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The Song of the Lark Part 11

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Mr. Kronborg settled himself back into the seat and slowed the mare to a walk. "You see, it occurs to me that we might raise Thea's prices, so it would be worth her while. Seventy-five cents for hour lessons, fifty cents for half-hour lessons. If she got, say two thirds of Wunsch's cla.s.s, that would bring her in upwards of ten dollars a week. Better pay than teaching a country school, and there would be more work in vacation than in winter. Steady work twelve months in the year; that's an advantage. And she'd be living at home, with no expenses."

"There'd be talk if you raised her prices," said Mrs. Kronborg dubiously.

"At first there would. But Thea is so much the best musician in town that they'd all come into line after a while. A good many people in Moonstone have been making money lately, and have bought new pianos.

There were ten new pianos shipped in here from Denver in the last year.

People ain't going to let them stand idle; too much money invested. I believe Thea can have as many scholars as she can handle, if we set her up a little."

"How set her up, do you mean?" Mrs. Kronborg felt a certain reluctance about accepting this plan, though she had not yet had time to think out her reasons.

"Well, I've been thinking for some time we could make good use of another room. We couldn't give up the parlor to her all the time. If we built another room on the ell and put the piano in there, she could give lessons all day long and it wouldn't bother us. We could build a clothes-press in it, and put in a bed-lounge and a dresser and let Anna have it for her sleeping-room. She needs a place of her own, now that she's beginning to be dressy."

"Seems like Thea ought to have the choice of the room, herself," said Mrs. Kronborg.

"But, my dear, she don't want it. Won't have it. I sounded her coming home from church on Sunday; asked her if she would like to sleep in a new room, if we built on. She fired up like a little wild-cat and said she'd made her own room all herself, and she didn't think anybody ought to take it away from her."

"She don't mean to be impertinent, father. She's made decided that way, like my father." Mrs. Kronborg spoke warmly. "I never have any trouble with the child. I remember my father's ways and go at her carefully.

Thea's all right."

Mr. Kronborg laughed indulgently and pinched Thor's full cheek. "Oh, I didn't mean anything against your girl, mother! She's all right, but she's a little wild-cat, just the same. I think Ray Kennedy's planning to spoil a born old maid."

"Huh! She'll get something a good sight better than Ray Kennedy, you see! Thea's an awful smart girl. I've seen a good many girls take music lessons in my time, but I ain't seen one that took to it so. Wunsch said so, too. She's got the making of something in her."

"I don't deny that, and the sooner she gets at it in a businesslike way, the better. She's the kind that takes responsibility, and it'll be good for her."

Mrs. Kronborg was thoughtful. "In some ways it will, maybe. But there's a good deal of strain about teaching youngsters, and she's always worked so hard with the scholars she has. I've often listened to her pounding it into 'em. I don't want to work her too hard. She's so serious that she's never had what you might call any real childhood. Seems like she ought to have the next few years sort of free and easy. She'll be tied down with responsibilities soon enough."

Mr. Kronborg patted his wife's arm. "Don't you believe it, mother. Thea is not the marrying kind. I've watched 'em. Anna will marry before long and make a good wife, but I don't see Thea bringing up a family. She's got a good deal of her mother in her, but she hasn't got all. She's too peppery and too fond of having her own way. Then she's always got to be ahead in everything. That kind make good church-workers and missionaries and school teachers, but they don't make good wives. They fret all their energy away, like colts, and get cut on the wire."

Mrs. Kronborg laughed. "Give me the graham crackers I put in your pocket for Thor. He's hungry. You're a funny man, Peter. A body wouldn't think, to hear you, you was talking about your own daughters. I guess you see through 'em. Still, even if Thea ain't apt to have children of her own, I don't know as that's a good reason why she should wear herself out on other people's."

"That's just the point, mother. A girl with all that energy has got to do something, same as a boy, to keep her out of mischief. If you don't want her to marry Ray, let her do something to make herself independent."

