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Among the wreaths that already filled Jenny's room with that piercing smell of lilies which still clung there--unless it were Theophil's fancy--for many months afterwards, was one sent in loving memory "by her Sunday-school cla.s.s"; and it was a part of that informal lying-in-state, which is an involuntary recognition of the divine honours due to death, that these little awestruck scholars should be taken in threes and fours to look at Teacher for the last time.
This was the third day, and Jenny was already in her coffin. The first bloom of death, that light that lingers awhile in the face like a sunset tranquil and blessed, a smile of immortal promise in the very moment of mortality, had faded. Jenny's face by this was really dead, a mask of drawn and sunken wax. She seemed now some fantastic doll, some ghastly waxwork image of death such as we see carried on the stage in tragic plays. The reality of death had gone with the coming of its funereal trappings. But the little girls, who had to be lifted up one by one to gaze with curious, scared faces into that harsh box, deeper and deeper into which, as through beds of flowers and veils of gauze, Teacher was sinking, knew nothing of these thoughts. They looked and wondered in hushed bewilderment, and went their ways. It was evidently an occasion when children were to keep more than usually quiet--and was it really Teacher in that strange deep box? It was rather meaningless, but it was certainly very strange and solemn, and you were allowed to cry.
Of the others who came to see Jenny, I shall not speak,--the vulgar sight-seers, the creepy old women, connoisseurs in beautiful death, for whom a neighbour's funeral was like an invitation to the grand opera, but on whom perhaps one should not be too severe, for even such coa.r.s.e sensitiveness to a mystery is the crude beginning of the poetic.
The night before Jenny was given back to the elements Theophil dreamed a dream, and afterwards he liked to think that he had dreamed it while Jenny's body was still in the house with him, for then it might be interpreted that her spirit was still there too, waiting for its final release from the clay which G.o.d had sent her to animate for a while, as an artist imprisons a lovely thought in a vase of alabaster.
Theophil dreamed that he and some friends were gay together in a room, just before setting out for a theatre; and as they laughed and talked there came a little tapping on the wall, so that they grew silent and listened. Then through the wall was heard a faint but glad little voice speaking. It was Jenny's voice.
"I can hear you all," she said; "you are off to the theatre. I wish I were going with you. Never mind, we are not so far away from each other as you think. I am only on the other side of a wall."
And Theophil awoke on a bright wintry morning, with those words still, it seemed, in the room.
"I am only on the other side of a wall!" Was it but the metaphor-making of dreams, which will so often take our forgotten speculations and dramatise them for us into reality, or was it indeed a message? An instinct which was unamenable to reason, and which was perhaps only a desire, told him it was a message; and it was no less a message though it were merely a pictorial symbol of a sense, which was already his in the daytime, of a new and very real nearness to Jenny.
He had slept right through that night out of sheer bodily weariness.
Weeks of watching and anguish had worn him out, and he never knew that the poor old mother had laid a benediction on his sleep, looking in upon him as he slept, the only waking being in that house of sleep.
"He will wake soon enough, poor boy!" she had said, as she went once more to watch till daylight by the side of the other sleeper.
"O Jenny, Jenny, why did you leave me? You were the apple of my eye, my Jenny. What will your old mother do now that you are gone?"
So she sat and wailed hour after hour, and sometimes she would raise the dead girl from her coffin and press her to her bosom; for, though even Jenny's lover feared her now, that cold unresponsive clay had no fear for Jenny's mother. It was Jenny still, and though the old woman's creed told her that Jenny was already an angel in heaven, her heart belied her faith, and her love made her a Sadducee.
And yet it was her belief in a literal resurrection of the body that was sorely troubling her old soul during these last hours of watching. For while Jenny was still conscious of the coming of death, she had been much tortured by hideous churchyard fancies, imaginations of the darkness and noisomeness of the grave, and she had wrung from her mother the promise that she should first be cremated and her ashes be afterward buried in the family tomb. This was the promise which was lying heavy on the old woman's heart to-night; and, though her reason told her that the way of the flames and the way of the flowers alike led to dust, yet the disintegration by fire seemed to give her a sense of entire destruction such as the more desultory operations of the earth did not give.
If Jenny must indeed pa.s.s right away, the dainty architecture of her body, so lovingly builded, be laid in ruin; not by the fierce fingers of fire should she be torn asunder, but beneath the kind breath of the sun, and the gentle tears of the rain, might she change and change, and on the wings of soft winds might she be carried to and fro in fragrance about the world.
And perhaps in the old Christian's mind there was an imagination of a mysterious recreation in the earth, which when the dust has quite returned to dust, should begin anew the building of an incorruptible Jenny, lying prepared there like a new garment, against the hour when the soul should seek anew its earthly vesture for the last great day.
Thus strangely will imagination build its dreams in defiance of imagination.
