The Story of an African Farm Part 44

"'It is you, devil, is it, that will not pull?' the transport-rider said. 'I will show you something.' He looked like a devil.

"He told the boys to leave off flogging, and he held the ox by the horn, and took up a round stone and knocked its nose with it till the blood came. When he had done they called to the oxen and took up their whips again, and the oxen strained with their backs bent, but the wagon did not move an inch.

"'So you won't, won't you?' he said. I'll help you.'

"He took out his clasp-knife, and ran it into the leg of the trembling ox three times, up to the hilt. Then he put the knife in his pocket, and they took their whips. The oxen's flanks quivered, and they foamed at the mouth. Straining, they moved the wagon a few feet forward, then stood with bent backs to keep it from sliding back. From the black ox's nostrils foam and blood were streaming on to the ground. It turned its head in its anguish and looked at me with its great starting eyes. It was praying for help in its agony and weakness, and they took their whips again. The creature bellowed aloud. If there is a G.o.d, it was calling to its Maker for help. Then a stream of clear blood burst from both nostrils; it fell on to the ground, and the wagon slipped back. The man walked up to it.

"'You are going to lie down, devil, are you? We'll see you don't take it too easy.'

"The thing was just dying. He opened his clasp-knife and stooped down over it. I do not know what I did then. But afterward I know I had him on the stones, and I was kneeling on him. The boys dragged me off. I wish they had not. I left him standing in the sand in the road, shaking himself, and I walked back to the town. I took nothing from that accursed wagon, so I had only two shillings. But it did not matter. The next day I got work at a wholesale store. My work was to pack and unpack goods, and to carry boxes, and I had to work from six in the morning to six in the evening; so I had plenty of time.

"I hired a little room, and subscribed to a library, so I had everything I needed; and in the week of Christmas holidays I went to see the sea.

I walked all night, Lyndall, to escape the heat, and a little after sunrise I got to the top of a high hill. Before me was a long, low, blue, monotonous mountain. I walked looking at it, but I was thinking of the sea I wanted to see. At last I wondered what that curious blue thing might be; then it struck me it was the sea! I would have turned back again, only I was too tired. I wonder if all the things we long to see--the churches, the pictures, the men in Europe--will disappoint us so! You see I had dreamed of it so long. When I was a little boy, minding sheep behind the kopje, I used to see the waves stretching out as far as the eye could reach in the sunlight. My sea! Is the idea always more beautiful than the real?

"I got to the beach that afternoon, and I saw the water run up and down on the sand, and I saw the white foam breakers; they were pretty, but I thought I would go back the next day. It was not my sea.

"But I began to like it when I sat by it that night in the moonlight; and the next day I liked it better; and before I left I loved it. It was not like the sky and stars, that talk of what has no beginning and no end; but it is so human. Of all the things I have ever seen, only the sea is like a human being; the sky is not, nor the earth. But the sea is always moving, always something deep in itself is stirring it. It never rests. It is always wanting, wanting, wanting. It hurries on; and then it creeps back slowly without having reached, moaning. It is always asking a question, and it never gets the answer. I can hear it in the day and in the night; the white foam breakers are saying that which I think. I walk alone with them when there is no one to see me, and I sing with them. I lie down on the sand and watch them with my eyes half shut.

The sky is better, but it is so high above our heads. I love the sea. Sometimes we must look down too. After five days I went back to Grahamstown.

"I had glorious books, and in the night I could sit in my little room and read them; but I was lonely. Books are not the same things when you are living among people. I cannot tell why, but they are dead. On the farm they would have been living beings to me; but here, where there were so many people about me, I wanted some one to belong to me. I was lonely. I wanted something that was flesh and blood. Once on this farm there came a stranger; I did not ask his name, but he sat among the karoo and talked with me. Now, wherever I have travelled I have looked for him--in hotels, in streets, in pa.s.senger wagons as they rushed in, through the open windows of houses I have looked for him, but I have not found him--never heard a voice like his. One day I went to the Botanic Gardens. It was a half-holiday, and the band was to play. I stood in the long raised avenue and looked down. There were many flowers, and ladies and children were walking about beautifully dressed. At last the music began. I had not heard such music before.