"Well, I'm not against it. It might be the best thing for her. I wish I felt sure she wouldn't worry. She takes things hard. She nearly cried herself sick about Wunsch's going away. She's the smartest child of 'em all, Peter, by a long ways."

Peter Kronborg smiled. "There you go, Anna. That's you all over again.

Now, I have no favorites; they all have their good points. But you,"

with a twinkle, "always did go in for brains."

Mrs. Kronborg chuckled as she wiped the cracker crumbs from Thor's chin and fists. "Well, you're mighty conceited, Peter! But I don't know as I ever regretted it. I prefer having a family of my own to fussing with other folks' children, that's the truth."

Before the Kronborgs reached Copper Hole, Thea's destiny was pretty well mapped out for her. Mr. Kronborg was always delighted to have an excuse for enlarging the house.

Mrs. Kronborg was quite right in her conjecture that there would be unfriendly comment in Moonstone when Thea raised her prices for music-lessons. People said she was getting too conceited for anything.

Mrs. Livery Johnson put on a new bonnet and paid up all her back calls to have the pleasure of announcing in each parlor she entered that her daughters, at least, would "never pay professional prices to Thea Kronborg."

Thea raised no objection to quitting school. She was now in the "high room," as it was called, in next to the highest cla.s.s, and was studying geometry and beginning Caesar. She no longer recited her lessons to the teacher she liked, but to the Princ.i.p.al, a man who belonged, like Mrs.

Livery Johnson, to the camp of Thea's natural enemies. He taught school because he was too lazy to work among grown-up people, and he made an easy job of it. He got out of real work by inventing useless activities for his pupils, such as the "tree-diagramming system." Thea had spent hours making trees out of "Thanatopsis," Hamlet's soliloquy, Cato on "Immortality." She agonized under this waste of time, and was only too glad to accept her father's offer of liberty.

So Thea left school the first of November. By the first of January she had eight one-hour pupils and ten half-hour pupils, and there would be more in the summer. She spent her earnings generously. She bought a new Brussels carpet for the parlor, and a rifle for Gunner and Axel, and an imitation tiger-skin coat and cap for Thor. She enjoyed being able to add to the family possessions, and thought Thor looked quite as handsome in his spots as the rich children she had seen in Denver. Thor was most complacent in his conspicuous apparel. He could walk anywhere by this time--though he always preferred to sit, or to be pulled in his cart. He was a blissfully lazy child, and had a number of long, dull plays, such as making nests for his china duck and waiting for her to lay him an egg. Thea thought him very intelligent, and she was proud that he was so big and burly. She found him restful, loved to hear him call her "sitter," and really liked his companionship, especially when she was tired. On Sat.u.r.day, for instance, when she taught from nine in the morning until five in the afternoon, she liked to get off in a corner with Thor after supper, away from all the bathing and dressing and joking and talking that went on in the house, and ask him about his duck, or hear him tell one of his rambling stories.

XV

By the time Thea's fifteenth birthday came round, she was established as a music teacher in Moonstone. The new room had been added to the house early in the spring, and Thea had been giving her lessons there since the middle of May. She liked the personal independence which was accorded her as a wage-earner. The family questioned her comings and goings very little. She could go buggy-riding with Ray Kennedy, for instance, without taking Gunner or Axel. She could go to Spanish Johnny's and sing part songs with the Mexicans, and n.o.body objected.

Thea was still under the first excitement of teaching, and was terribly in earnest about it. If a pupil did not get on well, she fumed and fretted. She counted until she was hoa.r.s.e. She listened to scales in her sleep. Wunsch had taught only one pupil seriously, but Thea taught twenty. The duller they were, the more furiously she poked and prodded them. With the little girls she was nearly always patient, but with pupils older than herself, she sometimes lost her temper. One of her mistakes was to let herself in for a calling-down from Mrs. Livery Johnson. That lady appeared at the Kronborgs' one morning and announced that she would allow no girl to stamp her foot at her daughter Grace.

