The Story of Porcelain Part 3

The luncheon, tackle, and sweaters had been put into a canoe, which Tony and Manuel raised to their shoulders as if it were a feather.

"There is a punt over at Owl that we can use, so we shall need only one canoe," explained Manuel as he strode along.

The carry was not a rough one, but to Theo, accustomed to the smoothness of city pavements, it seemed very rough indeed. He was continually stepping into holes or climbing over fallen tree-trunks, and although a good walker, the pace the guides set made him pant. Even Dr. Swift was forced to confess that he was out of breath and was obliged now and then to stop and rest. Mr. Croyden, on the contrary, swung along the narrow trail with the ease of an Indian.

"You will get into trim in a few days," he observed encouragingly to Theo. "I myself am always stiff and slow until I get limbered up."

When, however, Owl Lake finally came into sight both Theo and his father instantly forgot their fatigue.

There stretched the tiny sheet of water, a gem of flashing blue whose calm surface mirrored the pines and delicate birches bordering its margin.

The punt and canoe were launched, the tackle unpacked, and amid a silence broken only by the dip of oar and paddle the fishermen drifted out into the stillness.

Ah, it was a day never to be forgotten! Certainly Theo would never forget it, for it was during the first half-hour of this Arabian Night's dream that he proudly landed a beautiful lake trout, the first one he had ever caught.

From the moment he felt the tug at his line until his catch was safely in the bottom of the boat his excitement was tremendous. How the little creature pulled! How it swept away with the bait into deep water! With Manuel, Dr. Swift, Tony, and Mr. Croyden all coaching him, and almost as frenzied as he, poor Theo hardly knew where he was. But he obeyed the insistent command of: "_Play him! Play him!_"

and play him he did. Even with the captive's final leap into the air the trout did not succeed in freeing itself from the hook. Keeping his prize well away from the boat that the line might not slacken Theo at last reeled in his victim.

He gasped when the feat was accomplished.

The second time he knew better what to do; and before the sun was high and the fish had ceased to bite he landed five beauties.

In the meantime both his father and Mr. Croyden had been so absorbed in watching his pleasure that they had almost forgotten their own lines, and it was not until a big land-loch struck that the Doctor remembered he, too, was fishing. When finally a lull in the sport came and the party pulled up-stream toward the lean-to, there were a dozen good-sized trout in Mr. Croyden's basket and as many more in the Doctor's.

Then came the disembarking at the upper end of the lake, and the building of the fire. Dry wood was taken from the shelter of the house, and in the clearing before the camp, on a foundation of large flat stones, the fire was kindled. It was a marvel to Theo to see how quickly Manuel and Tony made things ready. They produced a small frying-pan, greased it, and had the fish sizzling in it before you could say Jack Robinson. Then they unpacked the hampers and brought forth tin plates, knives, and forks.

How good the meal tasted!

The great slices of bread-and-b.u.t.ter, with layers of creamy cheese between them, seemed a royal feast to the ravenous sportsmen; and the steaming coffee and thin slices of crisp bacon food for the G.o.ds. As for the trout--particularly the big one Theo himself had caught--well, there never was such eating!

After lunch was done the fishermen were loth to leave the sunny shelter of the cabin.

Dr. Swift and Mr. Croyden lounged on the door-sill, while Theo skipped stones in the water until his arm was tired. Then exhausted by his exertions he sank wearily down on a stump near the lean-to and remarked:

"Why wouldn't this be a good time, Mr. Croyden, to tell us some more about Greek pottery?"

"Greek pottery? Bless my heart! I thought you had forgotten all about that."

"So I had when I was fishing," confessed Theo honestly. "But I have remembered it again now."

"You are a frank youngster," laughed Mr. Croyden. "Well, let me see. You know the making of pottery was a fine art among the Greeks. They made two kinds--neither of them glazed, of course, because at that time n.o.body knew how to glaze pottery. The first kind was a pottery of red clay on which were placed decorations of black pigment; the other was a pottery on which they painted figures in red, afterward filling in the background around them with black. These two varieties of ware are briefly known as black on red, and red on black. The black portion of this pottery possessed a wonderful polish which came from the black pigment mixed with the clay; the red part, on the contrary, had no l.u.s.tre, evidently being smoothed and polished with some hard tool after the vase was finished. These vases were very beautiful in form and design, no two of them being alike. Each was made by an individual artist who pleased himself as to the arrangement of the birds, animals, and gracefully draped figures with which he decorated it. The famous Francois vase at Florence is a marvelous example of this sixth century workmanship; every inch of its closely adorned surface is covered with carefully drawn figures in black, white, and purple. This particular piece was probably made by two Athenian artists, as it shows two distinct types of work. Think how fortunate we are to have had it come down to us unbroken through the tumult of the years!"

Mr. Croyden gazed thoughtfully into the fire.

"You know that at the time these exquisite vases were made the entire Greek nation was devoting itself to the fashioning of beautiful things. Sculptors were carving wonderful statues, toiling eagerly to make each piece more perfect in form; architects were rearing such buildings as the world has never since seen; and in the centre of Athens a district was reserved which was entirely occupied by the shops of potters and painters and known as the _ceramicus_. It is from this ancient word that our present day term ceramics is derived. Within this area devoted to the making of pottery the artists worked, each one reverently bending his energy to give to the world a thing which should be as nearly perfect in form and decoration as he could make it. Thousands of vases went out, many of them into the homes of rich, beauty-loving Greeks; many into the temples; and many into Athenian tombs; for the people of this nation always loyally honored their dead. In addition to these vases there were smaller articles--perfume bottles, jars for wine or water, utensils used at ceremonials in the temples; and the beautiful amphora, a vase given as a prize at the great Greek festivals, and the progenitor of the silver cups we now give the winners in athletic games. This latter type of vase had two handles and frequently its base was tapered to a point in order that it might rest in a tripod, or be thrust into the earth. At the Louvre in Paris there is a very famous Greek amphora which I hope you will see some day."

