Swift, quoted in Scott's Life._

If the company present had had sufficient means of information, they would have found that the mad parson with the harsh, swarthy features, and eyes "azure as the heavens," whose oddities thus amused them, was Jonathan Swift, then clergyman of Laracor, a rural parish in the diocese of Meath in Ireland. They would have found that he was an Irishman by birth, though of pure English descent; that he could trace a relationship to Dryden; that, having been born after his father's death, he had been educated, at the expense of his relatives, at Trinity College, Dublin; that, leaving Ireland in his twenty-second year, with but a sorry character from the College authorities, he had been received as a humble dependent into the family of Sir William Temple, at Sheen and Moorpark, near London, that courtly Whig and ex-amba.s.sador being distantly connected with his mother's family; that here, while acting as Sir William's secretary, amanuensis, librarian, and what not, he had begun to write verses and other trifles, some of which he had shown to Dryden, who had told him in reply that they were sad stuff, and that he would never be a poet; that still, being of a restless, ambitious temper, he had not given up hopes of obtaining introduction into public employment in England through Sir William Temple's influence; that, at length, at the age of twenty-eight, despairing of anything better, he had quarrelled with Sir William, returned to Ireland, taken priest's orders, and settled in a living; and that again, disgusted with Ireland and his prospects in that country, he had come back to Moorpark, and resided there till 1699, when Sir William's death had obliged him finally to return to Ireland, and accept first a chaplaincy to Lord Justice Berkeley, and then his present living in the diocese of Meath. If curious about the personal habits of this restless Irish parson, they might have found that he had already won the reputation of an eccentric in his own parish and district: performing his parochial duties when at home with scrupulous care, yet by his language and manners often shocking all ideas of clerical decorum and begetting a doubt as to his sincerity in the religion he professed; boisterous, fierce, overbearing, and insulting to all about him, yet often doing acts of real kindness; exact and economical in his management of his income to the verge of actual parsimony, yet sometimes spending money freely, and never without pensioners living on his bounty. They would have found that he was habitually irritable, and that he was subject to a recurring giddiness of the head, or vertigo, which he had brought on, as he thought himself, by a surfeit of fruit while he was staying with Sir William Temple at Sheen. And, what might have been the best bit of gossip of all, they would have found that, though unmarried, and entertaining a most unaccountable and violent aversion to the very idea of marriage, he had taken over to reside with him, or close to his neighbourhood, in Ireland, a certain young and beautiful girl, named Hester Johnson, with whom he had formed an acquaintance in Sir William Temple's house, where she had been brought up, and where, though she pa.s.sed as a daughter of Sir William's steward, she was believed to be, in reality, a natural daughter of Sir William himself. They would have found that his relations to this girl, whom he had himself educated from her childhood at Sheen and Moorpark, were of a very singular and puzzling kind; that on the one hand she was devotedly attached to him, and on the other he cherished a pa.s.sionate affection for her, wrote and spoke of her as his "Stella," and liked always to have her near him; yet that a marriage between them seemed not to be thought of by either; and that, in order to have her near him without giving rise to scandal, he had taken the precaution to bring over an elderly maiden lady, called Mrs. Dingley, to reside with her as a companion, and was most careful to be in her society only when this Mrs.

Dingley was present.

There was mystery and romance enough, therefore, about the wild, black-browed Irish parson, who attracted the regards of the wits in b.u.t.ton's coffee-house. What had brought him there? That was partly a mystery too; but the mystery would have been pretty well solved if it had been known that, uncouth-looking clerical lout as he was, he was an author like the rest of them, having just written a political pamphlet which was making or was to make a good deal of noise in the world, and having at that moment in his pocket at least one other piece which he was about to publish. The political pamphlet was an _Essay on the Civil Discords in Athens and Rome_, having an obvious bearing on certain dissensions then threatening to break up the Whig party in Great Britain. It was received as a vigorous piece of writing on the ministerial side, and was ascribed by some to Lord Somers, and by others to Burnet. Swift had come over to claim it, and to see what it and his former connexion with Temple could do for him among the leading Whigs. For the truth was, an ambition equal to his consciousness of power gnawed at the heart of this furious and gifted man, whom a perverse fate had flung away into an obscure vicarage on the wrong side of the channel. His books, his garden, his ca.n.a.l with its willows at Laracor; his dearly-beloved Roger c.o.xe, and the other perplexed and admiring parishioners of Laracor over whom he domineered; his clerical colleagues in the neighbourhood; and even the society of Stella, the wittiest and best of her s.e.x, whom he loved better than any other creature on earth: all these were insufficient to occupy the craving void in his mind. He hated Ireland, and regarded his lot there as one of banishment; he longed to be in London, and struggling in the centre of whatever was going on. About the date of his appointment to the living of Laracor he had lost the rich deanery of Derry, which Lord Berkeley had meant to give him, in consequence of a notion on the part of the bishop of the diocese that he was a restless, ingenious young man, who, instead of residing, would be "eternally flying backwards and forwards to London." The bishop's perception of his character was just. At or about the very time when the wits at b.u.t.ton's saw him stalking up and down in the coffee-house, the priest of Laracor was introducing himself to Somers, Halifax, Sunderland, and others, and stating the terms on which he would support the Whigs with his pen. Even then, it seems, he took high ground, and let it be known that he was no mere hireling. The following, written at a much later period, is his own explanation of the nature and limits of his Whiggism at the time when he first offered the Whigs his services:--

