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The Ten Books on Architecture Part 25

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5. A regular flow of water through the orifice raises an inverted bowl, called by mechanicians the "cork" or "drum." To this are attached a rack and a revolving drum, both fitted with teeth at regular intervals. These teeth, acting upon one another, induce a measured revolution and movement. Other racks and other drums, similarly toothed and subject to the same motion, give rise by their revolution to various kinds of motions, by which figures are moved, cones revolve, pebbles or eggs fall, trumpets sound, and other incidental effects take place.

6. The hours are marked in these clocks on a column or a pilaster, and a figure emerging from the bottom points to them with a rod throughout the whole day. Their decrease or increase in length with the different days and months, must be adjusted by inserting or withdrawing wedges. The shutoffs for regulating the water are constructed as follows. Two cones are made, one solid and the other hollow, turned on a lathe so that one will go into the other and fit it perfectly. A rod is used to loosen or to bring them together, thus causing the water to flow rapidly or slowly into the vessels. According to these rules, and by this mechanism, water clocks may be constructed for use in winter.

7. But if it proves that the shortening or lengthening of the day is not in agreement with the insertion and removal of the wedges, because the wedges may very often cause errors, the following arrangement will have to be made. Let the hours be marked off transversely on the column from the a.n.a.lemma, and let the lines of the months also be marked upon the column. Then let the column be made to revolve, in such a way that, as it turns continuously towards the figure and the rod with which the emerging figure points to the hours, it may make the hours short or long according to the respective months.

8. There is also another kind of winter dial, called the Anaphoric and constructed in the following way. The hours, indicated by bronze rods in accordance with the figure of the a.n.a.lemma, radiate from a centre on the face. Circles are described upon it, marking the limits of the months.

Behind these rods there is a drum, on which is drawn and painted the firmament with the circle of the signs. In drawing the figures of the twelve celestial signs, one is represented larger and the next smaller, proceeding from the centre. Into the back of the drum, in the middle, a revolving axis is inserted, and round that axis is wound a flexible bronze chain, at one end of which hangs the "cork" which is raised by the water, and at the other a counterpoise of sand, equal in weight to the "cork."



9. Hence, the sand sinks as the "cork" is raised by the water, and in sinking turns the axis, and the axis the drum. The revolution of this drum causes sometimes a larger and sometimes a smaller portion of the circle of the signs to indicate, during the revolutions, the proper length of the hours corresponding to their seasons. For in every one of the signs there are as many holes as the corresponding month has days, and a boss, which seems to be holding the representation of the sun on a dial, designates the s.p.a.ces for the hours. This, as it is carried from hole to hole, completes the circuit of a full month.

10. Hence, just as the sun during his pa.s.sage through the constellations makes the days and hours longer or shorter, so the boss on a dial, moving from point to point in a direction contrary to that of the revolution of the drum in the middle, is carried day by day sometimes over wider and sometimes over narrower s.p.a.ces, giving a representation of the hours and days within the limits of each month.

To manage the water so that it may flow regularly, we must proceed as follows.

11. Inside, behind the face of the dial, place a reservoir, and let the water run down into it through a pipe, and let it have a hole at the bottom. Fastened to it is a bronze drum with an opening through which the water flows into it from the reservoir. Enclosed in this drum there is a smaller one, the two being perfectly jointed together by tenon and socket, in such a way that the smaller drum revolves closely but easily in the larger, like a stopc.o.c.k.

12. On the lip of the larger drum there are three hundred and sixty-five points, marked off at equal intervals. The rim of the smaller one has a tongue fixed on its circ.u.mference, with the tip directed towards those points; and also in this rim is a small opening, through which water runs into the drum and keeps the works going. The figures of the celestial signs being on the lip of the larger drum, and this drum being motionless, let the sign Cancer be drawn at the top, with Capricornus perpendicular to it at the bottom, Libra at the spectator's right, Aries at his left, and let the other signs be given places between them as they are seen in the heavens.

13. Hence, when the sun is in Capricornus, the tongue on the rim touches every day one of the points in Capricornus on the lip of the larger drum, and is perpendicular to the strong pressure of the running water.

