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During the Indian's white-fish month--the white man's November--the weather has become colder and colder; but the trapper never indulges in the big log fire that delights the heart of the amateur hunter. That would drive game a week's tracking from his course. Unless he wants to frighten away nocturnal prowlers, a little, chip fire, such as the fishermen of the Banks use in their dories, is all the trapper allows himself.
First snow silences the rustling leaves. First frost quiets the flow of waters. Except for the occasional splitting of a sap-frozen tree, or the far howl of a wolf-pack, there is the stillness of death. And of all quiet things in the quiet forest, the trapper is the quietest.
As winter closes in the ice-skim of the large lakes cuts the bark canoe like a knife. The canoe is abandoned for snow-shoes and the cotton tepee for more substantial shelter.
If the trapper is a white man he now builds a lodge near the best hunting-ground he has found. Around this he sets a wide circle of traps at such distances their circuit requires an entire day, and leads the trapper out in one direction and back in another, without retracing the way. Sometimes such lodges run from valley to valley. Each cabin is stocked; and the hunter sleeps where night overtakes him. But this plan needs two men; for if the traps are not closely watched, the wolverine will rifle away a priceless fox as readily as he eats a worthless musk-rat. The stone fire-place stands at one end. Moss, clay, and snow c.h.i.n.k up the logs. Parchment across a hole serves as window. Poles and brush make the roof, or perhaps the remains of the cotton tent stretched at a steep angle to slide off the acc.u.mulating weight of snow.
But if the trapper is an Indian, or the white man has a messenger to carry the pelts marked with his name to a friendly trading-post, he may not build a lodge; but move from hunt to hunt as the game changes feeding-ground. In this case he uses the _abuckwan_--canvas--for a shed tent, with one side sloping to the ground, banked by brush and snow, the other facing the fire, both tent and fire on such a slope that the smoke drifts out while the heat reflects in. Pine and balsam boughs, with the wood end pointing out like sheaves in a stook, the foliage converging to a soft centre, form the trapper's bed.
The snow is now too deep to travel without snow-shoes. The frames for these the trapper makes of ash, birch, or best of all, the _mackikwatick_--tamarack--curving the easily bent green wood up at one end, canoe shape, and smoothing the barked wood at the bend, like a sleigh runner, by means of the awkward _couteau croche_, as the French hunter calls his crooked knife.
In style, the snow-shoe varies with the hunting-ground. On forested, rocky, hummocky land, the shoe is short to permit short turns without entanglement. Oval and broad, rather than long and slim, it makes up in width what it lacks in length to support the hunter's weight above the snow. And the toe curve is slight; for speed is impossible on bad ground. To save the instep from jars, the slip noose may be padded like a cowboy's stirrup.
On the prairie, where the snowy reaches are unbroken as air, snow-shoes are wings to the hunter's heels. They are long, and curved, and narrow, and smooth enough on the runners for the hunter to sit on their rear ends and coast downhill as on a toboggan. If a snag is struck midway, the racquets may bounce safely over and glissade to the bottom; or the toe may catch, heels fly over head, and the hunter land with his feet noosed in frames sticking upright higher than his neck.
Any trapper can read the story of a hunt from snow-shoes. Bound and short: east of the Great Lakes. Slim and long: from the prairie. Padding for the instep: either rock ground or long runs. Filling of hide strips with broad enough inters.p.a.ces for a small foot to slip through: from the wet, heavily packed, snow region of the Atlantic coast, for trapping only, never the chase, small game, not large. Lace ties, instead of a noose to hold the foot: the amateur hunter. _Atibisc_, a fine filling taken from deer or caribou for the heel and toe; with _askimoneiab_, heavy, closely interlaced, membraneous filling from the moose across the centre to bear the brunt of wear; long enough for speed, short enough to turn short: the trapper knows he is looking at the snow-shoe of the craftsman. This is the sort he must have for himself.
The first thing, then--a moose for the heavy filling; preferably a spinster moose; for she is too lazy to run from a hunter who is not yet a Mercury; and she will furnish him with a banquet fit for kings.