"It was then (1701-2) I began to trouble myself with the differences between the principles of Whig and Tory; having formerly employed myself in other, and, I think, much better speculations. I talked often upon this subject with Lord Somers; told him that, having been long conversant with the Greek and Latin authors, and therefore a lover of liberty, I found myself much inclined to be what they call a Whig in politics; and that, besides, I thought it impossible, upon any other principles, to defend or submit to the Revolution; but, as to religion, I confessed myself to be a High-Churchman, and that I could not conceive how anyone who wore the habit of a clergyman could be otherwise; that I had observed very well with what insolence and haughtiness some lords of the High-Church party treated not only their own chaplains, but all other clergymen whatsoever, and thought this was sufficiently recompensed by their professions of zeal to the Church: that I had likewise observed how the Whig lords took a direct contrary measure, treated the persons of particular clergymen with particular courtesy, but showed much contempt and ill-will for the order in general: that I knew it was necessary for their party to make their bottom as wide as they could, by taking all denominations of Protestants to be members of their body: that I would not enter into the mutual reproaches made by the violent men on either side; but that the connivance or encouragement given by the Whigs to those writers of pamphlets who reflected upon the whole body of the clergy, without any exception, would unite the Church to one man to oppose them; and that I doubted his lordship's friends did not consider the consequences of this."

Even with these limitations the a.s.sistance of so energetic a man as the parson of Laracor was doubtless welcome to the Whigs. His former connexion with the stately old Revolution Whig, Sir William Temple, may have prepared the way for him, as it had already been the means of making him known in some aristocratic families. But there was evidence in his personal bearing and his writings that he was not a man to be neglected.

And, if there had been any doubt on the subject on his first presentation of himself to ministers, the publication of his _Battle of the Books_ and his _Tale of a Tub_ in 1703 and 1704 would have set it overwhelmingly at rest. The author of these works (and, though they were anonymous, they were at once referred to Swift) could not but be acknowledged as the first prose satirist, and one of the most formidable writers, of the age. On his subsequent visits to b.u.t.ton's, therefore (and they were frequent enough; for, as the Bishop of Derry had foreseen, he was often an absentee from his parish), the mad Irish parson was no longer a stranger to the company.

Addison, Steele, Tickell, Philips, and the other Whig wits came to know him well, and to feel his weight among them in their daily convivial meetings. "To Dr. Jonathan Swift, the most agreeable companion, the truest friend, and the greatest genius of the age" was the inscription written by Addison on a copy of his Travels presented to Swift; and it shows what opinion Addison and those about him had formed of the author of the _Tale of a Tub_.

Thus, pa.s.sing and repa.s.sing between Laracor and London, now lording it over his Irish parishioners, and now filling the literary and Whig haunts of the great metropolis with the terror of his merciless wit and with talk behind his back of his eccentricities and rude manners, Swift spent the interval between 1702 and 1710, or between his thirty-sixth and his forty-fourth year. His position as a High-Church Whig, however, was an anomalous one. In the first place, it was difficult to see how such a man could honestly be in the Church at all. People were by no means strict in those days in their notions of the clerical character; but the _Tale of a Tub_ was a strong dose even then to have come from a clergyman. If Voltaire afterwards recommended the book as a masterly satire against religion in general, it cannot be wondered at that an outcry arose among Swift's contemporaries respecting the profanity of the book. It is true, Peter and Jack, as the representatives of Popery and Presbyterianism, came in for the greatest share of the author's scurrility; and Martin, as the representative of the Church of England, was left with the honours of the story; but the whole structure and spirit of the story, to say nothing of the oaths and other irreverences mingled with its language, were well calculated to shock the more serious even of Martin's followers, who could not but see that rank infidelity alone would be a gainer by the book.

