The Shepherd of the Hills Part 34

Haven't you ridden enough to-day? I should think you'd be tired yourself."

"Tired? Me tired?" said the girl. "I don't want to ride. I want to walk. It's such a lovely evening, and there's going to be a moon.

I have been thinking all day that I would like to walk over home after supper, if you cared to go."

That night the work within the house and the ch.o.r.es about the barn were finished in a remarkably short time. The young man and woman started down the Old Trail like two school children, while the father and mother sat on the porch and heard their voices die away on the mountain side below.

The girl went first along the little path, moving with that light, sure step that belongs only to perfect health, the health of the woods and hills. The man followed, walking with the same sure, easy step; strength and power revealed in every movement of his body. Two splendid creatures they were--masterpieces of the Creator's handiwork; made by Him who created man, male and female, and bade them have dominion "over every living thing that moveth upon the earth;" kings by divine right.

In the belt of timber, where the trail to the ranch branches off, they met the shepherd on his way to the house for an evening visit. The old man paused only long enough to greet them, and pushed on up the hill, for he saw by their faces that the time was come.

Sammy had grown very quiet when they rounded the shoulder of Dewey, and they went in silence down to the cabin on the southern slope of the mountain. The girl asked Young Matt to wait for her at the gate, and, going to the house, she entered alone.

A short time she remained in the familiar rooms, then, slipping out through the rear door, ran through the woods to the little glen back of the house. Dropping beside the mound she buried her face in the cool gra.s.s, as she whispered, "Oh, Daddy, Daddy Jim! I wish you were here to-night; this night that means so much to me.

Do you know how happy I am, Daddy? Do you know, I wonder?" The twilight deepened, "I must go now, Daddy; I must go to him. You told me you would trust me anywhere with him. He is waiting for me, now; but I wish--oh, I wish that you were here to-night, Daddy Jim!"

Quickly she made her way back to the cabin, pa.s.sed through the house, and rejoined Young Matt. The two returned silently up the mountain side, to the higher levels, where the light still lingered, though the sun was down. At the Lookout they stopped.

"We'll wait for the moon, here," she said; and so seated on a big rock, they watched the last of the evening go out from the west.

From forest depth and mountain side came the myriad voices of Nature's chorus, blending softly in the evening hymn; and, rising clear above the low breathed tones, yet in perfect harmony, came a whip-poor-will's plaintive call floating up from the darkness below; the sweet cooing of a wood-dove in a tree on the ridge, and the chirping of a cricket in a nearby crevice of the ledge. Like shadowy spirits, the bats flitted here and there in the gathering gloom. The two on the mountain's shoulder felt themselves alone above it all; above it all, yet still a part of all.

Then the moon looked over the mountain behind them turning Mutton Hollow into a wondrous sea of misty light out of which the higher hills lifted their heads like fairy islands. The girl spoke, "Come, Matt; we must go now. Help me down."

He slipped from his seat and stood beside the rock with uplifted arms. Sammy leaned forward and placed her hands upon his shoulders. He felt her breath upon his forehead. The next instant he held her close.

So they went home along the trail that is n.o.body knows how old, and the narrow path that was made by those who walked one before the other, they found wide enough for two.

Dad Howitt, returning to the ranch, saw them coming so in the moonlight, and slipped aside from the path into the deeper shadows. As they pa.s.sed, the old shepherd, scholar and poet stood with bowed, uncovered head. When they were gone and their low voices were no longer heard, he said aloud, "What G.o.d hath joined; what G.o.d hath joined."

And this way runs the trail that lies along the higher, sunlit hills where those who journey see afar and the light lingers even when the day is done.

CHAPTER XLV.

SOME YEARS LATER.

A wandering artist, searching for new fields, found his way into the Ozark country. One day, as he painted in the hills, a flock of sheep came over the ridge through a low gap, and worked slowly along the mountain side. A few moments later, the worker at the easel lifted his eyes from the canvas to find himself regarded by an old man in the dress of a native.

"h.e.l.lo, uncle. Fine day," said the artist shortly, his eyes again upon his picture.

"The G.o.d of these hills gives us many such, young sir, and all His days are good."

The painter's hand paused between palette and canvas, and his face was turned toward the speaker in wonder. Every word was perfect in accent of the highest culture, and the deep musical tone of the voice was remarkable in one with the speaker's snowy hair and beard. The young man arose to his feet. "I beg your pardon, sir. I thought--" He hesitated, as he again took in the rude dress of the other. The brown eyes, under their white s.h.a.ggy brows, lighted with good nature. "You mean, young sir, that you did not think.