Neither moose call nor birch horn, of which wonders are told, will avail now. The mating season is well past. Even if an old moose responded to the call, the chances are his flesh would be unfit for food. It would be a wasted kill, contrary to the principles of the true trapper.
Every animal has a sign language as plain as print. The trapper has hardly entered the forest before he begins to read this language. Broad hoof-marks are on the muskeg--quaking bog, covered with moss--over which the moose can skim as if on snow-shoes, where a horse would sink to the saddle. Park-like glades at the heads of streams, where the moose have spent the summer browsing on twigs and wallowing in water holes to get rid of sand flies, show trampled brush and stripped twigs and rubbed bark.
Coming suddenly on a grove of quaking aspens, a saucy jay has fluttered up with a noisy call--an alarm note; and something is bounding off to hiding in a thicket on the far side of the grove. The _wis-kat-jan_, or whisky jack, as the white men call it, who always hangs about the moose herds, has seen the trapper and sounded the alarm.
In August, when the great, palmated horns, which budded out on the male in July, are yet in the velvet, the trapper finds sc.r.a.ps of furry hair sticking to young saplings. The vain moose has been polishing his antlers, preparatory to mating. Later, there is a great whacking of horns among the branches. The moose, spoiling for a fight, in moose language is challenging his rivals to battle. Wood-choppers have been interrupted by the apparition of a huge, palmated head through a thicket. Mistaking the axe for his rival's defiance, the moose arrives on the scene in a mood of blind rage that sends the chopper up a tree, or back to the shanty for his rifle.
But the trapper allows these opportunities to pa.s.s. He is not ready for his moose until winter compels the abandoning of the canoe. Then the moose herds are yarding up in some sheltered feeding-ground.
It is not hard for the trapper to find a moose yard. There is the tell-tale cleft footprint in the snow. There are the cast-off antlers after the battles have been fought--the female moose being without horns and entirely dependent on speed and hearing and smell for protection.
There is the stripped, overhead twig, where a moose has reared on hind legs and nibbled a branch above. There is the bent or broken sapling which a moose pulled down with his mouth and then held down with his feet while he browsed. This and more sign language of the woods--too fine for the language of man--lead the trapper close on the haunts of a moose herd. But he does not want an ordinary moose. He is keen for the solitary track of a haughty spinster. And he probably comes on the print when he has almost made up his mind to chance a shot at one of the herd below the hill, where he hides. He knows the trail is that of a spinster. It is unusually heavy; and she is always fat. It drags clumsily over the snow; for she is lazy. And it doesn't travel straight away in a line like that of the roving moose; for she loiters to feed and dawdle out of pure indolence.
And now the trapper knows how a hound on a hot scent feels. He may win his prize with the ease of putting out his hand and taking it--sighting his rifle and touching the trigger. Or, by the blunder of a hair's breadth, he may daily track twenty weary miles for a week and come back empty at his cartridge-belt, empty below his cartridge-belt, empty of hand, and full, full of rage at himself, though his words curse the moose. He may win his prize in one of two ways: (1) by running the game to earth from sheer exhaustion; (2) or by a still hunt.
The straightaway hunt is more dangerous to the man than the moose. Even a fat spinster can outdistance a man with no snow-shoes. And if his perseverance lasts longer than her strength--for though a moose swings out in a long-stepping, swift trot, it is easily tired--the exhausted moose is a moose at bay; and a moose at bay rears on her hind legs and does defter things with the flattening blow of her fore feet than an exhausted man can do with a gun. The blow of a cleft hoof means something sharply split, wherever that spreading hoof lands. And if the something wriggles on the snow in death-throes, the moose pounds upon it with all four feet till the thing is still. Then she goes on her way with eyes ablaze and every s.h.a.ggy hair bristling.
The contest was even and the moose won.
Apart from the hazard, there is a barbarism about this straightaway chase, which repels the trapper. It usually succeeds by bogging the moose in crusted snow, or a waterhole--and then, Indian fashion, a slaughter; and no trapper kills for the sake of killing, for the simple practical reason that his own life depends on the preservation of game.
A slight snowfall and the wind in his face are ideal conditions for a still hunt. One conceals him. The other carries the man-smell from the game.