And in what different ways will love argue with itself! This way of the flames, that brought such a terror to the poor mother, was one of the great consolations of the lover; and when at length on the morrow Jenny was no longer to be sought in her room, and the darkened house was once more filled with an empty light that was crueller than darkness, it brought a sense of warmth to think that Jenny was not lying stark and lonely out in that bitter churchyard, where the graves were covered with sheets of snow and hung with hoods of ice, but that through the cleansing gates of flame she had pa.s.sed into the eternal elements, and was already about the business of the dreaming spring.
And in other ways this proved a consolation that never failed him. It saved his love from those cruel foulnesses of the grave which had haunted Jenny. That cleansing fire cleansed his fancies too. However morbid his fancies might become, _desiderium_ could never take any but beautiful forms. Jenny could never come to him in any fearful images of corruption, nor could he picture her in any mouldering shape of catacomb or charnel.
She had come like a sylph out of the air, and she had returned again whence she came. She had moved awhile about certain ever sacred rooms, and as she moved she had hummed a little song, which was her life; she had touched certain objects, she had written her name in some books, she had made little everlasting memories with her hands,--that was her history; and now suddenly she had gone. She had come like a dream, and she had gone like a dream. The invisible winds had for a while rocked a flower, and now the flower was gone. Only its perfume remained. No one as long as the world lasted could take up some crumbling relic, and, giving the lie to love's divine answer to the dust, say "This was Jenny!"
No! but sometimes when a bird sings in the stillness, when the moon rises above the trees, when a breath of secret violets crosses one's path one knows not whence; sometimes when the rain is sobbing at the window, or the wind plaining about the doors; sometimes when an unknown happiness fills the heart, when a great deed has been done, when a lovely word has been spoken, in seasons of music and in all high moments, then can one say, "There, listen! _that_ was Jenny."
Jenny was already a legend. She was with the great lovers. Theophil remained behind only to write her name across the high stars. Then he, too, would pa.s.s through the gates of fire to her side.
As he lay down to rest that night, his eyes fell with a sudden sense of freshness upon the familiar Botticelli's "Mother and Child," which hung over his fireplace; and a need that could never be fulfilled awoke in his soul. If only Jenny could have left him a little child,--a little girl! He had not seemed so lonely then.
It was so he thought; yet perhaps Jenny's child would but have deepened his loneliness, like a bird singing in a garden where our love walked long ago. Yet the cry was from his heart, and the longing brought with it his first tears. "O Jenny," he sobbed, "if only you had left me a little child!"
CHAPTER XXIV
THE BEGINNING OF THE PILGRIMAGE--MESSAGE FROM JENNY
If every inclination of his heart had not desired it too, Theophil would have gone on living at 3 Zion Place, for old Mrs. Talbot's sake; for now he was literally all she had left in the world, and what greater joy remained for either than just to sit close by the fire and talk of Jenny?
3 Zion Place was now a little chapel of memory, where a bowed ancient woman and a sad-faced young man kept up perpetual services to the holy dead. A woman of her own years, also acquainted with grief, came to companion the old woman, a sort of lay sister in this little monastery of grief. It was so piety began, and thus piety is purest and tenderest in the worship of the dead. Everything in that house which had taken the impress of Jenny's fingers, been Jenny's to use or handle, remained exactly as and where Jenny had placed it. They were as yet as fragrant of Jenny as a fresh-gathered flower of its own perfume. In a very real sense indeed Jenny had not died, or she was coming to life again as she had never lived before; and it was no merely idealised Jenny who was henceforward to fill up all her lover's thoughts and speak to him in every sight and sound, but just the human Jenny, with her faults and all.
On these--such little faults!--Theophil ever loved to dwell. They saved Jenny from becoming an abstraction, a saint. Even those bitter little quarrels which all lovers must suffer,--how sweet they seemed now!
The old mother's method was no doubt again different from her son-in-law's. She would never have admitted that Jenny had a fault.
Such is the difference in reality between the new idealism and the old.
In such small matters as the minutiae of mourning that difference was again ill.u.s.trated. Theophil could permit himself no outward insignia of sorrow which he could not wear for ever. Already his profession had clothed him in black, and it was only for him that his black seemed now to gain a deeper distinction; but such ugly symbols of beautiful memory as that note-paper whose diminishing edge of blackness is rather a cynical witness of a graduated forgetfulness, were not for a real grief like his. As if sorrow, while it may and will change, can ever end! Why, in the world of faithful hearts, men and women have not yet dried their tears for Romeo and Juliet!
Theophil conceived this grief that had come to him as one more activity added to his life till life should end. He knew that it would not outcast joy, but that it would live side by side with it, that it must alternate with joy for it to go on living. Jenny's death was not going to be less sad, less a factor of the eternal tragedy, at the end of a year,--that he might go to a theatre once more, as some widows joyously don colours, when the clock strikes the end of a year of lost dances.
For it was not Jenny alone that had died, but it was a consolation to Theophil in those hours of self-torture which are among the earliest and most cruel developments of grief, to realise how much of himself had died with her, after all. It was not merely the apathy of the first weeks that told him this, the sense of vacuity, of uselessness in all things, but the sense that never left him, even when he had awakened to an activity he had never known before, that nothing really mattered, however vigorously he might seem to act to the contrary, since Jenny had gone.
