The Sentinel Part 11

Perhaps I ought to confess-though I'm tempted to say nothing, as a good many others have done-that at this time I didn't believe a word of Professor Forster's theories. Of course I realized that he was a very brilliant man in his field, but I did draw the line at some of his more fantastic ideas. After all, the evidence was so slight and the conclusions so revolutionary that one could hardly help being skeptical.

Perhaps you can still remember the astonishment when the first Martian expedition found the remains not of one ancient civilization, but of two. Both had been highly advanced, but both had perished more than five million years ago. The reason was unknown (and still is). It did not seem to be warfare, as the two cultures appear to have lived amicably together. One of the races had been insect-like, the other vaguely reptilian. The insects seem to have been the genuine, original Martians. The reptile-people-usually referred to as "Culture X"-had arrived on the scene later.

So, at least, Professor Forster maintained. They had certainly possessed the secret of s.p.a.ce travel, because the ruins of their peculiar cruciform cities had been found on-of all places-Mercury. Forster believed that they had tried to colonize all the smaller planets-Earth and Venus having been ruled out because of their excessive gravity. It was a source of some disappointment to the Professor that no traces of Culture X had ever been found on the Moon, though he was certain that such a discovery was only a matter of time.

The "conventional" theory of Culture X was that it had originally come from one of the smaller planets or satellites, had made peaceful contact with the Martians-the only other intelligent race in the known history of the System-and had died out at the same time as the Martian civilization. But Professor Forster had more ambitious ideas: he was convinced that Culture X had entered the Solar System from interstellar s.p.a.ce. The fact that no one else believed this annoyed him, though not very much, for he is one of those people who are happy only when in a minority.

From where I was sitting, I could see Jupiter through the cabin porthole as Professor Forster unfolded his plan. It was a beautiful sight: I could just make out the equatorial could belts, and three of the satellites were visible as little stars close to the planet. I wondered which was Ganymede, our first port of call.

"If Jack will condescend to pay attention," the Professor continued, "I'll tell you why we're going such a long way from home. You know that last year I spent a good deal of time poking among the ruins in the twilight belt of Mercury. Perhaps you read the paper I gave on the subject at the London School of Economics. You may even have been there-I do remember a disturbance at the back of the hall.

"What I didn't tell anyone then was that while I was on Mercury I discovered an important clue to the origin of Culture X. I've kept quiet about it, although I've been sorely tempted when fools like Dr. Haughton have tried to be funny at my expense. But I wasn't going to risk letting someone else get here before I could organize this expedition.

"One of the things I found on Mercury was a rather well preserved bas-relief of the Solar System. It's not the first that's been discovered-as you know, astronomical motifs are common in true Martian and Culture X art. But there were certain peculiar symbols against various planets, including Mars and Mercury. I think the pattern had some historic significance, and the most curious thing about it is that little Jupiter Five-one of the least important of all the satellites-seemed to have the most attention drawn to it. I'm convinced that there's something on Five which is the key to the whole problem of Culture X, and I'm going there to discover what it is."

As far as I can remember now, neither Bill nor I was particularly impressed by the Professor's story. Maybe the people of Culture X had left some artifacts on Five for obscure reasons of their own. It would be interesting to unearth them, but hardly likely that they would be as important as the Professor thought. I guess he was rather disappointed at our lack of enthusiasm. If so it was his fault since, as we discovered later, he was still holding out on us.

We landed on Ganymede, the largest moon, about a week later. Ganymede is the only one of the satellites with a permanent base on it; there's an observatory and a geophysical station with a staff of about fifty scientists. They were rather glad to see visitors, but we didn't stay long as the Professor was anxious to refuel and set off again. The fact that we were heading for Five naturally aroused a good deal of interest, but the Professor wouldn't talk and we couldn't; he kept too close an eye on us.

Ganymede, by the way, is quite an interesting place and we managed to see rather more of it on the return journey. But as I've promised to write an article for another magazine about that, I'd better not say anything else here. (You might like to keep your eyes on the National Astrographic National Astrographic Magazine next Spring.) Magazine next Spring.) The hop from Ganymede to Five took just over a day and a half, and it gave us an uncomfortable feeling to see Jupiter expanding hour by hour until it seemed as if he was going to fill the sky. I don't know much about astronomy, but I couldn't help thinking of the tremendous gravity field into which we were falling. All sorts of things could go wrong so easily. If we ran out of fuel we'd never be able to get back to Ganymede, and we might even drop into Jupiter himself.

