The Seven Great Monarchies Of The Ancient Eastern World Volume V Part 8

The minute account which has been now given of this palace will render unnecessary a very elaborate description of the remainder. Two grand palatial edifices seem to have been erected on the platform by later kings--one by Xerxes and the other by Artaxerxes Ochus; but the latter of these is in so ruined a condition, and the former is so like the palace of Darius, that but few remarks need be made upon either. The palace of Xerxes is simply that of Darius on a larger scale, the pillars in the portico being increased from two rows of four to two rows of six, and the great hall behind being a square of eighty instead of a square of fifty feet, with thirty-six instead of sixteen pillars to support its roof. On either side of the hall, and on either side of the portico, were apartments like those already described as ab.u.t.ting on the same portions of the older palace, differing from them chiefly in being larger and more numerous. The two largest, which were thirty-one feet square, had roofs supported on pillars, the numbers of such supports being in each case four. The only striking difference in the plans of the two buildings consisted in the absence from the palace of Xerxes of any apartments to the rear of the great hall. In order to allow s.p.a.ce for an ample terrace in front, the whole edifice was thrown back so close to the edge of the upper platform that no room was left for any chambers at the back, since the hall itself was here brought almost to the very verge of the sheer descent from the central to the low southern terrace. In ornamentation the palaces also very closely resembled each other, the chief difference being that the combats of the king with lions and mythological monsters, which form the regular ornamentation of the side-chambers in the palace of Darius, occur nowhere in the residence of his son, where they are replaced by figures of attendants bringing articles for the toilet or the table, like those which adorn the main staircase of the older edifice. Figures of the same kind also ornament all the windows in the palace of Xerxes. A tone of mere sensual enjoyment is thus given to the later edifice, which is very far from characterizing the earlier; and the decline of morals at the Court, which history indicates as rapid about this period, is seen to have stamped itself, as such changes usually do, upon the national architecture.

A small building, at the distance of about twenty or twenty-five yards from the eastern wall of the palace of Xerxes, possesses a peculiar interest, in consequence of its having some claims to be considered the most ancient structure upon the platform. It consists of a hall and portico, in size, proportions, and decoration almost exactly resembling the corresponding parts of Darius's palace, but unaccompanied by any trace of circ.u.mjacent chambers, and totally devoid of inscriptions. The building is low, on the level of the northern, rather than on that of the central terrace, and is indeed half buried in the rubbish which has acc.u.mulated at its base. Its fragments are peculiarly grand and ma.s.sive, while its sculptures are in strong and bold relief. There can be little doubt but that it was originally, like the hall and portico of Darius, surrounded on three sides by chambers. These, however, have entirely disappeared, having probably been pulled down to furnish materials for more recent edifices. Like the palaces of Xerxes and Artaxerxes Ochus, and unlike the palace of Darius, the building faces to the north, which is the direction naturally preferred in such a climate. We may suppose it to have been the royal residence of the earlier times, the erection of Cyrus or Cambyses, and to have been intended especially for summer use, for which its position well fitted it. Darius, wishing for a winter palace at Persepolis, as well as a summer one, took probably this early palace for his model, and built one as nearly as possible resembling it, except that, for the sake of greater warmth, he made his new erection face southwards. Xerxes, dissatisfied with the size of the old summer palace, built a new one at its side of considerably larger dimensions, using perhaps some of the materials of the old palace in his new building. Finally, Artaxerxes Ochus made certain additions to the palace of Xerxes on its western side, and at the same time added a staircase and a doorway to the winter residence of Darius. Thus the Persepolitan palace, using the word in its proper sense of royal residence, attained its full dimensions, occupying the southern half of the great central platform, and covering with its various courts and buildings a s.p.a.ce 500 feet long by 375 feet wide, or nearly the s.p.a.ce covered by the less ambitious of the palaces of a.s.syria.

