The Story of a Play Part 2

For the present in her resentment of his willingness to abase his genius before G.o.dolphin, or even to hold it in abeyance, Mrs. Maxwell would not walk to supper with her husband in the usual way, touching his shoulder with hers from time to time, and making herself seem a little lower in stature by taking the downward slope of the path leading from their cottage to the hotel. But the necessity of appearing before the people at their table on as perfect terms with him as ever had the effect that conduct often has on feeling, and she took his arm in going back to their cottage, and leaned tenderly upon him.

Their cottage was one of the farthest from the hotel, and the smallest and quietest. In fact there was yet no one in it but themselves, and they dwelt there in an image of home, with the sole use of the veranda and the parlor, where Maxwell had his ma.n.u.scripts spread about on the table as if he owned the place. A chambermaid came over from the hotel in the morning to put the cottage in order, and then they could be quite alone there for the rest of the day.

"Shall I light the lamp for you, Brice?" his wife asked, as they mounted the veranda steps.

"No," he said, "let us sit out here," and they took the arm-chairs that stood on the porch, and swung to and fro in silence for a little while.

The sea came and went among the rocks below, marking its course in the deepening twilight with a white rope of foam, and raving huskily to itself, with now and then the long plunge of some heavier surge against the bowlders, and a hoa.r.s.e shout. The Portland boat swam by in the offing, a glitter of irregular lights, and the lamps on the different points of the Cape blinked as they revolved in their towers. "This is the kind of thing you can get only in a novel," said Maxwell, musingly.

"You couldn't possibly give the feeling of it in a play."

"Couldn't you give the feeling of the people looking at it?" suggested his wife, and she put out her hand to lay it on his.

"Yes, you could do that," he a.s.sented, with pleasure in her notion; "and that would be better. I suppose that is what would be aimed at in a description of the scene, which would be tiresome if it didn't give the feeling of the spectator."

"And G.o.dolphin would say that if you let the carpenter have something to do he would give the scene itself, and you could have the effect of it at first hand."

Maxwell laughed. "I wonder how much they believe in those contrivances of the carpenter themselves. They have really so little to do with the dramatic intention; but they have been multiplied so since the stage began to make the plays that the actors are always wanting them in. I believe the time will come when the dramatist will avoid the occasion or the pretext for them."

"That will be after G.o.dolphin's time," said Mrs. Maxwell.

"Well, I don't know," returned Maxwell. "If G.o.dolphin should happen to imagine doing without them he would go all lengths."

"Or if you imagined it and let him suppose he had. He never imagines anything of himself."

"No, he doesn't. And yet how perfectly he grasps the notion of the thing when it is done! It is very different from literature, acting is. And yet literature is only the representation of life."

"Well, acting is the representation of life at second-hand, then, and it ought to be willing to subordinate itself. What I can't bear in G.o.dolphin is his setting himself up to be your artistic equal. He is no more an artist than the canvas is that the artist paints a picture on."

Maxwell laughed. "Don't tell him so; he won't like it."

"I will tell him so some day, whether he likes it or not."

"No, you mustn't; for it isn't true. He's just as much an artist in his way as I am in mine, and, so far as the public is concerned, he has given more proofs."

"Oh, _his_ public!"

"It won't do to despise any public, even the theatre-going public."

Maxwell added the last words with a faint sigh.

"It's always second-rate," said his wife, pa.s.sionately. "Third-rate, fourth-rate! G.o.dolphin was quite right about that. I wish you were writing a novel, Brice, instead of a play. Then you would be really addressing refined people."

"It kills me to have you say that, Louise."

"Well, I won't. But don't you see, then, that you must stand up for art all the more unflinchingly if you intend to write plays that will refine the theatre-going public, or create a new one? That is why I can't endure to have you even seem to give way to G.o.dolphin."

"You must stand it so long as I only seem to do it. He's far more manageable than I expected him to be. It's quite pathetic how docile he is, how perfectly ductile! But it won't do to browbeat him when he comes over here a little out of shape. He's a curious creature," Maxwell went on with a relish in G.o.dolphin, as material, which his wife suffered with difficulty. "I wonder if he could ever be got into a play. If he could he would like nothing better than to play himself, and he would do it to perfection; only it would be a comic part, and G.o.dolphin's mind is for the serious drama." Maxwell laughed. "All his artistic instincts are in solution, and it needs something like a chemical agent to precipitate them, or to give them any positive character. He's like a woman!"

"Thank you," said Mrs. Maxwell.

"Oh, I mean all sorts of good things by that. He has the sensitiveness of a woman."

"Is that a good thing? Then I suppose he was so piqued by what I said about his skirt-dance that he will renounce you."

"Oh, I don't believe he will. I managed to smooth him up after you went out."

