The Song of the Lark Part 5

Johnny shrugged his shoulders. "Perhaps," he muttered. A Mexican learns to dive below insults or soar above them, after he crosses the border.

By this time the south wall of the amphitheater cast a narrow shelf of shadow, and the party withdrew to this refuge. Ray and Johnny began to talk about the Grand Canyon and Death Valley, two places much shrouded in mystery in those days, and Thea listened intently. Mrs. Tellamantez took out her drawn-work and pinned it to her knee. Ray could talk well about the large part of the continent over which he had been knocked about, and Johnny was appreciative.

"You been all over, pretty near. Like a Spanish boy," he commented respectfully.

Ray, who had taken off his coat, whetted his pocketknife thoughtfully on the sole of his shoe. "I began to browse around early. I had a mind to see something of this world, and I ran away from home before I was twelve. Rustled for myself ever since."

"Ran away?" Johnny looked hopeful. "What for?"

"Couldn't make it go with my old man, and didn't take to farming. There were plenty of boys at home. I wasn't missed."

Thea wriggled down in the hot sand and rested her chin on her arm. "Tell Johnny about the melons, Ray, please do!"

Ray's solid, sunburned cheeks grew a shade redder, and he looked reproachfully at Thea. "You're stuck on that story, kid. You like to get the laugh on me, don't you? That was the finishing split I had with my old man, John. He had a claim along the creek, not far from Denver, and raised a little garden stuff for market. One day he had a load of melons and he decided to take 'em to town and sell 'em along the street, and he made me go along and drive for him. Denver wasn't the queen city it is now, by any means, but it seemed a terrible big place to me; and when we got there, if he didn't make me drive right up Capitol Hill! Pap got out and stopped at folkses houses to ask if they didn't want to buy any melons, and I was to drive along slow. The farther I went the madder I got, but I was trying to look unconscious, when the end-gate came loose and one of the melons fell out and squashed. Just then a swell girl, all dressed up, comes out of one of the big houses and calls out, 'h.e.l.lo, boy, you're losing your melons!' Some dudes on the other side of the street took their hats off to her and began to laugh. I couldn't stand it any longer. I grabbed the whip and lit into that team, and they tore up the hill like jack-rabbits, them d.a.m.ned melons bouncing out the back every jump, the old man cussin' an' yellin' behind and everybody laughin'. I never looked behind, but the whole of Capitol Hill must have been a mess with them squashed melons. I didn't stop the team till I got out of sight of town. Then I pulled up an' left 'em with a rancher I was acquainted with, and I never went home to get the lickin' that was waitin' for me. I expect it's waitin' for me yet."

Thea rolled over in the sand. "Oh, I wish I could have seen those melons fly, Ray! I'll never see anything as funny as that. Now, tell Johnny about your first job."

Ray had a collection of good stories. He was observant, truthful, and kindly--perhaps the chief requisites in a good story-teller.

Occasionally he used newspaper phrases, conscientiously learned in his efforts at self-instruction, but when he talked naturally he was always worth listening to. Never having had any schooling to speak of, he had, almost from the time he first ran away, tried to make good his loss. As a sheep-herder he had worried an old grammar to tatters, and read instructive books with the help of a pocket dictionary. By the light of many camp-fires he had pondered upon Prescott's histories, and the works of Washington Irving, which he bought at a high price from a book-agent.

Mathematics and physics were easy for him, but general culture came hard, and he was determined to get it. Ray was a freethinker, and inconsistently believed himself d.a.m.ned for being one. When he was braking, down on the Santa Fe, at the end of his run he used to climb into the upper bunk of the caboose, while a noisy gang played poker about the stove below him, and by the roof-lamp read Robert Ingersoll's speeches and "The Age of Reason."

