The Shadow of the Cathedral Part 8

"Will you have some, Don Gabriel?"

And with her bold eyes, like a hungry wolf, she invited Luna to enter.

She liked the masterful ways of the man, she said, and the ease which his former intercourse with the world had given him, and, moreover, for her woman's imagination Gabriel's mysterious past possessed a great attraction; his proud silence, the vague reports of his adventures, and the smile, as much compa.s.sionate as disdainful, with which he listened to the people of the upper cloister.

The insinuating Mariquita withdrew, and Gabriel continued his walk through the cloister, after finishing the little jar of milk that his brother brought him up every morning.

At eight o'clock, Don Luis, the Chapel-master, came out, his cloak wrapped as usual theatrically round him, and his big hat well tilted back, like a glory, round his enormous head; he was humming absently, restless with perpetual nervous movements; he inquired anxiously if the bell had yet rung for the choir, frightened by the threats of a fine in case he were late. Gabriel felt himself very much attracted by this poor priestly musician, who lived so despised in the furthest corner of the church, thinking far more of music than of dogma.

In the evenings Gabriel would often go up to the little room inhabited by the Chapel-master, on the tipper floor of the Lunas' house; the room contained all the priest's fortune--a little iron bed, which had belonged formerly to the seminarist, two plaster busts of Beethoven and Mozart, and an enormous pile of bundles of music, bound scores, loose sheets of ruled paper, so big and so piled up and disorderly that every now and then a pile would slip down, covering the floor of the little room with white sheets to its furthest corner.

"That is how all his money goes," said the Wooden Staff with an air of good-natured reproof, "he will never have a farthing. As soon as he gets his pay he orders more music from Madrid. It would be far better for Don Luis if he were to buy himself a new hat, even if it were a cheap one, so that the gentlemen of the choir should not laugh at the covering he has on his head."

In the winter evenings, after the choir, the musician and Gabriel took refuge in this little room. The canons, wishing to avoid the cold winds and the rain, took their daily walk in the galleries of the upper cloister, not wishing to forego this exercise to which their methodical existence had accustomed them. The rain would beat on the window of the little room, and in the dull grey twilight the musician would turn over his portfolios, or letting his hands wander over the harmonium, he would talk the while with Gabriel, who was seated on the bed.

The musician would grow excited, speaking of his love of art. In the midst of some peroration he would become suddenly silent, and bending over the instrument its melodies would fill the room, and floating down the staircase would reach the ears of the walkers in the cloister like a distant echo. Suddenly he would cease playing and resume his chattering, as though afraid that with his absent-mindedness his ideas would evaporate.

The silent Luna was the only listener he had met with in the Cathedral; the first who would listen to him for long hours without ridiculing him or thinking him crazy, and who often showed by his short interruptions and questions the pleasure with which he listened.

The end of the evening's conversation was always the same--the greatness of Beethoven, the idol of the poor musician.

"I have loved him all my life," said the Chapel-master, "I was educated by a Jeronomite friar, an old man driven from his convent who, after leaving it, had wandered over the world as a professor of the violoncello. The Jeronomites were the great musicians of the Church. You did not know this, neither should I have known it if this holy man had not taken me under his protection soon after I was born, and been to me a real father. It appears that in olden days each order devoted itself to some special thing. One, I think the Benedictines, copied and annotated old books; others made sweet liqueurs for the ladies, others were wonderfully clever in training cage birds, and the Jeronomites studied music for seven years, each one playing the instrument of his choice, and to these we owe that there has been preserved in the Spanish churches a little, but very little, good musical taste. And from what my little father told me, what wonderful orchestras these Jeronomites must have had in their convents! For the ladies it was a great delight to go on Sunday evenings to the parlour, where they met the good fathers, each one a master of his own particular instrument. These were the only concerts in those days, and with their pittance a.s.sured, and no anxiety as to housing or clothing themselves, and with the love of art as their only duty, you may imagine, Gabriel, what musicians they could become. For this reason, when the friars were expelled from their convents the Jeronomites were not the worst off. There was no need to beg ma.s.ses in the churches or to live on the charity of devout families; they were able to earn their bread by an art conscientiously studied, and consequently they soon got places as organists and Chapel-masters; the Chapters really fought for them. Some were more venturesome, and, anxious to see more of that musical world which had seemed to them while in their convents a vision of Paradise, entered the orchestras of theatres, many travelling even to Italy, transforming themselves so entirely that even their own former prior could not have recognised them. One of these was my little father. What a man! He was a good Christian, but he had thrown himself so thoroughly into music that he retained very little of the former friar. When he was told that probably the convents would be re-established, he shrugged his shoulders with indifference, a new sonata interested him much more. He sometimes said things that have always lived in my memory. I remember one day when I was a child he took me to a meeting of musical friends in Madrid, who played, for their own pleasure only, the famous 'Seventh Symphony.' Do you know it? It is the freshest and most graceful of all Beethoven's works. I remember my little father leaving the room quite wrapped up in himself, with his head bent, dragging me along, for I could hardly keep up with his long footsteps, and when we got home he looked at me fixedly, as though I had been a grown-up person. 'Listen, Luis,' he said, 'and remember this well. There is only one Lord in the world, Our Lord Jesus Christ, and there are two lesser lords, Galileo and Beethoven.'"

