The Shadow of the Cathedral Part 21

"I am sure that G.o.d will not despise me when my hour comes. His infinite mercy is above all the littleness of life. What has been my fault? To have loved a woman, as my father loved my mother; to have had children as the apostles and saints had. And why not?

Ecclesiastical celibacy is an invention of men, a detail of discipline agreed upon at the councils; but the flesh and its exigencies are anterior by many centuries; they date from Paradise. Whoever crosses this barrier, not from vice, but from irresistible pa.s.sion, because he cannot conquer the impulse to create a family and to have a companion, fails indubitably towards the laws of the Church, but he does not disobey G.o.d. I fear the approach of death; many nights I doubt and tremble like a child. But I have served G.o.d in my own way. In former times I would have served Him with my sword, fighting against the heretics. Now I am His priest and do battle for Him whenever I see the impiety of the age curtailing anything of His glory. The Lord will forgive me, receiving me into His bosom. You, who are so good, Tomasa, and have the soul of an angel beneath your rough exterior, do you not think so?"

The gardener's widow smiled, and her words fell slowly on the silence of the dying evening.

"Tranquillise yourself, Don Sebastian. I have seen many saints in this house, and they have been worth much less than you. To ensure their salvation they would have abandoned their children. To maintain what they call purity of soul they would have renounced their family.

Believe me, no saints enter here; they are men, nothing but men. You have nothing to repent of in following the impulse of your heart. G.o.d created us in His image and likeness, and also planted in us family love. All the rest, chast.i.ty, celibacy and other trifles, you invented for yourselves, to distinguish yourselves from the common herd of people. Be a man, Don Sebastian, and the more you show yourself such the better it will be for you, and the better the Lord will receive you in His glory."

CHAPTER IX

A few days after Corpus Don Antolin went one morning in search of Gabriel. Silver Stick smiled at Luna, speaking to him in a patronising way.

He had thought of him all night; it pained him to see him idle, walking about the cloister; it was the want of occupation that inspired him with such perverse ideas.

"Let us see," he continued, "would it suit you to come down with me every afternoon into the Cathedral, to show the Treasury and the other curiosities? A great many foreigners come who can scarcely make themselves understood when they question me; you will understand them, as you know French and English, and, your brother says, many other languages. The Cathedral would be a gainer, as it would show these strangers that we have an interpreter at our disposal; you would be doing us a favour and would lose nothing by it. It is always an amus.e.m.e.nt to see new faces; and about the recompense ..."

Don Antolin stopped here, scratching his head beneath his skull cap.

He would see what he could screw out of the funds of the Obreria; if just at first nothing could be managed, as the revenues of the Primacy were meagre and at their lowest ebb, no doubt something could be given later on.

He looked anxiously for Gabriel's answer, who, however, was quite agreeable; when all was said and done he was a guest of the Cathedral and owed it something. And from that afternoon he went down at the hour of choir to show the foreigners all the treasures of the church.

There was no lack of travellers who showed Don Antolin's coloured tickets waiting for the time to see the jewels. Silver Stick could never see a stranger without imagining that he was a lord or a duke, and often felt very much surprised at the shabbiness of their clothing; according to his ideas only the great ones of the earth could give themselves the pleasure of travelling, and he opened wide his incredulous and scandalised eyes when Gabriel told him that many were shoemakers from London or shopkeepers from Paris, who during their holidays treated themselves to a trip through the ancient country of the Moors.

Five canons in their choir surplices advanced up the nave, each one holding a key in his hand; these were the guardians of the treasure.

Each one opened the lock confided to his custody, the door swung heavily, and the chapel, with its antique treasures, was opened. In large gla.s.s cases, like a museum, was displayed the ancient opulence of the Cathedral: statues of chiselled silver, large globes crowned by graceful little figures all of precious metal, ivory caskets of complicated work, custodias and viriles[1] of gold, enormous gilt dishes, embossed with mythological subjects reviving the joy of paganism in that sordid and dusty corner of the Christian Church, and precious stones spread their varied colours over pectorals, mitres and mantles for the Virgin. There were diamonds so immense as to make one doubt their being genuine, emeralds the size of pebbles, amethysts, topaz, and pearls--very many pearls, strewn by the hundreds and thousands on the Virgin's garments. The foreigners were amazed at all this wealth and dazzled by the quant.i.ty, while Gabriel, who had become accustomed to see it daily, looked at it carelessly. The Treasury presented a deplorable spectacle of neglect: the riches had aged with the Cathedral, the diamonds did not flash, the gold seemed tarnished and dusty, the silver was blackened, the pearls were opaque and sick, the smoke from the wax tapers and the damp atmosphere of the church had sadly dulled everything.