It was with difficulty sometimes that he could take important issues with necessary seriousness, for, whatever the odds of life henceforward might be, what was there worth gaining now that Jenny was lost? Could any energy or haste save Jenny from dying? That had happened. The worst had happened. All the terror life had to appal the human spirit had been faced, in that moment when the doctor's hand upon his shoulder had told him Jenny was to die. His eyes had looked on the Medusa-face of life that turns the bravest to stone, and he was no longer vulnerable humanity.
On the battle-field of existence he bore a charmed life, and sometimes as he moved among his fellows he felt a certain sense of the unfairness of his advantage in this respect, and paused to pity those who could still be so eager, so tragically set upon, this little issue. The virulence of those enemies whom he was already making and who were to multiply as his activities awakened again, seemed particularly pathetic, and he would smile in sad amus.e.m.e.nt at their quaint little efforts to hurt him. (No man is so strong for this world's fight as he who has laid up his treasure in heaven; and when the mystic condescends to the common trades of life he is an easy master.) It meant so much to them, so little to him. He was a humbug, he was a hypocrite, he wasn't even a good speaker, he was an ignoramus! Was he? All right. They might think so if they chose. It hardly interested him. He had been sitting drawing angels, and somehow their irrelevant voices had broken in upon him.
"Another was with me."
Really, even for Jenny's sake, it seemed hardly worth while to fight so poor a world! Was the fame that such a world could give a distinction one would seek for Jenny? Would not Jenny smile in heaven at the toy honours of such a world?
On the other hand, there was something repellent to his once ambitious soul, in the thought that such a world might seem to have the victory; and, therefore, when the first numbness had left him and the colours and sounds of things were once more coming back, he threw himself with galvanic vitality into the work that lay to his hand, and particularly into those political activities for which his gift of speech and his power of organisation fitted him.
Two months after Jenny's death, having spoken at a great meeting on some momentous question of the hour, he found himself the acknowledged leader of the Radical, rather forlorn, hope in Coalchester, and before long invitations were coming to him to help on the same hope in other towns.
Never in his life--and he used often to meditate on the fact with wonder--had he been so vital, so efficient, so brilliant. His powers had acquired a firmness, an alertness, a force of influence and attraction, they had never possessed before. Of a sudden he found himself mature, a calm master of his gifts.
Yet those who sat near him at those meetings might have noticed that as he sat down, pale amid plaudits, and crossed his hands upon his knees, and while his political colleagues were complimenting him to the audience on the mellow thunder of his political oratory, he was smiling furtively to himself. "It's all very funny, isn't it, Jenny?" he was saying in his heart.
Indeed it was hardly recognisable to himself as a fancy that whenever he spoke Jenny was somewhere in the audience. Sometimes a remote face might bear a chance resemblance to her, and he would humour himself with the thought that that was Jenny. For, with that self-consciousness which no modern mind can escape, he found a certain sad pleasure sometimes in noting the tricks grief played with him, loving and encouraging all its fancies--if fancies indeed they were.
When at other times he tried to think clearly, to strip himself of the illusions, as others would no doubt call them, in which he now lived, his thinking rather confirmed than dispersed them; and the more he pondered, the more he failed to realise that Jenny was dead, the surer became his consciousness that she was nearer to him (a very part of him as it were) than she had ever been in the days when others could still hear her voice and note her presence in a room. Her very death had given him a paradoxical cert.i.tude of her immortality.
Yet this recognition of her presence, on some plane of spiritual apprehension, was none the less consistent with a piercing sense of her loss on the plane where love once moved in visible beauty. That heavenly lover in him was able to give none of the comfort of its a.s.surance to the earthly lover. That the eyes of the spirit could touch her, brought no healing to the eyes that at midnight would look up from the desk in Theophil's study to Jenny's empty chair, no touch of her to the hands that were so idle and empty now.
Yet there were little services these hands might still do for her.
There in her own little room her own books still stood in their places.
These could be taken care of, her little desk could still be kept as she had left it, with her pen laid down as she had last laid it. There were note-paper and envelopes, and ink and blotting-paper, all ready, if some day, by a miracle--who could tell?--she might steal into that room and want to leave a message. There should be fresh flowers for her to find there too if she did come.
And that new edition of Scott which was not finished issuing when she went away, she would find that complete when she came back. Her little collection of fairy books too--she was sure to glance at that! and then she would find two or three new ones there finer than any of the old ones; alas! so many beautiful books kept coming out now that she had gone.
Yet somehow she might see them, after all, if they were taken softly to that little room and laid on that table altar. When it was quite sure that no one was looking or listening, the shy soul might steal out of the air and turn the pages with a sigh.
Just so some savage lover might bring gifts of fruit and coloured beads, and bright plumed birds, to the grave of his dead love, for the future anthropologist to draw his moral of the childishness of all human idealisms.