Besides edifices adapted for habitation, the Persepolitan platform sustained two other cla.s.ses of buildings. These were propylaea, or gateways--places commanding the approach to great buildings, where a guard might be stationed to stop and examine all comers--and halls of a vast size, which were probably throne-rooms, where the monarch held his court on grand occasions, to exhibit himself in full state to his subjects. The propylaea upon the platform appear to have been four in number. One, the largest, was directly opposite the centre of the landing-place at the top of the great stairs which gave access to the platform from the plain. This consisted of a n.o.ble apartment, eighty-two feet square, with a roof supported by four magnificent columns, each between fifty and sixty feet high. The walls of the apartment were from sixteen to seventeen feet thick. Two grand portals, each twelve feet wide by thirty-six feet high, led into this apartment, one directly facing the head of the stairs, and the other opposite to it, towards the east. Both were flanked with colossal bulls, those towards the staircase being conventional representations of the real animal, while the opposite pair are almost exact reproductions of the winged and human-headed bulls, with which the a.s.syrian discoveries have made us so familiar. The accompanying ill.u.s.tration [PLATE XLVII., Fig. 1.], which is taken from a photograph, exhibits this inner pair in their present condition. The back of one of the other pair is also visible. Two of the pillars--which alone are still standings appear in their places, intervening between the front and the back gateway.

[Ill.u.s.tration: PLATE XLVII.]

The walls which enclosed this chamber, notwithstanding their immense thickness, have almost entirely disappeared. On the southern side alone, where there seems to have been a third doorway, unornamented, are there any traces of them. We must conclude that they were either of burnt brick or of small blocks of stone, which the natives of the country in later times found it convenient to use as material for their own buildings.

An edifice, almost exactly similar to this, but of very inferior dimensions, occupied a position due east of the palace of Darius, and a little to the north of the main staircase leading to the terrace in front of the palace of Xerxes. The bases of two pillars and the jambs of three doorways remain, from which it is easy to reconstruct the main building. Its position seems to mark it as designed to give entrance to the structure, whatever it was, which occupied the site of the great mound (M on the Plan) east of Darius's palace, and north of the palace of his son. The ornamentation, however, would rather connect it with the more eastern of the two great pillared halls, which will have to be described presently.

A third edifice of the same kind stood in front of the great eastern hall, at the distance of about seventy yards from its portico. This building is more utterly ruined than either of the preceding, and its dimensions are open to some doubt. On the whole, it seems probable that it resembled the great propylaea at the head of the stairs leading from the plain rather than the central propylaea just described. Part of its ornamentation was certainly a colossal bull, though whether human-headed or not cannot be determined.

The fourth of the propylaea was on the terrace whereon stood the palace of Xerxes, and directly fronting the landing-place at the head of its princ.i.p.al stairs, just as the propylaea first described fronted the great stairs leading up from the plain. Its dimensions were suited to those of the staircase which led to it, and of the terrace on which it was placed. It was less than one fourth the size of the great propylaea, and about half that of the propylaea which stood the nearest to it.

The bases of the four pillars alone remain in situ; but, from the proportions thus obtained, the position of the walls and doorways is tolerably certain.

We have now to pa.s.s to the most magnificent of the Perse-politan buildings--the Great Pillared Halls--which const.i.tute the glory of Arian architecture, and which, even in their ruins, provoke the wonder and admiration of modern Europeans, familiar with all the triumphs of Western art, with Grecian temples, Roman baths and amphitheatres, Moorish palaces, Turkish mosques, and Christian cathedrals. Of these pillared halls, the Persepolitan platform supports two, slightly differing in their design, but presenting many points of agreement. They bear the character of an earlier and a later building--a first effort in the direction which circ.u.mstances compelled the architecture of the Persians to take, and the final achievement of their best artists in this kind of building.

