The Surprises Of Life Part 13

The sad, confiding little invalid seemed to express grat.i.tude to her spouse, by tender, cuddling motions, to which, I prefer to believe, he did not submit without some feeling of shame. I should think that the victim would have suspected something, if only because the two culprits looked so remarkably above suspicion. But there are especial immunities.

This state of things might have endured indefinitely if the ill-starred idea of an experiment had not come into my mind. I took away the sick bird and isolated her for two days in a cage. I planned to observe the psychology of her return home, fancying that a crisis would be precipitated, from which virtue might issue triumphant.

At first the widower wished to make sure of his "misfortune." He searched the garden, then the neighbouring roofs where he had formerly spent long periods in the company of his better half. When he finally believed that his legitimate mate had vanished into nothingness, he plunged into bottomless deeps of bliss with the illegitimate one. What an example to the inhabitants of Pa.s.sy!

For two days a joy so scandalous reigned in the guilty establishment that I could not resist the desire to break up the indecent festival. I therefore took the unfortunate prisoner and exposed her well in view on the lawn. As soon as the adulterous couple beheld her, the courtesan hastened to the dovecote, doubtless to establish her rights of proprietorship, and the faithless spouse fell furiously upon the wife restored to his bosom. He beat her with wing and beak, uttering angry coos. I supposed that he was calling her to account for her disappearance, and reproaching her with what he might have considered a prank, he whose heart should have been racked with remorse. It seemed to me that he was driving her toward the dovecote, and thinking that it might be well to sustain him in his demand that she resume her position in the home, whence it was high time that the adventuress be expelled, I myself put back the ailing pigeon in the spot from which I had taken her three days before.

I had scarcely left her when a terrible flutter of wings warned me that something was happening. I hastened back. The irreproachable wife was dead, killed by the lovers, whom two days had sufficed to unite in indissoluble bonds of infamy. The unlucky creature lay with her skull broken open by their beaks, and the murderers sated their ferocity upon the dead body, which I had difficulty in wresting from them.

There are no courts of law in the animal world, wherefore Providence had no option but to crown the triumph of crime with happy peace. This it did with its customary generosity. The two villains live happy in their love. They have had, and will yet have, many children.

XVII

SIX CENTS

Here is the history of a man without a history. As far back as I can remember, I can see in the great court of honour of the Manor, devoted to plebeian uses since the Revolution, Six Cents, the sawyer, silently occupied with making boards out of the trunks of poplars, elms, and oaks, which at the end of my last vacation I had left green and living, filled with the song of birds, and whose corpses I found on my return tragically piled up for the posthumous torture by which man pursues his work of death-dealing civilization.

Jacques Barbot, commonly called Six Cents, was in those days the representative of industry in the rural world; he typified man in the first stage above the purely agricultural labourer of olden times. To prepare the raw material for the next man to use was his social function. He had certainly never given thought to this, any more than to the cruel fate which makes of man the first victim of his inventions, pregnant though they be of future benefit. For how many centuries the grinding of wheat chained the slave to the millstone, until the day dawned when the beast of burden, the wind, water and steam, came to take his place. Even to-day, how much serf's labour still awaits the ingenuity of future liberators!

It is certain that Six Cents, although he expressed his views to n.o.body, for discretion of thought was chief among his characteristics, did not feel himself a slave, in his quiet patience under the common subjugation of labour. As it happened, the machine which set him free promptly dealt him his death blow.

Employee and employer as well, he hired a comrade, whose pay was nearly equal to his own, and all the year round, in the cold and the rain, the sun or the wind, he matched himself with untiring energy against the wide-branched giants, and defeated those adversaries. The ever-renewed struggle against the eternal resistance of the woody monsters made up his entire life. Beyond that, no horizon, no thought; his was the unconsciousness of the soul in the making. Gladstone, stupidly and without the excuse of necessity, used to hack down the n.o.ble leafy creations that form so great a part of the earth's beauty. Six Cents, as insensible as he to the esthetic aspect of tree life, engaged in a mortal combat to wrest his living from the obstinate fibres clinging to life with obscure yet tenacious vitality.

