The Rubicon Part 30

Grampound, "when a wife reposes such confidence in her husband, that she tells him she is in love with someone else. Truly there can be no secrets between such."

Mrs. Grampound t.i.ttered shrilly. To state the truth, as Eva had done, is often the surest, sometimes the only, way of producing a complete misconception. She failed to notice the acidity in Lord Hayes's face and voice, and thought the scene quite too charming. But Percy noticed and wondered.

"What shocking things to say to each other," cried she. "Eva, you naughty child, how can you? And you deserve I should scold you too,"

she said, turning to her son-in-law.

"Reggie has scorned me and my homage altogether," continued Eva gravely, speaking chiefly in order to produce a sort of counter-irritant to her own pain, on the same principle as that on which children, suffering from toothache, may be observed to bite their lips. "He has gone off to Aix to see his _fiancee_. He gave me her photograph--wasn't that a cruel thing to do?--and his own. Really, it was most shameless. I was never so humiliated before. I think, when Hayes goes away to Trelso, I shall take the train to Aix and sit watching the hotel windows, and serenade him in the hotel garden. It's quite a new idea for a woman to serenade her lover. Why did you never serenade me, Hayes? I should like to see you serenade on a cold night under a silk umbrella. Can you sing, by the way? You'd have to leave a good deal to the lute, like the man in Browning who serenaded at a villa during a thunderstorm. Your mother wouldn't approve of serenading, would she? The evening fever sets in about that time, I think, from eleven till two--of course, the damp wouldn't matter if you had Jaeger boots with eight holes in them."

"Eva, you naughty girl," said her mother again.

Yes; there was just a little too much motion. Metaphorically speaking, Lord Hayes went below.

"I've got to go to Trelso this afternoon," he said. "I hear that the men are getting more and more discontented. There is an organised body of Socialists down there, who incite them and refer to me as a brutal tyrant. What a very odd way to spend your life, you know--going about the country calling us names. I can't think what they imagine they will get by it."

"It is rather hard to call you a brutal tyrant," said Eva with some amus.e.m.e.nt. "Now, if they had said so of Reggie, or of me, for example-- Yes, Percy, you may smoke here, or let's go up to the top of the porch.

There is a tent there, and it is deliciously cool."

The two gentlemen stayed behind a moment, and Eva and her mother went on. Lunch made Mrs. Grampound even more effusive than usual.

"I do so love to think of you here in your beautiful house, darling,"

she said to Eva, as they pa.s.sed up the great marble stairs; "with your husband devoted to you, and all that. A charming little scene at lunch, so playful and delicately touched. But you always were clever, dear. It is such a happiness to me to think of you like this. That yellow collar you have on your liveries is very becoming. How much do you pay your _chef_? Ah, what a charming little room this tent makes! I suppose you and your husband often sit here."

She subsided into a low chair, and looked at Eva affectionately, or, at any rate, with an air of proud proprietorship.

"I am very rich," murmured Eva. "I have every thing that money can buy--I have a t.i.tle--yes, what more can I want?"

Mentally she was far away. The boat got into Calais about two-thirty.

She had looked it out in a Bradshaw that morning. He had just left Calais, going south to join Gertrude. He would be at Aix next morning early. She felt if she could only know exactly what effect her letter had had on him, she would be more content. Her heart ached for the sight of him, ached with the pang of that self-inflicted wound which had sent him away irrevocably, she hoped, or feared--which was it? There was half-an-hour at Calais, she remembered, on her journeys to Algiers; enough to lunch in, to buy a book in, to be rather bored in. There was--ah! the curtain that separated the little tent from the drawing-room was drawn aside, as she had often seen it drawn aside lately, when she said she was not at home to visitors--and Lord Hayes entered.

"I have come to say good-bye," he said, "I must be leaving at once for the station. I shall be back to-morrow, Eva, soon after lunch, I expect; we are dining with the Davenports."