I wish I could describe what it was like seeing that colossal globe, with its raging storm belts spinning in the sky ahead of us. As a matter of fact I did did make the attempt, but some literary friends who have read this MS advised me to cut out the result. (They also gave me a lot of other advice which I don't think they could have meant seriously, because if I'd followed it there would have been no story at all.) make the attempt, but some literary friends who have read this MS advised me to cut out the result. (They also gave me a lot of other advice which I don't think they could have meant seriously, because if I'd followed it there would have been no story at all.) Luckily there have been so many color close-ups of Jupiter published by now that you're bound to have seen some of them. You may even have seen the one which, as I'll explain later, was the cause of all our trouble.

At last Jupiter stopped growing: we'd swung into the orbit of Five and would soon catch up with the tiny moon as it raced around the planet. We were all squeezed in the control room waiting for our first glimpse of our target. At least, all of us who could get in were doing so. Bill and I were crowded out into the corridor and could only crane over other people's shoulders. Kingsley Searle, our pilot, was in the control seat looking as unruffled as ever: Eric Fulton, the engineer, was thoughtfully chewing his mustache and watching the fuel gauges, and Tony Groves was doing complicated things with his navigation tables.

And the Professor appeared to be rigidly attached to the eyepiece of the teleperiscope. Suddenly he gave a start and we heard a whistle of indrawn breath. After a minute, without a word, he beckoned to Searle, who took his place at the eyepiece. Exactly the same thing happened, and then Searle handed over to Fulton. It got a bit monotonous by the time Groves had reacted identically, so we wormed our way in and took over after a bit of opposition.

I don't know quite what I'd expected to see, so that's probably why I was disappointed. Hanging there in s.p.a.ce was a tiny gibbous moon, its "night" sector lit up faintly by the reflected glory of Jupiter. And that seemed to be all.

Then I began to make out additional markings, in the way that you do if you look through a telescope for long enough. There were faint crisscrossing lines on the surface of the satellite, and suddenly my eye grasped their full pattern. For it was was a pattern: those lines covered Five with the same geometrical accuracy as the lines of lat.i.tude and longitude divide up a globe of the Earth. I suppose I gave my whistle of amazement, for then Bill pushed me out of the way and had his turn to look. a pattern: those lines covered Five with the same geometrical accuracy as the lines of lat.i.tude and longitude divide up a globe of the Earth. I suppose I gave my whistle of amazement, for then Bill pushed me out of the way and had his turn to look.

The next thing I remember is Professor Forster looking very smug while we bombarded him with questions.

"Of course," he explained, "this isn't as much a surprise to me as it is to you. Besides the evidence I'd found on Mercury, there were other clues. I've a friend at the Ganymede Observatory whom I've sworn to secrecy and who's been under quite a strain this last few weeks. It's rather surprising to anyone who's not an astronomer that the Observatory has never bothered much about the satellites. The big instruments are all used on extra-galactic nebulae, and the little ones spend all their time looking at Jupiter.

"The only thing the Observatory had ever done to Five was to measure its diameter and take a few photographs. They weren't quite good enough to show the markings we've just observed, otherwise there would have been an investigation before. But my friend Lawton detected them through the hundred-centimeter reflector when I asked him to look, and he also noticed something else that should have been spotted before. Five is only thirty kilometers in diameter, but it's much brighter than it should be for its size. When you compare its reflecting power-its aldeb-its-"

"Its albedo."

"Thanks, Tony-it's albedo with that of the other Moons, you find that it's a much better reflector than it should be. In fact, it behaves more like polished metal than rock."

"So that explains it!" I said. "The people of Culture X must have covered Five with an outer sh.e.l.l-like the domes they built on Mercury, but on a bigger scale."

The Professor looked at me rather pityingly.

"So you still haven't guessed!" he said.

I don't think this was quite fair. Frankly, would you have done any better in the same circ.u.mstances?

