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"This afternoon," she said, "there was a man here from the police."
"Didn't he ask you anything about Rosewater?"
"He asked me if I knew him or had ever known him, and I thought I was telling the truth when I said no."
"Maybe you did," I said, "and for the first time I now believe you were telling the truth when you said you found some sort of evidence against Wynant."
She opened her eyes wider. "I don't understand."
"Neither do I, but it could be like this: you could've found something and decided to hold it out, probably with the idea of selling it to Wynant; then when his letters started people looking you over, you decided to give up the money idea and both pay him back and protect yourself by turning it over to the police; and, finally, when you learn that Jorgensen is Rosewater, you make another about-face and hold it out, not for money this time, but to leave Jorgensen in as bad a spot as possible as punishment for having married you as a trick in his game against Wynant and not for love."
She smiled calmly and asked: "You really think me capable of anything, don't you?"
"That doesn't matter," I said. "What ought to matter to you is that you'll probably wind up your life in prison somewhere."
Her scream was not loud, but it was horrible, and the fear that had been in her face before was as nothing to that there now. She caught my lapels and clung to them, babbling: "Don't say that, please don't. Say you don't think it." She was trembling so I put an arm around her to keep her from falling.
We did not hear Gilbert until he coughed and asked: "Aren't you well, Mamma?"
She slowly took her hands down from my lapels and moved back a step and said: "Your mother's a silly woman." She was still trembling, but she smiled at me and she made her voice playful: "You're a brute to frighten me like that."
I said I was sorry. Gilbert put his coat and hat on a chair and looked from one to the other of us with polite interest. When it became obvious that neither of us was going to tell him anything he coughed again, said, "I'm awfully glad to see you," and came over to shake hands with me. I said I was glad to see him.
Mimi said: "Your eyes look tired. I bet you've been reading all afternoon without your gla.s.ses again." She shook her head and told me: "He's as unreasonable as his father."
"Is there any news of Father?" he asked.
"Not since that false alarm about his suicide," I said. "I suppose you heard it was a false alarm."
"Yes." He hesitated. "I'd like to see you for a few minutes before you go."
"Sure."
"But you're seeing him now, darling," Mimi said. "Are there secrets between you that I'm not supposed to know about?" Her tone was light enough. She had stopped trembling.
"It would bore you." He picked up his hat and coat, nodded at me, and left the room.
Mimi shook her head again and said: "I don't understand that child at all. I wonder what he made of our tableau." She did not seem especially worried. Then, more seriously: "What made you say that, Nick?"
"About you winding up in-?"
"No, never mind." She shuddered. "I don't want to hear it. Can't you stay for dinner? I'll probably be all alone."
"I'm sorry I can't. Now how about this evidence you found?"
"I didn't really find anything. That was a lie." She frowned earnestly. "Don't look at me like that. It really was a lie."
"So you sent for me just to lie to me?" I asked. "Then why'd you change your mind?"
She chuckled. "You must really like me, Nick, or you wouldn't always be so disagreeable."
I could not follow that line of reasoning. I said: "Well, I'll see what Gilbert wants and run along."
"I wish you could stay."
"I'm sorry I can't," I said again. "Where'll I find him?"
"The second door to the- Will they really arrest Chris?"
"That depends," I told her, "on what kind of answers he gives them. He'll have to talk pretty straight to stay out."
"Oh, he'll-" she broke off, looked sharply at me, asked, "You're not playing a trick on me? He's really that Rosewater?"
"The police are sure enough of it."
"But the man who was here this afternoon didn't ask a single question about Chris," she objected. "He only asked me if I knew-"
"They weren't sure then," I explained. "It was just a half-idea."
"But they're sure now?" I nodded.
"How'd they find out?"
"From a girl he knows," I said.
"Who?" Her eyes darkened a little, but her voice was under control.
"I can't remember her name." Then I went back to the truth: "The one that gave him his alibi for the afternoon of the murder."
"Alibi?" she asked indignantly. "Do you mean to tell me the police would take the word of a girl like that?"
"Like what?"
"You know what I mean."
"I don't. Do you know the girl?"
"No," she said as if I had insulted her. She narrowed her eyes and lowered her voice until it was not much more than a whisper: "Nick, do you suppose he killed Julia?"
"What would he do that for?"
"Suppose he married me to get revenge on Clyde," she said, "and- You know he did urge me to come over here and try to get some money from Clyde. Maybe I suggested it-I don't know-but he did urge me. And then suppose he happened to run into Julia. She knew him, of course, because they worked for Clyde at the same time. And he knew I was going over to see her that afternoon and was afraid if I made her mad she might expose him to me and so- Couldn't that be?"
"That doesn't make any sense at all. Besides, you and he left here together that afternoon. He wouldn't've had time to-"
"But my taxicab was awfully slow," she said, "and then I may have stopped somewhere on-I think I did. I think I stopped at a drug store to get some aspirin." She nodded energetically. "I remember I did."
"And he knew you were going to stop, because you had told him," I suggested. "You can't go on like this, Mimi. Murder's serious. It's nothing to frame people for just because they played tricks on you."
"Tricks?" she asked, glaring at me. "Why, that..." She called Jorgensen all the usual profane, obscene, and otherwise insulting names, her voice gradually rising until towards the end she was screaming into my face.
