The Silver Lining Part 11

During the whole time that they had been in the parlour, the young man had not found courage to address a word to Adele. He was very careful about his tenure. He spoke in a voice which he endeavoured to soften; he uttered the best English which he could frame,--for Mr. Rougeant spoke in English this time--and when there was an opportunity of displaying his talents, he availed himself of it with eagerness.

Once, he made a serious blunder. He talked about turnips which he had seen growing in a field close by. At which the farmer laughed: "Well, I never, turnips, ha-ha...."

Frank felt stung. His face coloured deeply, his head was on fire.

What did _she_ think of him? Through the mist that seemed to gather before his eyes, he managed to glance rapidly in the direction of Adele. A thrill of delight shot through his veins. She was looking at her father with an offended air, her l.u.s.trous eyes seemed to issue forth a censuring light.

"Of course, you will stay in to tea, Mr. Mathers," said the farmer after a few minutes of silence.

Frank accepted the invitation thankfully.

Adele left the room to help to prepare the tea things.

Left alone with the farmer, the young man looked about him more freely. He noticed that the room was very plainly furnished. His eyes alighted on a painting which represented a cow standing near a cattle-shed. "What a shocking display of art," he said to himself.

"Infringement of the rules of perspective, shocking chiaroscuro, bad composition...."

Mr. Rougeant casually noticed him. "So you are having a look at my cow," he said, "a friend of mine painted that picture; he was a real artist." Then he paused, examined it like one who understands his business, and continued: "Yes, yes, exactly like her, the little white patches and that little b.u.mp on her back. I gave my friend ten shillings for that painting; just think, ten shillings, seven pounds of b.u.t.ter. But," he added by way of consoling himself,--for his avaricious heart was already revolting against this useless expenditure of money; "it's well worth that, it's the very likeness of my 'Daisy.' My daughter had the impudence to tell me once that I ought to put it in the wash-house. Alas! young people will always be young people."

Struggle as he would, Frank could not refrain from smiling. His host took it for a genuine smile of admiration and looked at him approvingly.

At this stage, Adele announced that the tea was served.

Whilst they were at the meal, Frank was in great perplexity as to how he should avoid breaking any of the rules of etiquette in Adele's presence.

He was so much in earnest about doing things properly that he committed several blunders. Once he almost overturned his cup, then he blushed till his face was all discoloured, and bit his under lip savagely. A minute after that, while gallantly pa.s.sing a plate containing _gache a corinthe_ to Adele, he knocked it against the sugar basin, overset the latter, and sent the pieces of sugar and cake flying in all directions. He grew angry with himself, and completely lost his head. Mr. Rougeant complained of not being hungry. Frank, who misunderstood him, answered: "Ah! I see." Another blunder.

At last the meal was over. The two men rose and returned to the parlour. The first remark of the farmer was: "In my time, servants used to eat at the same table as their masters, but our Miss says that she will not have it. I let her have her own way sometimes; it does not cost me more, so I do not care."

He called out to his daughter: "Adele, make haste, so that the gentleman may hear your playing."

"I am coming soon," was the reply.

The farmer went on to Frank: "The instrument which she plays is a violin. For my part, I do not care for it. It does not make enough noise. Give me a harmonium or a cornet. But my daughter persists in saying that she will not learn anything but the violin. Perhaps it's better after all," he added, suddenly thinking of the outlay required for a new instrument.

Adele came in with her violin, which she at once carefully tuned.

She appeared confident of success. She placed herself opposite her father and nearly alongside the young man.

"Fire away!" said the father, "what are you doing now?"

"I was just seeing if the strings were well tuned," she said. "It is of no use trying to play if the instrument is out of tune." These last words were spoken to Frank.

"I cannot play on the violin," said he.

"Ah! then you won't criticize me," said she.

She bent her head over her instrument, and began playing. She forgot the outward world, her whole attention was concentrated on her violin as her slender and nervous fingers guided the bow or pressed the strings.

It was a sweet soft tune--like her voice--her face wore a tender expression. Then the music swelled, became louder and louder till it reached its climax; the bow bounded over the strings, the fingers of the left hand rose and fell in quick succession, her expression was now animated, her face aglow.

Frank was sitting with his eyes fixed upon the fair musician. He had never imagined that an instrument could be made to express such feelings.

He noticed that Adele would have to turn a leaf. He could read music, so he rose, scanned the music, was soon on the track, and turned the leaf in due time.

Adele finished playing soon after.

Her face was slightly flushed and triumphant.

Frank congratulated her warmly in a select speech which he finished thus: "In short, your playing seems to have as much power over my feelings as Timotheus' had over Alexander's."

The farmer's face was ominous. He had begun to entertain suspicions when Adele had looked at him reproachfully before tea-time. Now his imagination had ripened into certainty--so he thought. The young people must be for ever separated. He said roughly: "There are other things which are more important than fiddling, one of them is to know how to live."

Frank looked at Adele, she looked back at him. Their astonishment was diverting to witness.

Quoth the farmer gruffly to Frank, "I am going to retire, I think you had better do the same."

"Is the man going mad?" thought Frank. He looked at Adele, then suddenly took his hat and his departure.

The young lady followed him to the door. She was extremely vexed at her father's demeanour. She spoke a few words to Frank as he stepped outside.

"I hope you will not take my father's words too seriously," she said, "I am very sorry--it's shocking--I am exceedingly angry with him--a fine way of thanking you--you to whom he owes so much."

As he pressed the delicate hand which she tended in farewell, Frank said: "I quite forgive Mr. Rougeant, there are strange natures," and he walked away.

He had gone by the back door, why, he did not know. As he pa.s.sed the stable, he saw a man engaged in cleaning, a horse. "Come what may,"

he said to himself, "I must have a chat with this fellow."

"Good evening," he said, speaking in French, "cleaning up a bit?"

"Good evening, sir," replied Jacques, speaking in broken English.

"You needn't talk in French, I know English; I learnt it when Jim Tozer worked here."

Said Frank inly: "Jim Tozer, the name seems familiar to me. Of course, my step-mother's brother." Aloud: "You are the only workman here now!"

"Yes, you've been payin' a visit to Mr. Rougeant, you're the gentleman as rescued him from drowning. Lucky for him, old chap, that you were round about there, for it's dead certain he'd ha' gone to bottom."

"You take care of this horse?"

"I take care of pretty nearly everything round about here, for the bos doesn't do much now, but he gives a reg'lar 'go at it' now and then though."

"I suppose you like this job," remarked Frank, meanwhile scanning the horse and forming his opinion of this member of the equine genus. Here is his judgment: "A famous trotter! a spirited steed!--indeed!--an old nag not worth half-a-guinea."

"What job?" said Jacques.

"Working about here, I mean, working for Mr. Rougeant."

"Well, ye-yes, but you've got to know how to tackle the guv'nor; he's a quair sort. I've worked for the Rougeants for forty-two years, and the old fellow's never given me more than my day's wage." Then he added in an undertone, "He's a reg'lar miser, he's got some tin! They say he's worth four hundred quarters."

Four hundred pounds income, was to old Jacques a large fortune.

"Ah," he went on, "if only I had four hundred pounds capital, with the little that I have sc.r.a.ped together, I would not trouble to work any more, I would have enough for the rest of my days. We live on thirty pounds a year, me and my old missus.