"Ah, yes, I had forgotten," said she. "Good-bye! I shall see you to-morrow."

"What are you going to do this afternoon?" inquired her mother, after she had kissed her hand to Lord Hayes as he drove off.

"I am going to Wimbleton House. There is a garden-party. It is a bore, but I promised to go." Eva paused to see the sudden alacrity with which she knew her mother would receive the news, before she added--"Perhaps you would like to come with me."

"I should enjoy it very much," said her mother. "I am so fond of garden-parties, and they do them so well there."

"I didn't know that you knew the d.u.c.h.ess," remarked Eva, and let the subject drop.

She returned home and dined alone, and spent a long evening upstairs in her room. She reviewed again minutely from the beginning, not because she wanted to think of it, but because she could not avoid it, the events of the last weeks. It was as if a sudden light had burst in upon her soul, showing her what was meant by love, and then, just as she comprehended it, the exigencies of its very nature, the compulsion she was under to reveal herself, and that second compulsion which would not allow her to do for Reggie anything but what her sober reason told her was best for him, had left her face to face with this horrible blankness. A spring had broken out which could never, she felt, cease to flow, but she stood there, with mouth gagged, unable to drink of its coolness. In her heart she believed that, even now, if she wrote one word to him--"Come"--in two days he would be with her. But her longing and her firm renunciation seemed indivisible. She could no more have apostatised on her renunciation than she could have compelled herself to be quit of her love. Her nature was of too large and serene a type for her to feel again that one outburst of jealousy when she had torn Gertrude's photograph in half. At that moment all the worst side of her heart had leapt out--the tigress element; the animal within her had raised that one howl of anguish, but after that it had lain still, cowed to the deeper pain of that in her which was human and divine. At the moment of her renunciation a light had shone on her darkness, and though the darkness comprehended it not, it wondered and was still; and when in that light she saw and decided what course she must, for all reasons, take, the animal did not venture even to lift its head and growl.

Reader, are you burning to tell me that all this suffering on the part of Eva and Reggie--even if you allow that such a very proper chastening for the lax self-indulgence with which they slid into the mutual positions they now occupy is a subject fit to be treated of at all in a moral and Christian country, or whether you hold that I might as well describe the infliction of the cat o' nine tails on a righteously-condemned convict for some well-defined and properly-chastened offence--that this suffering was perfectly well merited; that, had Eva been a woman of even decent moral principles, or had Reggie not been subject to the calviest of calf loves, it would never have happened; that, above all, it was their, particularly her, fault? I plead guilty to all these indictments, or rather I put in no defence for my prisoners, which is the same thing. I admit that Eva was not--according to the best lights, which you, no doubt, are judging her by--a woman of decent moral principles; that it is a tenable view that this infatuation of Reggie's was only a calf love; but his last, remember, for I have told you that he was a boy no longer; and, above all, I admit that it was their, particularly her, fault.

Now, with regard to Eva's morals, you are judging her, I imagine, by your own standards, which, after all, are the only standards by which one man can judge another. No one can judge by other men's standards, whether they be lower than their own or higher--the result is a loss of moral perspective. You cannot take observations, except by applying your eye straight to the telescope; if you stand above it and squint, you will obtain an incorrect idea of what you wish to see. And in addition to venturing to a.s.sume that you judge her by your own standards, I will go further and a.s.sume, broadly, what those standards are. I have noticed that when people--as I, for the sake of argument, have made you do--refer to moral principles, they refer to a code which may vary in magnitude and comprehensiveness, but which is based on one principle--the avoidance, even in thought, of certain things which they regard instinctively, almost hysterically, as being impossible, because they are wrong. But the moral principles very seldom go so far as to say they are wrong; they stop short at impossible--they are contrary to its nature--and that is enough. Eva, I am afraid, had no morals at all of this kind. To take an exaggerated instance, I am afraid, if the truth were known, vitally and essentially, she kept her hands from picking or stealing not because it was wrong, but because she did not want the things she might have stolen. It is a very shocking confession, and it is driving a principle home to admit it, but it serves to ill.u.s.trate under a distorting, or, at any rate, a very high-power lens, the difference between her and you. But--and this, I again a.s.sume, is the purport of the whole matter in your mind--it was her own fault.

