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The Three Cities Trilogy: Paris Part 15

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"Well, well," repeated Madame Theodore, "you can't kill the child."

"No, of course not; but it's the end of everything," answered Hortense, sinking into the armchair again. "What will become of us, _mon Dieu_!

What will become of us!" Then she collapsed in her unb.u.t.toned dressing gown, tears once more gushing from her red and swollen eyes.

Much vexed that circ.u.mstances should be so unpropitious, Madame Theodore nevertheless ventured to ask for the loan of twenty sons; and this brought her sister's despair and confusion to a climax. "I really haven't a centime in the house," said she, "just now I borrowed ten sous for the children from the servant. I had to get ten francs from the Mont de Piete on a little ring the other day. And it's always the same at the end of the month. However, Chretiennot will be paid to-day, and he's coming back early with the money for dinner. So if I can I will send you something to-morrow."

At this same moment the servant hastened in with a distracted air, being well aware that monsieur was in no wise partial to madame's relatives.

"Oh madame, madame!" said she; "here's monsieur coming up the stairs."

"Quick then, quick, go away!" cried Hortense, "I should only have another scene if he met you here. To-morrow, if I can, I promise you."

To avoid Chretiennot who was coming in, Madame Theodore had to hide herself in the kitchen. As he pa.s.sed, she just caught sight of him, well dressed as usual in a tight-fitting frock-coat. Short and lean, with a thin face and long and carefully tended beard, he had the bearing of one who is both vain and quarrelsome. Fourteen years of office life had withered him, and now the long evening hours which he spent at a neighbouring cafe were finishing him off.

When Madame Theodore had quitted the house she turned with dragging steps towards the Rue Marcadet where the Toussaints resided. Here, again, she had no great expectations, for she well knew what ill-luck and worry had fallen upon her brother's home. During the previous autumn Toussaint, though he was but fifty, had experienced an attack of paralysis which had laid him up for nearly five months. Prior to this mishap he had borne himself bravely, working steadily, abstaining from drink, and bringing up his three children in true fatherly fashion. One of them, a girl, was now married to a carpenter, with whom she had gone to Le Havre, while of the others, both boys--one a soldier, had been killed in Tonquin, and the other Charles, after serving his time in the army, had become a working mechanician. Still, Toussaint's long illness had exhausted the little money which he had in the Savings Bank, and now that he had been set on his legs again, he had to begin life once more without a copper before him.

Madame Theodore found her sister-in-law alone in the cleanly kept room which she and her husband occupied. Madame Toussaint was a portly woman, whose corpulence increased in spite of everything, whether it were worry or fasting. She had a round puffy face with bright little eyes; and was a very worthy woman, whose only faults were an inclination for gossiping and a fondness for good cheer. Before Madame Theodore even opened her mouth she understood the object of her visit. "You've come on us at a bad moment, my dear," she said, "we're stumped. Toussaint wasn't able to go back to the works till the day before yesterday, and he'll have to ask for an advance this evening."

As she spoke, she looked at the other with no great sympathy, hurt as she felt by her slovenly appearance. "And Salvat," she added, "is he still doing nothing?"

Madame Theodore doubtless foresaw the question, for she quietly lied: "He isn't in Paris, a friend has taken him off for some work over Belgium way, and I'm waiting for him to send us something."

Madame Toussaint still remained distrustful, however: "Ah!" she said, "it's just as well that he shouldn't be in Paris; for with all these bomb affairs we couldn't help thinking of him, and saying that he was quite mad enough to mix himself up in them."

The other did not even blink. If she knew anything she kept it to herself.

"But you, my dear, can't you find any work?" continued Madame Toussaint.

"Well, what would you have me do with my poor eyes? It's no longer possible for me to sew."

"That's true. A seamstress gets done for. When Toussaint was laid up here I myself wanted to go back to my old calling as a needlewoman. But there!

I spoilt everything and did no good. Charring's about the only thing that one can always do. Why don't you get some jobs of that kind?"

"I'm trying, but I can't find any."

Little by little Madame Toussaint was softening at sight of the other's miserable appearance. She made her sit down, and told her that she would give her something if Toussaint should come home with money. Then, yielding to her partiality for gossiping, since there was somebody to listen to her, she started telling stories. The one affair, however, on which she invariably harped was the sorry business of her son Charles and the servant girl at a wine shop over the way. Before going into the army Charles had been a most hard-working and affectionate son, invariably bringing his pay home to his mother. And certainly he still worked and showed himself good-natured; but military service, while sharpening his wits, had taken away some of his liking for ordinary manual toil. It wasn't that he regretted army life, for he spoke of his barracks as a prison. Only his tools had seemed to him rather heavy when, on quitting the service, he had been obliged to take them in hand once more.

"And so, my dear," continued Madame Toussaint, "it's all very well for Charles to be kind-hearted, he can do no more for us. I knew that he wasn't in a hurry to get married, as it costs money to keep a wife. And he was always very prudent, too, with girls. But what would you have?