On winter days, favourable for felling trees, the executioners would arrive on the spot, axe in hand, to carry out the death sentence p.r.o.nounced by interest against life and beauty. In the desolate country, overflown by bands of crows with their ill-omened croaking, the strokes of the sinister axe would echo far around, as they accomplished their work of death. The tall trunk rocks at each deeper entering of the iron, while the plumy branches beat the air in shudders of agony. The rope fastened to the top of the tree grows taut--a sharp blow, followed by a long wail, and the groaning colossus falls heavily to earth. Like a hero on the fields of Ilion hurling himself upon the spoils of the vanquished foe, Six Cents on the instant is chopping, cutting, tr.i.m.m.i.n.g, drawing lines where the saw is to divide the tree into logs. Soon the stripped shaft, chained to the sawing trestle, will show on its length as well as its girth black lines, drawn straight by aid of a string for the sawyer's reliance in guiding the steel teeth.

One man stands above and one below the trestle. The thin notched blade, working its way forward with a soft swish m.u.f.fled by the sawdust, rises and falls with the rhythmic motion of the bodies alternately bending down and straightening up. From a distance you see two men in front of each other, one facing earthward, the other skyward, and perpetually bowing as if in mutual greeting. When the entire existence of a human being has for its sole activity an incessant bowing, not even to the tree about to die, but to its corpse, into which he is driving the iron a little further with each courteous gesture, there results a monotony of sensation, of thought (if the two words may be used in this connection,) progressively benumbing the spirit, or reducing it to the minimum of cogitation compatible with a continuance of life. The inert intelligence becomes atrophied. What is the mentality of the slave harnessed to the millstone? Not greatly superior to that of the beast of burden subst.i.tuted for him. Six Cents, slaughtering his trees, took from them only vegetative life. His victims unconsciously revenged themselves by bringing him down through the continuity of enforced labour to the lowest rank of conscious life.

One must not suppose that Six Cents was stupid. His countenance, with its regular features, was frank and open. His eyes, which though lacking in fire were gentle and appeared to dwell on something far away, reminded one of those of certain dogs, "very intelligent," but incapable of any effort beyond primitive comprehension. He was not a mere animal, but simply an undeveloped man. He did not know how to read, nor had he ever stopped to wonder what might be contained in a book. To saw to-day, to saw to-morrow: a narrow cycle of dull thoughts brought him continually back to his starting point. The wide gray velvet trousers from the pocket of which protruded the points of a pair of compa.s.ses distinguished him from tillers of the soil. The stamp of science and art was upon him, but so rudimentary, that the appropriate mechanical gesture was the Ultima Thule of his attainment. The smooth-shaven face, framed in long gray locks, under a cloth cap in the fashion of Louis XI, inspired respect by its placid gravity. His slow, heavy step could be heard on the road as he went silently to his work, whereas the plowmen, exchanging greetings as they pa.s.sed one another, urged on their beasts with shouts, held them back with oaths, or brightened the day with love songs. Presently, they would be turning over their furrows, still shouting, still swearing, and still singing, followed by the feathered host, to whom the plowshare furnishes inexhaustible feasts. During this, Six Cents, at the foot of the trestle, gazing upward open mouthed, without sound, his attention centred upon not departing from the straight line, would stretch to full height with arms extended, then stoop to the ground as if to touch it, bend over only to lift himself, and lift himself only to bend again.

And what of the interludes between work hours? There is the cheer of the coa.r.s.e but comforting repast, with the zest of its thin, sourish white wine "warming to the heart"--the walk from work to food and from food to work; sleep, when strength is spent, and rising when it would be pleasant to go on sleeping. On Sundays, there is first and foremost the joy of doing nothing, then there are the heavy conversations during which no one has anything to say, each having no interest in any but his own case, "feeling only his own ills," as the popular saying has it; there is the talk about the weather, the tedium of an idle day, occasionally the diversion of rural debate on the church square after ma.s.s; there is communion with the blessed bottle, subst.i.tuting a paradise of dreams for the irksome reality of things. What further?