Ray was a loyal-hearted fellow, and it had cost him a great deal to give up his G.o.d. He was one of the stepchildren of Fortune, and he had very little to show for all his hard work; the other fellow always got the best of it. He had come in too late, or too early, on several schemes that had made money. He brought with him from all his wanderings a good deal of information (more or less correct in itself, but unrelated, and therefore misleading), a high standard of personal honor, a sentimental veneration for all women, bad as well as good, and a bitter hatred of Englishmen. Thea often thought that the nicest thing about Ray was his love for Mexico and the Mexicans, who had been kind to him when he drifted, a homeless boy, over the border. In Mexico, Ray was Senor Ken-ay-dy, and when he answered to that name he was somehow a different fellow. He spoke Spanish fluently, and the sunny warmth of that tongue kept him from being quite as hard as his chin, or as narrow as his popular science.

While Ray was smoking his cigar, he and Johnny fell to talking about the great fortunes that had been made in the Southwest, and about fellows they knew who had "struck it rich."

"I guess you been in on some big deals down there?" Johnny asked trustfully.

Ray smiled and shook his head. "I've been out on some, John. I've never been exactly in on any. So far, I've either held on too long or let go too soon. But mine's coming to me, all right." Ray looked reflective. He leaned back in the shadow and dug out a rest for his elbow in the sand.

"The narrowest escape I ever had, was in the Bridal Chamber. If I hadn't let go there, it would have made me rich. That was a close call."

Johnny looked delighted. "You don' say! She was silver mine, I guess?"

"I guess she was! Down at Lake Valley. I put up a few hundred for the prospector, and he gave me a bunch of stock. Before we'd got anything out of it, my brother-in-law died of the fever in Cuba. My sister was beside herself to get his body back to Colorado to bury him. Seemed foolish to me, but she's the only sister I got. It's expensive for dead folks to travel, and I had to sell my stock in the mine to raise the money to get Elmer on the move. Two months afterward, the boys struck that big pocket in the rock, full of virgin silver. They named her the Bridal Chamber. It wasn't ore, you remember. It was pure, soft metal you could have melted right down into dollars. The boys cut it out with chisels. If old Elmer hadn't played that trick on me, I'd have been in for about fifty thousand. That was a close call, Spanish."

"I recollec'. When the pocket gone, the town go bust."

"You bet. Higher'n a kite. There was no vein, just a pocket in the rock that had sometime or another got filled up with molten silver. You'd think there would be more somewhere about, but NADA. There's fools digging holes in that mountain yet."

When Ray had finished his cigar, Johnny took his mandolin and began Kennedy's favorite, "Ultimo Amor." It was now three o'clock in the afternoon, the hottest hour in the day. The narrow shelf of shadow had widened until the floor of the amphitheater was marked off in two halves, one glittering yellow, and one purple. The little boys had come back and were making a robbers' cave to enact the bold deeds of Pedro the bandit. Johnny, stretched gracefully on the sand, pa.s.sed from "Ultimo Amor" to "Fluvia de Oro," and then to "Noches de Algeria,"

playing languidly.

Every one was busy with his own thoughts. Mrs. Tellamantez was thinking of the square in the little town in which she was born; of the white church steps, with people genuflecting as they pa.s.sed, and the round-topped acacia trees, and the band playing in the plaza. Ray Kennedy was thinking of the future, dreaming the large Western dream of easy money, of a fortune kicked up somewhere in the hills,--an oil well, a gold mine, a ledge of copper. He always told himself, when he accepted a cigar from a newly married railroad man, that he knew enough not to marry until he had found his ideal, and could keep her like a queen. He believed that in the yellow head over there in the sand he had found his ideal, and that by the time she was old enough to marry, he would be able to keep her like a queen. He would kick it up from somewhere, when he got loose from the railroad.

Thea, stirred by tales of adventure, of the Grand Canyon and Death Valley, was recalling a great adventure of her own. Early in the summer her father had been invited to conduct a reunion of old frontiersmen, up in Wyoming, near Laramie, and he took Thea along with him to play the organ and sing patriotic songs. There they stayed at the house of an old ranchman who told them about a ridge up in the hills called Laramie Plain, where the wagon-trails of the Forty-niners and the Mormons were still visible. The old man even volunteered to take Mr. Kronborg up into the hills to see this place, though it was a very long drive to make in one day. Thea had begged frantically to go along, and the old rancher, flattered by her rapt attention to his stories, had interceded for her.