Nearly midway in the platform between its northern and its southern edges, and not very far from the boundary of rocky mountain on which the platform abuts towards the east, is the vast edifice which has been called with good reason the "Hall of a Hundred Columns," since its roof was in all probability supported by that number of pillars. This building consisted of a single magnificent chamber, with a portico, and probably guard-rooms, in front, of dimensions quite unequalled upon the platform. The portico was 183 feet long by 52 feet deep, and was sustained by sixteen pillars, about 33 feet high, arranged in two rows of eight. The great chamber behind was a square of 227 feet, and had therefore an area of about 51,000 feet. Over this vast s.p.a.ce were distributed, at equal distances from one another, one hundred columns, each 35 feet high, arranged in ten rows of ten each, every pillar thus standing at a distance of nearly 20 feet from any other. The four walls which enclosed this great hall had a uniform thickness of 10 1/2 feet, and were each pierced at equal intervals by two doorways, the doorways being thus exactly opposite to one another, and each looking down an avenue of columns. In the s.p.a.ces of wall on either side of the doorways, eastward, westward, and southward, were three niches, all square-topped, and bearing the ornamentation which is universal in the case of all niches, windows, and doorways in the Persepolitan ruins. [PLATE XLVII., Fig. 2.] In the northern, or front, wall, the niches were replaced by windows looking upon the portico, excepting towards the angles of the building, where niches were retained, owing to a peculiarity in the plan of the edifice which has now to be noticed. The portico, instead of being, as in every other Persian instance, of the same width with the building which it fronted, was 44 feet narrower, its antce projecting from the front wall, not at either extremity, but at the distance of 11 feet from the corner. While the porch was thus contracted, so that the pillars had to be eight in each row instead of ten, s.p.a.ce was left on either side for a narrow guard-room opening on to the porch, indications of which are seen in the doorways placed at right angles to the front wall, which are ornamented with the usual figures of soldiers armed with spear and shield. It has been suggested that the hall was, like the smaller pillared chambers upon the platform, originally surrounded on three sides by a number of lesser apartments; and this is certainly possible: but no trace remains of any such buildings. The ornamentation which exists seems to show that the building was altogether of a public character. Instead of exhibiting attendants bringing articles for the toilet or the banquet, it shows on its doors the monarch, either engaged in the art of destroying symbolical monsters, or seated on his throne under a canopy, with the tiara on his head, and the golden sceptre in his right hand. The throne representations are of two kinds. On the jambs of the great doors leading out upon the porch, we see in the top compartment the monarch seated under the canopy, accompanied by five attendants, while below him are his guards, arranged in five rows of ten each, some armed with spears and shields, others with spears, short swords, bows and quivers. Thus the two portals together exhibit the figures of 200 Persian guardsmen in attendance on the person of the king. The doors at the back of the building present us with a still more curious sculpture. On these the throne appears elevated on a lofty platform, the stages of which, three in number, are upheld by figures in different costumes, representing apparently the natives of all the different provinces of the Empire. It is a reasonable conjecture that this great hall was intended especially for a throne-room, and that in the representations on these doorways we have figured a structure which actually existed under its roof (probably at t in the plan)--a platform reached by steps, whereon, in the great ceremonies of state, the royal throne was placed, in order that the monarch might be distinctly seen at one and the same time by the whole Court.

[Ill.u.s.tration: PLATE XLVIII.]

The question of the lighting of this huge apartment presents some difficulties. On three sides, as already observed, the hall had (so far as appears) no windows--the places where windows might have been expected to occur being occupied by niches. The apparent openings are consequently reduced to some fifteen, viz., the eight doorways, and seven windows, which looked out upon the portico, and were therefore overhung and had a north aspect. It is clear that sufficient light could not have entered the apartment from these--the only visible--apertures.

We must therefore suppose either that the walls above the niches were pierced with windows, which is quite possible, or else that light was in some way or other admitted from the roof. The latter is the supposition of those most competent to decide. M. Flandin conjectures that the roof had four apertures, placed at the points where the lines drawn from the northern to the southern, and those drawn from the eastern to the western, doors would intersect one another. He seems to suppose that these openings were wholly unprotected, in which case they would have admitted, in a very inconvenient way, both the sun and the rain. May we not presume that, if such openings existed, they were guarded by louvres such as have been regarded as probably lighting the a.s.syrian halls, and of which a representation has already been given?

The portico of the Hall of a Hundred Columns was flanked on either side by a colossal bull, standing at the inner angle of the antes, and thus in some degree narrowing the entrance. Its columns were fluted, and had in every case the complex capital, which occurs also in the great propylaea and in the Hall of Xerxes. It was built of the same sort of ma.s.sive blocks as the south-eastern edifice, or Ancient Palace--blocks often ten feet square by seven feet thick, and may be ascribed probably to the same age as that structure. Like that edifice, it is situated somewhat low; it has no staircase, and no inscription. We may fairly suppose it to have been the throne-room or great hall of audience of the early king who built the South-eastern Palace.