Married in a purely animal sense, as is the case with the majority of the human race, Six Cents lived in the relation of male to female with his "good wife," finding in marriage the advantage of partnership in labour. Were they faithful to each other? In a village these matters, which create so much commotion in the city, have small importance.

People are too close to nature to resist the attraction of the moment.

And I cannot see that the dwellers in cities set them such a shining example. The distraction of fairs is unknown to the sawyer who has nothing to sell. Thefts are too common, crimes too rare, they are not common subjects of conversation. Finally, to satisfy the rudimentary urge of idealism, there are politics and religion, represented by the mayor and the priest. From the pulpit fall incomprehensible words to which no one pays attention, since no one can see that they have any real effect upon anything whatsoever. Religion consists princ.i.p.ally in believing that we must by means of certain ceremonies get on the right side of a G.o.d who will otherwise burn us up. At the approach of death one tries to get the balance in his favour at all costs. But this changes nothing in the conduct of life. Local politics are in general, as they are everywhere, a matter of business. The calculation can quickly be made as to the value of a vote on one side or the other.

There is no other problem. This is how a great many Frenchmen still express the "national will" concerning the most important matters of politics and sociology. The point ever present to the mind is the question of remuneration. But the conditions determining the wages of labour escape the power of a.n.a.lysis of such fellows as Six Cents. What can they do but say "I work too much and earn too little," and stop, amazed before the insoluble puzzle.

One day, however, Six Cents heard news, when he happened to complain that "Boards did not find as good market as they used to." He was told about pines, and water power, and sawmills in Norway, and cheap transportation, a tale which he did not entirely understand, but from which he gathered that the evil was irremediable. He therefore resigned himself as he had always done, bowing under the inevitable. He earned less and still less, while working harder and harder because of arms grown weaker, and back grown stiff with the years. In spite of the kindly advice of philanthropical political economists, Six Cents, wearing out his body by continual labour, had no savings. He had no old sock filled with gold pieces against a rainy day, such as the simple like to believe in. Why economize, when one knows that a lifetime of pinching would lead to a ludicrously inadequate result?

Old age is upon him. Pitiless progress has done its work. Humble village craftsmen like Six Cents are out of date. The concentration of capital demands the mustering of labourers in the all-devouring factory. Six Cents looks on without understanding, without complaining. He has come to poverty, want. Utter dest.i.tution as he nears the grave seems to him but one fate-ordained calamity more to throw on the heap with the others. Is any one surprised at heat in summer and cold in winter? We must accept things as they come, and if nothing comes, still be content, since we cannot change the actual course of things. It is the same resignation as that of beasts under the whip. Six Cents' wife with a sack on her back goes from door to door begging for a crust or a few potatoes, grudgingly given to her. The sawyer does such small odd jobs as he finds to do. They keep alive, and at times appear contented.

Seated on a stone at the threshold of his hut, Six Cents watches the world go by. The young come, merry, wilful, noisy. The aged pa.s.s, dejected, resigned, silent.

"With all the boards I have sawed," said he, the other day, "it will certainly be strange if four cannot be found to make my last home."

The history of a man without a history I have called this. But even without events, without pa.s.sions, without desires, without revolts, without search for better things, and with the apathy of lifelong labour directed to no end, is it not still a history? The evolution of human society cannot be denied. But the time seems distant when men shall keep abreast in their progression. Up to the present time, what a lot of laggards! Consider the mental development of the cave man, chipping his flint, polishing his stone axe, sharpening his arrows, dividing his time between hunting and fighting, defending his hearth with vigilant effort, and trying to destroy the hearth of his neighbour, and then tell me whether the wretched man who spends all the days of his life sawing the same board, hammering the same iron-bar, turning the same crank of the same machine all day long--whether this man is intellectually superior to the cave man? All this, of course, must change. Let us, in order to help on the good work, take account as we go of the temporary conditions of human kind.