So the water is quickly driven through the opening in the rim to the inside of the vessel, which, receiving it and soon becoming full, shortens and diminishes the length of the days and hours. But when, owing to the daily revolution of the smaller drum, its tongue reaches the points in Aquarius, the opening will no longer be perpendicular, and the water must give up its vigorous flow and run in a slower stream.

Thus, the less the velocity with which the vessel receives the water, the more the length of the days is increased.

14. Then the opening in the rim pa.s.ses from point to point in Aquarius and Pisces, as though going upstairs, and when it reaches the end of the first eighth of Aries, the fall of the water is of medium strength, indicating the equinoctial hours. From Aries the opening pa.s.ses, with the revolution of the drum, through Taurus and Gemini to the highest point at the end of the first eighth of Cancer, and when it reaches that point, the power diminishes, and hence, with the slower flow, its delay lengthens the days in the sign Cancer, producing the hours of the summer solstice. From Cancer it begins to decline, and during its return it pa.s.ses through Leo and Virgo to the points at the end of the first eighth of Libra, gradually shortening and diminishing the length of the hours, until it comes to the points in Libra, where it makes the hours equinoctial once more.

15. Finally, the opening comes down more rapidly through Scorpio and Sagittarius, and on its return from its revolution to the end of the first eighth of Capricornus, the velocity of the stream renews once more the short hours of the winter solstice.

The rules and forms of construction employed in designing dials have now been described as well as I could. It remains to give an account of machines and their principles. In order to make my treatise on architecture complete, I will begin to write on this subject in the following book.

BOOK X

INTRODUCTION

1. In the famous and important Greek city of Ephesus there is said to be an ancient ancestral law, the terms of which are severe, but its justice is not inequitable. When an architect accepts the charge of a public work, he has to promise what the cost of it will be. His estimate is handed to the magistrate, and his property is pledged as security until the work is done. When it is finished, if the outlay agrees with his statement, he is complimented by decrees and marks of honour. If no more than a fourth has to be added to his estimate, it is furnished by the treasury and no penalty is inflicted. But when more than one fourth has to be spent in addition on the work, the money required to finish it is taken from his property.

2. Would to G.o.d that this were also a law of the Roman people, not merely for public, but also for private buildings. For the ignorant would no longer run riot with impunity, but men who are well qualified by an exact scientific training would unquestionably adopt the profession of architecture. Gentlemen would not be misled into limitless and prodigal expenditure, even to ejectments from their estates, and the architects themselves could be forced, by fear of the penalty, to be more careful in calculating and stating the limit of expense, so that gentlemen would procure their buildings for that which they had expected, or by adding only a little more. It is true that men who can afford to devote four hundred thousand to a work may hold on, if they have to add another hundred thousand, from the pleasure which the hope of finishing it gives them; but if they are loaded with a fifty per cent increase, or with an even greater expense, they lose hope, sacrifice what they have already spent, and are compelled to leave off, broken in fortune and in spirit.

3. This fault appears not only in the matter of buildings, but also in the shows given by magistrates, whether of gladiators in the forum or of plays on the stage. Here neither delay nor postponement is permissible, but the necessities of the case require that everything should be ready at a fixed time,--the seats for the audience, the awning drawn over them, and whatever, in accordance with the customs of the stage, is provided by machinery to please the eye of the people. These matters require careful thought and planning by a well trained intellect; for none of them can be accomplished without machinery, and without hard study skilfully applied in various ways.

4. Therefore, since such are our traditions and established practices, it is obviously fitting that the plans should be worked out carefully, and with the greatest attention, before the structures are begun.

Consequently, as we have no law or customary practice to compel this, and as every year both praetors and aediles have to provide machinery for the festivals, I have thought it not out of place, Emperor, since I have treated of buildings in the earlier books, to set forth and teach in this, which forms the final conclusion of my treatise, the principles which govern machines.