"At first it was slow and even, like the everyday life, when we walk through it without thought or feeling; then it grew faster, then it paused, hesitated, then it was quite still for an instant, and then it burst out. Lyndall, they made heaven right when they made it all music.

It takes you up and carries you away, away, till you have the things you longed for, you are up close to them. You have got out into a large, free, open place. I could not see anything while it was playing; I stood with my head against my tree; but, when it was done, I saw that there were ladies sitting close to me on a wooden bench, and the stranger who had talked to me that day in the karoo was sitting between them. The ladies were very pretty, and their dresses beautiful. I do not think they had been listening to the music, for they were talking and laughing very softly. I heard all they said, and could even smell the rose on the breast of one. I was afraid he would see me; so I went to the other side of the tree, and soon they got up and began to pace up and down in the avenue.

"All the time the music played they chatted, and he carried on his arm the scarf of the prettiest lady. I did not hear the music; I tried to catch the sound of his voice each time he went by. When I was listening to the music I did not know I was badly dressed; now I felt so ashamed of myself. I never knew before what a low, horrible thing I was, dressed in tancord. That day on the farm, when we sat on the ground under the thorn-trees, I thought he quite belonged to me; now, I saw he was not mine. But he was still as beautiful. His brown eyes are more beautiful than any one's eyes, except yours.

"At last they turned to go, and I walked after them. When they got out of the gate he helped the ladies into a phaeton, and stood for a moment with his foot on the step talking to them. He had a little cane in his hand, and an Italian greyhound ran after him. Just when they drove away one of the ladies dropped her whip.

"'Pick it up, fellow,' she said; and when I brought it her she threw sixpence on the ground. I might have gone back to the garden then; but I did not want music; I wanted clothes, and to be fashionable and fine. I felt that my hands were coa.r.s.e, and that I was vulgar. I never tried to see him again.

"I stayed in my situation four months after that, but I was not happy.

I had no rest. The people about me pressed on me, and made me dissatisfied. I could not forget them. Even when I did not see them they pressed on me, and made me miserable. I did not love books; I wanted people. When I walked home under the shady trees in the street I could not be happy, for when I pa.s.sed the houses I heard music, and saw faces between the curtains. I did not want any of them, but I wanted some one for mine, for me. I could not help it. I wanted a finer life.

"Only one day something made me happy. A nurse came to the store with a little girl belonging to one of our clerks. While the maid went into the office to give a message to its father, the little child stood looking at me. Presently she came close to me and peeped up into my face.

"'Nice curls, pretty curls,' she said; 'I like curls.'

"She felt my hair all over, with her little hands. When I put out my arm she let me take her and sit her on my knee. She kissed me with her soft mouth. We were happy till the nurse-girl came and shook her, and asked her if she was not ashamed to sit on the knee of that strange man. But I do not think my little one minded. She laughed at me as she went out.

"If the world was all children I could like it; but men and women draw me so strangely, and then press me away, till I am in agony. I was not meant to live among people. Perhaps some day, when I am grown older, I will be able to go and live among them and look at them as I look at the rocks, and bushes, without letting them disturb me, and take myself from me; but not now. So I grew miserable; a kind of fever seemed to eat me; I could not rest, or read, or think; so I came back here. I knew you were not here but it seemed as though I should be nearer you; and it is you I want--you that the other people suggest to me, but cannot give."

He had filled all the sheets he had taken, and now lifted down the last from the mantelpiece. Em had dropped asleep, and lay slumbering peacefully on the skin before the fire. Out of doors the storm still raged; but in a fitful manner, as though growing half weary of itself.

He bent over his paper again, with eager flushed cheek, and wrote on.

"It has been a delightful journey, this journey home. I have walked on foot. The evening before last, when it was just sunset, I was a little footsore and thirsty, and went out of the road to look for water. I went down into a deep little kloof. Some trees ran along the bottom, and I thought I should find water there. The sun had quite set when I got to the bottom of it. It was very still--not a leaf was stirring anywhere.

In the bed of the mountain torrent I thought I might find water. I came to the bank, and leaped down into the dry bed. The floor on which I stood was of fine white sand, and the banks rose on every side like the walls of a room.