Accordingly, despite all that Swift could afterwards do, the fact that he had written this book left a public doubt as to his Christianity. It is quite possible, however, that, with a very questionable kind of belief in Christianity, he may have been a conscientious High-Churchman, zealous for the social defence and aggrandis.e.m.e.nt of the ecclesiastical inst.i.tution with which he was connected. Whatever that inst.i.tution was originally based upon, it existed as part and parcel of the commonwealth of England, rooted in men's habits and interests, and intertwined with the whole system of social order; and, just as a Brahmin, lax enough in his own speculative allegiance to the Brahminical faith, might still desire to maintain Brahminism as a vast pervading establishment in Hindostan, so might Swift, with a heart and a head dubious enough respecting men's eternal interest in the facts of the Judan record, see a use notwithstanding in that fabric of bishoprics, deaneries, prebends, parochial livings, and curacies, which ancient belief in those facts had first created and put together. This kind of respect for the Church Establishment is still very prevalent. It is a most excellent thing, it is thought by many, to have a cleanly, cultured, gentlemanly man invested with authority in every parish throughout the land, who can look after what is going on, fill up schedules, give advice, and take the lead in all parish business. That Swift's faith in the Church included no more than this perception of its uses as a vast administrative and educational establishment we will not say. Mr. Thackeray, indeed, openly avows his opinion that Swift had no belief in the Christian religion. "Swift's," he says, "was a reverent, was a pious spirit--he could love and could pray;"

but such religion as he had, Mr. Thackeray hints, was a kind of mad, despairing Deism, and had nothing of Christianity in it. Hence, "having put that ca.s.sock on, it poisoned him; he was strangled in his bands." The question thus broached as to the nature of Swift's religion is too deep to be discussed here. Though we would not exactly say, with Mr. Thackeray, that Swift's was a "reverent" and "pious" spirit, there are, as he phrases it, breakings out of "the stars of religion and love" shining in the serene blue through "the driving clouds and the maddened hurricane of Swift's life;" and this, though vague, is about all that we have warrant for saying. As to the zeal of his Churchmanship, however, there is no doubt at all. There was not a man in the British realms more pugnacious in the interests of his order, more resolute in defending the prerogatives of the Church of England against Dissenters and others desirous of limiting them, or more anxious to elevate the social position and intellectual character of the clergy, than the author of the _Tale of a Tub_. No veteran commander of a regiment could have had more of the military than the parson of Laracor had of the ecclesiastical _esprit de corps_; and, indeed, Swift's known dislike to the military may be best explained as the natural jealousy of the surplice at the larger consideration accorded by society to the scarlet coat. Almost all Swift's writings between 1702 and 1710 are a.s.sertions of his High-Church sentiments and vindications of the Establishment against its a.s.sailants. Thus in 1708 came forth his _Letter on the Sacramental Test_, a hot High-Church and anti-Dissenter pamphlet; and this was followed in the same year by his _Sentiments of a Church of England man with respect to Religion and Government_, and by his ironical argument, aimed at free-thinkers and lat.i.tudinarians, ent.i.tled _Reasons against Abolishing Christianity_. In 1709 he published a graver pamphlet, under the name of _A Project for the Advancement of Religion_, in which he urged certain measures for the reform of public morals and the strengthening of the Establishment, recommending in particular a scheme of Church-extension. Thus, with all his readiness to help the Whigs politically, Swift was certainly faithful to his High-Church principles.

But, as we have said, a High-Church Whig was an anomaly which the Whigs refused to comprehend. Lat.i.tudinarians, Low Churchmen, and Dissenters, did not know what to make of a Whiggism in state-politics which was conjoined with the strongest form of ecclesiastical Toryism. Hence, in spite of his ability, Swift was not a man that the Whigs could patronise and prefer.

They were willing to have the benefit of his a.s.sistance, but their favours were reserved for men more wholly their own. Various things were, indeed, talked of for Swift--the secretaryship to the proposed emba.s.sy of Lord Berkeley in Vienna, a prebend of Westminster, the office of historiographer-royal; nay, even a bishopric in the American colonies: but all came to nothing. Swift, at the age of forty-three, and certified by Addison as "the greatest genius of the age," was still only an Irish parson, with some 350_l._ or 400_l._ a year. How strange if the plan of the Transatlantic bishopric had been carried out, and Swift had settled in Virginia!