The musician looked lovingly at the plaster bust which faced the room from one corner, with its leonine brows and the diffident eyes of a deaf person.

"I do not know much about Galileo," continued Don Luis. "I know that he was a very wise man, and a scientific genius. I am only a musician and I know very little about other things, but I adore Beethoven, and I think my little father did the same--he is a G.o.d; the most extraordinary man the world has ever produced. Don't you think so, Gabriel?"

His nerves were quivering with his excitement, and getting up, he walked rapidly up and down the room, trampling on all the loose sheets of music.

"Ay! how I envy you, Gabriel, having travelled so much, and having heard so many good things! The other night I could not sleep for thinking of all you had told me about your life in Paris--those beautiful Sunday afternoons when you would go to the Lamoureax concerts, or sometimes to Colonnas, giving yourself a surfeit of sublimity! And here am I, shut up, my only hope being perhaps to conduct a Ma.s.s of Rossini's at one of the great festivals! My only comfort is to read music, instructing myself thoroughly in those great works that so many fools in the towns can listen to half asleep and bored. Here I have, in this pile, the nine symphonies of the great man--his innumerable sonatas, his ma.s.ses, and together with him, Haydn, Mozart, Mendelssohn, in fact all the great writers. I have even Wagner. I read them, and I play what is possible on the harmonium.

But--it is just as if you were to describe the drawing and colours of a picture to a blind man, buried in this cloister. I know, blindly, that there are most beautiful things in this world--for those who can hear them."

The Chapel-master kept from the previous year the remembrance of a great happiness, and he spoke of it enthusiastically. He had been chosen by the Cardinal Archbishop to go to Madrid, to be one of a board of examiners for organists.

"That was the best time I ever had in my life, Gabriel. One evening I listened to Wagner, dressed in the clothes of a friend of mine, a violinist, who plays here in Toledo at the great festivals. I heard the Walkyria in the pit of the Real Theatre, another night I went to a concert; but the greatest night of all was the one on which I heard the Ninth Symphony of that ugly old fellow, of that deaf, bad-tempered genius who is listening to us."

And with one bound the musician rushed to the bust, kissing it with childish humility, just as a child would caress a stern and domineering father.

"You know the Ninth Symphony; true, Gabriel? And what did you feel as you listened to it? When I listen to music strange things happen to me. I close my eyes and I see unknown countries and strange faces, and whenever I hear the same works the same visions are repeated. If I speak about this with any of the people down below they say I am mad, but I know that you feel as I do, and I am not afraid that you will laugh at me. There are musical pa.s.sages that make me see the sea, blue and boundless, with silvery waves, and this, though I have never seen the ocean; other works bring before me woods and castles, or groups of shepherds with white flocks; with Schubert I always see two lovers sighing at the foot of a linden tree, and certain French composers bring before my mind's eye beautiful women walking among beds of roses, dressed in violet, always violet. And you, Gabriel, do not you see these things?"

The anarchist a.s.sented--yes, music awoke in him also a world of fantastic visions, far more beautiful than reality.

"I remember," went on the priest, "what the Ninth Symphony made me see. I see it still if I only hum some of its pa.s.sages. Oh! that graceful Scherzo with its strange tremolos! I thought, hearing it, that G.o.d and his court of saints had left the heavens to take a walk, leaving the little angels masters of the house, full liberty!

Universal gambols! The heavenly children, without any restraint, sported from cloud to cloud, amusing themselves by scattering on the earth the garlands of flowers that the saints had left behind them; one let loose the rain and made it fall on the earth; another seized the key of the thunder and touched it, fearful peals which frightened all the revellers and made them fly. But they returned again to continue their graceful play, beginning afresh their noisy games that the thunder had disturbed. And the Adagio! What do you say about that?

Do you know anything softer, more loving or so divinely peaceful?

Human beings will never speak like this again, however much progress they make. Hearing it, I thought of those fresco-painted ceilings with mythological figures--G.o.ds and G.o.ddesses with pink flesh and flowing curves, Apollo and Venus reclining on a mountain of pink and gold clouds, like a lovely dawn."