"Above there was a precipice of rocks, and a tiny stream of water oozed from them and fell slowly on to the flat stone below. Each drop you could hear fall like a little silver bell. There was one among the trees on the bank that stood cut out against the white sky. All the other trees were silent; but this one shook and trembled against the sky.

Everything else was still; but those leaves were quivering, quivering. I stood on the sand; I could not go away. When it was quite dark, and the stars had come, I crept out. Does it seem strange to you that it should have made me so happy? It is because I cannot tell you how near I felt to things that we cannot see but we always feel. Tonight has been a wild, stormy night. I have been walking across the plain for hours in the dark. I have liked the wind, because I have seemed forcing my way through to you. I knew you were not here, but I would hear of you. When I used to sit on the transport wagon half-sleeping, I used to start awake because your hands were on me. In my lodgings, many nights I have blown the light out, and sat in the dark, that I might see your face start out more distinctly. Sometimes it was the little girl's face who used to come to me behind the kopje when I minded sheep, and sit by me in her blue pinafore; sometimes it was older. I love both. I am very helpless; I shall never do anything; but you will work, and I will take your work for mine. Sometimes such a sudden gladness seizes me when I remember that somewhere in the world you are living and working. You are my very own; nothing else is my own so. When I have finished I am going to look at your room door--"

He wrote; and the wind, which had spent its fury, moaned round and round the house, most like a tired child weary with crying.

Em woke up, and sat before the fire, rubbing her eyes, and listening, as it sobbed about the gables, and wandered away over the long stone walls.

"How quiet it has grown now," she said, and sighed herself, partly from weariness and partly from sympathy with the tired wind. He did not answer her; he was lost in his letter.

She rose slowly after a time, and rested her hand on his shoulder.

"You have many letters to write," she said.

"No," he answered; "it is only one to Lyndall."

She turned away, and stood long before the fire looking into it. If you have a deadly fruit to give, it will not grow sweeter by keeping.

"Waldo, dear," she said, putting her hand on his, "leave off writing."

He threw back the dark hair from his forehead and looked at her.

"It is no use writing any more," she said.

"Why not?" he asked.

She put her hand over the papers he had written.

"Waldo," she said, "Lyndall is dead."

Chapter 2.XII. Gregory's Womanhood.

Slowly over the flat came a cart. On the back seat sat Gregory, his arms folded, his hat drawn over his eyes. A Kaffer boy sat on the front seat driving, and at his feet sat Doss, who, now and again, lifted his nose and eyes above the level of the splashboard, to look at the surrounding country; and then, with an exceedingly knowing wink of his left eye, turned to his companions, thereby intimating that he clearly perceived his whereabouts. No one noticed the cart coming. Waldo, who was at work at his carpenter's table in the wagon-house, saw nothing, till chancing to look down he perceived Doss standing before him, the legs trembling, the little nose wrinkled, and a series of short suffocating barks giving utterance to his joy at reunion.

Em, whose eyes had ached with looking out across the plain, was now at work in a back room, and knew nothing till, looking up, she saw Gregory, with his straw hat and blue eyes, standing in the doorway. He greeted her quietly, hung his hat up in its old place behind the door, and for any change in his manner or appearance he might have been gone only the day before to fetch letters from the town. Only his beard was gone, and his face was grown thinner. He took off his leather gaiters, said the afternoon was hot and the roads dusty, and asked for some tea. They talked of wool, and the cattle, and the sheep, and Em gave him the pile of letters that had come for him during the months of absence, but of the thing that lay at their hearts neither said anything. Then he went out to look at the kraals, and at supper Em gave him hot cakes and coffee. They talked about the servants, and then ate their meal in quiet. She asked no questions. When it was ended Gregory went into the front room, and lay in the dark on the sofa.

"Do you not want a light?" Em asked, venturing to look in.

"No," he answered; then presently called to her, "Come and sit here; I want to talk to you."

She came and sat on a footstool near him.

"Do you wish to hear anything?" he asked.

She whispered:

"Yes, if it does not hurt you."

"What difference does it make to me?" he said. "If I talk or am silent, is there any change?"

Yet he lay quiet for a long time. The light through the open door showed him to her, where he lay, with his arm thrown across his eyes. At last he spoke. Perhaps it was a relief to him to speak.