We have now to describe the most remarkable of all the Persepolitan edifices--a building the remains of which stretch nearly 350 feet in one direction, while in the other they extend 246 feet. Its ruins consist almost entirely of pillars, which are divided into four groups. The largest of these was a square of thirty-six pillars, arranged in six rows of six, all exactly equidistant from one another, and covering an area of above 20,000 square feet. On three sides of this square, eastward, northward, and westward, were magnificent porches, each consisting of twelve columns, arranged in two rows, in line with the pillars of the central cl.u.s.ter. These porches stood at the distance of seventy feet from the main building, and have the appearance of having been entirely separate from it. They are 143 feet long, by thirty broad, and thus cover each an area of 4260 feet. The most astonishing feature in the whole building is the height of the pillars. These, according to the measurements of M. Flandin, had a uniform alt.i.tude throughout the building of sixty-four feet. Even in their ruin, they tower over every other erection upon the platform, retaining often, in spite of the effects of time, an elevation of sixty feet.

The capitals of the pillars were of three kinds. Those of the side colonnades were comparatively simple: they consisted, in each case, of a single member, formed, in the eastern colonnade, of two half-griffins, with their heads looking in opposite directions [PLATE XLVII, Fig. 2]; and, in the western colonnade, of two half-bulls, arranged in the same manner [PLATE XLVII., Fig. 3]. The capitals of the pillars in the northern colonnade, which faced the great sculptured staircase, and const.i.tuted the true front of the building, were of a very complex character. They may be best viewed as composed of three distinct members--first, a sort of lotos-bud, accompanied by pendent leaves; then, above that, a member, composed of volutes like those of the Ionic order, but placed in a perpendicular instead of a horizontal direction; and at the top, a member composed of two half-bulls, exactly similar to that which forms the complete capital of the western group of pillars.

The pillars of the groat central cl.u.s.ter had capitals exactly like those of the northern colonnade.

The bases of the colonnade pillars are of singular beauty. Bell-shaped, and ornamented with a double or triple row of pendent lotus-leaves, some rounded, some narrowed to a point; they are as graceful as they are rare in their forms, and attract the admiration of all beholders. Above them rise the columns, tapering gently as they ascend, but without any swell or entasis. They consist of several ma.s.ses of stone, carefully joined together, and secured at the joints by an iron cramp in the direction of the column's axis. All are beautifully fluted along their entire length, the number of the incisions or flutings being from forty-eight to fifty-two in each pillar. They are arcs of circles smaller than semicircles, thus resembling those of the Doric, rather than those of the Ionic or Corinthian order. The cutting of all is very exact and regular.

There can be little doubt but that both the porches, and the great central pillar-cl.u.s.ter, were roofed in. The double-bull and double-griffin capital are exactly suited to receive the ends of beams, which would stretch from pillar to pillar, and support a roof and an entablature. [PLATE L., Fig.1.] We may see in the entrances to the royal tombs the true use of pillars in a Persian building, and the character of the entablature which, they were intended to sustain, a.s.suming, then, that both the great central pillar phalanx and the three detached colonnades supported a roof, the question arises, were the colonnades in any way united with the main building, or did they stand completely detached from it? It has been supposed that they were all porticos _in antis_, connected with the main building by solid walls--that the great central column-cl.u.s.ter was surrounded on all sides by a wall of a very ma.s.sive description, from the four corners of which similar barriers were carried down to the edge of the terrace, ab.u.t.ting in front upon the steps of the great sculptured staircase, and extending eastward and westward, so as to form the antce of an eastern and a western portico.

In the two corners between the northern in _antae_ of the side porticos and the _antae_ of the portico in front are supposed to have been large guard-rooms, entirely filling up the two angles. The whole building is thus brought into close conformity with the "Palace of Xerxes," from which it is distinguished only by its superior size, its use of stone pillars, and the elongation of the tetrastyle chambers at the sides of that edifice into porticos of twelve pillars each.