Ah, if I could only tell you how freely I grant you that. And what is there, in Heaven's name, of all the sufferings we ordinary people undergo, that is not our fault? From the slippers which the labourer's wife has omitted to put down to warm for her lord, and which give rise to recriminations and perhaps a few silent tears, to the pangs of remorse for some wrong done which we can never undo, what is there of which we are wholly guiltless? The supremely-suffering-babe-unborn-innocent-utterly-milk-and-water heroine of the severely cla.s.sic romance is not common in this dingy, work-a-day world. It would be presumptuous in me to say she does not exist, but I have never seen her yet. She is a very beautiful and enn.o.bling conception, and she always gets a full reward in the last chapter, where she is joined to her only love and lives happily ever afterwards, and sometimes is seen again in the epilogue, surrounded by a group of golden-haired, clean-limbed children, with their father's pensive eyes, who utter sentiments which must fill her maternal heart with pride and joy ineffable. But have you never, even in those beautiful epilogues, been faced by a grey, shadowy doubt that life is not quite like this, that even villains have good points, and heroines bad ones; that virtue does not always bring so full a reward, and that vice is not discomfited with that sublime completeness; in a word, that human nature is much more complex, more subtlely compounded than the epilogue would indicate, that a nature capable of a sublime action is also capable of one or of many that do not fall in with your moral principles, and that something is to be said even for the villain? But Eva, I maintain, though not a heroine, and though the bank of ineffable joy had not given her a blank cheque to be filled up at her pleasure, was not a villain. She had done something which no right-minded person would approve in allowing herself to fall in love with Reggie, and in allowing him to fall in love with her; and what is more, she had done something short-sighted. Not knowing the nature of love, she had tried to play with that perplexing emotion, and was finding now that it was not merely playing with her, but ordering her about in a most autocratic manner. She had committed a folly, and in this world we pay more heavily for a folly than a sin. She was bewildered, unstrung, unhappy, by her own fault, no doubt; but if we never pity those on whom justice makes its pitiless claims, whom shall we pity? Are we to cla.s.s her with the villain, since we cannot cla.s.s her with the heroine? After all, do not most of us belong to a cla.s.s which it would be unjust or impossible to cla.s.s with either the one or the other? There are more gradations between the noon-day sun and the starless night than the epilogues allow for. At any rate, all you Rhadamanthine judges, she was paying for it, and surely that is all you demand. Come a little further with me; your desire for justice, justice to the uttermost farthing, will not be disappointed.

Eva woke next morning from that dreamless sleep which only quickens our capabilities for suffering, woke with a start of pain into the full consciousness of her unimaginable future. But the absence of her husband was at least a mitigation; she felt she could not stand any extra burden just then. But would this horrible emptiness never cease--would there come no a.s.suaging of her agony? It is hard, directly after some severe shock has been sustained, to believe in the possibly healing powers of time--all we feel is that the impossible to-morrows and to-morrows will stretch away until death, and none will be less impossible than the last. And when one is young, strong, serenely healthy, that is a serious thought. Surely Eva was paying for her folly. And still she never reconsidered her decision; she still saw with undoubted clearness that Reggie, leaving herself out of the question, would eventually be happier with Gertrude; that, for him, there were pleasant places open on this weary earth, into which he would, in all probability, soon pa.s.s and leave her for ever. His best chance of happiness lay there, and herself she did leave out of the question utterly and fearlessly. There is something to pity, and perhaps, after all, there is something to praise.