'Tis the privilege of youth; make the most of it. Very soon old age will rob you of your freedom, and force you to think, whether you will or no. Your greeting under the circ.u.mstance is surely excusable. It is I who should beg pardon, for I have interrupted your study, and I have no excuse; neither my youth nor my occupation will plead for me."

The charm of his voice and manner were irresistible. The painter stepped forward with outstretched hand, "Indeed, sir; I am delighted to meet you. I am here for the summer from Chicago. My camp is over there."

The other grasped the offered hand cordially, "I am Daniel Howitt, young sir; from the sheep ranch in Mutton Hollow. Dad Howitt, the people call me. So you see you were not far wrong when you hailed me 'Uncle.' Uncle and Dad are 'sure close kin,' as Preachin' Bill would say."

Both men laughed, and the painter offered his folding easel chair.

"Thank you, no. Here is a couch to which I am more accustomed. I will rest here, if you please." The old man stretched himself upon the gra.s.sy slope. "Do you like my hills?" he asked. "But I am sure you do," he added, as his eye dwelt fondly upon the landscape.

"Ah, you are the owner of this land, then? I was wondering who--"

"No, no, young sir," the old man interrupted, laughing again.

"Others pay the taxes; these hills belong to me only as they belong to all who have the grace to love them. They will give you great treasure, that you may give again to others, who have not your good strength to escape from the things that men make and do in the restless world over there. One of your n.o.ble craft could scarcely fail to find the good things G.o.d has written on this page of His great book. Your brothers need the truths that you will read here; unless the world has greatly changed."

"You are not then a native of this country?"

"I was a native of that world yonder, young sir. Before your day, they knew me; but long since, they have forgotten. When I died there, I was born again in these mountains. And so," he finished with a smile, "I am, as you see, a native. It is long now since I met one from beyond the ridges. I will not likely meet another."

"I wonder that others have not discovered the real beauty of the Ozarks," remarked the painter.

The old shepherd answered softly, "One did." Then rising to his feet and pointing to Roark valley, he said, "Before many years a railroad will find its way yonder. Then many will come, and the beautiful hills that have been my strength and peace will become the haunt of careless idlers and a place of revelry. I am glad that I shall not be here. But I must not keep you longer from your duties."

"I shall see you again, shall I not?" The painter was loath to let him go.

"More often than will be good for your picture, I fear. You must work hard, young sir, while the book of G.o.d is still open, and G.o.d's message is easily read. When the outside world comes, men will turn the page, and you may lose the place."

After that they met often, and one day the old man led the artist to where a big house looked down upon a ridge encircled valley.

Though built of logs without, the house within was finished and furnished in excellent taste. To his surprise, the painter found one room lined with shelves, and upon the shelves the best things that men have written for their fellows. In another room was a piano. The floors were covered with rugs. Draperies and hangings softened the atmosphere; and the walls were hung with pictures; not many, but good and true; pictures that had power over those who looked upon them. The largest painting hung in the library and was veiled.

"My daughter, Mrs. Matthews," said the old shepherd, as he presented the stranger to the mistress of the house. In all his search for beauty, never had the artist looked upon such a form and such a face. It was a marvelous blending of the physical with the intellectual and spiritual. A firm step was heard on the porch. "My husband," said the lady. And the stranger rose to greet--the woman's MATE. The children of this father and mother were like them; or, as the visitor afterwards said in his extravagant way, "like young G.o.ds for beauty and strength."

The next summer the painter went again to the Ozarks. Even as he was greeted by the strong master of the hills and his charming wife, there fell upon his ears a dull report as of distant cannon; then another, and another. They led him across the yard, and there to the north on the other side of Roark, men were tearing up the mountain to make way for the railroad. As they looked, another blast sent the rocks flying, while the sound rolled and echoed through the peaceful hills.

The artist turned to his friends with questioning eyes; "Mr.

Howitt said it would come. Is he--is he well?"

Mrs. Matthews answered softly, "Dad left us while the surveyors were at work. He sleeps yonder." She pointed to Dewey Bald.

Then they went into the library, where the large picture was unveiled. When the artist saw it, he exclaimed, "Mad Howard's lost masterpiece! How--where did you find it?"

"It was Father Howitt's request that I tell you the story," Sammy replied.

And then she told the artist a part of that which I have set down here.

THE END.