[Footnote 1: _Virile_--small box with double gla.s.s in which the Host is exhibited.]

"The Church," said Gabriel to himself, "ages everything she touches.

The treasures lose their brilliancy in her hands, like jewels that fall into the power of usurers. The diamond becomes dulled in the bosom of the great miser, and the most beautiful picture becomes blackened on her altars."

After the visit to the Treasury came the exhibition of the Ochavo, the octagonal chapel of dark marbles, that pantheon of relics where the most repulsive human remains--skulls with their ghastly grin, mummified arms and worn-eaten vertebras--were shown in gold or silver shrines. The gross and credulous piety of former days displayed itself in the full tide of unbelief, so that even Don Antolin, so uncompromising when he spoke of the glories of his Cathedral, lowered his voice and hurried over his explanations as he showed a piece of the mantle worn by Santa Leocadia when she "appeared" to the Archbishop of Toledo, quite understanding the difficulty of explaining how an apparition could wear garments of stuff.

Gabriel translated faithfully Don Antolin's explanation, repeating it again and again with imperturbable gravity, while the canons who escorted the batch of strangers drew a few paces away with an absent look, to avoid questions.

One day a phlegmatic Englishman interrupted the interpreter.

"And have you not amongst all these things a feather from the wings of St. Michael?"

"No, senor, and it is a great pity," said Luna, equally seriously, "but you will probably find it in some other Cathedral; we cannot have everything here."

In the Chapter-house, a mixture of Arab and Gothic architecture, the foreigners were much interested by the double row of portraits of the Toledan archbishops hanging on the wall, with their mitres and golden croziers. Gabriel called their attention to the picture of Don Cerebruno, a mediaeval prelate, so called from his enormous head; but it was the wardrobe which more especially surprised the foreigners.

It was a room surrounded by large cupboards and shelves of old wood; above these the walls were covered with dusty and torn pictures, copies of Flemish paintings that the canons had relegated to this corner; round the room were placed in line the ancient armchairs of the church, some of Spanish workmanship, austere, with straight lines and ravelled coverings, others of Greek design with curved feet inlaid with ivory. The capes and chasubles were piled on the shelves, according to colours, with the collars outside the heap, so that people could examine the wonderful embroidery. A whole world of patterns appeared with every possible brilliancy of colour on a few inches of stuff. The astonishing art of the ancient embroiderers made the silk a series of vivid pictures; the collar and the narrow stripes on the front of a cape were large enough to reproduce all the scenes of the biblical creation and the pa.s.sion of Jesus. Brocade and silk unrolled the magnificence of their textures. One cape was a garden of flame-coloured carnations, another was a bed of roses and other fantastic flowers with twisted stamens and metallic petals. The sacristans produced from the deep shelves, as though they were books, the splendid and famous frontals of the high altar. There were special ones for each festival; that for St. John's Day was brightly coloured with verbenas, purple bunches of grapes, and golden lambs that fat little angels were caressing with their chubby hands. The most ancient, of soft and rather faded colours, showed Persian gardens with blue waters in which fabulous reddish beasts were drinking.

The visitors were bewildered seeing all this vast collection of stuffs and embroideries unrolled piece after piece--all the past of a Cathedral which, having millions of revenue, employed for its embellishment armies of embroiderers, acquiring the richest textures of Valencia and Seville, reproducing in gold and colours all the episodes from the Holy books, and the torments of the martyrs, all the glorious legends of the Church, immortalised by the needle, before printing had been able to do so.

Gabriel returned every evening to the upper cloister, wearied out with walking the length and breadth of the Cathedral. During the first few days he was delighted with the novelty of seeing fresh faces, to hear the rustle of the visitors who, branching off from the great stream of travellers who inundated Europe, came as far as Toledo. But after a little while the people he saw every afternoon seemed to him just the same. There were the same questions, the same stiff and hard-featured Englishwomen, and the same o-o-o-h's of cold and conventional admiration, and the same identical way of turning their backs with rude pride when there was nothing else to be shown. Returning to the quiet of the upper cloister after the daily exhibition of the Treasury, Gabriel thought the poverty of the Claverias even more revolting and intolerable. The shoemaker seemed sadder and yellower in the rank atmosphere of his den, bending over his bench hammering the soles, his wife more feeble and ill, the miserable slave of maternity, weakened by hunger, and offering to her little son as his only hope of food those flaccid b.r.e.a.s.t.s in which there was nothing left but a drop of blood. The little child was dying! Sagrario, who had left her machine to spend the greater part of the day in the shoemaker's room said so in a low voice to her uncle. She did all the work of the house, while the poor mother, motionless in a chair, with the little one in her lap, looked at it with weeping eyes. When the baby woke from its stupor it would wearily raise its head from its little neck, which had become a mere thread; the mother to stifle its feeble moans would press it to her breast, but the child would turn away its mouth guessing the inutility of expending its strength on that rag of flesh from which it could only succeed in extracting the last drop.