CHAPTER I

MACHINES AND IMPLEMENTS

1. A machine is a combination of timbers fastened together, chiefly efficacious in moving great weights. Such a machine is set in motion on scientific principles in circular rounds, which the Greeks call [Greek: kyklike kineois]. There is, however, a cla.s.s intended for climbing, termed in Greek [Greek: akrobatikon], another worked by air, which with them is called [Greek: pneumatikon], and a third for hoisting; this the Greeks named [Greek: baroulkos]. In the climbing cla.s.s are machines so disposed that one can safely climb up high, by means of timbers set up on end and connected by crossbeams, in order to view operations. In the pneumatic cla.s.s, air is forced by pressure to produce sounds and tones as in an [Greek: organon].

2. In the hoisting cla.s.s, heavy weights are removed by machines which raise them up and set them in position. The climbing machine displays no scientific principle, but merely a spirit of daring. It is held together by dowels and crossbeams and twisted lashings and supporting props. A machine that gets its motive power by pneumatic pressure will produce pretty effects by scientific refinements. But the hoisting machine has opportunities for usefulness which are greater and full of grandeur, and it is of the highest efficacy when used with intelligence.

3. Some of these act on the principle of the [Greek: mechane], others on that of the [Greek: organon]. The difference between "machines" and "engines" is obviously this, that machines need more workmen and greater power to make them take effect, as for instance ballistae and the beams of presses. Engines, on the other hand, accomplish their purpose at the intelligent touch of a single workman, as the scorpio or anisocycli when they are turned. Therefore engines, as well as machines, are, in principle, practical necessities, without which nothing can be unattended with difficulties.

4. All machinery is derived from nature, and is founded on the teaching and instruction of the revolution of the firmament. Let us but consider the connected revolutions of the sun, the moon, and the five planets, without the revolution of which, due to mechanism, we should not have had the alternation of day and night, nor the ripening of fruits. Thus, when our ancestors had seen that this was so, they took their models from nature, and by imitating them were led on by divine facts, until they perfected the contrivances which are so serviceable in our life.

Some things, with a view to greater convenience, they worked out by means of machines and their revolutions, others by means of engines, and so, whatever they found to be useful for investigations, for the arts, and for established practices, they took care to improve step by step on scientific principles.

5. Let us take first a necessary invention, such as clothing, and see how the combination of warp and woof on the loom, which does its work on the principle of an engine, not only protects the body by covering it, but also gives it honourable apparel. We should not have had food in abundance unless yokes and ploughs for oxen, and for all draught animals, had been invented. If there had been no provision of windla.s.ses, pressbeams, and levers for presses, we could not have had the shining oil, nor the fruit of the vine to give us pleasure, and these things could not be transported on land without the invention of the mechanism of carts or waggons, nor on the sea without that of ships.

6. The discovery of the method of testing weights by steelyards and balances saves us from fraud, by introducing honest practices into life.

There are also innumerable ways of employing machinery about which it seems unnecessary to speak, since they are at hand every day; such as mills, blacksmiths' bellows, carriages, gigs, turning lathes, and other things which are habitually used as general conveniences. Hence, we shall begin by explaining those that rarely come to hand, so that they may be understood.

CHAPTER II

HOISTING MACHINES

1. First we shall treat of those machines which are of necessity made ready when temples and public buildings are to be constructed. Two timbers are provided, strong enough for the weight of the load. They are fastened together at the upper end by a bolt, then spread apart at the bottom, and so set up, being kept upright by ropes attached at the upper ends and fixed at intervals all round. At the top is fastened a block, which some call a "rechamus." In the block two sheaves are enclosed, turning on axles. The traction rope is carried over the sheave at the top, then let fall and pa.s.sed round a sheave in a block below. Then it is brought back to a sheave at the bottom of the upper block, and so it goes down to the lower block, where it is fastened through a hole in that block. The other end of the rope is brought back and down between the legs of the machine.

2. Socket-pieces are nailed to the hinder faces of the squared timbers at the point where they are spread apart, and the ends of the windla.s.s are inserted into them so that the axles may turn freely. Close to each end of the windla.s.s are two holes, so adjusted that handspikes can be fitted into them. To the bottom of the lower block are fastened shears made of iron, whose p.r.o.ngs are brought to bear upon the stones, which have holes bored in them. When one end of the rope is fastened to the windla.s.s, and the latter is turned round by working the handspikes, the rope winds round the windla.s.s, gets taut, and thus it raises the load to the proper height and to its place in the work.