[Ill.u.s.tration: PLATE L.]

The ingenuity of this conception is unquestionable; and one is tempted at first sight to accept a solution which removes so much that is puzzling, and establishes so remarkable a harmony between works whose outward aspect is so dissimilar. It seems like the inspiration of genius to discern so clearly the like in the unlike, and one inclines at first to believe that what is so clever cannot but be true. But a rigorous examination of the evidence leads to an opposite conclusion, and if it does not absolutely disprove Mr. Fergusson's theory, at any rate shows it to be in the highest degree doubtful. Such walls as he describes, with their _antae_ and their many doors and windows, should have left very marked traces of their existence in great squared pillars at the sides of porticos, in huge door-frames and window-frames, or at least in the foundations of walls, or, the marks of them, on some part of the paved terrace. Now the entire absence of squared pillars for the ends of antce, of door-frames, and window-frames, or even of such sculptured fragments as might indicate their former existence, is palpable and is admitted; nor is there any even supposed trace of the walls, excepting in one of the lines which by the hypothesis they would occupy. In front of the building, midway between the great pillar-cl.u.s.ter and the north colonnade, are the remains of four stone bases, parallel to one another, each seventeen feet long by five feet six inches wide. Mr. Fergusson regards these bases as marking the position of the doors in his front wall; and they are certainly in places where doors might have been looked for, if the building had a front wall, since the openings are exactly opposite the inter-columniations of the pillars, both in the portico and in the main cl.u.s.ter. But there are several objections to the notion of these bases being the foundations of the jambs of doors. In the first place, they are too wide apart, being at the distance from one another of seventeen feet, whereas no doorway on the platform exceeds a width of twelve or thirteen feet. In the second place, if these ma.s.sive stone bases were prepared for the jambs of doors, it could only have been for ma.s.sive stone jambs like those of the other palaces; but in that case, the jambs could not have disappeared. Thirdly, if the doorways on this side were thus marked, why were they not similarly marked on the other sides of the building? On the whole, the supposition of M. Flandin, that the bases were pedestals for ornamental statues, perhaps of bulls, seems more probable than that of Mr. Fergusson; though, no doubt, there are objections also to M. Flandin's hypothesis, and it would be perhaps best to confess that we do not know the use of these strange foundations, which have nothing that at all resembles them upon the rest of the platform.

Another strong objection to Mr. Fergusson's theory, and one of which he, to a certain extent, admits the force, is the existence of drains, running exactly in the line of his side walls, which, if such walls existed, would be a curious provision on the part of the architect for undermining his own work. Mr. Fergusson supposes that they might be intended to drain the walls themselves and keep them dry. But as it is clear that they must have carried off the whole surplus water from the roof of the building, and as there is often much rain and snow at Persepolis, their effect on the foundations of such a wall as Mr.

Fergusson imagines would evidently be disastrous in the extreme.

To these minute and somewhat technical objections may be added the main one, whereof all alike can feel the force--namely, the entire disappearance of such a vast ma.s.s of building as Mr. Fergusson's hypothesis supposes. To account for this, Mr. Fergusson is obliged to lay it down, that in this magnificent structure, with its solid stone staircase, its ma.s.sive pavement of the same material, and its seventy-two stone pillars, each sixty-four feet high, the walls were of mud. Can we believe in this incongruity? Can we imagine that a prince, who possessed an unbounded command of human labor, and an inexhaustible supply of stone in the rocky mountains close at hand, would have had recourse to the meanest of materials for the walls of an edifice which he evidently intended to eclipse all others upon the platform. And, especially, can we suppose this, when the very same prince used solid blocks of stone, in the walls of the very inferior edifice which he constructed in this same locality? Mr. Fergusson, in defence of his hypothesis, alleges the frequent combination of meanness with magnificence in the East, and softens down the meanness in the present case by clothing his mud walls with enamelled tiles, and painting them with all the colors of the rainbow. But here again the hypothesis is wholly unsupported by fact. Neither at Persepolis, nor at Pasargadae, nor at any other ancient Persian site, has a single fragment of an enamelled tile or brick been discovered. In Babylonia and a.s.syria, where the employment of such an ornamentation was common, the traces of it which remain are abundant. Must not the entire absence of such traces from all exclusively Persian ruins be held to indicate that this mode of adorning edifices was not adopted in Persia?