There was that moment of folly with that Eugenie over the road, a regular baggage who's already gone off with another man, and left her baby behind. Charles has put it out to nurse, and pays for it every month. And a lot of expense it is too, perfect ruination. Yes, indeed, every possible misfortune has fallen on us."

In this wise Madame Toussaint rattled on for a full half hour. Then seeing that waiting and anxiety had made her sister-in-law turn quite pale, she suddenly stopped short. "You're losing patience, eh?" she exclaimed. "The fact is, that Toussaint won't be back for some time.

Shall we go to the works together? I'll easily find out if he's likely to bring any money home."

They then decided to go down, but at the bottom of the stairs they lingered for another quarter of an hour chatting with a neighbour who had lately lost a child. And just as they were at last leaving the house they heard a call: "Mamma! mamma!"

It came from little Celine, whose face was beaming with delight. She was wearing a pair of new shoes and devouring a cake. "Mamma," she resumed, "Monsieur l'Abbe who came the other day wants to see you. Just look! he bought me all this!"

On seeing the shoes and the cake, Madame Theodore understood matters. And when Pierre, who was behind the child, accosted her she began to tremble and stammer thanks. Madame Toussaint on her side had quickly drawn near, not indeed to ask for anything herself, but because she was well pleased at such a G.o.d-send for her sister-in-law, whose circ.u.mstances were worse than her own. And when she saw the priest slip ten francs into Madame Theodore's hand she explained to him that she herself would willingly have lent something had she been able. Then she promptly started on the stories of Toussaint's attack and her son Charles's ill-luck.

But Celine broke in: "I say, mamma, the factory where papa used to work is here in this street, isn't it? Monsieur l'Abbe has some business there."*

* Although the children of the French peasantry almost invariably address their parents as "father" and "mother,"

those of the working cla.s.ses of Paris, and some other large cities, usually employ the terms "papa" and "mamma."--Trans.

"The Grandidier factory," resumed Madame Toussaint; "well, we were just going there, and we can show Monsieur l'Abbe the way."

It was only a hundred steps off. Escorted by the two women and the child, Pierre slackened his steps and tried to extract some information about Salvat from Madame Theodore. But she at once became very prudent. She had not seen him again, she declared; he must have gone with a mate to Belgium, where there was a prospect of some work. From what she said, it appeared to the priest that Salvat had not dared to return to the Rue des Saules since his crime, in which all had collapsed, both his past life of toil and hope, and his recent existence with its duties towards the woman and the child.

"There's the factory, Monsieur l'Abbe," suddenly said Madame Toussaint, "my sister-in-law won't have to wait now, since you've been kind enough to help her. Thank you for her and for us."

Madame Theodore and Celine likewise poured forth their thanks, standing beside Madame Toussaint in the everlasting mud of that populous district, amidst the jostling of the pa.s.sers-by. And lingering there as if to see Pierre enter, they again chatted together and repeated that, after all, some priests were very kind.

The Grandidier works covered an extensive plot of ground. Facing the street there was only a brick building with narrow windows and a great archway, through which one espied a long courtyard. But, in the rear, came a suite of habitations, workshops, and sheds, above whose never ending roofs arose the two lofty chimneys of the generators. From the very threshold one detected the rumbling and quivering of machinery, all the noise and bustle of work. Black water flowed by at one's feet, and up above white vapour spurted from a slender pipe with a regular strident puff, as if it were the very breath of that huge, toiling hive.

Bicycles were now the princ.i.p.al output of the works. When Grandidier had taken them on leaving the Dijon Arts and Trades School, they were declining under bad management, slowly building some little motive engines by the aid of antiquated machinery. Foreseeing the future, however, he had induced his elder brother, one of the managers of the Bon Marche, to finance him, on the promise that he would supply that great emporium with excellent bicycles at 150 francs apiece. And now quite a big venture was in progress, for the Bon Marche was already bringing out the new popular machine "La Lisette," the "Bicycle for the Mult.i.tude," as the advertis.e.m.e.nts a.s.serted. Nevertheless, Grandidier was still in all the throes of a great struggle, for his new machinery had cast a heavy burden of debt on him. At the same time each month brought its effort, the perfecting or simplifying of some part of the manufacture, which meant a saving in the future. He was ever on the watch; and even now was thinking of reverting to the construction of little motors, for he thought he could divine in the near future the triumph of the motor-car.

On asking if M. Thomas Froment were there, Pierre was led by an old workman to a little shed, where he found the young fellow in the linen jacket of a mechanician, his hands black with filings. He was adjusting some piece of mechanism, and n.o.body would have suspected him to be a former pupil of the Lycee Condorcet, one of the three clever Froments who had there rendered the name famous. But his only desire had been to act as his father's faithful servant, the arm that forges, the embodiment of the manual toil by which conceptions are realised. And, a giant of three and twenty, ever attentive and courageous, he was likewise a man of patient, silent and sober nature.