We landed three hours later on an enormous metal plain. As I looked through the portholes, I felt completely dwarfed by my surroundings. An ant crawling on the top of an oil-storage tank might have had much the same feelings-and the looming bulk of Jupiter up there in the sky didn't help. Even the Professor's usual c.o.c.kiness now seemed to be overlaid by a kind of reverent awe.

The plain wasn't quite devoid of features. Running across it in various directions were broad bands where the stupendous metal plates had been joined together. These bands, or the crisscross pattern they formed, were what we had seen from s.p.a.ce.

About a quarter of a kilometer away was a low hill-at least, what would have been a hill on a natural world. We had spotted it on our way in after making a careful survey of the little satellite from s.p.a.ce. It was one of six such projections, four arranged equidistantly around the equator and the other two at the Poles. The a.s.sumption was pretty obvious that they would be entrances to the world below the metal sh.e.l.l.

I know that some people think it must be very entertaining to walk around on an airless, low-gravity planet in s.p.a.ce-suits. Well, it isn't. There are so many points to think about, so many checks to make and precautions to observe, that the mental strain outweighs the glamor-at least as far as I'm concerned. But I must admit that this time, as we climbed out of the airlock, I was so excited that for once these things didn't worry me.

The gravity of Five was so microscopic that walking was completely out of the question. We were all roped together like mountaineers and blew ourselves across the metal plain with gentle bursts from our recoil pistols. The experienced astronauts, Fulton and Groves, were at the two ends of the chain so that any unwise eagerness on the part of the people in the middle was restrained.

It took us only a few minutes to reach our objective, which we discovered to be a broad, low dome at least a kilometer in circ.u.mference. I wondered if it was a gigantic airlock, large enough to permit the entrance of whole s.p.a.ceships. Unless we were very lucky, we might be unable to find a way in, since the controlling mechanisms would no longer be functioning, and even if they were, we would not know how to operate them. It would be difficult to imagine anything more tantalizing than being locked out, unable to get at the greatest archaeological find in all history.

We had made a quarter circuit of the dome when we found an opening in the metal sh.e.l.l. It was quite small-only about two meters across-and it was so nearly circular that for a moment we did not realize what it was. Then Tony's voice came over the radio: "That's not artificial. We've got a meteor to thank for it."

"Impossible!" protested Professor Forster. "It's much too regular."

Tony was stubborn.

"Big meteors always produce circular holes, unless they strike very glancing blows. And look at the edges; you can see there's been an explosion of some kind. Probably the meteor and the sh.e.l.l were vaporized; we won't find any fragments."

"You'd expect this sort of thing to happen," put in Kingsley. "How long has this been here? Five million years? I'm surprised we haven't found any other craters."

"Maybe you're right," said the Professor, too pleased to argue. "Anyway, I'm going in first."

"Right," said Kingsley, who as captain has the last say in all such matters. "I'll give you twenty meters of rope and will sit in the hole so that we can keep radio contact. Otherwise this sh.e.l.l will blanket your signals."

So Professor Forster was the first man to enter Five, as he deserved to be. We crowded close to Kingsley so that he could relay news of the Professor's progress.

He didn't get very far. There was another sh.e.l.l just inside the outer one, as we might have expected. The Professor had room to stand upright between them, and as far as his torch could throw its beam he could see avenues of supporting struts and girders, but that was about all.

It took us about twenty-four exasperating hours before we got any further. Near the end of that time I remember asking the Professor why he hadn't thought of bringing any explosives. He gave me a very hurt look.

"There's enough aboard the ship to blow us all to glory," he said. "But I'm not going to risk doing any damage if I can find another way."

That's what I call patience, but I could see his point of view. After all, what was another few days in a search that had already taken him twenty years?

It was Bill Hawkins, of all people, who found the way in when we had abandoned our first line of approach. Near the North Pole of the little world he discovered a really giant meteor hole-about a hundred meters across and cutting through both the outer sh.e.l.ls surrounding Five. It had revealed still another sh.e.l.l below those, and by one of those chances that must happen if one waits enough eons, a second, smaller, meteor had come down inside the crater and penetrated the innermost skin. The hole was just big enough to allow entrance for a man in a s.p.a.ce-suit. We went through head first, one at a time.