Which way does the newly-discovered footprint run? More flakes are in one hole than the other. He follows the trail till he has an idea of the direction the moose is taking; for the moose runs straightaway, not circling and doubling back on cold tracks like the deer, but marching direct to the objective point, where it turns, circles slightly--a loop at the end of a line--and lies down a little off the trail. When the pursuer, following the cold scent, runs past, the moose gets wind and is off in the opposite direction like a vanishing streak.
Having ascertained the lie of the land, the trapper leaves the line of direct trail and follows in a circling detour. Here, he finds the print fresher, not an hour old. The moose had stopped to browse and the markings are moist on a twig. The trapper leaves the trail, advancing always by a detour to leeward. He is sure, now, that it is a spinster.
If it had been any other, the moose would not have been alone. The rest would be tracking into the leader's steps; and by the fresh trail he knows for a certainty there is only one. But his very nearness increases the risk. The wind may shift. The snowfall is thinning. This time, when he comes back to the trail, it is fresher still. The hunter now gets his rifle ready. He dare not put his foot down without testing the snow, lest a twig snap. He parts a way through the brush with his hand and replaces every branch. And when next he comes back to the line of the moose's travel, there is no trail. This is what he expected. He takes off his coat; his leggings, if they are loose enough to rub with a leathery swish; his musk-rat fur cap, if it has any conspicuous colour; his boots, if they are noisy and given to crunching. If only he aim true, he will have moccasins soon enough. Leaving all impedimenta, he follows back on his own steps to the place where he last saw the trail.
Perhaps the saucy jay cries with a shrill, scolding shriek that sends cold shivers down the trapper's spine. He wishes he could get his hands on its wretched little neck; and turning himself to a statue, he stands stone-still till the troublesome bird settles down. Then he goes on.
Here is the moose trail!
He dare not follow direct. That would lead past her hiding-place and she would bolt. He resorts to artifice; but, for that matter, so has the moose resorted to artifice. The trapper, too, circles forward, cutting the moose's magic guard with transverse zigzags. But he no longer walks.
He crouches, or creeps, or glides noiselessly from shelter to shelter, very much the way a cat advances on an unwary mouse. He sinks to his knees and feels forward for snow-pads every pace. Then he is on all-fours, still circling. His detour has narrowed and narrowed till he knows she must be in that aspen thicket. The brush is spa.r.s.er. She has chosen her resting-ground wisely. The man falls forward on his face, closing in, closing in, wiggling and watching till--he makes a horrible discovery. That jay is perched on the topmost bough of the grove; and the man has caught a glimpse of something buff-coloured behind the aspens. It may be a moose, or only a log. The untried hunter would fire.
Not so the trapper. Hap-hazard aim means fighting a wounded moose, or letting the creature drag its agony off to inaccessible haunts. The man worms his way round the thicket, sighting the game with the noiseless circling of a hawk before the drop. An ear blinks. But at that instant the jay perks his head to one side with a curious look at this strange object on the ground. In another second it will be off with a call and the moose up.
His rifle is aimed!
A blinding swish of aspen leaves and snow and smoke! The jay is off with a noisy whistle. And the trapper has leather for moccasins, and heavy filling for his snow-shoes, and meat for his larder.
But he must still get the fine filling for heel and toe; and this comes from caribou or deer. The deer, he will still hunt as he has still hunted the moose, with this difference: that the deer runs in circles, jumping back in his own tracks leaving the hunter to follow a cold scent, while it, by a sheer bound--five--eight--twenty feet off at a new angle, makes for the hiding of dense woods. No one but a barbarian would attempt to run down a caribou; for it can only be done by the shameless trick of snaring in crusted snow, or intercepting while swimming, and then--butchery.
The caribou doesn't run. It doesn't bound. It floats away into s.p.a.ce.
One moment a sandy-coloured form, with black nose, black feet, and a glory of white statuary above its head, is seen against the far reaches of snow. The next, the form has shrunk--and shrunk--and shrunk, antlers laid back against its neck, till there is a vanishing speck on the horizon. The caribou has not been standing at all. It has skimmed out of sight; and if there is any clear ice across the marshes, it literally glides beyond vision from very speed. But, provided no man-smell crosses its course, the caribou is vulnerable in its habits. Morning and evening, it comes back to the same watering-place; and it returns to the same bed for the night. If the trapper can conceal himself without crossing its trail, he easily obtains the fine filling for his snow-shoes.
