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No. 137. [STEELE.

From _Tuesday, Feb. 21_, to _Thursday, Feb. 23, 1709-10_.

Ter centum tonat ore deos, Ereb.u.mque, Chaosque, Tergeminamque Hecaten.--VIRG., aen. iv. 510.

_Sheer Lane, February 22._

d.i.c.k Reptile and I sat this evening later than the rest of the club; and as some men are better company when only with one friend, others when there is a large number, I found d.i.c.k to be of the former kind. He was bewailing to me in very just terms, the offences which he frequently met with in the abuse of speech: some use ten times more words than they need, some put in words quite foreign to their purpose, and others adorn their discourses with oaths and blasphemies by way of tropes and figures. What my good friend started, dwelt upon me after I came home this evening, and led me into an inquiry with myself, whence should arise such strange excrescences in discourse? Whereas it must be obvious to all reasonable beings, that the sooner a man speaks his mind, the more complaisant he is to the man with whom he talks: but upon mature deliberation, I am come to this resolution, that for one man who speaks to be understood, there are ten who talk only to be admired.

The ancient Greeks had little independent syllables called "expletives,"

which they brought into their discourses both in verse and prose, for no other purpose but for the better grace and sound of their sentences and periods. I know no example but this which can authorise the use of more words than are necessary. But whether it be from this freedom taken by that wise nation, or however it arises, d.i.c.k Reptile hit upon a very just and common cause of offence in the generality of the people of all orders. We have one here in our lane who speaks nothing without quoting an authority; for it is always with him, so and so, "as the man said."

He asked me this morning, how I did, "as the man said"; and hoped I would come now and then to see him, "as the man said." I am acquainted with another, who never delivers himself upon any subject, but he cries, he only speaks his "poor judgment"; this is his humble opinion; or as for his part, if he might presume to offer anything on that subject. But of all the persons who add elegances and superfluities to their discourses, those who deserve the foremost rank, are the swearers; and the lump of these may, I think, be very aptly divided into the common distinction of high and low. Dulness and barrenness of thought is the original of it in both these sects, and they differ only in const.i.tution: the low is generally a phlegmatic, and the high a choleric c.o.xcomb. The man of phlegm is sensible of the emptiness of his discourse, and will tell you, that "I'fackins," such a thing is true: or if you warm him a little, he may run into pa.s.sion, and cry, "Odsbodikins," you do not say right. But the high affects a sublimity in dulness, and invokes h.e.l.l and d.a.m.nation at the breaking of a gla.s.s, or the slowness of a drawer.

I was the other day trudging along Fleet Street on foot, and an old army friend came up with me. We were both going towards Westminster, and finding the streets were so crowded that we could not keep together, we resolved to club for a coach. This gentleman I knew to be the first of the order of the choleric. I must confess (were there no crime in it), nothing could be more diverting than the impertinence of the high juror: for whether there is remedy or not against what offends him, still he is to show he is offended; and he must sure not omit to be magnificently pa.s.sionate, by falling on all things in his way. We were stopped by a train of coaches at Temple Bar. "What the devil!" says my companion, "cannot you drive on, coachman? D----n you all, for a set of sons of wh.o.r.es, you will stop here to be paid by the hour! There is not such a set of confounded dogs as the coachmen unhanged! But these rascally Cits---- 'Ounds, why should not there be a tax to make these dogs widen their gates? Oh! but the h.e.l.l-hounds move at last." "Ay,"

said I, "I knew you would make them whip on if once they heard you."

"No," says he; "but would it not fret a man to the devil, to pay for being carried slower than he can walk? Lookee, there is for ever a stop at this hole by St. Clement's Church. Blood, you dog!--Harkee, sirrah,--why, and be d----d to you, do not you drive over that fellow?

Thunder, furies, and d.a.m.nation! I'll cut your ears off, you fellow before there. Come hither, you dog you, and let me wring your neck round your shoulders." We had a repet.i.tion of the same eloquence at the c.o.c.kpit,[108] and the turning into Palace Yard.

This gave me a perfect image of the insignificancy of the creatures who practise this enormity; and made me conclude, that it is ever want of sense makes a man guilty in this kind. It was excellently well said, that this folly had no temptation to excuse it, no man being born of a swearing const.i.tution. In a word, a few rumbling words and consonants clapped together, without any sense, will make an accomplished swearer: and it is needless to dwell long upon this bl.u.s.tering impertinence, which is already banished out of the society of well-bred men, and can be useful only to bullies and ill tragic writers, who would have sound and noise pa.s.s for courage and sense.