"Chaplain, what has come to you?" said Gabriel; "this is not very Christian."

"No, but it is artistic," said the musician simply. "I do not trouble myself much about religion, I believe what I was taught, and I have never taken the trouble to inquire any further. Music alone occupies me, of which someone has said 'that it will be the religion of the future,' the purest manifestation of the ideal. Everything that is beautiful delights me, and I believe in it as a work of G.o.d. 'I believe in G.o.d and in Beethoven,' as his pupil said--and besides, how much religion the grandeur of music contains! Do you know the last quartet that Beethoven wrote? He felt he was dying, and he wrote on the edge of the score this terrible question: 'Must it be?' and lower down he added, 'Yes, it must be, it must be.' It was necessary to die, even for such a genius to leave life, while he still carried in his mind such glorious things, to pay the tribute of human renovation; and then he wrote that lament, that farewell to life, whose greatness cannot be equalled by any song, or by any words of religion."

The musician sat down to the harmonium, and for a long while played that last lament of the genius, his sorrowful complaint on crossing the threshold, not despairing and trembling through fear of the unknown, but with a brave melancholy, sinking into the eternal shadow, confident that nothing could obscure his genius.

These evenings of artistic communion in that corner of the sleepy Cathedral drew the two men together with an ever increasing affection.

The musician talked, turning over his scores, or playing his harmonium; the revolutionist listened silently, only interrupting his friend by his painful cough. They were evenings of sweet sadness that these two men spent together, one dreaming of leaving the stone prison of the Cathedral to see the world, the other returning from life wounded and breathless, content with the obscure repose of the beautiful church, and guarding with prudent silence the secret of his past. Art shone for them like the rays of the sun in the grey and monotonous atmosphere of the Cathedral.

When they met in the early mornings in the cloister the conversation between the two friends generally ran on the same lines.

"This evening, eh?" the Chapel-master would say mysteriously. "I have some fresh music, we shall enjoy something new that I have been sent to-day, and besides, I wrote a little thing last night."

The anarchist nodded affirmatively, quite ready to serve as entertainment for this pariah of art, who saw in him his only audience, and who took so much kindly trouble to interest him.

While the services lasted Gabriel would walk alone in the cloisters; all the men were in the Cathedral, except the shoemaker, who was mending the giants. Tired of the chattering of the women who stood at the doors of the Claverias, he would go up to the dwelling of the bell-ringer, his old companion in arms, or he would go down into the garden by the remarkable staircase del Tenorio when it was open, or by the archbishop's archway crossing the street.

He delighted in pa.s.sing an hour under the trees; he found in the garden as many memories of his family as in the "habitacion" upstairs.

Besides, he was tired of always finding his walks bounded by stone walls, which reminded him of his prison, and he wanted the movement of the vegetation caressed by the breeze to foster the illusion that he was living in complete liberty in the open country.

In the arbour, where he had formerly so often seen his father, infirm and crippled with age, directing his eldest son, who received all his orders impa.s.sively, he would now meet his Aunt Tomasa, knitting her stockings, and watching with vigilant eyes the work of a boy whom she had taken into her service.

Gabriel's aunt was by far the most important person in the Claverias; her word was worth quite as much as Don Antolin's, the Silver Stick was afraid of her, bending before the powerful protection that they all guessed stood behind the poor old woman. In the days when her father, Gabriel's maternal grandfather, was sacristan in the Cathedral the functions of acolyte were exercised by a small boy, nephew of one of the beneficiaries of the Cathedral, who ended by paying for his education in the seminary. This little acolyte of half a century before was now a prince of the church, and the Cardinal Archbishop of Toledo. Old Tomasa and he had known each other as children, fighting over trifles in the upper cloister, or playing tricks on the beggars who sat at the Puerta del Mollete. The imposing Don Sebastian, whose look alone made the Chapter and all the clergy in the diocese tremble, became happy, fraternal and confidential, when now and then in the evenings he saw Tomasa. She was the only living reminder of his childhood in the Cathedral. The old woman would kiss his ring with great reverence, but very soon she would lapse into talking to him as one of her own family, often very nearly speaking to him in the second person. The cardinal, always surrounded by fear and adulation, often felt the necessity of the old woman's careless and frank conversation.

The people belonging to the Cathedral declared that the Senora Tomasa was the only person who dared to tell the cardinal home-truths face to face, and the neighbours in the Claverias felt their pride flattered when they saw the prince of the church sweeping down the stone steps in his brilliant scarlet robes to sit in the arbour and gossip for a good hour with the old woman, while his attendants remained respectfully standing at the gate of the iron railings.

