The Story of Mankind Part 5

GREEK LIFE

HOW THE GREEKS LIVED

BUT how, you will ask, did the ancient Greeks have time to look after their families and their business if they were forever running to the market-place to discuss affairs of state? In this chapter I shall tell you.

In all matters of government, the Greek democracy recognised only one cla.s.s of citizens--the freemen. Every Greek city was composed of a small number of free born citizens, a large number of slaves and a sprinkling of foreigners.

At rare intervals (usually during a war, when men were needed for the army) the Greeks showed themselves willing to confer the rights of citizenship upon the "barbarians" as they called the foreigners. But this was an exception. Citizenship was a matter of birth. You were an Athenian because your father and your grandfather had been Athenians before you. But however great your merits as a trader or a soldier, if you were born of non-Athenian parents, you remained a "foreigner" until the end of time.

The Greek city, therefore, whenever it was not ruled by a king or a tyrant, was run by and for the freemen, and this would not have been possible without a large army of slaves who outnumbered the free citizens at the rate of six or five to one and who performed those tasks to which we modern people must devote most of our time and energy if we wish to provide for our families and pay the rent of our apartments.

The slaves did all the cooking and baking and candlestick making of the entire city. They were the tailors and the carpenters and the jewelers and the school-teachers and the bookkeepers and they tended the store and looked after the factory while the master went to the public meeting to discuss questions of war and peace or visited the theatre to see the latest play of AEschylus or hear a discussion of the revolutionary ideas of Euripides, who had dared to express certain doubts upon the omnipotence of the great G.o.d Zeus.

Indeed, ancient Athens resembled a modern club. All the freeborn citizens were hereditary members and all the slaves were hereditary servants, and waited upon the needs of their masters, and it was very pleasant to be a member of the organisation.

But when we talk about slaves, we do not mean the sort of people about whom you have read in the pages of "Uncle Tom's Cabin." It is true that the position of those slaves who tilled the fields was a very unpleasant one, but the average freeman who had come down in the world and who had been obliged to hire himself out as a farm hand led just as miserable a life. In the cities, furthermore, many of the slaves were more prosperous than the poorer cla.s.ses of the freemen. For the Greeks, who loved moderation in all things, did not like to treat their slaves after the fashion which afterward was so common in Rome, where a slave had as few rights as an engine in a modern factory and could be thrown to the wild animals upon the smallest pretext.

The Greeks accepted slavery as a necessary inst.i.tution, without which no city could possibly become the home of a truly civilised people.

The slaves also took care of those tasks which nowadays are performed by the business men and the professional men. As for those household duties which take up so much of the time of your mother and which worry your father when he comes home from his office, the Greeks, who understood the value of leisure, had reduced such duties to the smallest possible minimum by living amidst surroundings of extreme simplicity.

To begin with, their homes were very plain. Even the rich n.o.bles spent their lives in a sort of adobe barn, which lacked all the comforts which a modern workman expects as his natural right. A Greek home consisted of four walls and a roof. There was a door which led into the street but there were no windows. The kitchen, the living rooms and the sleeping quarters were built around an open courtyard in which there was a small fountain, or a statue and a few plants to make it look bright. Within this courtyard the family lived when it did not rain or when it was not too cold. In one corner of the yard the cook (who was a slave) prepared the meal and in another corner, the teacher (who was also a slave) taught the children the alpha beta gamma and the tables of multiplication and in still another corner the lady of the house, who rarely left her domain (since it was not considered good form for a married woman to be seen on the street too often) was repairing her husband's coat with her seamstresses (who were slaves,) and in the little office, right off the door, the master was inspecting the accounts which the overseer of his farm (who was a slave) had just brought to him.

When dinner was ready the family came together but the meal was a very simple one and did not take much time. The Greeks seem to have regarded eating as an unavoidable evil and not a pastime, which kills many dreary hours and eventually kills many dreary people. They lived on bread and on wine, with a little meat and some green vegetables. They drank water only when nothing else was available because they did not think it very healthy. They loved to call on each other for dinner, but our idea of a festive meal, where everybody is supposed to eat much more than is good for him, would have disgusted them. They came together at the table for the purpose of a good talk and a good gla.s.s of wine and water, but as they were moderate people they despised those who drank too much.

The same simplicity which prevailed in the dining room also dominated their choice of clothes. They liked to be clean and well groomed, to have their hair and beards neatly cut, to feel their bodies strong with the exercise and the swimming of the gymnasium, but they never followed the Asiatic fashion which prescribed loud colours and strange patterns.