Mrs. Maxwell sighed. "Yes, you are very patient, and if you are patient, you are good. You are better than I am."

"I don't see the sequence exactly," said Maxwell.

They were both silent, and she seemed to have followed his devious thought in the same muse, for when he spoke again she did not reproach him with an equal inconsequence. "I don't know whether I could write a novel, and, besides, I think the drama is the supreme literary form. It stands on its own feet. It doesn't have to be pushed along, or pulled along, as the novel does."

"Yes, of course, it's grand. That's the reason I can't bear to have you do anything unworthy of it."

"I know, Louise," he said, tenderly, and then again they did not speak for a little while.

He emerged from their silence, at a point apparently very remote, with a sigh. "If I could only know just what the feelings of a murderer really were for five minutes, I could out-Shakespeare Shakespeare in that play.

But I shall have to trust to the fall of man, and the general depravity of human nature, I suppose. After all, there's the potentiality of every kind of man in every man. If you've known what it is to hate, you've known what it is to kill."

"I felt once as if I had killed _you_," she said, and then he knew that she was thinking of a phase of their love which had a perpetual fascination for them both. "But I never hated you."

"No; I did the hating," he returned, lightly.

"Ah, don't say so, dear," she entreated, half in earnest.

"Well, have it all to yourself, then," he said; and he rose and went indoors, and lighted the lamp, and she saw him get out the ma.n.u.script of his play, while she sat still, recalling the time when she had tried to dismiss him from her thoughts upon a theory of his unworthiness. He had not yet spoken of love to her then, but she felt as if she had refused to listen to him, and her remorse kept his image before her in an att.i.tude of pathetic entreaty for at least a hearing. She knew that she had given him reason, if she had not given him courage, to believe that she cared for him; but he was too proud to renew the tacit approaches from which she had so abruptly retreated, and she had to invite them from him.

When she began to do this with the arts so imperceptible to the single-mindedness of a man, she was not yet sure whether she could endure to live with him or not; she was merely sure that she could not live without him, or, to be more specific, without his genius, which she believed no one else appreciated as she did. She believed that she understood his character better than any one else, and would know how to supplement it with her own. She had no ambition herself, but she could lend him a more telescopic vision in his, and keep his aims high, if his self-concentration ever made him short-sighted. He would write plays because he could not help it, but she would inspire him to write them with the lofty sense of duty she would have felt in writing them if she had his gifts.

She was as happy in their engagement and as unhappy as girls usually are during their courtship. It is the convention to regard those days as very joyous, but probably no woman who was honest about the fact would say that they were so from her own experience. Louise found them full of excitement and an interest from which she relaxed at times with such a sense of having strained forward to their end that she had a cold reluctance from Maxwell, and though she never dreamed of giving him up again, she sometimes wished she had never seen him. She was eager to have it all over, and be married and out of the way, for one thing because she knew that Maxwell could never be a.s.similated to her circ.u.mstance, and she should have no rest till she was a.s.similated to his. When it came to the dinners and lunches, which the Hilary kinship and friendship made in honor of her engagement, she found that Maxwell actually thought she could make excuse of his work to go without him, and she had to be painfully explicit before she could persuade him that this would not do at all. He was not timid about meeting her friends, as he might very well have been; but, in comparison with his work, he apparently held them of little moment, and at last he yielded to her wishes rather than her reasons. He made no pretence of liking those people, but he gave them no more offence than might have been expected.

Among the Hilary cousins there were several clever women, who enjoyed the quality of Maxwell's somewhat cold, sarcastic humor, and there were several men who recognized his ability, though none of them liked him any better than he liked them. He had a way of regarding them all at first as of no interest, and then, if something kindled his imagination from them, of showing a sudden technical curiosity, which made the ladies, at least, feel as if he were dealing with them as so much material. They professed to think that it was only a question of time when they should all reappear in dramatic form, unless Louise should detect them in the ma.n.u.script before they were put upon the stage and forbid his using them. If it were to be done before marriage they were not sure that she would do it, or could do it, for it was plain to be seen that she was perfectly infatuated with him. The faults they found in him were those of manner mostly, and they perceived that these were such as pa.s.sion might forgive to his other qualities. There were some who said that they envied her for being so much in love with him, but these were not many; and some did not find him good-looking, or see what could have taken her with him.

Maxwell showed himself ignorant of the observances in every way, and if Louise had not rather loved him the more for what he made her suffer because of them, she must certainly have given him up at times. He had never, to her thinking, known how to put a note properly on paper; his letters were perfectly fascinating, but they lacked a final charm in being often written on one side of half-sheets, and numbered in the upper right-hand corner, like printer's copy. She had to tell him that he must bring his mother to call upon her; and then he was so long doing it that Louise imagined a timidity in his mother which he was too proud to own, and made her own mother go with her to see Mrs. Maxwell in the house which she partly let out in lodgings on a very modest street.

