The Spirit of Rome Part 5

This morning, rambling along the unfinished Tiber quays, and the half pulled-down houses of the old Jewish quarter, attracted a little, perhaps, by the name "Vicolo dei Cenci," I let myself be importuned by a red-haired woman into entering the Casa di Beatrice Cenci, a dreary, squalid palace, given over to plasterers among the dust-heaps.

And afterwards, beguiled further up flights and flights of black stairs into someone's filthy little kitchen, I was made to look down, through a mysterious window, into the closed church of the Cencis.

Looking down, always a curious impression, into a dark, musty place and onto vague somethings which are, they tell me, the tombs of the Cencis.

A grim and sordid impression altogether; and heaven knows how sickening a story. Yet what power of popular romance, of great poetry, has enveloped it all! A story one would be ashamed to read through in a cheap newspaper ... and yet!...

_March_ 24.

III.

MONTE CAVO.

Yesterday, with Maria, Antonia, and the poet Pascarella, to Rocca di Papa, lunching in a piece of the woods which M. has bought.

The gra.s.s of the campagna, beyond the aqueducts, is powdered with daisies like a cake with sugar. Further, where the slopes begin, the exquisite brilliant pink of the peach blossom is on the palest yellow criss-cross of reeds in the dry vineyards.

I am struck once more by the majestic air of that opening square of Frascati, expanding upwards into terraces, lawns, and ilexes, all flanked by pinnacled and voluted buildings, Villa Aldobrandini, or whatever it is.

We drive up through the sere chestnut woods, where wind-flowers and blue squills come up everywhere among the russet leaves. Suddenly, in the faint light, above a clearing, the stacked white trunks, the lilac sereness of the trees; and high up, shimmering and misty, the rock of Rocca di Papa with its piled-up houses.

Then through the woods again, on foot, up a path first deep in dry leaves, then paved with hard volcanic flags; chestnut woods, but no longer cut for charcoal (the smoke of its burning rises from below), but in clumps, straight slender boles rising from immense roots.

Chestnuts so unlike those of our Apennines that, when, higher up, they are exchanged for beeches, it is only by picking up the fallen dry leaves that we could tell the difference. And beyond, descending towards Nemi, the woods reveal themselves for alder only by their catkins.

Immediately above the town of Rocca di Papa, before you begin that ascent through the woods of Monte Cavo, are the Campi d'Annibale, the former crater of the volcano of Mons Latialis, gra.s.s fields whose legend Pascarella tells us: that when Hannibal encamped there the Romans raised the necessary money by selling the ground of the enemy's camp! A strange, unexpected place; a great green basin, bleak and bare, marked only by fences like some northern hill-top; on such fell sides shall the Romans camp above the Tyne and Tweed.

We climbed up through the woods, Antonia and I, following the keeper in his riding boots, silent, or at most exchanging a word about the flowers, all blue, borage, squill, and dog violets, among the fallen leaves. And little by little there unrolled, deep below us, the dim green plain with a whiteness which is St. Peter's; and then there unfolded, gradually, unexpected, the pale blue of one lake and of a second. Till, near the top, they had both turned into steely mirrors, tarnished, as by breath, by the rapidly pa.s.sing clouds. And the pink of the leafless woods stretches away, soft and feathery, to distant towns and villages. And we ascend, with the wind arising to meet us, always through softly winding paths, to the summit of the Latin mountain. To a long, gaunt, white, empty house, a circle of ancient moss-grown walls, a circle of old, wind-bent, leafless beeches, with the whole world of earliest Rome misty below, and thin clouds pa.s.sing rapidly overhead. This is that sort of natural altar, visible as such even from the streets of Rome, of the Latin Jove, which, when we saw it again later from the ridge near Castel Gandolfo, above the deep circular chasm (fringed with asphodel) of the lake, seemed to smoke with a superhuman sacrifice.

How Renan, in the _Pretre di Nemi_, has rendered, without descriptions, the charm of that outlook towards Rome from this lower portion of the Latin hills! They cover a very small amount of country, volcanic and isolated; they are a kind of living whole in themselves, with their towns, woods, and those two deep lakes hidden in their fastnesses. The most living range of hills, surely, out of which the greatest life has spread, the vastest, perhaps, in the world.

Up there one looks not merely into s.p.a.ce unlimited, but into time.