If then we resign the notion of this remarkable building having been a walled structure, we must suppose that it was a summer throne-room, open to all the winds of heaven, except so far as it was protected by curtains. For the use of these by the Persians in pillared edifices, we have important historical authority in the statement already quoted from the Book of Esther. The Persian palace, to which that pa.s.sage directly refers, contained a structure almost the exact counterpart of this at Persepolis; and it is probable that at both places the interstices between the outer pillars of, at any rate, the great central colonnade, were filled with "hangings of white and green and blue, fastened with cords of white and purple to silver rings," which were attached to the "pillars of marble;" and that by these means an undue supply of light and air, as well as an unseemly publicity, were prevented. A traveller in the country well observes, in allusion to this pa.s.sage from Esther: Nothing could be more appropriate than this method at Susa and Persepolis, the spring residences of the Persian monarchs. It must be considered that these columnar halls were the equivalents of the modern throne-rooms, that here all public business was dispatched, and that here the king might sit and enjoy the beauties of the landscape. With the rich plains of Susa and Persepolis before him, he could well, after his winter's residence at Babylon, dispense with ma.s.sive walls, which would only check the warm fragrant breeze from those verdant prairies adorned with the choicest flowers. A ma.s.sive roof, covering the whole expanse of columns, would be too cold and dismal, whereas curtains around the central group would serve to admit both light and warmth.

Nothing can be conceived better adapted to the climate or the season.

If the central cl.u.s.ter of pillars was thus adapted to the purposes of a throne-room, equally well may the isolated colonnades have served as ante-chambers or posts for guards. Protected, perhaps, with curtains or awnings of their own, of a coa.r.s.er material than those of the main chamber, or at any rate casting, when the sun was high, a broad and deep shadow, they would give a welcome shelter to those who had to watch over the safety of the monarch, or who were expecting but had not yet received their summons to the royal presence. Except in the very hottest weather, the Oriental does not love to pa.s.s his day within doors. Seated on the pavement in groups, under the deep shadows of these colonnades, which commanded a glorious view of the vast fertile plain of the Bendamir, of the undulating mountain-tract beyond, and of the picturesque hills known now as Koh-Istakhr, or Koh-Rhamgherd, the subjects of the Great King, who had business at Court, would wait, agreeably enough, till their turn came to approach the throne.

Our survey of the Persepolitan platform is now complete; but, before we entirely dismiss the subject of Persian palaces, it seems proper to say a few words with respect to the other palatial remains of Achasmenian times, remains which exist in three places--at Murgab or Pasargadse, at Istakr, and at the great mound of Susa. The Murgab and Istakr ruins were carefully examined by MM. Coste and Flandin; while General Williams and Mr. Loftus diligently explored, and completely made out, the plan of the Susian edifice.

The ruins at Murgab, which are probably the most ancient in Persia, comprise, besides the well-known "Tomb of Cyrus," two princ.i.p.al buildings. The largest of these was of an oblong-square shape, about 147 feet long by 116 wide. It seems to have been surrounded by a lofty wall, in which were huge portals, consisting of great blocks of stone, partially hollowed out, to render them portable. There was an inscription on the jambs of each portal, containing the words, "I am Cyrus the King, the Achaemenian." Within the walled enclosure which may have been skirted internally by a colonnade was a pillared building, of much greater height than the surrounding walls, as is evident from the single column which remains. This shaft, which is perfectly plain, and shows no signs of a capital, has an alt.i.tude of thirty-six feet, with a diameter of three feet four inches at the base. On the area around, which was carefully paved, are the bases of seven other similar pillars, arranged in lines, and so situated as apparently to indicate an oblong hall, supported by twelve pillars, in three rows of four each. The chief peculiarity of the arrangement is, a variety in the width of the intercolumniations, which measure twenty-seven feet ten inches in one direction, but twenty-one feet only in the other. The smaller building, which is situated at only a short distance from the larger one, covers a s.p.a.ce of 125 feet by fifty. It consists of twelve pillar bases, arranged in two rows of six each, the pillars being somewhat thicker than those of the other building, and placed somewhat closer together. [PLATE XLIX., Fig. 5.] The form of the base is very singular. It exhibits at the side a semicircular bulge, ornamented with a series of nine flutings, which are carried entirely round the base in parallel horizontal circles. [PLATE L., Fig. 2.] In front of the pillar bases, at the distance of about twenty-three feet from the nearest, is a square column, still upright, on which is sculptured a curious mythological figure, together with the same curt legend, which appears on the larger building--"I am Cyrus, the King, the Achaemenian."