_St. James's Coffee-house, February 22._

There arrived a messenger last night from Harwich, who left that place just as the Duke of Marlborough was going on board. The character of this important general going out by the command of his Queen, and at the request of his country, puts me in mind of that n.o.ble figure which Shakespeare gives Harry the Fifth upon his expedition against France.

The poet wishes for abilities to represent so great a hero:

"_Oh for a muse of fire!" says he, "Then should the warlike Harry, like himself, a.s.sume the port of Mars; and at his heels, Leashed in, like hounds, should Famine, Sword and Fire Crouch for employment._"[109]

A conqueror drawn like the G.o.d of battle, with such a dreadful leash of h.e.l.l-hounds at his command, makes a picture of as much majesty and terror as is to be met with in any poet.

Shakespeare understood the force of this particular allegory so well, that he had it in his thoughts in another pa.s.sage, which is altogether as daring and sublime as the former. What I mean, is in the tragedy of "Julius Caesar," where Antony, after having foretold the bloodshed and destruction that should be brought upon the earth by the death of that great man; to fill up the horror of his description, adds the following verses:

"_And Caesar's spirit ranging for revenge, With Ate by his side, come hot from h.e.l.l, Shall in these confines, with a monarch's voice, Cry 'Havoc'; and let slip the dogs of war._"[110]

I do not question but these quotations will call to mind in my readers of learning and taste, that imaginary person described by Virgil with the same spirit. He mentions it upon the occasion of a peace which was restored to the Roman Empire, and which we may now hope for from the departure of that great man who has given occasion to these reflections.

"The Temple of Ja.n.u.s," says he, "shall be shut, and in the midst of it Military Fury shall sit upon a pile of broken arms, loaded with a hundred chains, bellowing with madness, and grinding his teeth in blood.

"_Claudentur belli portae; Furor impius intus, Saeva sedens super arma, et centum vinctus ahenis Post tergum nodis, fremit horridus ore cruento._"[111]

"_Ja.n.u.s himself before his fane shall wait, And keep the dreadful issues of his gate, With bolts and iron bars. Within remains Imprisoned Fury bound in brazen chains; High on a trophy raised of useless arms, He sits, and threats the world with vain alarms._"

DRYDEN.

ADVERTIs.e.m.e.nT.

The tickets which were delivered out for the benefit of Signor Nicolini Grimaldi[112] on the 24th instant, will be taken on Thursday the 2nd of March, his benefit being deferred till that day.

N.B. In all operas for the future, where it thunders and lightens in proper time and in tune, the matter of the said lightning is to be of the finest resin; and, for the sake of harmony, the same which is used to the best Cremona fiddles.

Note also, that the true perfumed lightning is only prepared and sold by Mr. Charles Lillie, at the corner of Beauford Buildings.

The lady who has chosen Mr. Bickerstaff for her valentine, and is at a loss what to present him with, is desired to make him, with her own hands, a warm nightcap.[113]

[Footnote 108: A portion of Henry VIII.'s palace at Whitehall. When Whitehall was burned down in 1697, the c.o.c.kpit escaped, and was used as a Court for the Committee of the Privy Council.]

[Footnote 109: "Henry the Fifth," Prologue.]

[Footnote 110: "Julius Caesar," act iii. sc. i.]

[Footnote 111: "aeneid," i. 294.]

[Footnote 112: See Nos. 115, 142.]

[Footnote 113: A description of the custom of drawing valentines, and of the hope and fear shown on the faces of the drawers, who in their earnestness gave to a sc.r.a.p of paper the same effect as the person represented, is to be found in Lillie's "Letters sent to the _Tatler_ and _Spectator_" (1725), i. 30. See No. 141.]

No. 138. [STEELE.

From _Thursday, Feb. 23_, to _Sat.u.r.day, Feb. 25, 1709-10_.

Secretosque pios, his dantem jura Catonem.

VIRG., aen. viii. 670.

_Sheer Lane, February 24._

It is an argument of a clear and worthy spirit in a man, to be able to disengage himself from the opinions of others, so far as not to let the deference due to the sense of mankind ensnare him to act against the dictates of his own reason. But the generality of the world are so far from walking by any such maxim, that it is almost a standing rule to do as others do, or be ridiculous. I have heard my old friend Mr. Hart[114]