They set out from Laramie before daylight, behind a strong team of mules. All the way there was much talk of the Forty-niners. The old rancher had been a teamster in a freight train that used to crawl back and forth across the plains between Omaha and Cherry Creek, as Denver was then called, and he had met many a wagon train bound for California.

He told of Indians and buffalo, thirst and slaughter, wanderings in snowstorms, and lonely graves in the desert.

The road they followed was a wild and beautiful one. It led up and up, by granite rocks and stunted pines, around deep ravines and echoing gorges. The top of the ridge, when they reached it, was a great flat plain, strewn with white boulders, with the wind howling over it. There was not one trail, as Thea had expected; there were a score; deep furrows, cut in the earth by heavy wagon wheels, and now grown over with dry, whitish gra.s.s. The furrows ran side by side; when one trail had been worn too deep, the next party had abandoned it and made a new trail to the right or left. They were, indeed, only old wagon ruts, running east and west, and grown over with gra.s.s. But as Thea ran about among the white stones, her skirts blowing this way and that, the wind brought to her eyes tears that might have come anyway. The old rancher picked up an iron ox-shoe from one of the furrows and gave it to her for a keepsake. To the west one could see range after range of blue mountains, and at last the snowy range, with its white, windy peaks, the clouds caught here and there on their spurs. Again and again Thea had to hide her face from the cold for a moment. The wind never slept on this plain, the old man said. Every little while eagles flew over.

Coming up from Laramie, the old man had told them that he was in Brownsville, Nebraska, when the first telegraph wires were put across the Missouri River, and that the first message that ever crossed the river was "Westward the course of Empire takes its way." He had been in the room when the instrument began to click, and all the men there had, without thinking what they were doing, taken off their hats, waiting bareheaded to hear the message translated. Thea remembered that message when she sighted down the wagon tracks toward the blue mountains. She told herself she would never, never forget it. The spirit of human courage seemed to live up there with the eagles. For long after, when she was moved by a Fourth-of-July oration, or a band, or a circus parade, she was apt to remember that windy ridge.

To-day she went to sleep while she was thinking about it. When Ray wakened her, the horses were hitched to the wagon and Gunner and Axel were begging for a place on the front seat. The air had cooled, the sun was setting, and the desert was on fire. Thea contentedly took the back seat with Mrs. Tellamantez. As they drove homeward the stars began to come out, pale yellow in a yellow sky, and Ray and Johnny began to sing one of those railroad ditties that are usually born on the Southern Pacific and run the length of the Santa Fe and the "Q" system before they die to give place to a new one. This was a song about a Greaser dance, the refrain being something like this:--

"Pedro, Pedro, swing high, swing low, And it's allamand left again; For there's boys that's bold and there's some that's cold, But the gold boys come from Spain, Oh, the gold boys come from Spain!"

VIII

Winter was long in coming that year. Throughout October the days were bathed in sunlight and the air was clear as crystal. The town kept its cheerful summer aspect, the desert glistened with light, the sand hills every day went through magical changes of color. The scarlet sage bloomed late in the front yards, the cottonwood leaves were bright gold long before they fell, and it was not until November that the green on the tamarisks began to cloud and fade. There was a flurry of snow about Thanksgiving, and then December came on warm and clear.

Thea had three music pupils now, little girls whose mothers declared that Professor Wunsch was "much too severe." They took their lessons on Sat.u.r.day, and this, of course, cut down her time for play. She did not really mind this because she was allowed to use the money--her pupils paid her twenty-five cents a lesson--to fit up a little room for herself upstairs in the half-story. It was the end room of the wing, and was not plastered, but was snugly lined with soft pine. The ceiling was so low that a grown person could reach it with the palm of the hand, and it sloped down on either side. There was only one window, but it was a double one and went to the floor. In October, while the days were still warm, Thea and Tillie papered the room, walls and ceiling in the same paper, small red and brown roses on a yellowish ground. Thea bought a brown cotton carpet, and her big brother, Gus, put it down for her one Sunday. She made white cheesecloth curtains and hung them on a tape. Her mother gave her an old walnut dresser with a broken mirror, and she had her own dumpy walnut single bed, and a blue washbowl and pitcher which she had drawn at a church fair lottery. At the head of her bed she had a tall round wooden hat-crate, from the clothing store. This, standing on end and draped with cretonne, made a fairly steady table for her lantern. She was not allowed to take a lamp upstairs, so Ray Kennedy gave her a railroad lantern by which she could read at night.