[Ill.u.s.tration: PLATE XLIX.]

There are two other buildings at Murgab remarkable for their masonry.

One is a square tower, with slightly projecting corners, built of hewn blocks of stone, very regularly laid, and carried to a height of forty-two feet. The other is a platform, exceedingly ma.s.sive and handsome, composed entirely of squared stone, and faced with blocks often eight or ten feet long, laid in horizontal courses, and rusticated throughout in a manner that is highly ornamental. [PLATE L. Fig. 3.] The style resembles that of the substructions of the Temple of Jerusalem.

It occurs occasionally, though somewhat rarely, in Greece; but there is said to exist nowhere so extensive and beautiful a specimen of it as that of the platform at this ancient site. [PLATE L., Fig. 4.]

The palace at Istakr is in better preservation than either of the two pillared edifices at Murgab; but still, it is not in such a condition as to enable us to lay down with any certainty even its ground-plan. [PLATE LI., Fig. 1.] One pillar only remains erect; but the bases of eight others have been found in situ; the walls are partly to be traced, and the jambs of several doorways and niches are still standing. These remains show that in many respects, as in the character of the pillars, which were fluted and had capitals like those already described, in the ma.s.siveness of the door and window jambs, and in the thickness of the walls, the Istakr Palace resembled closely the buildings on the Persepolitan platform; but at the same time they indicate that its plan was wholly different, and thus our knowledge of the platform buildings in no degree enables us to complete, or even to carry forward to any appreciable extent, the ground-plan of the edifice derived from actual research. The height of the columns, which is inferior to that of the lowest at the great platform, would seem to indicate, either that the building was the first in which stone pillars were attempted, or that it was erected at a time when the Persians no longer possessed the mechanical skill required to quarry, transport, and raise into place the enormous blocks used in the best days of the nation.

[Ill.u.s.tration: PLATE LI.]

The palace of Susa, exhumed by Mr. Loftus and General Williams, consisted of a great Hall or Throne-room, almost exactly a duplicate of the Chehl Minar at Persepolis, and of a few other very inferior buildings. It stood at the summit of the great platform, a quadrilateral ma.s.s of unburnt brick, which from a remote antiquity had supported the residence of the old Susian kings. It fronted a little west of north, and commanded a magnificent view over the Susianian plains to the mountains of Lauristan. An inscription, repeated on four of its pillar-bases, showed that it was originally built by Darius Hystaspis, and afterwards repaired by Artaxerxes Longima.n.u.s. As it was so exactly a reproduction of an edifice already minutely described, no further account of it need be here given.

From the palaces of the Persian kings we may now pa.s.s to their tombs, remarkable structures which drew the attention of the ancients, and which have been very fully examined and represented in modern times.

These tombs are eight in number, but present only two types, so that it will be sufficient to give in this place a detailed account of two tombs--one of each description.

The most ancient, and, on the whole, the most remarkable of the tombs, is almost universally allowed to be that of the Great Cyrus. It is unique in design, totally different from all the other royal sepulchres; and, though it has been often described, demands, and must receive, notice in any account that is given of the ancient Persian constructions. The historian Arrian calls it "a house upon a pedestal;"

and this brief description exactly expresses its general character. On a base, composed of huge blocks of the most beautiful white marble,1 which rises pyramidically in seven steps of different heights, there stands a small "house" of similar material, crowned with a stone roof, which is formed in front and rear into a pediment resembling that of a Greek temple. [PLATE LI., Fig.3.] The "house" has no window, but one of the end walls was pierced by a low and narrow doorway, which led into a small chamber or cell, about eleven feet long, seven broad, and seven high. Here, as ancient writers inform us, the body of the Great Cyrus was deposited in a golden coffin. Internally the chamber is dest.i.tute of any inscription, and indeed seems to have been left perfectly plain.