Tomasa was not puffed up with this honour; to her this ecclesiastical prince was only the friend of her childhood, who had had a certain amount of good luck; and in the end, he was only Don Sebastian, without going any further into ceremonies and formulas of respect. But her family knew how to take advantage of this friendship, especially her son-in-law, "Virgin's Blue," a hypocrite, as the old woman declared, who would make money out of the very cobwebs of the Cathedral; an insatiable locust who, profiting by the friendship of the cardinal and his mother-in-law, went on continually obtaining fresh privileges, without the priests and sacristans daring to make the slightest protest, seeing him so well protected.

Gabriel much enjoyed his aunt's talk. She was the only person born in the cloister who seemed to have freed herself from the soporific influence of the church. She loved the Cathedral, as being her ancient roof-tree, but she did not retain much respect for the saints in the chapels, nor for the human dignitaries who sat in the choir. She laughed with the happiness of a healthy and placid old woman, her seventy years being, as she said, quite free from any evil done to her neighbour. Her language was free and easy, like that of a woman who has seen much, and does not believe in human majesty or irreproachable virtues; but the bed-rock of her character was its tolerance, her compa.s.sion for all faults, but she Was indignant with those who attempted to hide them.

"They are all men, Gabriel," she would say to her nephew, speaking of the clergy of the Cathedral. "Don Sebastian is only a man; all sinners who have much to answer for before G.o.d. They cannot be anything else, and so I forgive them. But believe me, nephew, I often feel inclined to laugh when I see the people kneeling before them. I believe in the Virgin of the Sagrario, and a little in G.o.d; but in these gentlemen!

If you only knew them as I do! But, when all is said and done, we must all live, and the evil is not in having faults, but in attempting to hide them; playing a farce with the shamelessness of my son-in-law who, here as you see him, is as proud as a castle, beats his breast, kisses the ground like the Beatas,[1] and yet he is anxious for my death, thinking I have something laid away in my chest; he filches what he can from the Virgin's poor-box, steals the wax tapers, and plays tricks with what is paid for ma.s.ses, and yet he would be in the street if it were not for me, who always think of my poor sick daughter and my poor little grandchildren."

[Footnote 1: _Beata_--woman engaged in works of charity who wears the religious habit.]

When Gabriel went down to see her in the garden, she always received him with the same salutation:

"Hola, you ghost! but to-day you are looking better, you are being patched up. I believe your brother will pull you through with all his care."

And then followed a comparison between her healthy and vigorous old age and his ruined youth, which was fighting so tenaciously against death.

"Here you see my seventy years, and never an illness in all my life.

Summer and winter I never hear four o'clock strike in bed, and all my teeth are as sound as in the days when Don Sebastian came in his red dress as server in the church and wanted to steal half my breakfast.

You Lunas have always been delicate; your father, long before he was my age, could barely walk, and was always complaining of rheum and of the damp in this garden. Here am I in it constantly, and I feel just the same as when I am upstairs in the Claverias. We, the Villalpandos, are made of iron; for, of course, we are descended from that famous Villalpando who made the screen of the high altar, the custodia, and an innumerable quant.i.ty of other things. He really must have been a giant, to judge by the ease with which he twisted and moulded every sort of metal."

Gabriel's ill-health awoke in her the deepest compa.s.sion, but all the same not quite free from malicious suggestions.

"How much you must have amused yourself about the world, eh, nephew?

But that war was your perdition; without it you would now have had your stall in the choir, and who knows if you might not have come to be another Don Sebastian. The truth is, that from his childhood no one spoke half as much about him in the seminary as they did of you, and he certainly was no prodigy of learning. But you saw the world, and you took a fancy to those countries where they say the ladies are very pretty, and wear hats as large as parasols. You are a monster of ugliness now, but you were very smart, though I, who am your aunt, say so. And now you have come back so lean and suffering! You must have lived very fast; who knows what you have done in the world--sly boots!

And your poor mother, who thought you would be a saint! G.o.d have mercy on us! Don't deny it; you have done no good and I hate lies. You did right to enjoy yourself and to take advantage of every opportunity, but the misfortune is that you should have returned as you are, for it is pitiful to see you, but I have known a great many like you. I don't know what evil spirit possesses people belonging to the church, but once they throw themselves into life, they don't know where to stop, and they burn the candle at both ends till there is next to nothing left; many of them, like you, have pa.s.sed through the seminary."

One morning Gabriel asked a question of his aunt that he had been long thinking about, but that he had never before dared to put into words.

He wanted to know all about his niece, Sagrario, and what had happened in his brother's house.