3. This kind of machinery, revolving with three sheaves, is called a trispast. When there are two sheaves turning in the block beneath and three in the upper, the machine is termed a pentaspast. But if we have to furnish machines for heavier loads, we must use timbers of greater length and thickness, providing them with correspondingly large bolts at the top, and windla.s.ses turning at the bottom. When these are ready, let forestays be attached and left lying slack in front; let the backstays be carried over the shoulders of the machine to some distance, and, if there is nothing to which they can be fastened, sloping piles should be driven, the ground rammed down all round to fix them firmly, and the ropes made fast to them.

4. A block should then be attached by a stout cord to the top of the machine, and from that point a rope should be carried to a pile, and to a block tied to the pile. Let the rope be put in round the sheave of this block, and brought back to the block that is fastened at the top of the machine. Round its sheave the rope should be pa.s.sed, and then should go down from the top, and back to the windla.s.s, which is at the bottom of the machine, and there be fastened. The windla.s.s is now to be turned by means of the handspikes, and it will raise the machine of itself without danger. Thus, a machine of the larger kind will be set in position, with its ropes in their places about it, and its stays attached to the piles. Its blocks and traction ropes are arranged as described above.

5. But if the loads of material for the work are still more colossal in size and weight, we shall not entrust them to a windla.s.s, but set in an axle-tree, held by sockets as the windla.s.s was, and carrying on its centre a large drum, which some term a wheel, but the Greeks call it [Greek: amphiesis] or [Greek: perithekion].

6. And the blocks in such machines are not arranged in the same, but in a different manner; for the rows of sheaves in them are doubled, both at the bottom and at the top. The traction rope is pa.s.sed through a hole in the lower block, in such a way that the two ends of the rope are of equal length when it is stretched out, and both portions are held there at the lower block by a cord which is pa.s.sed round them and lashed so that they cannot come out either to the right or the left. Then the ends of the rope are brought up into the block at the top from the outside, and pa.s.sed down over its lower sheaves, and so return to the bottom, and are pa.s.sed from the inside to the sheaves in the lowest block, and then are brought up on the right and left, and return to the top and round the highest set of sheaves.

7. Pa.s.sing over these from the outside, they are then carried to the right and left of the drum on the axle-tree, and are tied there so as to stay fast. Then another rope is wound round the drum and carried to a capstan, and when that is turned, it turns the drum and the axle-tree, the ropes get taut as they wind round regularly, and thus they raise the loads smoothly and with no danger. But if a larger drum is placed either in the middle or at one side, without any capstan, men can tread in it and accomplish the work more expeditiously.

8. There is also another kind of machine, ingenious enough and easy to use with speed, but only experts can work with it. It consists of a single timber, which is set up and held in place by stays on four sides.

Two cheeks are nailed on below the stays, a block is fastened by ropes above the cheeks, and a straight piece of wood about two feet long, six digits wide, and four digits thick, is put under the block. The blocks used have each three rows of sheaves side by side. Hence three traction ropes are fastened at the top of the machine. Then they are brought to the block at the bottom, and pa.s.sed from the inside round the sheaves that are nearest the top of it. Then they are brought back to the upper block, and pa.s.sed inwards from outside round the sheaves nearest the bottom.

9. On coming down to the block at the bottom, they are carried round its second row of sheaves from the inside to the outside, and brought back to the second row at the top, pa.s.sing round it and returning to the bottom; then from the bottom they are carried to the summit, where they pa.s.s round the highest row of sheaves, and then return to the bottom of the machine. At the foot of the machine a third block is attached. The Greeks call it [Greek: epagon], but our people "artemon." This block fastened at the foot of the machine has three sheaves in it, round which the ropes are pa.s.sed and then delivered to men to pull. Thus, three rows of men, pulling without a capstan, can quickly raise the load to the top.

10. This kind of machine is called a polyspast, because of the many revolving sheaves to which its dexterity and despatch are due. There is also this advantage in the erection of only a single timber, that by previously inclining it to the right or left as much as one wishes, the load can be set down at one side.

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The Ten Books on Architecture Part 25 summary

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