The Song of the Lark Part 22

"I don't know. There was always--something."

"Did you never think that you were going to sing?"

"Yes."

"How long ago was that?"

"Always, until I came to you. It was you who made me want to play piano." Her voice trembled. "Before, I tried to think I did, but I was pretending."

Harsanyi reached out and caught the hand that was hanging at her side.

He pressed it as if to give her something. "Can't you see, my dear girl, that was only because I happened to be the first artist you have ever known? If I had been a trombone player, it would have been the same; you would have wanted to play trombone. But all the while you have been working with such good-will, something has been struggling against me.

See, here we were, you and I and this instrument,"--he tapped the piano,--"three good friends, working so hard. But all the while there was something fighting us: your gift, and the woman you were meant to be. When you find your way to that gift and to that woman, you will be at peace. In the beginning it was an artist that you wanted to be; well, you may be an artist, always."

Thea drew a long breath. Her hands fell in her lap. "So I'm just where I began. No teacher, nothing done. No money."

Harsanyi turned away. "Feel no apprehension about the money, Miss Kronborg. Come back in the fall and we shall manage that. I shall even go to Mr. Thomas if necessary. This year will not be lost. If you but knew what an advantage this winter's study, all your study of the piano, will give you over most singers. Perhaps things have come out better for you than if we had planned them knowingly."

"You mean they have IF I can sing."

Thea spoke with a heavy irony, so heavy, indeed, that it was coa.r.s.e. It grated upon Harsanyi because he felt that it was not sincere, an awkward affectation.

He wheeled toward her. "Miss Kronborg, answer me this. YOU KNOW THAT YOU CAN SING, do you not? You have always known it. While we worked here together you sometimes said to yourself, 'I have something you know nothing about; I could surprise you.' Is that also true?"

Thea nodded and hung her head.

"Why were you not frank with me? Did I not deserve it?"

She shuddered. Her bent shoulders trembled. "I don't know," she muttered. "I didn't mean to be like that. I couldn't. I can't. It's different."

"You mean it is very personal?" he asked kindly.

She nodded. "Not at church or funerals, or with people like Mr. La.r.s.en.

But with you it was--personal. I'm not like you and Mrs. Harsanyi. I come of rough people. I'm rough. But I'm independent, too. It was--all I had. There is no use my talking, Mr. Harsanyi. I can't tell you."

"You needn't tell me. I know. Every artist knows." Harsanyi stood looking at his pupil's back, bent as if she were pushing something, at her lowered head. "You can sing for those people because with them you do not commit yourself. But the reality, one cannot uncover THAT until one is sure. One can fail one's self, but one must not live to see that fail; better never reveal it. Let me help you to make yourself sure of it. That I can do better than Bowers."

Thea lifted her face and threw out her hands.

Harsanyi shook his head and smiled. "Oh, promise nothing! You will have much to do. There will not be voice only, but French, German, Italian.

You will have work enough. But sometimes you will need to be understood; what you never show to any one will need companionship. And then you must come to me." He peered into her face with that searching, intimate glance. "You know what I mean, the thing in you that has no business with what is little, that will have to do only with beauty and power."

Thea threw out her hands fiercely, as if to push him away. She made a sound in her throat, but it was not articulate. Harsanyi took one of her hands and kissed it lightly upon the back. His salute was one of greeting, not of farewell, and it was for some one he had never seen.

When Mrs. Harsanyi came in at six o'clock, she found her husband sitting listlessly by the window. "Tired?" she asked.

"A little. I've just got through a difficulty. I've sent Miss Kronborg away; turned her over to Bowers, for voice."

"Sent Miss Kronborg away? Andor, what is the matter with you?"

"It's nothing rash. I've known for a long while I ought to do it. She is made for a singer, not a pianist."

Mrs. Harsanyi sat down on the piano chair. She spoke a little bitterly: "How can you be sure of that? She was, at least, the best you had. I thought you meant to have her play at your students' recital next fall.

I am sure she would have made an impression. I could have dressed her so that she would have been very striking. She had so much individuality."

Harsanyi bent forward, looking at the floor. "Yes, I know. I shall miss her, of course."

Mrs. Harsanyi looked at her husband's fine head against the gray window.

She had never felt deeper tenderness for him than she did at that moment. Her heart ached for him. "You will never get on, Andor," she said mournfully.