I don't suppose I'll ever have a weirder experience than hanging from that tremendous vault, like a spider suspended beneath the dome of St. Peter's. We only knew that the s.p.a.ce in which we floated was vast. Just how how big it was we could not tell, for our torches gave us no sense of distance. In this airless, dustless cavern the beams were, of course, totally invisible and when we shone them on the roof above, we could see the ovals of light dancing away into the distance until they were too diffuse to be visible. If we pointed them "downward" we could see a pale smudge of illumination so far below that it revealed nothing. big it was we could not tell, for our torches gave us no sense of distance. In this airless, dustless cavern the beams were, of course, totally invisible and when we shone them on the roof above, we could see the ovals of light dancing away into the distance until they were too diffuse to be visible. If we pointed them "downward" we could see a pale smudge of illumination so far below that it revealed nothing.

Very slowly, under the minute gravity of this tiny world, we fell downward until checked by our safety ropes. Overhead I could see the tiny glimmering patch through which we had entered; it was remote but rea.s.suring.

And then, while I was swinging with an infinitely sluggish pendulum motion at the end of my cable, with the lights of my companions glimmering like fitful stars in the darkness around me, the truth suddenly crashed into my brain. Forgetting that we were all on open circuit, I cried out involuntarily: "Professor-I don't believe this is a planet at all! It's a s.p.a.ceship! It's a s.p.a.ceship!"

Then I stopped, feeling that I had made a fool of myself. There was a brief, tense silence, then a babble of noise as everyone else started arguing at once. Professor Forster's voice cut across the confusion and I could tell that he was both pleased and surprised.

"You're quite right, Jack. This is the ship that brought Culture X to the Solar System."

I heard someone-it sounded like Eric Fulton-give a gasp of incredulity.

"It's fantastic! A ship thirty kilometers across!"

"You ought to know better than that," replied the Professor with surprising mildness. "Suppose a civilization wanted to cross interstellar s.p.a.ce-how else would it attack the problem? It would build a mobile planetoid out in s.p.a.ce, taking perhaps centuries over the task. Since the ship would have to be a self-contained world, which could support its inhabitants for generations, it would need to be as large as this. I wonder how many suns they visited before they found ours and knew that their search was ended? They must have had smaller ships that could take them down to the planets, and of course they had to leave the parent vessel somewhere in s.p.a.ce. So they parked it here, in a close orbit near the largest planet, where it would remain safely forever-or until they needed it again. It was the logical place: if they had set it circling the Sun, in time the pulls of the planets would have disturbed its...o...b..t so much that it might have been lost. That could never happen to it here." ought to know better than that," replied the Professor with surprising mildness. "Suppose a civilization wanted to cross interstellar s.p.a.ce-how else would it attack the problem? It would build a mobile planetoid out in s.p.a.ce, taking perhaps centuries over the task. Since the ship would have to be a self-contained world, which could support its inhabitants for generations, it would need to be as large as this. I wonder how many suns they visited before they found ours and knew that their search was ended? They must have had smaller ships that could take them down to the planets, and of course they had to leave the parent vessel somewhere in s.p.a.ce. So they parked it here, in a close orbit near the largest planet, where it would remain safely forever-or until they needed it again. It was the logical place: if they had set it circling the Sun, in time the pulls of the planets would have disturbed its...o...b..t so much that it might have been lost. That could never happen to it here."

"Tell me, Professor," someone asked, "did you guess all this before we started?"

"I hoped hoped it. All the evidence pointed to this answer. There's always been something anomalous about Satellite Five, though no one seems to have noticed it. Why this single tiny moon so close to Jupiter, when all the other small satellites are seventy times further away? Astronomically speaking, it didn't make sense. But enough of this chattering. We've got work to do." it. All the evidence pointed to this answer. There's always been something anomalous about Satellite Five, though no one seems to have noticed it. Why this single tiny moon so close to Jupiter, when all the other small satellites are seventy times further away? Astronomically speaking, it didn't make sense. But enough of this chattering. We've got work to do."

