The Spirit of Rome Part 3

At sunset, had there been one, we went into the Villa d'Este, entering through the huge deserted courts and grottoed halls of the colossal palace, surprised to find the enchanted gardens, the terraces and cypresses descending on the other side, the grey vague plain and distant mountains--and always the sound of waters. What a solemn magnificent place! How strange a contrast from the Benedictine monastery on its arid rocks, to this huge, solemn, pompous palace, with its plumed gardens and statued hedges, hanging on a hillside too, but what a different one!

ROME, _March_ 30.

VIII.

VICOVARO.

There was cultivation all down the valley of the Anio, lots of blossoming cherry-trees; and the peasant-women in stays, and some men in knee breeches, looked prosperous. Subiaco seeming a sort of S.

Marcello.

Vicovaro is a delightful village above the Anio, with a fine palace of the Bolognettis, a good many houses with handsome carved windows and lintels as in Umbria, a nice circular church with fourteenth-century elaborate statued porch, and a very charming temple portico. Here also the people looked well-to-do and civilised, on the whole like Umbrians; whereas on the Olevano side, even on Sunday, they were in rags and miserably stolid. The little caffe where we eat was lined with political caricatures.

Places like Vicovaro and still more the many apparently inaccessible other villages incredibly high up--Cantalupo, Castel Madama, S. Vito, &c., each with its distinguishing _palazzone_--makes one understand _what Rome is made of_--the feudal, savage mountains whence, even like its drinking water which splashes in Bernini fountains, this sixteenth and seventeenth century Rome has descended. _For Rome is not an Urban City_; and underneath all the Bernini palaces, we must imagine things like Palazzo Capranica, with the few mullioned and Gothic windows picked in its fortress-like walls. How I seem to feel what Rome is made of--its strange living components in the past!

At Subiaco the streets were strewn, as for a procession, with shredded petals of violets. All kinds of violets grow on those hills, some reddish and as big as pansies; and as we swished past, instead of the dry scent of myrrh and mint of our Tuscan hills, there came a moist smell of violets from the hedgerows.

ROME, _March_ 31.

IX.

TOR PIGNATTARA.

Drove to-day with Maria outside Porta Maggiore, little changed since my childhood. Stormy sunshine, the mountains blue, with patches of violet, like dark rainbow splendours, flashing out with white towns; cherry blossoms among the reeds, vague gardens with statues and bits of relief stuck about. Finally the circular domed tomb of Empress Helena, with a tiny church, a bit of orphanage built into it, and all round the priest's well-kept garden and orphans' vegetable garden. A sound of harmonium and girls' hymn issuing out of the ruin, on which grow against the sky great tufts of fennel, of stuff like London pride and of budding lentisk. This _is_ Rome!

_March_ 31.

X.

VILLA ADRIANA.

We crossed the Anio twice--first at Ponte Mammolo, where it is Tiber-coloured, and it tugs at the willows; then before it has been polluted by the sulphur water of the Acque Albule (though the sulphur blue water is itself lovely) at a magnificent tower under Tivoli, like Cecilia Metella. An Anio green, rushing flush as at Subiaco, among poplars and willows, fields of sprouting reeds.

Villa Adriana: you see it from a distance at the foot of the Tivoli hills--sloping olive woods and domes of pines. What a place! The Armida gardens for a Faust-Rinaldo. Antiquity like a _belle au bois dormant_ in the groves of colossal ilexes, the rows of immense cypresses, above all, enclosed in the magic of those thick old silver-coloured huge unpruned olives, of the high flowering gra.s.ses.

These vestiges of porticoes and domes and grottoes are not in the least beautiful architecturally; and every statue, every bit of frieze has been ruthlessly removed, only the broken slabs of marble, of wainscot and a few broken mosaics remaining--'tis the only garden near Rome with not _one_ statue in it! But somehow the divine vegetation, the divine view of near blue mountains and blue plain seem to transform all this brick and cement into something beautiful and precious, to turn the few remaining columns and stalked broken capitals (all the rest, vases, baths, floors, marbles, gone to the Vatican) into something exquisite. Perhaps 'tis the very absence of statues which makes one think what statues must have stood there, and feel as if they were still present. Anyhow this quite accidental place, this vanished palace covered over by the olive groves, the box hedges, cypress avenues and pastures of little trumpery farm villas--is far more beautiful and wonderful than any of the art-made Roman gardens, and is, so to speak, their _original_--much as those Tivoli falls seem the prototype of all the Roman fountains.

It began to rain as we were there, and thundered through the great halls. Then as it cleared over the mountains, the plain green, vague!

was blotted with black rain, a threatening yellow sky above.

_April_ 10.

XI.

S. LORENZO FUORI.

The fine _ambones_; the very peculiar and beautiful galleries, with delicate columns, like a triforium on either side of choir for women; the choir with splendid episcopal seat and pale cipolin benches--Tadema like--for priests all round.

We must imagine cla.s.sic antiquity full of this wonderful blond colour of marbles; arrangements of palest lilac, green, rosy yellow, and a white shimmer. Colours such as we see on water at sunset, ineffable.

_April_ 10.

XII.

ON THE ALBAN HILLS.

The big olives, pruned square, but of full dense foliage, not smoke-like, but the colour of old dark silver; the vineyards of pale criss-cross blond canes on violet ground. The railway goes round Lake Albano, reflecting blue stormy sky and white cloud b.a.l.l.s; a gash when the current alters shows marvellous hyacinth blue. A fringe of budding little trees and of great pale asphodels; the smell of them and of freshness.

Beautiful circular church, cupola silvery, ribbed outside, at Ariccia, opposite Palazzo Chigi; a great grim palace, stained grey with damp and time, flanked by four sorts of towers; windows scarce. This solemn type of sixteenth-century _White Devil of Italy_ palace or villa recurs in this neighbourhood; places to keep their secrets; some apparently on the very border of the Campagna, where vines and olives end. Wonderful woods full of flowers between Albano and Genzano.

The little round Lake of Nemi disappointed me.

Bicycling to Marino, Lake Albano seen from above, waters reflecting black storm, sere oakwoods of Rocca di Papa stormy purple too, and round the highest Latin peak, which looks like an altar slab, a great inky storm, water, hills, sky, all threatening inky green and violet; and against them, on the hill ridge of stones, the delicate pale pink chandeliers of the asphodels.

On the other side the slopes of vineyards and pale blue campagna and faint shining sea line, blond under a clear sky. Lovely woods of oak near Marino, through which, alas! we swished down hill. A whole flock of sheep, newly raddled, and faunlike shepherds lying in the shade opposite.

In Villa Torlonia at Albano, a pond, surrounded by masks (whence water spouted), deep green water, broken by fountain, green deep ilex groves round; every stone picked out with delicate green moss. And at the end of the vistas the campagna in green, purple blue modelling of evening, hillocks and farms and aqueducts, hay and straw stacks vaguely visible. And beyond the white shiny sea. The storm has disappeared, leaving only a few clouds veiling the Subiaco mountains which we see.

How different in memory from these Latin Hills! All up the hill great terraced gardens, piled-up villas: Aldobrandini, Falconieri, Lancillotti.

ROME, _April_ 13.

XIII.

MAUNDY THURSDAY.

Yesterday, Giovedi Santo evening, the washing of the high-altar of St.

Peter's. A sudden impression of the magnificence of this church, its vastness filled with dusk, a few wax tapers scattered along the nave; in the far distance a lit-up altar throwing its light up into the vault of an aisle, showing the shimmer of golden coffering; the crowd circling unseen.