Meanwhile, though neglected by the English Whigs, Swift had risen to be a leader among the Irish clergy, a great man in their convocations and other ecclesiastical a.s.semblies. The object which the Irish clergy then had at heart was to procure from the Government an extension to Ireland of a boon granted several years before to the clergy of England: namely, the remission of the tax levied by the Crown on the revenues of the Church since the days of Henry VIII. in the shape of tenths and first-fruits.

This remission, which would have amounted to about 16,000_l._ a year, the Whigs were not disposed to grant, the corresponding remission in the case of England not having been followed by the expected benefits. Archbishop King and the other prelates were glad to have Swift as their agent in this business; and, accordingly, he was absent from Ireland for upwards of twelve months continuously in the years 1708 and 1709. It was during this period that he set London in a roar by his famous Bickerstaff hoax, in which he first predicted the death of Partridge, the astrologer, at a particular day and hour, and then nearly drove the wretched tradesman mad by declaring, when the time was come, that the prophecy had been fulfilled, and publishing a detailed account of the circ.u.mstances. Out of this Bickerstaff hoax, and Swift's talk over it with Addison and Steele, arose the _Tatler_, prolific parent of so many other periodicals.

The year 1710 was an important one in the life of Swift. In that year he came over to London, resolved in his own mind to have a settlement of accounts with the Whigs, or to break with them for ever. The Irish ecclesiastical business of the tenths and first-fruits was still his pretext, but he had many other arrears to introduce into the account.

Accordingly, after some civil skirmishing with Somers, Halifax, and his other old friends, then just turned out of office, he openly transferred his allegiance to the new Tory administration of Harley and Bolingbroke.

The 4th of October, not quite a month after his arrival in London, was the date of his first interview with Harley; and from that day forward till the dissolution of Harley's administration by the death of Queen Anne, in 1714, Swift's relations with Harley, St. John, and the other ministers, were more those of an intimate friend and adviser than a literary dependent. How he dined almost daily with Harley or St. John; how he bullied them, and made them beg his pardon when by chance they offended him--either, as Harley once did, by offering him a fifty-pound note, or, as St. John once did, by appearing cold and abstracted when Swift was his guest at dinner; how he obtained from them not only the settlement of the Irish business, but almost everything else he asked; how he used his influence to prevent Steele, Addison, Congreve, Rowe, and his other Whig literary friends, from suffering loss of office by the change in the state of politics, at the same time growing cooler in his private intercourse with Addison and poor d.i.c.k, and tending more to young Tory writers, such as Pope and Parnell; how, with Pope, Gay, Arbuthnot, Harley, and St. John, he formed the famous club of the _Scriblerus_ brotherhood, for the satire of literary absurdities; how he wrote squibs, pamphlets, and lampoons innumerable for the Tories and against the Whigs, and at one time actually edited a Tory paper called the _Examiner_: all this is to be gathered, in most interesting detail, from his epistolary journal to Stella, in which he punctually kept her informed of all his doings during his long three years of absence. The following is a description of him at the height of his Court influence during this season of triumph, from the Whiggish, and therefore somewhat adverse, pen of Bishop Kennet:--

"When I came to the antechamber [at Court] to wait before prayers, Dr. Swift was the princ.i.p.al man of talk and business, and acted as master of requests. He was soliciting the Earl of Arran to speak to his brother, the Duke of Ormond, to get a chaplain's place established in the garrison of Hull for Mr. Fiddes, a clergyman in that neighbourhood, who had lately been in jail, and published sermons to pay the fees. He was promising Mr. Thorold to undertake with my lord-treasurer that, according to his pet.i.tion, he should obtain a salary of 200_l._ per annum as minister of the English church at Rotterdam. He stopped F. Gwynne, Esq., going in with the red bag to the Queen, and told him aloud he had something to say to him from my lord-treasurer. He talked with the son of Dr. Davenant, to be sent abroad, and took out his pocket-book, and wrote down several things as _memoranda_ to do for him. He turned to the fire, and took out his gold watch, and, telling him the time of day, complained it was very late. A gentleman said he was too fast. 'How can I help it,' says the Doctor, 'if the courtiers give me a watch that won't go right?' Then he instructed a young n.o.bleman that the best poet in England was Mr. Pope (a Papist), who had begun a translation of Homer into English verse, for which he must have them all subscribe; 'for,' says he, 'the author shall not begin to print till I have a thousand guineas for him.' Lord-treasurer, after leaving the Queen, came through the room, beckoning Dr. Swift to follow him: both went off just before prayers."