Moccasins must now be made.
The trapper shears off the coa.r.s.e hair with a sharp knife. The hide is soaked; and a blunter blade tears away the remaining hairs till the skin is white and clean. The flesh side is similarly cleaned and the skin rubbed with all the soap and grease it will absorb. A process of beating follows till the hide is limber. Carelessness at this stage makes buckskin soak up water like a sponge and dry to a shapeless board. The skin must be stretched and pulled till it will stretch no more. Frost helps the tanning, drying all moisture out; and the skin becomes as soft as down, without a crease. The smoke of punk from a rotten tree gives the dark yellow colour to the hide and prevents hardening. The skin is now ready for the needle; and all odd bits are h.o.a.rded away.
Equipped with moccasins and snow-shoes, the trapper is now the winged messenger of the tragic fates to the forest world.
CHAPTER XI
THE INDIAN TRAPPER
It is dawn when the Indian trapper leaves his lodge.
In midwinter of the Far North, dawn comes late. Stars, which shine with a hard, clear, crystal radiance only seen in northern skies, pale in the gray morning gloom; and the sun comes over the horizon dim through mists of frost-smoke. In an hour the frost-mist, lying thick to the touch like clouds of steam, will have cleared; and there will be nothing from sky-line to sky-line but blinding sunlight and snowglare.
The Indian trapper must be far afield before mid-day. Then the sun casts no man-shadow to scare game from his snares. Black is the flag of betrayal in northern midwinter. It is by the big liquid eye, glistening on the snow like a black marble, that the trapper detects the white hare; and a jet tail-tip streaking over the white wastes in dots and dashes tells him the little ermine, whose coat must line some emperor's coronation robe, is alternately scudding over the drifts and diving below the snow with the forward wriggling of a snake under cover. But the moving man-shadow is bigger and plainer on the snow than the hare's eye or the ermine's jet tip; so the Indian trapper sets out in the gray darkness of morning and must reach his hunting-grounds before high noon.
With long snow-shoes, that carry him over the drifts in swift, coasting strides, he swings out in that easy, ambling, Indian trot, which gives never a jar to the runner, nor rests long enough for the snows to crunch beneath his tread.
The old musket, which he got in trade from the fur post, is over his shoulder, or swinging lightly in one hand. A hunter's knife and short-handled woodman's axe hang through the beaded scarf, belting in his loose, caribou capote. Powder-horn and heavy musk-rat gantlets are attached to the cord about his neck; so without losing either he can fight bare-handed, free and in motion, at a moment's notice. And somewhere, in side pockets or hanging down his back, is his _skipertogan_--a skin bag with amulet against evil, matches, touchwood, and a sc.r.a.p of pemmican. As he grows hot, he throws back his hood, running bareheaded and loose about the chest.
Each breath clouds to frost against his face till hair and brows and lashes are fringed with frozen moisture. The white man would hugger his face up with scarf and collar the more for this; but the Indian knows better. Suddenly chilled breath would soak scarf and collar wet to his skin; and his face would be frozen before he could go five paces. But with dry skin and quickened blood, he can defy the keenest cold; so he loosens his coat and runs the faster.
As the light grows, dim forms shape themselves in the gray haze. Pine groves emerge from the dark, wreathed and festooned in snow. Cones and domes and cornices of snow heap the underbrush and spreading larch boughs. Evergreens are edged with white. Naked trees stand like limned statuary with an antlered crest etched against the white glare. The snow stretches away in a sea of billowed, white drifts that seem to heave and fall to the motions of the runner, mounting and coasting and skimming over the unbroken waste like a bird winging the ocean. And against this endless stretch of drifts billowing away to a boundless circle, of which the man is the centre, his form is dwarfed out of all proportion, till he looks no larger than a bird above the sea.
When the sun rises, strange colour effects are caused by the frost haze.