That, I think, must count as the understatement of the century. There were seven of us faced with the greatest archaeological discovery of all time. Almost a whole world-a small world, an artificial one, but still a world-was waiting for us to explore. All we could perform was a swift and superficial reconnaissance: there might be material here for generations of research workers.

The first step was to lower a powerful floodlight on a power line running from the ship. This would act as a beacon and prevent us getting lost, as well as giving local illumination on the inner surface of the satellite. (Even now, I still find it hard to call Five a ship.) Then we dropped down the line to the surface below. It was a fall of about a kilometer, and in this low gravity it was quite safe to make the drop unr.e.t.a.r.ded. The gentle shock of the impact could be absorbed easily enough by the spring-loaded staffs we carried for that purpose.

I don't want to take up any s.p.a.ce here with yet another description of all the wonders of Satellite Five; there have already been enough pictures, maps and books on the subject. (My own, by the way, is being published by Sidgwick and Jackson next summer.) What I would like to give you instead is some impression of what it was actually like like to be the first men ever to enter that strange metal world. Yet I'm sorry to say-I know this sounds hard to believe-I simply can't remember what I was feeling when we came across the first of the great mushroom-capped entrance shafts. I suppose I was so excited and so overwhelmed by the wonder of it all that I've forgotten everything else. But I can recall the impression of sheer size, something which mere photographs can never give. The builders of this world, coming as they did from a planet of low gravity, were giants-about four times as tall as men. We were pigmies crawling among their works. to be the first men ever to enter that strange metal world. Yet I'm sorry to say-I know this sounds hard to believe-I simply can't remember what I was feeling when we came across the first of the great mushroom-capped entrance shafts. I suppose I was so excited and so overwhelmed by the wonder of it all that I've forgotten everything else. But I can recall the impression of sheer size, something which mere photographs can never give. The builders of this world, coming as they did from a planet of low gravity, were giants-about four times as tall as men. We were pigmies crawling among their works.

We never got below the outer levels on our first visit, so we met few of the scientific marvels which later expeditions discovered. That was just as well; the residential areas provided enough to keep us busy for several lifetimes. The globe we were exploring must once have been lit by artificial sunlight pouring down from the triple sh.e.l.l that surrounded it and kept its atmosphere from leaking into s.p.a.ce. Here on the surface the Jovians (I suppose I cannot avoid adopting the popular name for the people of Culture X) had reproduced, as accurately as they could, conditions on the world they had left unknown ages ago. Perhaps they still had day and night, changing seasons, rain and mist. They had even taken a tiny sea with them into exile. The water was still there, forming a frozen lake three kilometers across. I hear that there is a plan afoot to electrolize it and provide Five with a breathable atmosphere again, as soon as the meteor holes in the outer sh.e.l.l have been plugged.

The more we saw of their work, the more we grew to like the race whose possessions we were disturbing for the first time in five million years. Even if they were giants from another sun, they had much in common with man, and it is a great tragedy that our races missed each other by what is, on the cosmic scale, such a narrow margin.

We were, I suppose, more fortunate than any archaeologists in history. The vacuum of s.p.a.ce had preserved everything from decay and-this was something which could not have been expected-the Jovians had not emptied their mighty ship of all its treasures when they had set out to colonize the Solar System. Here on the inner surface of Five everything still seemed intact, as it had been at the end of the ship's long journey. Perhaps the travelers had preserved it as a shrine in memory of their lost home, or perhaps they had thought that one day they might have to use these things again.

Whatever the reason, everything was here as its makers had left it. Sometimes it frightened me. I might be photographing, with Bill's help, some great wall carving when the sheer timelessness timelessness of the place would strike into my heart. I would look round nervously, half expecting to see giant shapes come stalking in through the pointed doorways, to continue the tasks that had been momentarily interrupted. of the place would strike into my heart. I would look round nervously, half expecting to see giant shapes come stalking in through the pointed doorways, to continue the tasks that had been momentarily interrupted.

We discovered the art gallery on the fourth day. That was the only name for it; there was no mistaking its purpose. When Groves and Searle, who had been doing rapid sweeps over the southern hemisphere, reported the discovery we decided to concentrate all our forces there. For, as somebody or other has said, the art of a people reveals its soul, and here we might find the key to Culture X.