What a strange country this Roman one! How different from the rest of Italy; this, with its great plain, its isolated groups of hills, its disdain of river-valley and gorge; a country set aside for different destinies.

And yet I own that what these hills represent most to me is the keenness of the air, the sweetness of those straight-boled, pinkish, leafless woods, the freshness of sprouting gra.s.s and flowers.

_March_ 20.

IV.

A RIVER G.o.d.

We have been bicycling these two days in the campagna; sunny, windy days, the hills faint in the general blueness. About three miles along the Via Ardeatina we alighted and sat on the gra.s.s in a little valley.

A little valley between two low gra.s.s hills; a stream, a few reeds, two or three scant trees in bud, and the usual fences, leading up to the mountain, framed in, with its white towns, between the green slopes. Gra.s.s still short and dry; larks, invisible, singing; a flock of sheep going along with shepherds stopping to set the new-born, tottering lambs to suck.

At the valley's mouth, over a wide horse-trough where a donkey cart was watering, a little rec.u.mbent river G.o.d, rudely carved and much time-stained.

_March_ 16.

V.

THE PANTHEON.

A bright day of iciest tramontana, cutting you in two in the square, under the colonnades, and in the narrow c.h.i.n.k-opening of the great green bronze doors.

Almost entirely empty, that great round place, the light, the cold haunting its grey dome. At the high-altar some priests in purple; the Crucifix and pictures veiled in violet silk. And in the organ loft, b.u.t.toned up in great coats, five wretched musicians; not on high, but in a sort of cage set down by the altar. Such singing! but an alto, two tenors and a ba.s.s, as in Marcello's psalms. And, frightful as was the performance, I was fascinated by their unaccompanied song: something of long vague pa.s.sages, and suspended cadences, fitting, in its mixture of complexity and primitiveness, its very rudeness, barbarousness of execution, into the great round bleak temple, with the cold windy sky looking down its roof, the bleakness of outdoors, enclosed, as it were, within doors.

_Palm Sunday_, 1899.

VI.

SANTI QUATTRO CORONATI.

I went into several small churches to see the sepulchres. Not like our Tuscan ones; wretched things, mainly tinsel and shabby frippery.

At Santa Prisca we trespa.s.sed into orchards, almond trees barely green, artichokes and dust-heaps, with the belfries of the Aventine behind, the pillared loggia of San Saba, and the great blocks of the Baths of Caracalla in front. The church, shut on ordinary days, was quite empty, only a dozen Franciscans at office, kneeling by the frame of lighted candles, one of which was extinguished with each verse of hoa.r.s.e liturgy by a monk kneeling apart.

After Sta. Prisca, San Clemente, very Byzantine and fine in the gloom, and then to that dear church of the Santi Quattro Coronati, which has beckoned to me ever since my childhood; and which, with its fortified-looking apse, its yard and great gate-tower, looks like a remote abbey one would drive to, forgotten, hidden, unheard of, for hours and hours from some out-of-the-way country town. "We'll take you to so and so," one's host would say, and one would never have heard the name before.... And there it is, above the modernest slums of modern Rome!

The church was darkish; a little light from the sunset just picking out some green and purple of the broken pavement; the tapers of a curtained-off chapel, and tapers above the sepulchre, throwing a broad weak yellow light up to the arched triforium, to the grated gallery whence came the voices of nuns chanting the Lamentations.

From round the illuminated sepulchre rose, like a flock of birds on our entrance, a bevy of kneeling nuns in _beguine_ cloak and cap. And in the apse, before the high-altar, was stretched on the slabs, with a night-light at each corner, something dark and mysterious: the crucifix, the form barely defined, shrouded in violet.

When the nuns went away a number of children, tiny, tiny girls came in, and knelt round that veiled mysterious thing; a baby at the end of their procession. One of the little girls could not resist, and lifted a corner of the violet silk. But her elder sister quickly slapped her, pulled her kerchief straight, and all was order and piety.

The dear church, quite empty save for these children, was full of the smell of the fresh flowers round the sepulchre. A holy, fragrant, venerable, kindly church, safe-hidden behind its pillared atrium and gate-tower; and looking from afar like a hillside fortress among the jerry-built modern streets.

_Maundy Thursday_, 1899.

VII.

BEYOND PONT MOLLE.