They wore a long white coat and they managed to look as smart as a modern Italian officer in his long blue cape.

They loved to see their wives wear ornaments but they thought it very vulgar to display their wealth (or their wives) in public and whenever the women left their home they were as inconspicuous as possible.

In short, the story of Greek life is a story not only of moderation but also of simplicity. "Things," chairs and tables and books and houses and carriages, are apt to take up a great deal of their owner's time. In the end they invariably make him their slave and his hours are spent looking after their wants, keeping them polished and brushed and painted. The Greeks, before everything else, wanted to be "free," both in mind and in body. That they might maintain their liberty, and be truly free in spirit, they reduced their daily needs to the lowest possible point.

THE GREEK THEATRE

THE ORIGINS OF THE THEATRE, THE FIRST FORM OF PUBLIC AMUs.e.m.e.nT

AT a very early stage of their history the Greeks had begun to collect the poems, which had been written in honor of their brave ancestors who had driven the Pelasgians out of h.e.l.las and had destroyed the power of Troy. These poems were recited in public and everybody came to listen to them. But the theatre, the form of entertainment which has become almost a necessary part of our own lives, did not grow out of these recited heroic tales. It had such a curious origin that I must tell you something about it in a separate chapter

The Greeks had always been fond of parades. Every year they held solemn processions in honor of Dionysos the G.o.d of the wine. As everybody in Greece drank wine (the Greeks thought water only useful for the purpose of swimming and sailing) this particular Divinity was as popular as a G.o.d of the Soda-Fountain would be in our own land.

And because the Wine-G.o.d was supposed to live in the vineyards, amidst a merry mob of Satyrs (strange creatures who were half man and half goat), the crowd that joined the procession used to wear goat-skins and to hee-haw like real billy-goats. The Greek word for goat is "tragos" and the Greek word for singer is "oidos." The singer who meh-mehed like a goat therefore was called a "tragos-oidos" or goat singer, and it is this strange name which developed into the modern word "Tragedy," which means in the theatrical sense a piece with an unhappy ending, just as Comedy (which really means the singing of something "comos" or gay) is the name given to a play which ends happily.

But how, you will ask, did this noisy chorus of masqueraders, stamping around like wild goats, ever develop into the n.o.ble tragedies which have filled the theatres of the world for almost two thousand years?

The connecting link between the goat-singer and Hamlet is really very simple as I shall show you in a moment.

The singing chorus was very amusing in the beginning and attracted large crowds of spectators who stood along the side of the road and laughed.

But soon this business of tree-hawing grew tiresome and the Greeks thought dullness an evil only comparable to ugliness or sickness. They asked for something more entertaining. Then an inventive young poet from the village of Icaria in Attica hit upon a new idea which proved a tremendous success. He made one of the members of the goat-chorus step forward and engage in conversation with the leader of the musicians who marched at the head of the parade playing upon their pipes of Pan.

This individual was allowed to step out of line. He waved his arms and gesticulated while he spoke (that is to say he "acted" while the others merely stood by and sang) and he asked a lot of questions, which the bandmaster answered according to the roll of papyrus upon which the poet had written down these answers before the show began.

This rough and ready conversation--the dialogue--which told the story of Dionysos or one of the other G.o.ds, became at once popular with the crowd. Henceforth every Dionysian procession had an "acted scene" and very soon the "acting" was considered more important than the procession and the meh-mehing.

AEschylus, the most successful of all "tragedians" who wrote no less than eighty plays during his long life (from 526 to 455) made a bold step forward when he introduced two "actors" instead of one. A generation later Sophocles increased the number of actors to three. When Euripides began to write his terrible tragedies in the middle of the fifth century, B.C., he was allowed as many actors as he liked and when Aristophanes wrote those famous comedies in which he poked fun at everybody and everything, including the G.o.ds of Mount Olympus, the chorus had been reduced to the role of mere bystanders who were lined up behind the princ.i.p.al performers and who sang "this is a terrible world"

while the hero in the foreground committed a crime against the will of the G.o.ds.

This new form of dramatic entertainment demanded a proper setting, and soon every Greek city owned a theatre, cut out of the rock of a nearby hill. The spectators sat upon wooden benches and faced a wide circle (our present orchestra where you pay three dollars and thirty cents for a seat). Upon this half-circle, which was the stage, the actors and the chorus took their stand. Behind them there was a tent where they made up with large clay masks which hid their faces and which showed the spectators whether the actors were supposed to be happy and smiling or unhappy and weeping. The Greek word for tent is "skene" and that is the reason why we talk of the "scenery" of the stage.