On catching sight of Pierre he quivered with anxiety and sprang forward.

"Father is no worse?" he asked.

"No, no. But he read in the papers that story of a bradawl found in the Rue G.o.dot-de-Mauroy, and it made him anxious, because the police may make a perquisition here."

Thomas, his own anxiety allayed, began to smile. "Tell him he may sleep quietly," he responded. "To begin with, I've unfortunately not yet hit on our little motor such as I want it to be. In fact, I haven't yet put it together. I'm keeping the pieces at our house, and n.o.body here knows exactly what I come to do at the factory. So the police may search, it will find nothing. Our secret runs no risk."

Pierre promised to repeat these words to Guillaume, so as to dissipate his fears. However, when he tried to sound Thomas, and ascertain the position of affairs, what the factory people thought of the discovery of the bradawl, and whether there was as yet any suspicion of Salvat, he once more found the young man taciturn, and elicited merely a "yes" or a "no" in answer to his inquiries. The police had not been there as yet?

No. But the men must surely have mentioned Salvat? Yes, of course, on account of his Anarchist opinions. But what had Grandidier, the master, said, on returning from the investigating magistrate's? As for that Thomas knew nothing. He had not seen Grandidier that day.

"But here he comes!" the young man added. "Ah! poor fellow, his wife, I fancy, had another attack this morning."

He alluded to a frightful story which Guillaume had already recounted to Pierre. Grandidier, falling in love with a very beautiful girl, had married her; but for five years now she had been insane: the result of puerperal fever and the death of an infant son. Her husband, with his ardent affection for her, had been unwilling to place her in an asylum, and had accordingly kept her with him in a little pavilion, whose windows, overlooking the courtyard of the factory, always remained closed. She was never seen; and never did he speak of her to anybody. It was said that she was usually like a child, very gentle and very sad, and still beautiful, with regal golden hair. At times, however, attacks of frantic madness came upon her, and he then had to struggle with her, and often hold her for hours in his arms to prevent her from splitting her head against the walls. Fearful shrieks would ring out for a time, and then deathlike silence would fall once more.

Grandidier came into the shed where Thomas was working. A handsome man of forty, with an energetic face, he had a dark and heavy moustache, brush-like hair and clear eyes. He was very partial to Thomas, and during the young fellow's apprenticeship there, had treated him like a son. And he now let him return thither whenever it pleased him, and placed his appliances at his disposal. He knew that he was trying to devise a new motor, a question in which he himself was extremely interested; still he evinced the greatest discretion, never questioning Thomas, but awaiting the result of his endeavours.

"This is my uncle, Abbe Froment, who looked in to wish me good day," said the young man, introducing Pierre.

An exchange of polite remarks ensued. Then Grandidier sought to cast off the sadness which made people think him stern and harsh, and in a bantering tone exclaimed: "I didn't tell you, Thomas, of my business with the investigating magistrate. If I hadn't enjoyed a good reputation we should have had all the spies of the Prefecture here. The magistrate wanted me to explain the presence of that bradawl in the Rue G.o.dot-de-Mauroy, and I at once realised that, in his opinion, the culprit must have worked here. For my part I immediately thought of Salvat. But I don't denounce people. The magistrate has my hiring-book, and as for Salvat I simply answered that he worked here for nearly three months last autumn, and then disappeared. They can look for him themselves! Ah! that magistrate! you can picture him a little fellow with fair hair and cat-like eyes, very careful of his appearance, a society man evidently, but quite frisky at being mixed up in this affair."

"Isn't he Monsieur Amadieu?" asked Pierre.

"Yes, that's his name. Ah! he's certainly delighted with the present which those Anarchists have made him, with that crime of theirs."

The priest listened in deep anxiety. As his brother had feared, the true scent, the first conducting wire, had now been found. And he looked at Thomas to see if he also were disturbed. But the young man was either ignorant of the ties which linked Salvat to his father, or else he possessed great power of self-control, for he merely smiled at Grandidier's sketch of the magistrate.

Then, as Grandidier went to look at the piece of mechanism which Thomas was finishing, and they began to speak about it, Pierre drew near to an open doorway which communicated with a long workshop where engine lathes were rumbling, and the beams of press-drills falling quickly and rhythmically. Leather gearing spun along with a continuous gliding, and there was ceaseless bustle and activity amidst the odoriferous dampness of all the steam. Scores of perspiring workmen, grimy with dust and filings, were still toiling. Still this was the final effort of the day.

And as three men approached a water-tap near Pierre to wash their hands, he listened to their talk, and became particularly interested in it when he heard one of them, a tall, ginger-haired fellow, call another Toussaint, and the third Charles.

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The Three Cities Trilogy: Paris Part 15 summary

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