Externally, there is a cornice of some elegance below the pediment, a good molding over the doorway, which is also doubly recessed--and two other very slight moldings, one at the base of the "house," and the other at the bottom of the second step. [PLATE LI., Fig. 2.] Except for these, the whole edifice is perfectly plain. Its present height above the ground is thirty-six feet, and it may originally have been a foot or eighteen inches higher, for the top of the roof is worn away. It measures at the base forty-seven feet by forty-three feet nine inches.

The tomb stands within a rectangular area, marked out by pillars, the bases or broken shafts of which are still to be seen. They appear to have been twenty-four in number; all of them circular and smooth, not fluted; six pillars occupied each side of the rectangle, and they stood distant from each other about fourteen feet. It is probable that they originally supported a colonnade, which skirted internally a small walled court, within which the tomb was placed. The capitals of the pillars, if they had any, have wholly disappeared; and the researches conducted on the spot have failed to discover any trace of them.

The remainder of the Persian royal sepulchres are rock-tombs, excavations in the sides of mountains, generally at a considerable elevation, so placed as to attract the eye of the beholder, while they are extremely difficult of approach. Of this kind of tomb there are four in the face of the mountain which bounds the Pulwar Valley on the north-west, while there are three others in the immediate vicinity of the Persepolitan platform, two in the mountain which overhangs it, and one in the rocks a little further to the south. The general shape of the excavations, as it presents itself to the eye of the spectator, resembles a Greek cross. [PLATE LII., Fig. 1.] This is divided by horizontal lines into three portions, the upper one (corresponding with the topmost limb of the cross) containing a very curious sculptured representation of the monarch worshipping Ormazd; the middle one, which comprises the two side limbs, together with the s.p.a.ce between them, being carved architecturally so as to resemble a portico; and the third compartment (corresponding with the lowest limb of the cross) being left perfectly plain. In the centre of the middle compartment is sculptured on the face of the rock the similitude of a doorway, closely resembling those which still stand on the great platform; that is to say, doubly recessed, and ornamented at the top with lily-work. The upper portion of this doorway is filled with the solid rock, smoothed to a flat surface and crossed by three horizontal bars. The lower portion, to the height of four or five feet, is cut away; and thus entrance is given to the actual tomb, which is hollowed out in the rock behind.

[Ill.u.s.tration: PLATE LII.]

Thus far the rock tombs, are, with scarcely an exception, of the same type. The excavations, however, behind their ornamental fronts, present some curious differences. In the simplest case of all, we find, on entering, an arched chamber, thirteen feet five inches long by seven feet two inches wide, from which there opens out, opposite to the door and at the height of about four feet from the ground, a deep horizontal recess, arched, like the chamber. Near the front of this recess is a further perpendicular excavation, in length six feet ten inches, in width three feet three inches, and in depth the same. This was the actual sarcophagus, and was covered, or intended to be covered, by a slab of stone. In the deeper part of the recess there is room for two other such sarcophagi; but in this case they have not been excavated, one burial only having, it would seem, taken place in this tomb. Other sepulchres present the same general features, but provide for a much greater number of interments. In that of Darius Hystaspis the sepulchral chamber contains three distinct recesses, in each of which are three sarcophagi, so that the tomb would hold nine bodies. It has, apparently, been cut originally for a single recess, on the exact plan of the tomb described above, but has afterwards been elongated towards the left.

[PLATE LIII., Fig. 1.] Two of the tombs show a still more elaborate ground-plan--one in which curved lines take to some extent the place of straight ones. [PLATE LII., Fig. 2.] The tombs above the platform of Persepolis are more richly ornamented than the others, the lintels and sideposts of the doorways being covered with rosettes, and the entablature above the cornice bearing a row of lions, facing on either side towards the centre. [PLATE LIII., Fig. 2.]

[Ill.u.s.tration: PLATE LIII.]