When once the tragedy had become part of Greek life, the people took it very seriously and never went to the theatre to give their minds a vacation. A new play became as important an event as an election and a successful playwright was received with greater honors than those bestowed upon a general who had just returned from a famous victory.

THE PERSIAN WARS

HOW THE GREEKS DEFENDED EUROPE AGAINST ASIATIC INVASION AND DROVE THE PERSIANS BACK ACROSS THE AEGEAN SEA

THE Greeks had learned the art of trading from the AEgeans who had been the pupils of the Phoenicians. They had founded colonies after the Phoenician pattern. They had even improved upon the Phoenician methods by a more general use of money in dealing with foreign customers. In the sixth century before our era they had established themselves firmly along the coast of Asia Minor and they were taking away trade from the Phoenicians at a fast rate. This the Phoenicians of course did not like but they were not strong enough to risk a war with their Greek compet.i.tors. They sat and waited nor did they wait in vain.

In a former chapter, I have told you how a humble tribe of Persian shepherds had suddenly gone upon the warpath and had conquered the greater part of western Asia. The Persians were too civilised to plunder their new subjects. They contented themselves with a yearly tribute.

When they reached the coast of Asia Minor they insisted that the Greek colonies of Lydia recognize the Persian Kings as their over-Lords and pay them a stipulated tax. The Greek colonies objected. The Persians insisted. Then the Greek colonies appealed to the home-country and the stage was set for a quarrel.

For if the truth be told, the Persian Kings regarded the Greek city-states as very dangerous political inst.i.tutions and bad examples for all other people who were supposed to be the patient slaves of the mighty Persian Kings.

Of course, the Greeks enjoyed a certain degree of safety because their country lay hidden beyond the deep waters of the AEgean. But here their old enemies, the Phoenicians, stepped forward with offers of help and advice to the Persians. If the Persian King would provide the soldiers, the Phoenicians would guarantee to deliver the necessary ships to carry them to Europe. It was the year 492 before the birth of Christ, and Asia made ready to destroy the rising power of Europe.

As a final warning the King of Persia sent messengers to the Greeks asking for "earth and water" as a token of their submission. The Greeks promptly threw the messengers into the nearest well where they would find both "earth and water" in large abundance and thereafter of course peace was impossible.

But the G.o.ds of High Olympus watched over their children and when the Phoenician fleet carrying the Persian troops was near Mount Athos, the Storm-G.o.d blew his cheeks until he almost burst the veins of his brow, and the fleet was destroyed by a terrible hurricane and the Persians were all drowned.

Two years later they returned. This time they sailed straight across the AEgean Sea and landed near the village of Marathon. As soon as the Athenians heard this they sent their army of ten thousand men to guard the hills that surrounded the Marathonian plain. At the same time they despatched a fast runner to Sparta to ask for help. But Sparta was envious of the fame of Athens and refused to come to her a.s.sistance.

The other Greek cities followed her example with the exception of tiny Plataea which sent a thousand men. On the twelfth of September of the year 490, Miltiades, the Athenian commander, threw this little army against the hordes of the Persians. The Greeks broke through the Persian barrage of arrows and their spears caused terrible havoc among the disorganised Asiatic troops who had never been called upon to resist such an enemy.

That night the people of Athens watched the sky grow red with the flames of burning ships. Anxiously they waited for news. At last a little cloud of dust appeared upon the road that led to the North. It was Pheidippides, the runner. He stumbled and gasped for his end was near.

Only a few days before had he returned from his errand to Sparta. He had hastened to join Miltiades. That morning he had taken part in the attack and later he had volunteered to carry the news of victory to his beloved city. The people saw him fall and they rushed forward to support him.

"We have won," he whispered and then he died, a glorious death which made him envied of all men.

As for the Persians, they tried, after this defeat, to land near Athens but they found the coast guarded and disappeared, and once more the land of h.e.l.las was at peace.

Eight years they waited and during this time the Greeks were not idle.

They knew that a final attack was to be expected but they did not agree upon the best way to avert the danger. Some people wanted to increase the army. Others said that a strong fleet was necessary for success. The two parties led by Aristides (for the army) and Themistocles (the leader of the bigger-navy men) fought each other bitterly and nothing was done until Aristides was exiled. Then Themistocles had his chance and he built all the ships he could and turned the Piraeus into a strong naval base.