The building was huge, even by the standards of this giant race. Like all the other structures on Five, it was made of metal, yet there was nothing cold or mechanical about it. The topmost peak climbed half way to the remote roof of the world, and from a distance-before the details were visible-the building looked not unlike a Gothic cathedral. Misled by this chance resemblance, some later writers have called it a temple; but we have never found any trace of what might be called a religion among the Jovians. Yet there seems something appropriate about the name "The Temple of Art," and it's stuck so thoroughly that no one can change it now.

It has been estimated that there are between ten and twenty million individual exhibits in this single building-the harvest garnered during the whole history of a race that may have been much older than Man. And it was here that I found a small, circular room which at first sight seemed to be no more than the meeting place of six radiating corridors. I was by myself (and thus, I'm afraid, disobeying the Professor's orders) and taking what I thought would be a short-cut back to my companions. The dark walls were drifting silently past me as I glided along, the light of my torch dancing over the ceiling ahead. It was covered with deeply cut lettering, and I was so busy looking for familiar character groupings that for some time I paid no attention to the chamber's floor. Then I saw the statue and focused my beam upon it.

The moment when one first meets a great work of art has an impact that can never again be recaptured. In this case the subject matter made the effect all the more overwhelming. I was the first man ever to know what the Jovians had looked like, for here, carved with superb skill and authority, was one obviously modeled from life.

The slender, reptilian head was looking straight toward me, the sightless eyes staring into mine. Two of the hands were clasped upon the breast as if in resignation; the other two were holding an instrument whose purpose is still unknown. The long, powerful tail-which, like a kangeroo's, probably balanced the rest of the body-was stretched out along the ground, adding to the impression of rest or repose.

There was nothing human about the face or the body. There were, for example, no nostrils-only gill-like openings in the neck. Yet the figure moved me profoundly; the artist had spanned the barriers of time and culture in a way I should never have believed possible. "Not human-but humane" was the verdict Professor Forster gave. There were many things we could not have shared with the builders of this world, but all that was really important we would have felt in common.

Just as one can read emotions in the alien but familiar face of a dog or a horse, so it seemed that I knew the feelings of the being confronting me. Here was wisdom and authority-the calm, confident power that is shown, for example, in Bellini's famous portrait of the Doge Loredano. Yet there was sadness also-the sadness of a race which had made some stupendous effort, and made it in vain.

We still do not know why this single statue is the only representation the Jovians have ever made of themselves in their art. One would hardly expect to find taboos of this nature among such an advanced race; perhaps we will know the answer when we have deciphered the writing carved on the chamber walls.

Yet I am already certain of the statue's purpose. It was set here to bridge time and to greet whatever beings might one day stand in the footsteps of his makers. That, perhaps, is why they shaped it so much smaller than life. Even then they must have guessed that the future belonged to Earth or Venus, and hence to beings whom they would have dwarfed. They knew that size could be a barrier as well as time.

A few minutes later I was on my way back to the ship with my companions, eager to tell the Professor about the discovery. He had been reluctantly s.n.a.t.c.hing some rest, though I don't believe he averaged more than four hours sleep a day all the time we were on Five. The golden light of Jupiter was flooding the great metal plain as we emerged through the sh.e.l.l and stood beneath the stars once more.

"h.e.l.lo!" I heard Bill say over the radio, "the Prof's moved the ship."

"Nonsense," I retorted. "It's exactly where we left it."

Then I turned my head and saw the reason for Bill's mistake. We had visitors.

The second ship had come down a couple of kilometers away, and as far as my non-expert eyes could tell it might have been a duplicate of ours. When we hurried through the airlock, we found that the Professor, a little bleary-eyed, was already entertaining. To our surprise, though not exactly to our displeasure, one of the three visitors was an extremely attractive brunette.

"This," said Professor Forster, a little wearily, "is Mr. Randolph Mays, the science writer. I imagine you've heard of him. And this is-" He turned to Mays. "I'm afraid I didn't quite catch the names."

"My pilot, Donald Hopkins-my secretary, Marianne Mitch.e.l.l."

