The Sheridan Road Mystery Part 10

"Jane Atwood!" was the sharp reply.

With that Marsh stooped and took the unconscious girl up in his arms, the unusual tenderness and care of his movements being plainly apparent. Carrying her into his apartment, while the others followed, Marsh laid her gently on a davenport in the living room.

"She must have had a shock of some kind and fainted," exclaimed Morgan.

"No," returned Marsh, as he softly smoothed back the hair from her forehead, disclosing a bruise that was now rapidly discoloring and swelling. "Somebody knocked her insensible." Then added, "You sent your man away too soon, Morgan."

"My G.o.d!" burst out Morgan. "What nerve! To think of pulling anything like this in a house full of detectives."

"We have a tough customer this time," declared Marsh. "Ordinary methods won't go. Watch her while I get some water."

Marsh went to the bathroom for a towel and some cold water. In the meantime Morgan turned sharply to Tierney.

"From now on, while we work on this case, your job is to stand outside of every door I enter."

Tierney grinned. To some men it might have seemed that they were being thrust into the background. To Tierney, however, the work immediately presented possibilities that stirred his fighting Irish blood. Without a word he went out into the public hall and closed the door behind him.

Marsh returned, and began to bathe the girl's forehead and the bruise with the cold water. While he worked over her, the photographer approached Morgan and held out an envelope.

"After your friend here picked the girl up," he explained, "I noticed this lying near her."

Morgan took the envelope. After a hasty glance he extended it to Marsh. "A letter to this girl with a St. Louis postmark!" he gasped.

"Good!" exclaimed Marsh, without stopping his work to revive the girl. "Just what I have been watching for. Open it."

Morgan understood. Turning to the photographer, he handed back the envelope. "Slip into the kitchen, steam this open and make a quick copy." Then, noticing the case on the floor beside the man, he added, "Finished your work upstairs?"

The man nodded.

"Then make a photograph of this letter at the same time. The handwriting may prove useful."

Taking the letter and picking up his case, the man went back to the kitchen. Morgan turned to Marsh.

"How is she coming on?" he inquired.

There was a slight flutter of the eyelids as he spoke and Marsh called his attention to it. "She will be all right in a moment," he said.

Presently Jane Atwood's eyes opened slowly, and she gazed in a bewildered and uncomprehending way at the two men bending anxiously over her. Marsh continued to bathe her forehead and gradually she seemed to realize her position. She struggled slowly into a sitting position on the davenport while the two men stood back, awaiting her first words. Contrary to the usual idea of feminine return to consciousness, she did not inquire where she was. Instead she startled the two men by asking, "Did you get him?"

"Get who?" counter questioned Marsh, taking the lead.

"The man who was outside the door," was the reply.

Marsh and Morgan exchanged quick glances. To them it was a confirmation that the listener of the night before was still seeking information about the case in hand. Moreover, here might be a clue to his ident.i.ty, or at least a description that would prove helpful, so Marsh seated himself on the davenport at her side, while Morgan went to a chair across the room.

Both men knew instinctively that this would put the girl more at her ease than if they continued to stand over her like inquisitors.

Marsh continued the conversation. "We know nothing about what happened," he said. "We heard a scream. When we opened the door you were lying there. No one was around except two policemen who came down from the third floor at that moment, having also heard your cry."

After this simple statement of the situation, Marsh paused, waiting for the girl to go on. He felt that in her dazed and weakened condition questions would still further bewilder her, might even cause a revulsion that would delay or prevent their getting information that would prove of inestimable value.

The girl paused, as if to collect her thoughts, and pa.s.sed her hand before her eyes with a motion similar to sweeping aside a curtain.

Then she spoke.

"I went to the hairdresser's in the block below. Returning, I stopped to take a letter out of the mail box and then started up the stairs to my apartment." At this point she pa.s.sed her hand over her hair and smiled as she realized its disheveled appearance now. "As I turned up the flight to this floor, I saw a man crouched down before the door of this apartment. He did not hear me until I reached the top of the stairs. Then he jumped up, and seeing me, tried to push by. Remembering the burglary, or whatever it was, upstairs, I knew I should try to stop him. So I seized his coat and we started to struggle. Instantly I saw him draw back his arm, then I felt the blow. I remember nothing of what happened from that moment until I awoke just now on this davenport."

Marsh sat up and clenched his hands. "If I knew what the fellow looked like I would thrash him the next time I saw him," he threatened, hoping thus to draw out the description he wanted.

"Oh, I can describe him--at least in a general way. He was short, not much over five feet, and quite thin. His face had a peaked look.

While we struggled his hat fell off and I saw that he was almost bald. His nose was large, and taken with his thin face and rather large bright eyes, it seems to me now that he looked just like an eagle."

"Had you ever seen him before?" Morgan asked.

"Never," she answered, and the positive note in her voice could not be mistaken.

"I will send your description to all the stations," said Morgan. "We will try to get that fellow."

Morgan went to the telephone and called the Detective Bureau. He gave the necessary directions, and as he returned to his chair, remarked, "In an hour or two this won't be a safe town for that fellow."

"You are the detective who came to see me!" exclaimed the girl.

"Perhaps this is the man you are looking for."

"Perhaps," agreed Morgan. "I can tell better after I get my hands on him."

"Oh, my!" cried the girl, and began to search about the davenport.

The two men suspected she was looking for the letter, and they were relieved to see the photographer appear in the doorway at that moment.

"Have you lost something?" inquired Marsh.

"Yes, the letter I took out of the mail box."

"Here it is, Miss," said the photographer, stepping forward and presenting the letter to her. "I picked it up in the hall where you dropped it."

She took it and thanked him. "I'm so glad you found it," she added.

"It is from my father, and I have not heard from him in a long time.

I feel better now and will go home."

She rose slowly with the words. Noting her weakness, Marsh stepped to her side and slipped his arm under hers.

"Let me help you up the stairs," he said, gently.

"Thank you," she returned, simply, realizing her need of help.

"I'll wait until you come back, Marsh," said Morgan.

The girl started. "Are you Mr. Marsh?" she exclaimed. Then, as Marsh nodded, she added, "Why, you are the man who sent this detective up to see me."

Marsh glanced quickly at Morgan, who, behind the girl's back, dropped one eyelid slowly and significantly.