Let us see, by a few pickings from the journal to Stella, in what manner the black-browed Irish vicar, who was thus figuring in the mornings at Court as the friend and confidant of Ministers, and almost as their domineering colleague, was writing home from his lodging in the evenings to the "dear girls" at Laracor.

_Dec. 3, 1710._ "Pshaw, I must be writing to those dear saucy brats every night whether I will or no, let me have what business I will, or come home ever so late, or be ever so sleepy; but it is an old saying and a true one, 'Be you lords or be you earls, you must write to naughty girls.' I was to-day at Court, and saw Raymond [an Irish friend] among the beefeaters, staying to see the Queen; so I put him in a better station, made two or three dozen bows, and went to church, and then to Court again to pick up a dinner, as I did with Sir John Stanley: and then we went to visit Lord Mountjoy, and just left him; and 'tis near eleven at night, young women, and methinks this letter comes very near to the bottom," &c. &c.

_Jan. 1, 1711._ Morning. "I wish my dearest pretty Dingley and Stella a happy new year, and health, and mirth, and good stomachs, and _Fr's_ company. Faith, I did not know how to write _Fr_. I wondered what was the matter; but now I remember I always write _Pdfr_ [by this combination of letters, or by the word _Presto_, Swift designates himself in the Journal] * * Get the _Examiners_, and read them; the last nine or ten are full of reasons for the late change and of the abuses of the last ministry; and the great men a.s.sure me that all are true. They were written by their encouragement and direction. I must rise, and go see Sir Andrew Fountain; but perhaps to-morrow I may answer _M.D.'s_ [Stella's designation in the Journal]

letter: so good morrow, my mistresses all, good morrow. I wish you both a merry new year; roast beef, minced pies, and good strong beer; and me a share of your good cheer; that I was there or you were here; and you're a little saucy dear," &c. &c.

_Jan. 13, 1711._ "O faith, I had an ugly giddy fit last night in my chamber, and I have got a new box of pills to take, and I hope shall have no more this good while. I would not tell you before, because it would vex you, little rogues; but now it is better. I dined to-day with Lord Shelburn," &c. &c.

_Jan. 16, 1711._ "My service to Mrs. Stode and Walls. Has she a boy or a girl? A girl, hmm!, and died in a week, hmmm!, and was poor Stella forced to stand for G.o.dmother?--Let me know how accounts stand, that you may have your money betimes. There's four months for my lodging; that must be thought on too. And zoo go dine with Manley, and lose your money, doo extravagant s.l.u.ttikin? But don't fret. It will just be three weeks when I have the next letter: that is, to-morrow. Farewell, dearest beloved _M.D._, and love poor, poor Presto, who has not had one happy day since he left you, as hope to be saved."

_March 7, 1711._ "I am weary of business and ministers. I don't go to a coffee-house twice a month. I am very regular in going to sleep before eleven. And so you say that Stella's a pretty girl; and so she be; and methinks I see her just now, as handsome as the day's long.

Do you know what? When I am writing in our language [a kind of baby-language of endearment used between him and Stella, and called 'the little language'] I make up my mouth just as if I was speaking it. I caught myself at it just now. * * Poor Stella, won't Dingley leave her a little daylight to write to Presto? Well, well, we'll have daylight shortly, spite of her teeth; and zoo must cly Zele, and Hele, and Hele aden. Must loo mimitate _Pdfr_, pay? Iss, and so la shall. And so leles fol ee rettle. Dood Mollow. [You must cry There and Here and Here again. Must you imitate _Pdfr_, pray? Yes, and so you shall. And so there's for the letter. Good morrow.]"

And so on, through a series of daily letters, forming now a goodly octavo volume or more, Swift chats and rattles away to the "dear absent girls,"

giving them all the political gossip of the time, and informing them about his own goings-out and comings-in, his dinings with Harley, St. John, and occasionally with Addison and other old Whig friends, the state of his health, his troubles with his drunken servant Patrick, his lodging-expenses, and a host of other things. Such another journal has, perhaps, never been given to the world; and but for it we should never have known what depths of tenderness and power of affectionate prattle there were in the heart of this harsh and savage man.