There is nothing so unbearable as this consciousness of force that cannot be converted into effort, or reach fruition. It strikes with an unavailing hand at the gateways of our soul, but it cannot pa.s.s out and fulfil itself. And to Eva the sensation was wholly new. The coldest, least human of our species are just those who throw themselves with the most irresistible singleness into the force which has thawed them, when that unthawing comes. When their long winter is pa.s.sed, the sap streams more fully into its channels, than in those who live, as it were, in most temperate climates, where the sap never wholly quits the trees. And Eva had none on whom to spend the force of her late waking love. The one who woke it was gone--gone by her own will--and the stream had no other outlet.

The hours pa.s.sed wearily on till noon. After lunch she had calls to make, and about five o'clock she returned home to dress for a ride. Lord Hayes had not yet come back, and she left word that she would be in before seven. But the exercise, the sun, the meeting of half a hundred people she knew had its due effect, and made the horror of that empty house the greater. To her it was a house full of ghosts, of dead possibilities and living horrors, and it was not till much before eight that she dismounted again at her door. The gloaming was rapidly deepening into night, the lamps had already been lit, and the white star on her horse's forehead glimmered strangely through the dusk. She asked the man whether Lord Hayes had returned, and learned that he had come back soon after she had gone out. They were to dine at the Davenport's at a quarter to nine, and Eva went straight to her room to dress. Lord Hayes, the man said, had already dressed and was sitting in his room, writing. He had given orders that he was not to be disturbed. Eva had two minds as to whether she should go to the Davenports that night or not, but the desire to see Mrs. Davenport, to learn whether Reggie had really gone, and how he had received her note, were too strong. She would be wiser, she knew, to say nothing about him, but the craving of her nature took no account of wisdom.

Half an hour later, she came out from her room, dressed for the party, faultlessly beautiful. She had put on the diamonds she had worn two nights ago at the opera, and they lay on her breast like a living embodiment of light. Just as she came out on to the landing, a man came upstairs to say the carriage was round, and she turned aside to go to her husband's room to tell him.

She opened the door, and to her surprise found the room was dark. Then she called him, but got no answer. The man who had announced the carriage was still standing on the landing, and she turned to him.

"Where is Lord Hayes?"

"His Lordship went into the room an hour ago, my lady," he said. "I have not seen him come out. He is not in his dressing-room."

Eva stood for a moment with her hand still grasping the door, for the s.p.a.ce in which a new thought may strike the mind. Her eyebrows contracted, and the diamonds on her breast were suddenly stirred by a quick-drawn breath.

"There is no light in there," she said. "Bring me a lamp quickly."

She waited in the same position while the man fetched a lamp.

"Take it in there," she said; "no, give it me."

The man followed her in.

By the writing-table, with his face fallen forward on the paper, sat her husband. His arms sprawled on each side, and every joint was relaxed.

Eva looked at him for a moment, and then touched him.

"Hayes!"

There was no answer.

"Hayes, Hayes!" she said, raising her voice.

She set the lamp down on the table, close to the thing that sprawled there, and, taking him round the shoulders, dragged him up off the table. But the head fell back over one shoulder, and the two hands rattled against the wood-work of the chair, as his arms slipped off his knees.

"Quick, quick!" she cried to the man. "What are you standing there for?

Don't you see he is ill? Let the carriage go off to the doctor's and bring him back. You fool, run! Send a man here at once!"

Eva ran to the bell and rang it furiously. There was a sound of hurried footsteps on the stairs, and two men came running up.

"Lord Hayes is ill," said Eva. "Take him to his room, and lay him on the bed."

She could not bear to stop in the room to see that nerveless thing being moved, and went out to the pa.s.sage, where her maid met her. The atmosphere of terror had spread through the whole house, and servants were running up.

"Oh! my lady, what is the matter--is he dead?" asked that somewhat hysterical young woman, clasping her hands.

Eva turned fiercely on her.

"Nothing is the matter. What do you mean by saying that? Run downstairs and get some brandy. Quick! do you hear?"