"I should like to see it," declared Theo eagerly.

"I intend you shall, son," put in Dr. Swift. "I mean to give you the chance to see all the finest things in the world, if I have my way."

Theo smiled gratefully into his father's face.

"When we marvel at the grace and perfection of Greek decoration we must bear in mind that as a spur to their artistic sense the people had beauty constantly before them. Theirs was a country of smiling skies, of blue heaven and golden sunshine; their buildings breathed the very essence of all that is highest in art; even the throngs that filled the streets were picturesque and cla.s.sic in appearance. For in those days fashions of dress did not change as capriciously as they do now. A beautiful style of costume was adopted and retained, and in consequence artists had ever before them men and women who were excellent models for chaste decoration. In our time such a procedure would be impossible, as the national dress of both our men and women has become utilitarian rather than beautiful, and now has little artistic to recommend it. If we wish cla.s.sic draperies and faultless styles of hair-dressing we must revert to the past for our models."

There was a silence broken only by the snapping of the fire.

"To give you some idea how much of this pottery the Greeks turned out I must tell you that at Naples there is a collection of two thousand Greek cups and vases. The Vatican at Rome has one thousand more; Florence has seven hundred; Turin five hundred; Vienna three hundred; Berlin about seventeen hundred; the Louvre at Paris fifteen hundred; and the British Museum nearly twenty-six hundred. Besides these there are some twenty thousand more scattered all over the world in private collections."

A whistle of surprise escaped Theo.

"Not all of these are equally good, however," went on Mr. Croyden. "The Etruscan work done by wandering Greek potters and by some persons rated as identical with the Roman Samian ware, is one of the finest varieties remaining to us; probably because it escaped being buried with the dead and therefore was not injured or discolored by the soil as were so many of the Greek vases found at Athens. Moreover, we must remember that not every artist who made and decorated an object excelled. Naturally some did more perfect work than others, even in the days of the best Grecian art. How sad it is that at a later period in history the work of the Greeks became less fine because the ideals of the race degenerated. Pottery makers, sculptors, and builders began to produce cheap, gaudy things which were lavishly decorated, and reflected the luxury and extravagance that had crept into the nation. From that moment the glory of Greece decayed. For it is the ideals of a country and its people that serve as guide-posts to the greatest and finest deeds. Unless each individual in a land aims at the purest and best his country will never reach holiness. It is the struggle for perfection in every field of life that results in fine art, fine men, and fine nations."

Mr. Croyden had become very grave.

Then he rose abruptly, took out his pipe, and knocked the bowl of it upon a stump.

"Well, well," he exclaimed with a swift return to his accustomed gaiety, "I think I have lectured long enough. See! Manuel has everything packed up and is waiting for us. Suppose we start back home."

But Theo was very quiet on the trip back to the camp.

He was thinking about the Greeks.

[Ill.u.s.tration]

CHAPTER III

THEO MEETS WITH A CALAMITY

It was when Theo had been three days in camp that the accident happened.

Outside the cook-house stood a ladder to be used in case of fire, and as one morning the boy pa.s.sed it, it suddenly came to him what fun it would be to mount to the ridge-pole of the cabin and toss a handful of tiny pebbles down on the heads of the guides as they pa.s.sed through the door beneath. What a surprise it would be to Tony and Franz to have the stones come clattering down upon them; and what sport it would be to watch them as they tried to solve the riddle as to where the missiles came from!

It was a foolish scheme, and probably had Theo thought it over a second time he would have abandoned it; but he was an impulsive boy who often acted before he carefully considered what he was doing. Therefore without a moment's hesitation he cautiously dragged the ladder to the end of the cabin and, making sure that no one was looking, began climbing it. He was on the top rung and was just stepping softly to the roof when there was a snapping of rotten wood and the bar beneath his foot gave way, sending him crashing headlong to the ground.

Fortunately for Theo the cabin was a low one, and he had not far to fall; but in trying to save himself he twisted one leg beneath him, and the result was most disastrous. He felt a sudden sharp pain as he struck the earth, and when a second later he attempted to rise he discovered to his chagrin that it was impossible for him to do so. Every movement he made hurt him excruciatingly, and presently feeling both faint and dizzy he abandoned further effort.

For an interval he lay very still, ashamed to call for help; then pocketing his pride he began to yell l.u.s.tily. His cries brought Franz and Manuel from the kitchen, Mr. Croyden from his cabin, and Dr. Swift from his room. Luckily it was just noontime and every one was indoors awaiting lunch.

Of what followed Theo had only a vague idea. He remembered that his father and Mr. Croyden raised him in their arms, and that in spite of their gentleness he had cried with pain at their touch. Then he had been put on his bed where his father proceeded to examine the injured leg. Every motion the Doctor made caused the boy intense agony. Afterward he had been allowed to rest, and then his father bent over him very gravely and with trembling lips said:

"Son, I've got to hurt you; I've got to hurt you a great deal. Your leg is broken, and we are miles from a hospital. I have no ether to give you, and the bone must be set. I want you to be as brave as you can and bear the pain that I must cause you. I need not tell you that I will work as gently as possible. Now pull yourself together and show me the sort of son I have. The more steady your nerve is the more it will help me, and the sooner I can finish what I must do."