In winter this loft room of Thea's was bitterly cold, but against her mother's advice--and Tillie's--she always left her window open a little way. Mrs. Kronborg declared that she "had no patience with American physiology," though the lessons about the injurious effects of alcohol and tobacco were well enough for the boys. Thea asked Dr. Archie about the window, and he told her that a girl who sang must always have plenty of fresh air, or her voice would get husky, and that the cold would harden her throat. The important thing, he said, was to keep your feet warm. On very cold nights Thea always put a brick in the oven after supper, and when she went upstairs she wrapped it in an old flannel petticoat and put it in her bed. The boys, who would never heat bricks for themselves, sometimes carried off Thea's, and thought it a good joke to get ahead of her.

When Thea first plunged in between her red blankets, the cold sometimes kept her awake for a good while, and she comforted herself by remembering all she could of "Polar Explorations," a fat, calf-bound volume her father had bought from a book-agent, and by thinking about the members of Greely's party: how they lay in their frozen sleeping-bags, each man h.o.a.rding the warmth of his own body and trying to make it last as long as possible against the on-coming cold that would be everlasting. After half an hour or so, a warm wave crept over her body and round, st.u.r.dy legs; she glowed like a little stove with the warmth of her own blood, and the heavy quilts and red blankets grew warm wherever they touched her, though her breath sometimes froze on the coverlid. Before daylight, her internal fires went down a little, and she often wakened to find herself drawn up into a tight ball, somewhat stiff in the legs. But that made it all the easier to get up.

The acquisition of this room was the beginning of a new era in Thea's life. It was one of the most important things that ever happened to her.

Hitherto, except in summer, when she could be out of doors, she had lived in constant turmoil; the family, the day school, the Sunday-School. The clamor about her drowned the voice within herself. In the end of the wing, separated from the other upstairs sleeping-rooms by a long, cold, unfinished lumber room, her mind worked better. She thought things out more clearly. Pleasant plans and ideas occurred to her which had never come before. She had certain thoughts which were like companions, ideas which were like older and wiser friends. She left them there in the morning, when she finished dressing in the cold, and at night, when she came up with her lantern and shut the door after a busy day, she found them awaiting her. There was no possible way of heating the room, but that was fortunate, for otherwise it would have been occupied by one of her older brothers.

From the time when she moved up into the wing, Thea began to live a double life. During the day, when the hours were full of tasks, she was one of the Kronborg children, but at night she was a different person.

On Friday and Sat.u.r.day nights she always read for a long while after she was in bed. She had no clock, and there was no one to nag her.

Ray Kennedy, on his way from the depot to his boardinghouse, often looked up and saw Thea's light burning when the rest of the house was dark, and felt cheered as by a friendly greeting. He was a faithful soul, and many disappointments had not changed his nature. He was still, at heart, the same boy who, when he was sixteen, had settled down to freeze with his sheep in a Wyoming blizzard, and had been rescued only to play the losing game of fidelity to other charges.

Ray had no very clear idea of what might be going on in Thea's head, but he knew that something was. He used to remark to Spanish Johnny, "That girl is developing something fine." Thea was patient with Ray, even in regard to the liberties he took with her name. Outside the family, every one in Moonstone, except Wunsch and Dr. Archie, called her "Thee-a," but this seemed cold and distant to Ray, so he called her "Thee." Once, in a moment of exasperation, Thea asked him why he did this, and he explained that he once had a chum, Theodore, whose name was always abbreviated thus, and that since he was killed down on the Santa Fe, it seemed natural to call somebody "Thee." Thea sighed and submitted. She was always helpless before homely sentiment and usually changed the subject.