She added that Thea's bad manners with the older girls were being talked about all over town, and that if her temper did not speedily improve she would lose all her advanced pupils. Thea was frightened. She felt she could never bear the disgrace, if such a thing happened. Besides, what would her father say, after he had gone to the expense of building an addition to the house? Mrs. Johnson demanded an apology to Grace. Thea said she was willing to make it. Mrs. Johnson said that hereafter, since she had taken lessons of the best piano teacher in Grinnell, Iowa, she herself would decide what pieces Grace should study. Thea readily consented to that, and Mrs. Johnson rustled away to tell a neighbor woman that Thea Kronborg could be meek enough when you went at her right.

Thea was telling Ray about this unpleasant encounter as they were driving out to the sand hills the next Sunday.

"She was stuffing you, all right, Thee," Ray rea.s.sured her. "There's no general dissatisfaction among your scholars. She just wanted to get in a knock. I talked to the piano tuner the last time he was here, and he said all the people he tuned for expressed themselves very favorably about your teaching. I wish you didn't take so much pains with them, myself."

"But I have to, Ray. They're all so dumb. They've got no ambition," Thea exclaimed irritably. "Jenny Smiley is the only one who isn't stupid. She can read pretty well, and she has such good hands. But she don't care a rap about it. She has no pride."

Ray's face was full of complacent satisfaction as he glanced sidewise at Thea, but she was looking off intently into the mirage, at one of those mammoth cattle that are nearly always reflected there. "Do you find it easier to teach in your new room?" he asked.

"Yes; I'm not interrupted so much. Of course, if I ever happen to want to practice at night, that's always the night Anna chooses to go to bed early."

"It's a darned shame, Thee, you didn't cop that room for yourself. I'm sore at the PADRE about that. He ought to give you that room. You could fix it up so pretty."

"I didn't want it, honest I didn't. Father would have let me have it. I like my own room better. Somehow I can think better in a little room.

Besides, up there I am away from everybody, and I can read as late as I please and n.o.body nags me."

"A growing girl needs lots of sleep," Ray providently remarked.

Thea moved restlessly on the buggy cushions. "They need other things more," she muttered. "Oh, I forgot. I brought something to show you.

Look here, it came on my birthday. Wasn't it nice of him to remember?"

She took from her pocket a postcard, bent in the middle and folded, and handed it to Ray. On it was a white dove, perched on a wreath of very blue forget-me-nots, and "Birthday Greetings" in gold letters. Under this was written, "From A. Wunsch."

Ray turned the card over, examined the postmark, and then began to laugh.

"Concord, Kansas. He has my sympathy!"

"Why, is that a poor town?"

"It's the jumping-off place, no town at all. Some houses dumped down in the middle of a cornfield. You get lost in the corn. Not even a saloon to keep things going; sell whiskey without a license at the butcher shop, beer on ice with the liver and beefsteak. I wouldn't stay there over Sunday for a ten-dollar bill."

"Oh, dear! What do you suppose he's doing there? Maybe he just stopped off there a few days to tune pianos," Thea suggested hopefully.

Ray gave her back the card. "He's headed in the wrong direction. What does he want to get back into a gra.s.s country for? Now, there are lots of good live towns down on the Santa Fe, and everybody down there is musical. He could always get a job playing in saloons if he was dead broke. I've figured out that I've got no years of my life to waste in a Methodist country where they raise pork."

"We must stop on our way back and show this card to Mrs. Kohler. She misses him so."

"By the way, Thee, I hear the old woman goes to church every Sunday to hear you sing. Fritz tells me he has to wait till two o'clock for his Sunday dinner these days. The church people ought to give you credit for that, when they go for you."

Thea shook her head and spoke in a tone of resignation. "They'll always go for me, just as they did for Wunsch. It wasn't because he drank they went for him; not really. It was something else."

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The Song of the Lark Part 11 summary

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