Harsanyi sat motionless. "No, I shall never get on," he repeated quietly. Suddenly he sprang up with that light movement she knew so well, and stood in the window, with folded arms. "But some day I shall be able to look her in the face and laugh because I did what I could for her. I believe in her. She will do nothing common. She is uncommon, in a common, common world. That is what I get out of it. It means more to me than if she played at my concert and brought me a dozen pupils. All this drudgery will kill me if once in a while I cannot hope something, for somebody! If I cannot sometimes see a bird fly and wave my hand to it."

His tone was angry and injured. Mrs. Harsanyi understood that this was one of the times when his wife was a part of the drudgery, of the "common, common world."

He had let something he cared for go, and he felt bitterly about whatever was left. The mood would pa.s.s, and he would be sorry. She knew him. It wounded her, of course, but that hurt was not new. It was as old as her love for him. She went out and left him alone.

VIII

ONE warm damp June night the Denver Express was speeding westward across the earthy-smelling plains of Iowa. The lights in the day-coach were turned low and the ventilators were open, admitting showers of soot and dust upon the occupants of the narrow green plush chairs which were tilted at various angles of discomfort. In each of these chairs some uncomfortable human being lay drawn up, or stretched out, or writhing from one position to another. There were tired men in rumpled shirts, their necks bare and their suspenders down; old women with their heads tied up in black handkerchiefs; bedraggled young women who went to sleep while they were nursing their babies and forgot to b.u.t.ton up their dresses; dirty boys who added to the general discomfort by taking off their boots. The brakeman, when he came through at midnight, sniffed the heavy air disdainfully and looked up at the ventilators. As he glanced down the double rows of contorted figures, he saw one pair of eyes that were wide open and bright, a yellow head that was not overcome by the stupefying heat and smell in the car. "There's a girl for you," he thought as he stopped by Thea's chair.

"Like to have the window up a little?" he asked.

Thea smiled up at him, not misunderstanding his friendliness. "The girl behind me is sick; she can't stand a draft. What time is it, please?"

He took out his open-faced watch and held it before her eyes with a knowing look. "In a hurry?" he asked. "I'll leave the end door open and air you out. Catch a wink; the time'll go faster."

Thea nodded good-night to him and settled her head back on her pillow, looking up at the oil lamps. She was going back to Moonstone for her summer vacation, and she was sitting up all night in a day-coach because that seemed such an easy way to save money. At her age discomfort was a small matter, when one made five dollars a day by it. She had confidently expected to sleep after the car got quiet, but in the two chairs behind her were a sick girl and her mother, and the girl had been coughing steadily since ten o'clock. They had come from somewhere in Pennsylvania, and this was their second night on the road. The mother said they were going to Colorado "for her daughter's lungs." The daughter was a little older than Thea, perhaps nineteen, with patient dark eyes and curly brown hair. She was pretty in spite of being so sooty and travel-stained. She had put on an ugly figured satine kimono over her loosened clothes. Thea, when she boarded the train in Chicago, happened to stop and plant her heavy telescope on this seat. She had not intended to remain there, but the sick girl had looked up at her with an eager smile and said, "Do sit there, miss. I'd so much rather not have a gentleman in front of me."

After the girl began to cough there were no empty seats left, and if there had been Thea could scarcely have changed without hurting her feelings. The mother turned on her side and went to sleep; she was used to the cough. But the girl lay wide awake, her eyes fixed on the roof of the car, as Thea's were. The two girls must have seen very different things there.

Thea fell to going over her winter in Chicago. It was only under unusual or uncomfortable conditions like these that she could keep her mind fixed upon herself or her own affairs for any length of time. The rapid motion and the vibration of the wheels under her seemed to give her thoughts rapidity and clearness. She had taken twenty very expensive lessons from Madison Bowers, but she did not yet know what he thought of her or of her ability. He was different from any man with whom she had ever had to do. With her other teachers she had felt a personal relation; but with him she did not. Bowers was a cold, bitter, avaricious man, but he knew a great deal about voices. He worked with a voice as if he were in a laboratory, conducting a series of experiments.

He was conscientious and industrious, even capable of a certain cold fury when he was working with an interesting voice, but Harsanyi declared that he had the soul of a shrimp, and could no more make an artist than a throat specialist could. Thea realized that he had taught her a great deal in twenty lessons.