It really did not matter about any of those things though, and she and Maxwell's mother got on very well after the first plunge, though the country doctor's widow was distinctly a country person, with the narrow social horizons of a villager whose knowledge of the city was confined to the compa.s.s of her courageous ventures in it.

To her own mother Louise feigned to see nothing repulsive in the humility of these. She had been rather fastidiously worldly, she had been even aggressively worldly, in her preference for a luxurious and tasteful setting, and her mother now found it hard to bear her contented acceptance of the pervading commonness of things at Mrs. Maxwell's.

Either her senses were holden by her fondness for Maxwell, or else she was trying to hoodwink her mother by an effect of indifference; but Mrs.

Hilary herself was certainly not obtuse to that commonness. If she did not rub it into Louise, which would have done no good, she did rub it into Louise's father, though that could hardly have been said to do any good either. Her report of the whole affair made him writhe, but when she had made him writhe enough she began to admit some extenuating circ.u.mstances. If Mrs. Maxwell was a country person, she was not foolish. She did not chant, in a vain attempt to be genteel in her speech; she did not expand unduly under Mrs. Hilary's graciousness, and she did not resent it. In fact, the graciousness had been very skilfully managed, and Mrs. Maxwell had not been allowed to feel that there was any condescension to her. She got on with Louise very well; if Mrs.

Maxwell had any overweening pride in her son, she kept it as wholly to herself as any overweening pride she might have had in her son's choice.

Mrs. Hilary did not like her daughter's choice, but she had at last reached such resignation concerning it as the friends of a hopeless invalid may feel when the worst comes. She had tried to stop the affair when there was some hope or some use in trying, and now she determined to make the best of it. The worst was that Maxwell was undoubtedly of different origin and breeding, and he would always, in society, subject Louise to a consciousness of his difference if he did nothing more. But when you had said this, you seemed to have said all there was to say against him. The more the Hilarys learned about the young fellow the more reason they had to respect him. His life, on its level, was blameless. Every one who knew him spoke well of him, and those who knew him best spoke enthusiastically; he had believers in his talent and in his character. In a society so barometrical as ours, even in a city where it was the least barometrical, the obstacles to the acceptance of Maxwell were mainly subjective. They were formed not so much of what people would say as of what Mrs. Hilary felt they had a right to say, and, in view of the necessities of the case, she found herself realizing that if they did not say anything to her it would be much as if they had not said anything at all. She dealt with the fact before her frankly, and in the duties which it laid upon her she began to like Maxwell before Hilary did. Not that Hilary disliked him, but there was something in the young fellow taking his daughter away from him, in that cool matter-of-fact way, as if it were quite in the course of nature that he should, instead of being abashed and overwhelmed by his good fortune, which left Hilary with a misgiving lest he might realize it less and less as time went on.

Hilary had no definite ambition for her in marriage, but his vague dreams for her were not of a young man who meant to leave off being a newspaper writer to become a writer of plays. He instinctively wished her to be of his own order of things; and it had pleased him when he heard from his wife's report that Louise had seen the folly of her fancy for the young journalist whom a series of accidents had involved with their lives, and had decided to give him up. When the girl decided again, more tacitly, that she could not give him up, Hilary submitted, as he would have submitted to anything she wished. To his simple idolatry of her she was too good for anything on earth, and if he were to lose her, he found that after all he had no great choice in the matter. As soon as her marriage appeared inevitable, he agreed with his wife that their daughter must never have any unhappiness of their making; and they let her reverse without a word the purpose of going to spend the winter abroad which they had formed at her wish when she renounced Maxwell.

All this was still recent in point of time, and though marriage had remanded it to an infinite distance apparently with the young people, it had not yet taken away the importance or the charm of the facts and the feelings that had seemed the whole of life before marriage. When Louise turned from her retrospect she went in through the window that opened on the veranda and stood beside her husband, where he sat with his ma.n.u.script before him, frowning at it in the lamplight that made her blink a little after the dark outside. She put her hand on his head, and carried it down his cheek over his mouth, so that he might kiss its palm.

"Going to work much longer, little man?" she asked, and she kissed the top of his head in her turn. It always amused her to find how smooth and soft his hair was. He flung his pen away and threw himself back in his chair. "Oh, it's that infernal love business!" he said.

She sat down and let her hands fall on her lap. "Why, what makes it so hard?"

"Oh, I don't know. But it seems as if I were _fighting_ it, as the actors say, all the way. It doesn't go of itself at all. It's forced, from the beginning."