XVIII

FLOWER O' THE WHEAT

Flower o' the Wheat was the prettiest girl in my village. Tall, well set up, stepping along with a fine self-confidence, she brightened by her clear laughter the fields, the woods, the deep road cuts of the Vendee.

With the first warm days of spring the milky whiteness of her skin would be dotted over with a constellation of freckles.

The peasants used to say: "The good Lord threw a handful of bran in her face."

Bran and flour, it would seem, for her face under the sun's rays remained as white as if dusted over with the powder of bolted wheat.

Hence, perhaps, her surname, or possibly she owed it to her red hair, matched rather unusually by tawny eyes. She gave one the impression of being all of the beautiful gold-brown tone of ripe wheat. Flower o' the Wheat was beautiful, and knew it because she was told so all day long.

The man of the fields is not by a long way insensible to beauty. His esthetic sense is not the same as ours. He is not moved by a line, a contour, the grace of a moving form, but he is powerfully affected by colour, as are all whom civilization has not overrefined. Flower o' the Wheat being a creature of living colour, had, therefore, the pleasure of hearing herself proclaimed fair, and of having to fend off the playfulness, and occasionally the somewhat robust caresses, of manly youth all the way from Sainte Hermine to Chantonnay. Plant a flower wherever you will, there the bees will congregate. Wherever you meet beauty, you will see men coming to forage, with eyes and hands and lips.

Between city and country there is only a difference of setting.

As her fame spread beyond the borders of the canton, Flower o' the Wheat had a throng of admirers such as had not been seen for many a day in our neighbourhood. The pride of it shone in her eyes, dazzled by their own attractiveness, and if she had been told of Cleopatra on whom was centred the gaze of the world, it is not certain that she would have thought the Egyptian queen had an advantage over the country maid. For which I praise her, for enumerating a mult.i.tude of adorers is a foolish pastime. Moreover, the queen was dead and the peasant girl alive: the best argument of all.

The delightful part of the story is that Flower o' the Wheat, while permitting herself to be admired by every man, and envied by every woman, kept her heart faithful to the friend who had known how to win it, in which she differed notably from Cleopatra. Now, that friend, for I must finally come to my confession, was none other than your humble servant. I may be pardoned the pride of that avowal: I loved Flower o'

the Wheat, and Flower o' the Wheat entertained sentiments for me which she was not in the least loth to exhibit. I used to follow her about the fields with her dog, "Red Socks," so called because of his four tawny paws, and while the flock browsed very improperly beyond the limit set by the rural guard, I told her all about Nantes, where I had spent the winter. I amazed her with tales from my books, or else she talked to me about animals, what they did, what they thought; she told me extraordinary stories. Our souls were very near to each other, I will not say the same of our hearts, for the sad part of our love was, alas, that she was twenty and I was six--or seven, if I stood on tiptoe. This did not make it difficult for either of us, however, to hug the other.

It was only later that I realized my misfortune.

Our best days were at harvest time. The abominable smoke of the threshing machine had not yet invaded the countryside. The flail was still in use. At dawn, men and women divided into groups would begin the round of the threshing floor, their motions accompanied by the rhythmic thud of the wooden flail, m.u.f.fled by the straw on the ground; one half of the quadrille would slowly retreat, while the other half gradually advanced. The necessity for attention, and the sustained effort, obliged them to be silent. But what a reaction of laughter and song when the wooden pitch forks came into play, stacking the straw! Noonday would see the ground strewn with harvesters taking their rest in the full glare of the sun, for the peasant fears the treacherous shade. Upon the stroke of a bell, the noisy concert of the flails would again fill the air on every side.

