The Sculptress Part 5

"In my experience, well adjusted people don't hack their mothers and their sisters to death. You do know they were still alive when she set to with the axe?" He smiled grimly.

"She knew it, too. Don't imagine she didn't."

Roz frowned.

"There is another explanation," she said slowly, *but the trouble is, while it fits the facts, it's too absurd to be credible."

He waited.

"Well?" he asked at last.

"Olive didn't do it." She saw his amused disbelief and hurried on.

"I'm not saying I go along with it, I'm just saying that it fits the facts."

"Your facts," he pointed out gently.

"It seems to me you're being a little selective in what you choose to believe."

"Maybe." Roz remembered her extremes of mood of the previous evening.

He watched her for a moment.

"She knew a great deal about the murders for someone who wasn't responsible for them."

"Do you think so?"

"Of course. Don't you?"

"She doesn't say anything about her mother trying to ward off the axe and the carving knife. But that must have been the most frightening part. Why didn't she mention it?"

"Shame. Embarra.s.sment. Traumatic amnesia. You'd be surprised how many murderers blot what they've done from their memories. Sometimes it's years before they come to terms with their guilt. In any case, I doubt the struggle with her mother was as frightening for Olive as you suggest. Gwen Martin was a tiny woman, five feet at the most, I would think. Physically, Olive took after her father, so containing her mother would have been easy for her." He saw the hesitation in Roz's eyes.

"Let me put a question to you. Why would Olive confess to two murders she didn't commit?"

"Because people do."

"Not when they have their lawyers present, Miss Leigh. I accept that it happened, which is why new rules were introduced governing the taking of evidence, but Olive did not fall into the category of either forced confession or having her confession subsequently tampered with.

She had legal representation throughout. So I repeat, why would she confess to something she didn't do?"

"To protect someone else?" She was relieved they weren't in court. He was a bruising cross-examiner.

"Who?"

She shook her head.

"I don't know."

"There was no one else except her father, and he was at work.

The police had him thoroughly checked and his alibi was unbreakable."

"There was Olive's lover." He stared at her.

"She told me she'd had an abortion. Presumably, then, she must have had a lover."

He found that very entertaining.

"Poor Olive." He laughed.

"Well, I guess an abortion is as good a way as any of keeping her end up. Especially' he laughed again *if everyone believes her. I shouldn't be too gullible, if I were you."

She smiled coldly.

"Perhaps it's you who is being gullible by subscribing to the cheap male view that a woman like Olive could not attract a lover."

Deedes studied her set face and wondered what was driving her.

"You're right, Miss Leigh, it was cheap, and I apologise."

He raised his hands briefly, then dropped them again.

"But this is the first I have heard about an abortion. Let's just say it strikes me as a little unlikely. And somewhat convenient, perhaps?

It's not something you can ever really check, is it, not without Olive's permission. If laymen were allowed to browse through other people's medical records some very delicate secrets might be exposed."

Roz regretted her waspish remark. Deedes was a nicer man than Crew and hadn't deserved it.

"Olive mentioned an abortion. I a.s.sumed the lover. But perhaps she was raped.

Babies can be conceived as easily in hate as in love.

He shrugged.

"Beware of being used, Miss Leigh. Olive Martin dominated the court the day she appeared in it. I had the impression then, and still have it, that it was we who were dancing to her tune not she to ours."

Dawlington was a small eastern suburb of Southampton, once an isolated village, now swallowed up in the great urban expansion of the twentieth century. It maintained an ident.i.ty of a sort by the busy trunk-roads that gave it tarmac boundaries but, even so, the place was easy to miss. Only a tired peeling shop sign, advertising Dawlington Newsagents, alerted Roz to the fact that she had left one suburb and entered another. She drew into the kerb before a left-hand turning and consulted her map.

She was, presumably, in the High Street and the road to the left she squinted at the sign was Ainsley Street. She ran her finger across the grid.

"Ainsley Street," she muttered.

"Come on, you b.u.g.g.e.r, where are you? OK. Leven Road. First right, second left." With a glance in her driving mirror, she pulled out into the traffic and turned right.

Olive's story, she thought, grew odder by the minute, as she studied number twenty-two, Leven Road, from her parked car. Mr. Crew had said the house was un saleable She had imagined something out of a Gothic novel, twelve months of dereliction and decay since the death of Robert Martin, a house condemned by the haunting horror in its kitchen.

Instead, the reality was a cheerful little semi, freshly painted, with pink, white, and red geraniums nodding in boxes beneath its windows.

Who, she wondered, had bought it? Who was brave enough (or ghoulish enough?) to live with the ghosts of that tragic family?

She double-checked the address from press cuttings she had put together that morning in the archives bas.e.m.e.nt of the local newspaper. There was no mistake. A black and white photograph of "The House of Horror' showed this same neat semi, but without its window-boxes.

She climbed out of the car and crossed the road.

The house remained stubbornly silent to her ring on the doorbell, so she went next door and tried there. A young woman answered with a sleepy toddler clinging round her neck.

"Yes?"

"h.e.l.lo," said Roz, "I'm sorry to bother you." She indicated towards her right.

"It's your neighbours I really want to talk to but there's no one in.

Have you any idea when they might be back?"

The young woman thrust out a hip to support the child more easily and subjected Roz to a penetrating glare.

"There's nothing to see, you know. You're wasting your time."

"I'm sorry?"

"They pulled the innards out of the house and revamped the whole of the inside. They've done it up nice. There's nothing to see, no blood stains, no spirits roaming about, nothing." She pressed the child's head against her shoulder, a casual, proprietary gesture, a statement of tender motherhood at odds with the hostility in her voice.