Gabriel examined the child, noting its extreme emaciation and the spots that scrofula had spread over its straw-coloured skin. He shook his head incredulously when the neighbours who had gathered round the invalid each diagnosed some particular ailment, and recommended every imaginable sort of household remedy, from decoctions of rare herbs and stinking ointments to applications on the chest of miracle working prints, and tracing seven crosses on the navel with as many paternosters.

"It is hunger," said Luna to his niece, "nothing but hunger." And depriving himself of part of his own food, he sent to the shoemaker's house the milk that had been brought up for himself. But the child's stomach could not retain the liquid too substantial for its weakness, and threw it up as soon as swallowed. The Aunt Tomasa, with her energetic and enterprising character, brought a woman from outside the Cathedral to nourish the child, but after two days, and before the effects became visible, she came no more, as if she had felt disgusted at the miserable and corpse-like little body touching her. In vain the gardener's widow searched; it was not easy to find generous b.r.e.a.s.t.s who would give their milk for very little pay.

In the meanwhile the child was dying. All the women came in and out of the shoemaker's house, and even Don Antolin would stand at the door in the mornings.

"How is the little one? Just the same? It is all in G.o.d's hands."

And he would retire, doing the shoemaker the great charity of not speaking to him about the pesetas he owed him, on account of the sick child.

"Virgin's Blue" was annoyed by this incident, which upset the calm of the cloister, and disturbed the bliss of his digestion as a happy and well-fed servant of the Church. It was a shame that that shoemaker should be allowed to live in the Claverias with all that flock of wretched and scurvy children; one would die every month; all sorts of illness would lay hold on them. By what right were they in the Cathedral when they drew no wage from the Obreria? Such stinking excrescences ought to remain outside the Lord's house.

His mother-in-law was furious.

"Silence, you thief of the saints!" she cried. "Silence, or I will throw a dish at you! We are all sons of G.o.d, and if things were as they should be, all the poor ought to live in the Cathedral. Instead of saying such things it would be much better if you gave those unhappy people part of what you have stolen from the Virgin."

The sacristan shrugged his shoulders with contempt. If they had not enough to eat they should not have children. There he was himself with only one daughter--he did not think he had any right to more--and so thanks to Our Lady he was able to save a sc.r.a.p for his old age.

Tomasa spoke of the shoemaker's child to the good gentlemen of the Chapter when they came into the garden for a few minutes after choir.

They listened absently, putting their hands in their ca.s.socks.

"It is all G.o.d's will! What poverty!"

And some gave her ten centimes, others a real, one or two even a peseta. The old woman went one day to the Archbishop's palace. Don Sebastian was engaged and unable to see her, but he sent her two pesetas by one of the servants.

"They don't mean badly," said the gardener's widow, giving her collection to the poor mother, "but each one lives for himself, and his neighbour may manage as he can. No one divides his cloak with another--take this, and see how you can get out of your trouble."

They fed a little better in the shoemaker's house; the miserable scrofulous children collected in the cloister profited most by the baby's illness; it was growing daily weaker, lying motionless for hours, with almost imperceptible breathing, on its mother's lap.

When the unhappy child died, all the people of the Claverias rushed to the home. Inside could be heard the mother's wailings, strident, interminable, like the bellowing of a wounded beast; outside the father wept silently, surrounded by his friends.

"It died just like a bird," he said with long pauses, his words broken by sobs. "His mother held him on her knees--I was working--'Antonio, Antonio!' she called, 'see, what is the matter with the child, it is moving its mouth and making grimaces?' I ran up quickly, its face was quite dusky--as if it had a veil over it. It opened its mouth, a couple of twitches with its eyes staring, and its neck fell over--just the same as a bird, just the same."

He wept, repeating constantly the resemblance between his son and those birds who die in winter from the cold.

The bell-ringer looked gloomily at Gabriel.

"You who know everything, is it true that it died of hunger?"

And the Tato with his scandalous impetuosity shouted loudly--

"There is no justice in the world! All this must be altered! Fancy a child dying of hunger in this house, where money runs like water, and where all those creatures are dressed in gold!"

When the little corpse was carried to the cemetery, the cloister seemed quite deserted; all its life was concentrated in the shoemaker's house, all the women surrounded the mother. Despair had rendered that sick and feeble woman furious. She no longer wept: her child's death had made her ferocious--she wished to bite or to dash her skull against the wall.

"Ay! my s-o-o-o-n! my Antonio!"