When she stopped for breath I said: "That's pretty cursing, but it-"
"He even had the nerve to hint that I might've killed her," she told me. "He didn't have nerve enough to ask me, but he kept leading up to it until I told him positively that-well, that I didn't do it."
"That's not what you started to say. You told him positively what?"
She stamped her foot. "Stop heckling me."
"All right and to h.e.l.l with you," I said. "Coming here wasn't my idea." I started towards my hat and coat.
She ran after me, caught my arm. "Please, Nick, I'm sorry. It's this rotten temper of mine. I don't know what I-"
Gilbert came in and said: "I'll go along part of the way with you."
Mimi scowled at him. "You were listening."
"How could I help it, the way you screamed?" he asked. "Can I have some money?"
"And we haven't finished talking," she said.
I looked at my watch. "I've got to run, Mimi. It's late."
"Will you come back after you get through with your date?"
"If it's not too late. Don't wait for me."
"I'll be here," she said. "It doesn't matter how late it is." I said I would try to make it. She gave Gilbert his money. He and I went downstairs.
19.
"I was listening," Gilbert told me as we left the building. "I think it's silly not to listen whenever you get a chance if you're interested in studying people, because they're never exactly the same as when you're with them. People don't like it when they know about it, of course, but"-he smiled-"I don't suppose birds and animals like having naturalists spying on them either."
"Hear much of it?" I asked.
"Oh, enough to know I didn't miss any of the important part." "And what'd you think of it?"
He pursed his lips, wrinkled his forehead, said judicially: "It's hard to say exactly. Mamma's good at hiding things sometimes, but she's never much good at making them up. It's a funny thing-I suppose you've noticed it-the people who lie the most are nearly always the clumsiest at it, and they're easier to fool with lies than most people, too. You'd think they'd be on the look-out for lies, but they seem to be the very ones that will believe almost anything at all. I suppose you've noticed that, haven't you?"
"Yes."
He said: "What I wanted to tell you: Chris didn't come home last night. That's why Mamma's more upset than usual, and when I got the mail this morning there was a letter for him that I thought might have something in it, so I steamed it open." He took a letter from his pocket and held it out to me. "You'd better read it and then I'll seal it again and put it with tomorrow's mail in case he comes back, though I don't think he will."
"Why don't you?" I asked as I took the letter.
"Well, he's really Rosewater"
"You say anything to him about it?"
"I didn't have a chance. I haven't seen him since you told me."
I looked at the letter in my hand. The envelope was postmarked Boston, Ma.s.sachusetts, December 27, 1932, and addressed in a slightly childish feminine hand to Mr. Christian Jorgensen, Courtland Apts., New York, N. Y. "How'd you happen to open it?" I asked, taking the letter out of the envelope.
"I don't believe in intuition," he said, "but there are probably odors, sounds, maybe something about the handwriting, that you can't a.n.a.lyze, maybe aren't even conscious of, that influence you sometimes. I don't know what it was: I just felt there might be something important in it."
"You often feel that way about the family's mail?"
He glanced quickly at me as if to see whether I was spoofing, then said: "Not often, but I have opened their mail before. I told you I was interested in studying people."
I read the letter: Dear Vic-Olga wrote me about you being back in the U.S. married to another woman and using the name of Christian Jorgensen. That is not right Vic as you very well know the same as leaving me without word of any kind all these years. And no money. I know that you had to go away on account of that trouble you had with Mr. Wynant but am sure he has long since forgot all about that and I do think you might have written to me as you know very well I have always been your friend and am willing to do anything within my power for you at any time. I do not want to scold you Vic but I have to see you. I will be off from the store Sunday and Monday on account of New Years and will come down to N. Y. Sat.u.r.day night and must have a talk with you. Write me where you will meet me and what time as I do not want to make any trouble for you. Be sure and write me right away so I will get it in time.Your true wife, Georgia There was a street address. I said, "Well, well, well," and put the letter back in its envelope. "And you resisted the temptation to tell your mother about this?"
"Oh, I know what her reaction would be. You saw how she carried on with just what you told her. What do you think I ought to do about it?"
"You ought to let me tell the police."
He nodded immediately. "If you think that's the best thing. You can show it to them if you want."
I said, "Thanks," and put the letter in my pocket.
He said: "Now there's another thing: I had some morphine I was experimenting with and somebody stole it, about twenty grains."
"Experimenting how?"
"Taking it. I wanted to study the effects."
"And how'd you like them?" I asked.
"Oh, I didn't expect to like it. I just wanted to know about it. I don't like things that dull my mind. That's why I don't very often drink, or even smoke. I want to try cocaine, though, because that's supposed to sharpen the brain, isn't it?"
"It's supposed to. Who do you think copped the stuff?"
"I suspect Dorothy, because I have a theory about her. That's why I'm going over to Aunt Alice's for dinner: Dorry's still there and I want to find out. I can make her tell me anything."
"Well, if she's been over there," I asked, "how could she-"
"She was home for a little while last night," he said, "and, besides, I don't know exactly when it was taken. Today was the first time I opened the box it was in for three or four days."
"Did she know you had it?"
"Yes. That's one of the reasons I suspect her. I don't think anybody else did. I experimented on her too."
"How'd she like it?"