Although she cared so much less for Bowers than for Harsanyi, Thea was, on the whole, happier since she had been studying with him than she had been before. She had always told herself that she studied piano to fit herself to be a music teacher. But she never asked herself why she was studying voice. Her voice, more than any other part of her, had to do with that confidence, that sense of wholeness and inner well-being that she had felt at moments ever since she could remember.

Of this feeling Thea had never spoken to any human being until that day when she told Harsanyi that "there had always been--something." Hitherto she had felt but one obligation toward it--secrecy; to protect it even from herself. She had always believed that by doing all that was required of her by her family, her teachers, her pupils, she kept that part of herself from being caught up in the meshes of common things. She took it for granted that some day, when she was older, she would know a great deal more about it. It was as if she had an appointment to meet the rest of herself sometime, somewhere. It was moving to meet her and she was moving to meet it. That meeting awaited her, just as surely as, for the poor girl in the seat behind her, there awaited a hole in the earth, already dug.

For Thea, so much had begun with a hole in the earth. Yes, she reflected, this new part of her life had all begun that morning when she sat on the clay bank beside Ray Kennedy, under the flickering shade of the cottonwood tree. She remembered the way Ray had looked at her that morning. Why had he cared so much? And Wunsch, and Dr. Archie, and Spanish Johnny, why had they? It was something that had to do with her that made them care, but it was not she. It was something they believed in, but it was not she. Perhaps each of them concealed another person in himself, just as she did. Why was it that they seemed to feel and to hunt for a second person in her and not in each other? Thea frowned up at the dull lamp in the roof of the car. What if one's second self could somehow speak to all these second selves? What if one could bring them out, as whiskey did Spanish Johnny's? How deep they lay, these second persons, and how little one knew about them, except to guard them fiercely. It was to music, more than to anything else, that these hidden things in people responded. Her mother--even her mother had something of that sort which replied to music.

Thea found herself listening for the coughing behind her and not hearing it. She turned cautiously and looked back over the head-rest of her chair. The poor girl had fallen asleep. Thea looked at her intently. Why was she so afraid of men? Why did she shrink into herself and avert her face whenever a man pa.s.sed her chair? Thea thought she knew; of course, she knew. How horrible to waste away like that, in the time when one ought to be growing fuller and stronger and rounder every day. Suppose there were such a dark hole open for her, between to-night and that place where she was to meet herself? Her eyes narrowed. She put her hand on her breast and felt how warm it was; and within it there was a full, powerful pulsation. She smiled--though she was ashamed of it--with the natural contempt of strength for weakness, with the sense of physical security which makes the savage merciless. n.o.body could die while they felt like that inside. The springs there were wound so tight that it would be a long while before there was any slack in them. The life in there was rooted deep. She was going to have a few things before she died. She realized that there were a great many trains dashing east and west on the face of the continent that night, and that they all carried young people who meant to have things. But the difference was that SHE WAS GOING TO GET THEM! That was all. Let people try to stop her! She glowered at the rows of f.e.c.kless bodies that lay sprawled in the chairs.

Let them try it once! Along with the yearning that came from some deep part of her, that was selfless and exalted, Thea had a hard kind of c.o.c.kiness, a determination to get ahead. Well, there are pa.s.sages in life when that fierce, stubborn self-a.s.sertion will stand its ground after the n.o.bler feeling is overwhelmed and beaten under.

Having told herself once more that she meant to grab a few things, Thea went to sleep.

She was wakened in the morning by the sunlight, which beat fiercely through the gla.s.s of the car window upon her face. She made herself as clean as she could, and while the people all about her were getting cold food out of their lunch-baskets she escaped into the dining-car. Her thrift did not go to the point of enabling her to carry a lunchbasket.

At that early hour there were few people in the dining-car. The linen was white and fresh, the darkies were trim and smiling, and the sunlight gleamed pleasantly upon the silver and the gla.s.s water-bottles. On each table there was a slender vase with a single pink rose in it. When Thea sat down she looked into her rose and thought it the most beautiful thing in the world; it was wide open, recklessly offering its yellow heart, and there were drops of water on the petals. All the future was in that rose, all that one would like to be. The flower put her in an absolutely regal mood. She had a whole pot of coffee, and scrambled eggs with chopped ham, utterly disregarding the astonishing price they cost.

She had faith enough in what she could do, she told herself, to have eggs if she wanted them. At the table opposite her sat a man and his wife and little boy--Thea cla.s.sified them as being "from the East."