It was the custom for each of the different Sunday Schools in Moonstone to give a concert on Christmas Eve. But this year all the churches were to unite and give, as was announced from the pulpits, "a semi-sacred concert of picked talent" at the opera house. The Moonstone Orchestra, under the direction of Professor Wunsch, was to play, and the most talented members of each Sunday School were to take part in the programme. Thea was put down by the committee "for instrumental." This made her indignant, for the vocal numbers were always more popular. Thea went to the president of the committee and demanded hotly if her rival, Lily Fisher, were going to sing. The president was a big, florid, powdered woman, a fierce W.C.T.U. worker, one of Thea's natural enemies.

Her name was Johnson; her husband kept the livery stable, and she was called Mrs. Livery Johnson, to distinguish her from other families of the same surname. Mrs. Johnson was a prominent Baptist, and Lily Fisher was the Baptist prodigy. There was a not very Christian rivalry between the Baptist Church and Mr. Kronborg's church.

When Thea asked Mrs. Johnson whether her rival was to be allowed to sing, Mrs. Johnson, with an eagerness which told how she had waited for this moment, replied that "Lily was going to recite to be obliging, and to give other children a chance to sing." As she delivered this thrust, her eyes glittered more than the Ancient Mariner's, Thea thought. Mrs.

Johnson disapproved of the way in which Thea was being brought up, of a child whose chosen a.s.sociates were Mexicans and sinners, and who was, as she pointedly put it, "bold with men." She so enjoyed an opportunity to rebuke Thea, that, tightly corseted as she was, she could scarcely control her breathing, and her lace and her gold watch chain rose and fell "with short, uneasy motion." Frowning, Thea turned away and walked slowly homeward. She suspected guile. Lily Fisher was the most stuck-up doll in the world, and it was certainly not like her to recite to be obliging. n.o.body who could sing ever recited, because the warmest applause always went to the singers.

However, when the programme was printed in the Moonstone GLEAM, there it was: "Instrumental solo, Thea Kronborg. Recitation, Lily Fisher."

Because his orchestra was to play for the concert, Mr. Wunsch imagined that he had been put in charge of the music, and he became arrogant. He insisted that Thea should play a "Ballade" by Reinecke. When Thea consulted her mother, Mrs. Kronborg agreed with her that the "Ballade"

would "never take" with a Moonstone audience. She advised Thea to play "something with variations," or, at least, "The Invitation to the Dance."

"It makes no matter what they like," Wunsch replied to Thea's entreaties. "It is time already that they learn something."

Thea's fighting powers had been impaired by an ulcerated tooth and consequent loss of sleep, so she gave in. She finally had the molar pulled, though it was a second tooth and should have been saved. The dentist was a clumsy, ignorant country boy, and Mr. Kronborg would not hear of Dr. Archie's taking Thea to a dentist in Denver, though Ray Kennedy said he could get a pa.s.s for her. What with the pain of the tooth, and family discussions about it, with trying to make Christmas presents and to keep up her school work and practicing, and giving lessons on Sat.u.r.days, Thea was fairly worn out.

On Christmas Eve she was nervous and excited. It was the first time she had ever played in the opera house, and she had never before had to face so many people. Wunsch would not let her play with her notes, and she was afraid of forgetting. Before the concert began, all the partic.i.p.ants had to a.s.semble on the stage and sit there to be looked at. Thea wore her white summer dress and a blue sash, but Lily Fisher had a new pink silk, trimmed with white swansdown.

The hall was packed. It seemed as if every one in Moonstone was there, even Mrs. Kohler, in her hood, and old Fritz. The seats were wooden kitchen chairs, numbered, and nailed to long planks which held them together in rows. As the floor was not raised, the chairs were all on the same level. The more interested persons in the audience peered over the heads of the people in front of them to get a good view of the stage. From the platform Thea picked out many friendly faces. There was Dr. Archie, who never went to church entertainments; there was the friendly jeweler who ordered her music for her,--he sold accordions and guitars as well as watches,--and the druggist who often lent her books, and her favorite teacher from the school. There was Ray Kennedy, with a party of freshly barbered railroad men he had brought along with him.

There was Mrs. Kronborg with all the children, even Thor, who had been brought out in a new white plush coat. At the back of the hall sat a little group of Mexicans, and among them Thea caught the gleam of Spanish Johnny's white teeth, and of Mrs. Tellamantez's l.u.s.trous, smoothly coiled black hair.