"You want to know what I think? You should see a psychiatrist. It's the likes of you who're the real sick people of society." She prepared to close the door.

Roz raised her palms in a gesture of surrender.

She smiled sheepishly.

"I haven't come to gawp," she said.

"My name is Rosalind Leigh and I'm working in co-operation with the late Mr. Martin's solicitor."

The woman eyed her suspiciously.

"Oh, yeah? What's his name?"

"Peter Crew."

"You could of got it from the paper."

"I have a letter from him. May I show it to you? It will prove Iamwholsaylam."

"Go on then."

"It's in the car. I'll fetch it." She retrieved her briefcase hurriedly from the boot, but when she got back, the door was closed.

She rang several times and waited for ten minutes on the doorstep, but it was obvious the young woman had no intention of answering. From a room above came the wail of a baby. Roz listened to the mother's soothing tones as she climbed the stairs, then, thoroughly annoyed with herself, she retreated to the car and pondered her next step.

The press cuttings were disappointing. It was names she wanted, names of friends or neighbours, even old school teachers, who could give her background detail. But the local newspaper had, like the nationals, sensationalised the crime's horror without uncovering any details about Olive's life or why she might have done it. There were the usual quotes from *neighbours' all anonymous and all wise after the event but they were so uniformly un enlightening that Roz suspected imaginative journalism at work.

"No, I'm not surprised," said a neighbour, *shocked and appalled, yes, but not surprised. She was a strange girl, unfriendly, kept herself to herself. Not like the sister. She was the attractive, outgoing one.

We all liked Amber."

"The parents found her very difficult. She wouldn't mix or make friends. She was shy, I suppose, because of her size but she had a way of looking at you that wasn't normal."

Beyond the sensationalism, there had been nothing to write about. There was no police investigation to report Olive had phoned them herself, had confessed to the crime in the presence of her solicitor, and had been charged with murder.

Because she had pleaded guilty there had been no salacious details from a lengthy trial, no names of friends or a.s.sociates to draw on, and her sentencing had rated a single paragraph under the headline: TWBNTY-FIVE YEARS FOR BRUTAL MURDERS. A conspiracy of journalistic apathy seemed to surround the whole event. Of the five cardinal his of the journalist's creed Where?" When?" What?" Who?" and Why? the first four had been amply covered. Everyone knew what had happened, who had done it, where, and when.

But no one, it seemed, knew why. Nor, and this was the real puzzle, had anyone actually asked. Could teasing alone really drive a young woman to such a pitch of anger that she would hack her family to pieces?

With a sigh, Roz switched on the radio and fed Pavarotti into the tape-deck. Bad choice, she thought, as "Nessun Dorma' flooded the car and brought back bitter memories of a summer she would rather forget.

Strange how a piece of music could be so evocative, but then the path to separation had been ch.o.r.eographed around the television screen with "Nessun Dorma' triggering the stops and starts of their rows. She could remember every detail of every World Cup football match. They were the only peaceful periods in a summer of war. How much better, she thought wearily, if she had called a halt then instead of dragging the misery out to its far more terrible conclusion.

A net curtain, in the semi to the right, number 24, twitched behind a Neighbourhood Watch sticker which proclaimed itself loudly against the gla.s.s. A case, Roz wondered, of locking the stable door after the horse had bolted? Or was that Same net curtain twitching the day Olive wielded her chopper? Two garages filled the gap between the houses, but it was possible the occupants had heard something.

"Olive Martin took an axe and gave her mother forty whacksa" The words circled in her brain as they had done, on and off, for days.

She resumed her contemplation of number 22, but watched the net curtain out of the corner of her eye. It moved again, plucked by prying fingers, and she felt unreasonably irritated by the busybody spying on her. It was an empty, wasted life that had time to stand and stare.

What sort of interfering old b.i.t.c.h inhabited there, she wondered? The frustrated spinster who got off on voyeurism? Or the bored and boring wife with nothing better to do than find fault? Then something clicked inside her head, a realignment of thought like the points on a railway line.

Just the sort of busybody she wanted, of course, but why had that not occurred to her immediately? Really, she worried about herself. She spent so much time in neutral now, just listening to the footfalls, leading nowhere, that echoed in her memory.

A frail old man opened the door, a small, shrunken person with transparent skin and bowed shoulders.

"Come in, come in," he said, standing back and ushering her into his corridor.

"I heard what you said to Mrs. Blair. She won't talk to you, and I'll tell you something else, it wouldn't help you if she did. They only came four years ago when the first youngster was on the way.

Didn't know the family at all and, as far as I know, never spoke to poor old Bob. What shall I say? She's got a nerve. Typical of today's youngsters. Always wanting something for nothing." He muttered on, leading the way into his living room.

"Resents living in a goldfish bowl but forgets that they got the house for a pittance just because it was a goldfish bowl. Ted and Dorothy Clarke virtually gave the place away because they couldn't stand it any longer. What shall I say? Ungrateful girl. Imagine what it's like for those of us who've always lived here. No bargains for us. We have to put up with it, don't we? Sit down.

Sit down."

"Thank you."

"You're from Mr. Crew, you say. They found the child yet?"

He stared into her face with disconcertingly bright blue eyes.

Roz stared back, her mind racing.

"That's not my province," she said carefully, *so I'm not sure where they are on that one. I'm conducting a follow-up of Olive's case. You did know that Mr. Crew is still representing her?"