There was just the slightest pause before the word "secretary," but it was long enough to set a little signal light flashing in my brain. I kept my eyebrows from going up, but I caught a glance from Bill that said, without any need for words: If you're thinking what I'm thinking, I'm ashamed of you.

Mays was a tall, rather cadaverous man with thinning hair and an att.i.tude of bonhomie which one felt was only skin-deep-the protective coloration of a man who has to be friendly with too many people.

"I expect this is as big a surprise to you as it is to me," he said with unnecessary heartiness. "I certainly never expected to find anyone here before me; and I certainly didn't expect to find all this this."

"What brought you here?" said Ashton, trying to sound not too suspiciously inquisitive.

"I was just explaining that to the Professor. Can I have that folder please, Marianne? Thanks."

He drew out a series of very fine astronomical paintings and pa.s.sed them round. They showed the planets from their satellites-a common-enough subject, of course.

"You've all seen this sort of thing before," Mays continued. "But there's a difference here. These pictures are nearly a hundred years old. They were painted by an artist named Chesley Bonestell and appeared in Life Life back in 1944-long before s.p.a.ce-travel began, of course. Now what's happened is that back in 1944-long before s.p.a.ce-travel began, of course. Now what's happened is that Life Life has commissioned me to go round the Solar System and see how well I can match these imaginative paintings against the reality. In the centenary issue, they'll be published side by side with photographs of the real thing. Good idea, eh?" has commissioned me to go round the Solar System and see how well I can match these imaginative paintings against the reality. In the centenary issue, they'll be published side by side with photographs of the real thing. Good idea, eh?"

I had to admit that it was. But it was going to make matters rather complicated, and I wondered what the Professor thought about it. Then I glanced again at Miss Mitch.e.l.l, standing demurely in the corner, and decided that there would be compensations.

In any other circ.u.mstances, we would have been glad to meet another party of explorers, but here there was the question of priority to be considered. Mays would certainly be hurrying back to Earth as quickly as he could, his original mission abandoned and all his film used up here and now. It was difficult to see how we could stop him, and not even certain that we desired to do so. We wanted all the publicity and support we could get, but we would prefer to do things in our own time, after our own fashion. I wondered how strong the Professor was on tact, and feared the worst.

Yet at first diplomatic relations were smooth enough. The Professor had hit upon the bright idea of pairing each of us with one of Mays's team, so that we acted simultaneously as guides and supervisors. Doubling the number of investigating groups also greatly increased the rate at which we could work. It was unsafe for anyone to operate by himself under these conditions, and this had handicapped us a great deal.

The Professor outlined his policy to us the day after the arrival of Mays's party.

"I hope we can get along together," he said a little anxiously. "As far as I'm concerned they can go where they like and photograph what they like, as long as they don't take anything they don't take anything, and as long as they don't get back to Earth with their records before we do."

"I don't see how we can stop them," protested Ashton.

"Well, I hadn't intended to do this, but I've now registered a claim to Five. I radioed it to Ganymede last night, and it will be at The Hague by now."

"But no one can claim an astronomical body for himself. That was settled in the case of the Moon, back in the last century."

The Professor gave a rather crooked smile.

"I'm not annexing an astronomical body astronomical body, remember. I've put in a claim for salvage, and I've done it in the name of the World Science Organization. If Mays takes anything out of Five, he'll be stealing it from them. Tomorrow I'm going to explain the situation gently to him, just in case he gets any bright ideas."

It certainly seemed peculiar to think of Satellite Five as salvage, and I could imagine some pretty legal quarrels developing when we got home. But for the present the Professor's move should have given us some safeguards and might discourage Mays from collecting souvenirs-so we were optimistic enough to hope.

It took rather a lot of organizing, but I managed to get paired off with Marianne for several trips round the interior of Five. Mays didn't seem to mind: there was no particular reason why he should. A s.p.a.ce-suit is the most perfect chaperon ever devised, confound it.

Naturally enough I took her to the art gallery at the first opportunity, and showed her my find. She stood looking at the statue for a long time while I held my torch beam upon it.

"It's very wonderful," she breathed at last. "Just think of it waiting here in the darkness all those millions of years! But you'll have to give it a name."

"I have. I've christened it 'The Amba.s.sador.' "

"Why?"