The Shadow Of A Man Part 10

Theodore would return, and then----

But for once he was singularly slow; minute followed minute, and there was neither sign nor sound of him.

And presently the store door opened once more; the figure in the dust-coat emerged as it had entered; and vanished as it had appeared, in the direction of the horse-yard.

Once more the door was shut; but, once more, that thread of incriminating light burnt like a red-hot wire beneath. And this time Moya could not see it burn: the red-hot wire had entered her soul.

Theodore had been so long, he might be longer; risk it she must, and take the consequences. Two steps carried her across the verandah; lighter she had never taken in a ball-room, where her reputation was that of a feather. Once in the kindly sand, however, she ran desperately, madly, to the horse-yard. And she was just in time to hear the dying beat of a horse's canter into infinity.

Then she must inform the wretch himself, the runaway ruffian in the store! One sob came, and then this quick resolve.

She gained the store, panting; and instinctively tried the door before knocking. To her amazement and alarm it was open. She stood confounded on the threshold, and a head bending over the desk, under the lamp, behind the counter, was suddenly transformed into a face. And it was not the runaway at all; it was Rigden himself!

"I saw you come out!" she gasped, past recrimination, past anger, past memory itself in the semi-insensibility of over-whelming surprise. He looked at her very gravely across the desk.

"No, that was the man who has wrecked my life," he said. "I've got him through them at last, I do believe."

And his eyes flashed their unworthy triumph.

"You could actually give him your horse!"

"I wish I could. It would be missed in a minute. No, he's only just to run the gauntlet on it, and I shall find it at the first gate. But what is it, Moya? You came for something?" and he was a miserable man once more.

"I'm ashamed to say why I came--but I will!" cried Moya in a low voice.

"I did not want you to be found out through my own brother. He suspected the man was in here--I don't know why. He was going to watch the store all night, and I was watching it for him while he changed, and the light under the door----"

Rigden held up his hand.

"Hush!" he said. "Here _is_ your brother."

Theodore was more than decent; he was positively gorgeous in striped and ta.s.selled silk. He stood in the doorway with expressive eyebrows and eloquent nostrils, looking from Moya to Rigden until his gaze settled upon the latter. It was almost an innocuous gaze by then.

"So it was you in here," he said. Rigden nodded. "Do you know who I was a.s.s enough to think it was?" continued Theodore, using a word which Moya had never heard him apply to himself before, even in fun. "Has Moya told you?"

"She has."

"I saw the light," said Moya, in elliptical explanation. Theodore continued to address his host.

"I oughtn't to have interfered," he said, with a humility which was already arousing Moya's suspicions. "I should have minded my own business, Rigden, and I apologise. I'd got it into my head--I can't tell you why. Will you forgive me? And have you any more whisky?"

"I've nothing to forgive," said Rigden, sincerely enough. "But a drink we'll have; that's an excellent idea!"

But the counter was between them, and Theodore was the first to leave the store; but on the threshold he stopped, and just turned to Moya for an instant.

"By the way, you didn't see anybody else, I suppose?" said he.

There was an instant's pause. Then Moya committed her sin.

"Of course I didn't," were the words.

Theodore strolled over to the verandah. Moya waited behind as in devotion while Rigden locked that fatal door for the last time.

"You see what you've brought me to!" she hissed. "But don't think it's because I care a bit what happens to you--once I'm gone. And I _hate_ you for it--and I always shall!"

"Thank you," he said.

And that was all.

VII

A CAVALIER

Moya went to bed like one already in a dream. She smiled when she realised what she was doing; there would be no sleep for her that night.

Yet she went through with the empty form, even to putting out the light to rest her aching eyes. And in five minutes her troubles ceased for as many hours; she had pa.s.sed that pitch of excitement which is another name for insomnia; she had reached the stage of sheer exhaustion, and she reaped the recompense.

Spurred feet treading gingerly nevertheless awoke her towards dawn. It was a bitter awakening. Further sleep was impossible, further rest intolerable; besides, something must be done at once. It was an ordeal to face, but sooner or later Theodore must be told, and then--good-bye!

Obviously the sooner the better, since the thing was settled between the two whom it concerned; and Moya had the temperament which prefers to precipitate the absolutely inevitable; but temperament for once was not her lord. It was too hard!

Character came to the rescue. It must be done. And Moya dressed by candle-light with a craven but a resolute heart.

Meanwhile the cautious footsteps and the low voices died away; and the girl found a bare verandah, chill and silent as a vault in the twilight of early morning. A lamp was burning in the dining-room, but the chairs were pushed back, crusts left, and tea-cups half full. The teapot felt quite heavy; and Moya took a cup and a bite before going to see whether Theodore was awake. If not, she must wake him, for she could not wait.

But his room was deserted; his very boots were gone; and the craven heart leapt, for all its resolution.

Moya returned to the verandah in time to see the new chum, Ives, coming at a canter through the pines. She cut him off at the barracks, where, however, he flung himself from the saddle and almost into her arms.

"I beg your pardon, Miss Bethune! Forgotten something as usual, you see!"

Hurry and worry were behind his smile. Yet Moya had the heart to detain him.

"Good morning, Mr. Ives. Where's everybody?"

"Gone mustering."

"Not my brother?"

"No; he's gone with the police."

"The police."

"You know, they've gone to follow up some tracks----"

"Oh, yes, I know!" cried Moya.

So Theodore was hand-in-glove with the enemy! Not that the police were the enemy at all; they were only _his_ enemies; but the fact remained that Theodore was one of them. Very likely he had already made them a present of his suspicions; nothing likelier, or more fitting, than the exposure of her "lover" through her own brother's agency. It will be seen that her bitterness against one was rapidly embittering Moya's view of all and sundry. She was not original in that.