speak it as an observation among the players, that it is impossible to act with grace, except the actor has forgot that he is before an audience. Till he has arrived at that, his motion, his air, his every step and gesture, has something in them which discovers he is under a restraint for fear of being ill received; or if he considers himself as in the presence of those who approve his behaviour, you see an affectation of that pleasure run through his whole carriage. It is as common in life, as upon the stage, to behold a man in the most indifferent action betray a sense he has of doing what he is about gracefully. Some have such an immoderate relish for applause, that they expect it for things, which in themselves are so frivolous, that it is impossible, without this affectation, to make them appear worthy either of blame or praise. There is Will Glare, so pa.s.sionately intent upon being admired, that when you see him in public places, every muscle of his face discovers his thoughts are fixed upon the consideration of what figure he makes. He will often fall into a musing posture to attract observation, and is then obtruding himself upon the company when he pretends to be withdrawn from it. Such little arts are the certain and infallible tokens of a superficial mind, as the avoiding observation is the sign of a great and sublime one. It is therefore extremely difficult for a man to judge even of his own actions, without forming to himself an idea of what he should act, were it in his power to execute all his desires without the observation of the rest of the world. There is an allegorical fable in Plato,[115] which seems to admonish us, that we are very little acquainted with ourselves, while we know our actions are to pa.s.s the censures of others; but had we the power to accomplish all our wishes un.o.bserved, we should then easily inform ourselves how far we are possessed of real and intrinsic virtue. The fable I was going to mention, is that of Gyges, who is said to have had an enchanted ring, which had in it a miraculous quality, making him who wore it visible or invisible, as he turned it to or from his body. The use Gyges made of his occasional invisibility, was, by the advantage of it, to violate a queen, and murder a king. Tully takes notice of this allegory, and says very handsomely, that a man of honour who had such a ring, would act just in the same manner as he would do without it.[116] It is indeed no small pitch of virtue under the temptation of impunity, and the hopes of accomplishing all a man desires, not to transgress the rules of justice and virtue; but this is rather not being an ill man, than being positively a good one; and it seems wonderful, that so great a soul as that of Tully, should not form to himself a thousand worthy actions which a virtuous man would be prompted to by the possession of such a secret. There are certainly some part of mankind who are guardian beings to the other. Sall.u.s.t could say of Cato, "that he had rather be than appear good";[117] but indeed, this eulogium rose no higher than (as I just now hinted) to an inoffensiveness, rather than an active virtue.

Had it occurred to the n.o.ble orator to represent, in his language, the glorious pleasures of a man secretly employed in beneficence and generosity, it would certainly have made a more charming page than any he has now left behind him. How might a man, furnished with Gyges'

secret, employ it in bringing together distant friends, laying snares for creating goodwill in the room of groundless hatred; in removing the pangs of an unjust jealousy, the shyness of an imperfect reconciliation, and the tremor of an awful love! Such a one could give confidence to bashful merit, and confusion to overbearing impudence.

Certain it is, that secret kindnesses done to mankind, are as beautiful as secret injuries are detestable. To be invisibly good, is as G.o.dlike, as to be invisibly ill, diabolical. As degenerate as we are apt to say the age we live in is, there are still amongst us men of ill.u.s.trious minds, who enjoy all the pleasures of good actions, except that of being commended for them. There happens among others very worthy instances of a public spirit, one of which I am obliged to discover, because I know not otherwise how to obey the commands of the Benefactor. A citizen of London has given directions to Mr. Rayner, the writing-master of Paul's School,[118] to educate at his charge ten boys (who shall be nominated by me) in writing and accounts, till they shall be fit for any trade. I desire therefore such as know any proper objects for receiving this bounty, to give notice thereof to Mr. Morphew, or Mr. Lillie, and they shall, if properly qualified, have instructions accordingly.

Actions of this kind have in them something so transcendent, that it is an injury to applaud them, and a diminution of that merit which consists in shunning our approbation. We shall therefore leave them to enjoy that glorious obscurity, and silently admire their virtue, who can contemn the most delicious of human pleasures, that of receiving due praise.

Such celestial dispositions very justly suspend the discovery of their benefactions, till they come where their actions cannot be misinterpreted, and receive their first congratulations in the company of angels.

ADVERTIs.e.m.e.nT.

Whereas Mr. Bickerstaff, by a letter bearing date this 24th of February, has received information, that there are in and about the Royal Exchange a sort of persons commonly known by the name of "whetters,"[119] who drink themselves into an intermediate state of being neither drunk nor sober before the hours of 'change, or business, and in that condition buy and sell stocks, discount notes, and do many other acts of well-disposed citizens; this is to give notice, that from this day forward, no whetter shall be able to give or endorse any note, or execute any other point of commerce, after the third half pint, before the hour of one: and whoever shall transact any matter or matters with a whetter (not being himself of that order) shall be conducted to Moorfields[120] upon the first application of his next of kin.

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The Tatler Volume Iii Part 12 summary

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