At evening there were dances, and there were songs, in which Flower o'

the Wheat excelled. She knew every song of that region, and would sing in a nasal, untutored voice, delicious to the rustic ear, ingenuous poems, in which "The King's Son," the "Nightingale," and the "Rose"

appeared in fantastic splendours, joyful or sad. A local bard had even made about Flower o' the Wheat, a somewhat free and outspoken song in dialect, the refrain of which said that the flower of the wheat surrenders its grain under the harvester's flail. Flower o' the Wheat without false shame celebrated herself in song, and there were fine jostlings if some young fellow jokingly made believe to put the refrain into action.

Sooner or later, Flower o' the Wheat was bound to come under the harvester's flail. And here I call the reader's attention to this story, whose merit is that it is the story of everyone. I know of no greater error than to suppose that extraordinary adventures are what make life interesting. If one looks closely, one finds that the truly marvellous things are those which happen to us every day, and that duels, dagger thrusts, even automobile accidents, with accompanying hatred, jealousy, betrayed love, and treachery, are in reality the vulgar incidents in the enormous drama of our common life from birth to death.

To bring, without any will of our own, our ego to the consciousness of this world, be subject to a fatal concatenation of joys and sorrows dealt by the hazard of fortune, and end in the slow decay which brings us back to the condition preceding our existence, is not this the supreme adventure? What more is needed to make us marvel? Some, who are called pessimists, accept it with a certain amount of grumbling. Others, regarded as optimists, consider their misfortune so great that they eagerly add to it, by way of consolation, the dream of a celestial adventure which everyone is free to embellish as much as he pleases.

Flower o' the Wheat did not bother her head with any of this. She was twenty, a more engrossing fact. She listened to the voice of her youth, like the women gone before her, as well as those who will follow her on this earth. In the fields, nature being so close, people are very little hampered by the more or less fantastic social conventions, which undertake to regulate the human relations between two young creatures hungering and thirsting for each other.

A special sort of cake called "_echaude_" is the chief industrial product of my village: a cake made of flour and eggs, very delectable when fresh from the oven, but heavy, and cause of a formidable thirstiness, by the time it has travelled through the bracken as far as Niort, La Roch.e.l.le, or Fontenay. Its transportation is carried on by night, in long carts drawn by a horse whose slow and steady gait rocks the slumbers of the driver and of the woman who accompanies him to preside over the sale of the cakes. These carts are terrible go-betweens. The scent of fern is full of danger. The two lie down to sleep, side by side, under the open sky. They do not always sleep, even after a long day's labour. The market town is far away. The unkindly disposed and censorious are shut within their own four walls. Temptation is increased by the jolts that throw people one against the other.

Wherefore resist, since one must finally surrender?

Flower o' the Wheat, who was in the service of a rich dealer in _echaudes_, one fine day married her "master," after having given him, to the surprise of no one, two unequivocal proofs of her apt.i.tude for the joys as well as duties of maternity. Her neighbours in the country will tell you that there was nothing out of the ordinary in her life.

Her husband beat her only on Sundays, after vespers, when he had been drinking too much, and she took no more revenge upon him than was necessary to show outsiders that he did not have the last word.

I saw her again, at that time, after a fairly long period of absence.

The handful of flour and bran was still there. Her eyes had kept their l.u.s.tre, and her hair still blazed under the fluttering white wings of her coif. But her glance seemed to me sharper, and already the curve of her lips betrayed weariness of life. Her pretty name still clung to her, but the flower had lost its bloom. She still laughed, but she no longer sang. Fortune had come to her, as rings and brooches and gold chains attested. On Sundays she wore a silk skirt and ap.r.o.n to church, and carried a gilded book, a thing found useful even by those who cannot read, since it gives them the satisfaction of exciting their neighbours'

envy.

My visits to the village had become brief and far s.p.a.ced. We had lived very far apart, when I met her one day, in one of our deep road cuts, leading her cow to pasture. An old, wrinkled, broken, worn-out woman. We stopped to chat. Her husband was dead and had left her with "property,"

but the children were pressing her to make over everything to them. They would have an allowance settled on her "at the notary's," they said.